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Kristy H (1252 KP) rated Lola on Fire in Books
Feb 25, 2021
A dark, fast-paced thriller
Brody Ellis has lost his job: desperate for cash to pay rent and to help take care of his younger sister, he robs a gas station. On his way out, he bumps into a woman. It's only once he's home that the realizes he's lost his wallet. He's waiting for the cops to arrest him when he receives a call. A woman named Blair Mayo, the one whom he ran into, has the wallet. She'll return it if he'll do something in return: steal her late mother's diamonds from her father's hateful new wife. But when Brody executes Blair's plan, he finds something else: a murdered woman and a security camera watching his every move. After he flees, slipping in blood, Blair tells him someone has already taken care of the footage. The woman's husband, the notorious mobster Jimmy Latzo. But he wants his own special revenge on Brody (and his sister, Molly, by default). The two flee, with the mob hot on their tail, and get caught up in a tangled web that involves Jimmy, Blair, and a woman named Lola Bear who came up against Jimmy years ago.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
Laetitia Sadier recommended Club de Esquina by Milton Nascimento in Music (curated)
Matt Martin (12 KP) rated Google Home in Apps
Sep 18, 2020
Unbeatable
This is my first review here and I chose this because it's my most used and most raved about product. I tell everyone to get this. Philips hue smart lights all over my house RUN THROUGH GOOGLE. Three nest thermostats for my 3 zones in my house RUN THROUGH GOOGLE. The 2 nest hub maxes, 4 nest mini's, 3 nest wifi points, 6 chromecasts all RUN THROUGH GOOGLE. My nest yale locks for my 2 doors, nest home security system with points in every window and door, my nest video doorbell & 4 outdoor cameras all RUN THROUGH GOOGLE. The dozen tp link casa smart plugs I have for everything around the house, the multiple govee light strips behind tvs and furniture all RUN THROUGH GOOGLE. You get the point. When comparing Google to Amazon Alexa I think it's a no brainer. Google is far more user friendly. Google works with everything a lot easier. The routines are amazing. At night instead of walking around my whole house turning everything off, the lights, the tvs, the fan, remembering to lock the door... None of that, just say "shut it down" (or whatever you choose to say) and it does it all for you. In the morning the routines can wake up by a phrase, by sunrise or by time and can play music, then read you the news, then turn on the lights, then make you coffee. Nothing to remember to do everyday. It really does make life so much easier. Hot day and you forgot to turn the Ac's on before you left for work? Don't even trip dawg, just tell Google it's time to go home and it'll turn all that on and give you the estimated time of your commute and then start playing your favorite podcast from where you left off. You can create groups of speakers, so if I tell Google to play Colter Wall downstairs it plays on all 6 downstairs speakers. The things this can do are literally endless. I can't say enough good things about it. If you know your tech especially this is the way to go. Google has become a part of our families everyday life.
Rachel (48 KP) rated Tortured Dreams (Dreams & Reality Series #1) in Books
May 27, 2017
Managed 17%
*Spoiler Alert*
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
Not what I expected
I need to start off by saying that I wasnt a fan of Get Out, and I hadn't even see the trailer for Us, so I went into this with low/no expectations, and I was actually pleasantly surprised.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
Darkwriter1408 (8 KP) rated Guardians of the Galaxy (2014) in Movies
Jun 13, 2019
Funny (2 more)
Good acting
Good diversity
Amazing! Brilliant! Funny
Contains spoilers, click to show
So if you haven't seen the film then go watch it and then come back and read this review! I am about to go in depth!.. GO NOW!!
Right, so the film centres on peter quill who is a earth boy abducted by an alien race, initially you don't know what for *SPOILER* (it gets revealed in GOTG2) that he was abducted for his father but let's not get in to that.
So, Peter is abducted by the alien race and developed into a thief, he's sent to retrieve this orb that he knows nothing about and is to deliver it to ronin... if your familiar with the comics you'll know all about him. He's big, ugly, strong and quite frankly the evil guy.
Peter is meant to take the orb to yondu for him to deliver it. However after taking a little bit of a detour to another planet, Peter finds himself in a 3-way battle with Gamora, rocket and groot. Gamora is there for the orb and rocket and groot are there for gamora and Peter.
All this being said, they end up in a pretty public fight and end up being sent to jail. This is where the film starts to build it's character, they are put in a maximum security stronghold where Drax is. More on him in a moment. The character building in these scenes are quite intense and you really see gamora for who she is..
Drax, right Drax is also seen as the destroyer because Ronin destroyed his planet and family and Drax has held a vengeance for the entirety of his time. Seeing gamora and knowing she is associated with ronin is enough for him to want to kill her. This is where his character starts his arc. After speaking to peter, he decides to join them anf see where he can go.
Following the stronghold scene, they eventually come against ronin after taking a mahoosive detour.
Coming to the end of the film you have been through intense laughter, even bits of sadness but you'll understand all of there standings and why they do what they do. The visual effects are brilliant and second to none and the action and comedy within is also amazing. Then we get to the performances of the cast, these really bring the film together and show the versatility of some of the actors.
Now even without my biased opinion onnthis film it is definitely a family friends amazing film you should definitely watch!!!
Right, so the film centres on peter quill who is a earth boy abducted by an alien race, initially you don't know what for *SPOILER* (it gets revealed in GOTG2) that he was abducted for his father but let's not get in to that.
So, Peter is abducted by the alien race and developed into a thief, he's sent to retrieve this orb that he knows nothing about and is to deliver it to ronin... if your familiar with the comics you'll know all about him. He's big, ugly, strong and quite frankly the evil guy.
Peter is meant to take the orb to yondu for him to deliver it. However after taking a little bit of a detour to another planet, Peter finds himself in a 3-way battle with Gamora, rocket and groot. Gamora is there for the orb and rocket and groot are there for gamora and Peter.
All this being said, they end up in a pretty public fight and end up being sent to jail. This is where the film starts to build it's character, they are put in a maximum security stronghold where Drax is. More on him in a moment. The character building in these scenes are quite intense and you really see gamora for who she is..
Drax, right Drax is also seen as the destroyer because Ronin destroyed his planet and family and Drax has held a vengeance for the entirety of his time. Seeing gamora and knowing she is associated with ronin is enough for him to want to kill her. This is where his character starts his arc. After speaking to peter, he decides to join them anf see where he can go.
Following the stronghold scene, they eventually come against ronin after taking a mahoosive detour.
Coming to the end of the film you have been through intense laughter, even bits of sadness but you'll understand all of there standings and why they do what they do. The visual effects are brilliant and second to none and the action and comedy within is also amazing. Then we get to the performances of the cast, these really bring the film together and show the versatility of some of the actors.
Now even without my biased opinion onnthis film it is definitely a family friends amazing film you should definitely watch!!!
Debbiereadsbook (1166 KP) rated Fearless (Somerton Security #3) in Books
Nov 16, 2018
far darker than the others, but equally brilliant!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book direct from the author, and I thank Ms Dyer for that!
This is book three in the Somerton Security series and I would strongly recommend that you read books one, Defenseless and book two, Relentless before you read this one. There is some of an on-going story arc, and I don't think you'll get the full benefit of THIS book, if you don't. And,I mean, both are five star reads too!
We haven't met Will or Cooper before, but we know of Will. He is Georgia's brother and we thought him long dead. Cooper is a sniper, and they have talked before, Will and Coop, long intimate conversations, but never got round to meeting. When Coop's life is threatened by her actions on orders, she needs Will to find the answers and clear her name. She just needs to free Will from his captivity.
I loved this one, too!
It's far darker than the other two, because some of Will's torture is described, in detail, as it happens and as memories surfacing, but it's needed. You NEED to know what happened to Will, while he was held all that time, because it has some baring on what happens later in the book. Quite graphic, but absolutely necessary.
Will and Coop's history is all phone calls and texts, but I loved that the full picture isn't immediately clear. You're left guessing at the clues and I love being kept on my toes.
I loved that Coop could SEE Will, you know, under all that dirt and grime and all those scars. She could see the man he was, will be again, even if Will couldn't. Loved that Will knew he had to let Coop go, if he was going to keep her and LOVED how he pulled her back!! I was like, way to go man!!
Parker and Georgia, and Ethan and Natalia all pop up, if only towards the end but it was nice that they did.
There is a character here who has piqued my interest, particularly after what he says to Coop and Will when the sh*t hits the fan, and more importantly, it was the WAY he said it. Makes me think that HIS story could be next, and he isn't quite the bad guy he portrays here. Maybe he is, but I think there is a teeny tiny soft spot in his heart for a certain doctor who is missing.
Please keep these coming!!
5 stars
**same worded review will appear elsewhere**
This is book three in the Somerton Security series and I would strongly recommend that you read books one, Defenseless and book two, Relentless before you read this one. There is some of an on-going story arc, and I don't think you'll get the full benefit of THIS book, if you don't. And,I mean, both are five star reads too!
We haven't met Will or Cooper before, but we know of Will. He is Georgia's brother and we thought him long dead. Cooper is a sniper, and they have talked before, Will and Coop, long intimate conversations, but never got round to meeting. When Coop's life is threatened by her actions on orders, she needs Will to find the answers and clear her name. She just needs to free Will from his captivity.
I loved this one, too!
It's far darker than the other two, because some of Will's torture is described, in detail, as it happens and as memories surfacing, but it's needed. You NEED to know what happened to Will, while he was held all that time, because it has some baring on what happens later in the book. Quite graphic, but absolutely necessary.
Will and Coop's history is all phone calls and texts, but I loved that the full picture isn't immediately clear. You're left guessing at the clues and I love being kept on my toes.
I loved that Coop could SEE Will, you know, under all that dirt and grime and all those scars. She could see the man he was, will be again, even if Will couldn't. Loved that Will knew he had to let Coop go, if he was going to keep her and LOVED how he pulled her back!! I was like, way to go man!!
Parker and Georgia, and Ethan and Natalia all pop up, if only towards the end but it was nice that they did.
There is a character here who has piqued my interest, particularly after what he says to Coop and Will when the sh*t hits the fan, and more importantly, it was the WAY he said it. Makes me think that HIS story could be next, and he isn't quite the bad guy he portrays here. Maybe he is, but I think there is a teeny tiny soft spot in his heart for a certain doctor who is missing.
Please keep these coming!!
5 stars
**same worded review will appear elsewhere**
Ali A (78 KP) rated Such a Fun Age in Books
Mar 6, 2020
While most of her friends have started making big steps in their career paths, Emira works as a part time babysitter for a wealthy (and white) family. She knows she needs a better job, especially since she'll be 26 soon and kicked off her parents' health insurance, but she really enjoys taking care of the Chamberlain's daughter, Briar.
After leaving a night out with her friends to take Briar away from an incident that happened at the Chamberlain's house, Emira is stopped and questioned by security at the high-end grocery store she went to for possibly kidnapping Briar. While someone films, the incident escalates until Emira is able to get Mr. Chamberlain to come to the grocery store to validate who she is. The man who filmed the incident, Kelley, wants to share the video, but Emira doesn't want any part of it.
Preceding the incident, Alix Chamberlain becomes almost obsessed with making sure Emira feels comfortable and welcomed at her job. She wants to have a friendly relationship with her like the rest of the women in her friends group do with their nannies. Then, when a strange connection between Alix and Emira's new boyfriend is discovered, it starts a ball rolling in a chain of events that will change everyone's lives.
All right, I honestly don't know how I feel about this book. Did I like it? - yes... mostly... There is so much that goes on in the book and I read it in less than 24 hours that I'm sure I missed a few things, but the way Kiley Reid writes makes it an easily digestible read. With the simplicity of the writing though, it did take awhile to appreciate the depths Reid took you to. It has issues ranging from race, class, privilege, parenting (a lot of motherhood), and relationships.
The novel is written in third person but jumps between Emira's and Alix's inner voices, and each inner voice is worth really looking into. There were times in the novel that I wanted to reach into the pages and scorn Alix for what she was doing or shake Emira's shoulders and tell her to get it together. It goes back to the depths that Reid is able to write in that this book kind of opens your eyes to finger-pointing and the harm it ends up doing, even years down the line. The novel asks us to look at the actions of the characters, compare ourselves, and try to better our future.
After leaving a night out with her friends to take Briar away from an incident that happened at the Chamberlain's house, Emira is stopped and questioned by security at the high-end grocery store she went to for possibly kidnapping Briar. While someone films, the incident escalates until Emira is able to get Mr. Chamberlain to come to the grocery store to validate who she is. The man who filmed the incident, Kelley, wants to share the video, but Emira doesn't want any part of it.
Preceding the incident, Alix Chamberlain becomes almost obsessed with making sure Emira feels comfortable and welcomed at her job. She wants to have a friendly relationship with her like the rest of the women in her friends group do with their nannies. Then, when a strange connection between Alix and Emira's new boyfriend is discovered, it starts a ball rolling in a chain of events that will change everyone's lives.
All right, I honestly don't know how I feel about this book. Did I like it? - yes... mostly... There is so much that goes on in the book and I read it in less than 24 hours that I'm sure I missed a few things, but the way Kiley Reid writes makes it an easily digestible read. With the simplicity of the writing though, it did take awhile to appreciate the depths Reid took you to. It has issues ranging from race, class, privilege, parenting (a lot of motherhood), and relationships.
The novel is written in third person but jumps between Emira's and Alix's inner voices, and each inner voice is worth really looking into. There were times in the novel that I wanted to reach into the pages and scorn Alix for what she was doing or shake Emira's shoulders and tell her to get it together. It goes back to the depths that Reid is able to write in that this book kind of opens your eyes to finger-pointing and the harm it ends up doing, even years down the line. The novel asks us to look at the actions of the characters, compare ourselves, and try to better our future.
JT (287 KP) rated The Purge (2013) in Movies
Mar 10, 2020
Ethan Hawke has been here once before, and when you look deep into the mechanics of The Purge it almost mirrors the remake of Assault on Precinct 13. Director James DeMonaco who wrote the script for the latter has taken the premise of that film and given it a more personal feel, something which we could resonate with.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
British directors getting behind the camera and undertaking foreign film seems to be paying off in multitude. Just take a look at what Gareth Evans did with The Raid and its sequel. He took his central character and put him through hell while at the same time painting a graphic picture of the film’s surroundings.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.