Search
Search results
Hazel (1853 KP) rated Imitation (Clone Chronicles, #1) in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Heather Hildenbrand’s latest young adult science fiction series <i>Clone Chronicles</i> gets off to a good start in this book, <i>Imitation</i>. Raven Rogen is a shallow eighteen-year-old girl whose father holds a high position in the city. The main character, however, is known as Ven and is an imitation of Raven, a clone. The purpose of the imitations is to be available for their Authentics whenever they are needed, whether it is organ transplants or taking their place completely. When the real Raven is attacked, Ven is instructed to take her place as bait to draw the attackers out of the shadows. Although they may look the same, their personalities are completely different meaning that Ven has to try extra hard to convince people that she is Raven.
Ven is a very likable character and it is easy to feel for her as she struggles to live up to the expectations of Raven’s father. The book takes a turning point when Ven decides to run away with the help of a security guard, Linc, who she has fallen in love with. To complicate things even further it is not clear for a long time who the real bad guys are.
There were times when the storyline became really exciting but some of the characters were really annoying to read about. Although Raven was not actually in the book, Ven had to behave like her which involved being rather rude and sarcastic. Raven’s friends were also of the same nature. Other than Ven and Linc most characters were rather irritating.
The novel ends leaving the reader wondering what will happen next. It is not a cliffhanger as such, but it does leave the story wide open in regards to how things will be resolved.
<i>Imitation</i> would fit in well in a selection of other popular science fiction books that young adults have become addicted to. The ending of book one leaves us with the feeling that book two, <i>Deviation</i>, will be even more exciting.
Heather Hildenbrand’s latest young adult science fiction series <i>Clone Chronicles</i> gets off to a good start in this book, <i>Imitation</i>. Raven Rogen is a shallow eighteen-year-old girl whose father holds a high position in the city. The main character, however, is known as Ven and is an imitation of Raven, a clone. The purpose of the imitations is to be available for their Authentics whenever they are needed, whether it is organ transplants or taking their place completely. When the real Raven is attacked, Ven is instructed to take her place as bait to draw the attackers out of the shadows. Although they may look the same, their personalities are completely different meaning that Ven has to try extra hard to convince people that she is Raven.
Ven is a very likable character and it is easy to feel for her as she struggles to live up to the expectations of Raven’s father. The book takes a turning point when Ven decides to run away with the help of a security guard, Linc, who she has fallen in love with. To complicate things even further it is not clear for a long time who the real bad guys are.
There were times when the storyline became really exciting but some of the characters were really annoying to read about. Although Raven was not actually in the book, Ven had to behave like her which involved being rather rude and sarcastic. Raven’s friends were also of the same nature. Other than Ven and Linc most characters were rather irritating.
The novel ends leaving the reader wondering what will happen next. It is not a cliffhanger as such, but it does leave the story wide open in regards to how things will be resolved.
<i>Imitation</i> would fit in well in a selection of other popular science fiction books that young adults have become addicted to. The ending of book one leaves us with the feeling that book two, <i>Deviation</i>, will be even more exciting.
Gareth von Kallenbach (980 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolan’s pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
Kirk Bage (1775 KP) rated Black Mirror - Season 1 in TV
Mar 3, 2020
The National Anthem - 7.5
Yes, it’s the one that got it all started; the one with the Prime Minister and the pig. A very clever, if repulsive, episode that explores the power of media and the notion that men in power will do anything to protect their image. As the maiden voyage of Black Mirror, we find that the writing, acting and production values are very strong. There is also a nice multi-layering on display that allows you to debate what this morality tale is actually all about.
Fifteen Million Merits - 7
Before Get Out made him a star, Daniel Kaluuya shows a lot of promise in this pure satire on riding the gravy train and the fast fix provided by reality shows and the dangling carrot of fame and fortune. The rich have their penthouses while the rest of us exist in a hamster wheel of repetition and unattainable dreams. Even the seed of anger and rebellion becomes the focus of “entertainment” in an amusing, but slightly weaker ending than most.
The Entire History of You - 9
A very strong idea, beautifully / horrifically realised, in one of my personal favourites to date. Implant technology allows us to record every moment of our waking lives and replay them through our own eyes or on a screen. The benefits of security, lost keys and legal issues are explored, before the episode descends into a personal nightmare as a brilliant Toby Kebbell begins to suspect his wife, future Dr. Who Jodie Whittaker, of having an affair; proceding then to be obsessed by the minute details of both their recorded “memories”. An exploration of paranoia and close relationships, whilst questioning the morality of privacy, and the role being able to lie to a loved one might have as a positive, not a negative. The genius of it is watching Kebbell lose his mind completely whilst never knowing until the end if his doubts have any validity at all. A technology it is terrifyingly possible to imagine as a reality – and a solution that exists with mobile phones and social media already: you can always opt out, even if that is painful.
Yes, it’s the one that got it all started; the one with the Prime Minister and the pig. A very clever, if repulsive, episode that explores the power of media and the notion that men in power will do anything to protect their image. As the maiden voyage of Black Mirror, we find that the writing, acting and production values are very strong. There is also a nice multi-layering on display that allows you to debate what this morality tale is actually all about.
Fifteen Million Merits - 7
Before Get Out made him a star, Daniel Kaluuya shows a lot of promise in this pure satire on riding the gravy train and the fast fix provided by reality shows and the dangling carrot of fame and fortune. The rich have their penthouses while the rest of us exist in a hamster wheel of repetition and unattainable dreams. Even the seed of anger and rebellion becomes the focus of “entertainment” in an amusing, but slightly weaker ending than most.
The Entire History of You - 9
A very strong idea, beautifully / horrifically realised, in one of my personal favourites to date. Implant technology allows us to record every moment of our waking lives and replay them through our own eyes or on a screen. The benefits of security, lost keys and legal issues are explored, before the episode descends into a personal nightmare as a brilliant Toby Kebbell begins to suspect his wife, future Dr. Who Jodie Whittaker, of having an affair; proceding then to be obsessed by the minute details of both their recorded “memories”. An exploration of paranoia and close relationships, whilst questioning the morality of privacy, and the role being able to lie to a loved one might have as a positive, not a negative. The genius of it is watching Kebbell lose his mind completely whilst never knowing until the end if his doubts have any validity at all. A technology it is terrifyingly possible to imagine as a reality – and a solution that exists with mobile phones and social media already: you can always opt out, even if that is painful.
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
Car Safety - Travelling with children
Education and Games
App
Welcome to Car Safety by Babyauto & Babybus! Kiki, our little panda, and all his friends want to...
Adverts Cars - Buy & Sell Cars in Ireland
Auto & Vehicles, Lifestyle and Shopping
App
Adverts Cars is Ireland's brand new car app, from Adverts.ie. Now it is faster and easier than ever...
Interactive Governance for Small-Scale Fisheries: Global Reflections
Svein Jentoft and Ratana Chuenpagdee
Book
Drawing on more than 30 case studies from around the world, this book offers a multitude of examples...
Copenhagen Marco Polo Guide
Book
Experience all of Copenhagen's attractions and get lots of information about the city's sights,...
Lioness: Golda Meir and the Nation of Israel
Book
The definitive biography of the iron-willed leader, chain-smoking political operative, and...
biography history
Seven: The Days Long Gone
Video Game Watch
If there’s one place that Master Thief Teriel avoids at all costs, it’s the prison island of...
action adventure role-playing