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Sassy Brit (97 KP) rated Chakra Wisdom Oracle: How to Read the Cards for Yourself and Others in Books
Jun 5, 2019
It’s quite possibly a little known fact that I used to review a lot more new age, self-help books and products in the past, hence the name ‘alternative’ in my website address. So when I saw this available for review it reminded me of those days, and I jumped at the chance of reviewing this – “How to Read the Cards for Yourself and Others (Chakra Wisdom Oracle) Tori Hartman“. Tori is a professional intuitive following a near-death experience some twenty years ago.
Unfortunately, this whole book is built around a set of Tarot style 49 mystical fable cards, revealed to Tori, which do not come with this book. It also focuses on The Chakra Wisdom Oracle Toolkit, which I also do not own. But there is an iPhone app! You can also go online and try them out there for free (an online shuffler).
I really must get these cards… they look gorgeous and after reading all about them I am definitely curious. I also quite like the idea of the toolkit too. Chakra Wisdom Oracle Toolkit: A 52-week journey of self-discovery with the lost fables.
The book itself explains what the cards mean and how to interpret them. You learn about the Great Servant and the 17 Great Spirits of the Council, which all relate to chakra coloured cards, with different aspects and teachings on. It’s written in a concise and well laid out format. There are also some handy quick reference tables to help simplify the teachings, plus reading techniques and meditative journaling are also covered.
With 320 pages, it is quite full on, which in my eyes is a good thing. It doesn’t skimp on detail. Plus, if you visit Tori’s website there are now courses you can take up to train you how to use these cards even further, and more in depth.
I can recommend this book to anyone who is already a fan of spiritual guides and tarot cards, or if this is something that just appeals to you, (there’s a reason for that) just try it out and see. If you’re dedicated enough you can learn so much more by repeated use to better your understanding of what these cards are telling you and how to read them fully.
Unfortunately, this whole book is built around a set of Tarot style 49 mystical fable cards, revealed to Tori, which do not come with this book. It also focuses on The Chakra Wisdom Oracle Toolkit, which I also do not own. But there is an iPhone app! You can also go online and try them out there for free (an online shuffler).
I really must get these cards… they look gorgeous and after reading all about them I am definitely curious. I also quite like the idea of the toolkit too. Chakra Wisdom Oracle Toolkit: A 52-week journey of self-discovery with the lost fables.
The book itself explains what the cards mean and how to interpret them. You learn about the Great Servant and the 17 Great Spirits of the Council, which all relate to chakra coloured cards, with different aspects and teachings on. It’s written in a concise and well laid out format. There are also some handy quick reference tables to help simplify the teachings, plus reading techniques and meditative journaling are also covered.
With 320 pages, it is quite full on, which in my eyes is a good thing. It doesn’t skimp on detail. Plus, if you visit Tori’s website there are now courses you can take up to train you how to use these cards even further, and more in depth.
I can recommend this book to anyone who is already a fan of spiritual guides and tarot cards, or if this is something that just appeals to you, (there’s a reason for that) just try it out and see. If you’re dedicated enough you can learn so much more by repeated use to better your understanding of what these cards are telling you and how to read them fully.
Lisbon Map and Walks, Full Version
Travel and Navigation
App
Lose Yourself Without Getting Lost. This handy application presents you several self-guided city...
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Molly J (Cover To Cover Cafe) (106 KP) rated The Room on Rue Amélie in Books
Feb 25, 2019
For those that know me, truly know me, know that one of my favorite genres to read, is historical fiction. More specifically, the WWII era. So, when I was browsing books at B&N one day, I came across this book. First, let me say, the cover is enough to hook me! It’s gorgeous. Second, once my dad surprised me with it, I devoured it. Or, rather, it devoured me and kept me hooked til the end.
This book is not full of fluff and rhyme. Yes, there is a bit of romance woven in, but the author is taking the reader on a journey of self discovery. The reader is on a journey with the characters, feeling the heartache of the war, the pain, and sacrifice that went with running from the Nazi’s and helping with the escape efforts of the pilots.
Each page turn, Harmel gives something more to the reader. She intricately weaves a story that you become a part of. Ruby, Charlotte and Thomas all make their way into the reader’s heart. The depth of emotions is felt wholly, the detail to the history is vivid and clear.
Harmel’s THE ROOM ON RUE AMELIE is a novel that all historical fiction lovers should grab. It will consume you and keep you until the last page is turned. If I could give this book a thousand stars I would. But, alas, I can give it 5 stars. This is a book that I won’t forget and will be sharing with my friends many times over.
*This book was purchased by myself. All opinions, negative or positive, are my own.*
This book is not full of fluff and rhyme. Yes, there is a bit of romance woven in, but the author is taking the reader on a journey of self discovery. The reader is on a journey with the characters, feeling the heartache of the war, the pain, and sacrifice that went with running from the Nazi’s and helping with the escape efforts of the pilots.
Each page turn, Harmel gives something more to the reader. She intricately weaves a story that you become a part of. Ruby, Charlotte and Thomas all make their way into the reader’s heart. The depth of emotions is felt wholly, the detail to the history is vivid and clear.
Harmel’s THE ROOM ON RUE AMELIE is a novel that all historical fiction lovers should grab. It will consume you and keep you until the last page is turned. If I could give this book a thousand stars I would. But, alas, I can give it 5 stars. This is a book that I won’t forget and will be sharing with my friends many times over.
*This book was purchased by myself. All opinions, negative or positive, are my own.*
Micah Ulibarri (79 KP) rated Everything Sucks - Season 1 in TV
Apr 3, 2018
It's a dramedy that takes place in the 90s. I'm talking so 90's it hurts. Three high school freshmen in Boring, Oregan start off their first year of high school in a big way. Hopefully they wont embarrass themselves.
I absolutely fell in love with this show. First of all, it is funny and feels more like a comedy. Nevertheless, the characters are complex and the situations are interesting and emotional.
The young actors, Peyton Kennedy, Jahi Winston, and Rio Mangini especially, do some great work. I think it's great that they actually look like young high school kids. Nonetheless, the are able to bring the emotion.
The show has themes of relationships, self-discovery, growing up, and how the 90s influenced that. There are some very positive representations of discovering sexuality. Not only as a young adult, but some of the older adults recently out of long term relationships also learn what it is to love and trust again.
Finally, one of the big plot points is the making of a movie in the kids AV club. It's actually really impressive when you see just how intensive a process that was not even 20 years ago.
All in all, the characters are the ones that sell the show. The show often ends on cliff hangers making you wanting to come back. My wife and I watched it through twice in one week. It's only 10 episodes and every single one of them is well worth it.
Also, shout out to the 90s tunes. Most of which are still songs on pretty much any of my playlists.
I absolutely fell in love with this show. First of all, it is funny and feels more like a comedy. Nevertheless, the characters are complex and the situations are interesting and emotional.
The young actors, Peyton Kennedy, Jahi Winston, and Rio Mangini especially, do some great work. I think it's great that they actually look like young high school kids. Nonetheless, the are able to bring the emotion.
The show has themes of relationships, self-discovery, growing up, and how the 90s influenced that. There are some very positive representations of discovering sexuality. Not only as a young adult, but some of the older adults recently out of long term relationships also learn what it is to love and trust again.
Finally, one of the big plot points is the making of a movie in the kids AV club. It's actually really impressive when you see just how intensive a process that was not even 20 years ago.
All in all, the characters are the ones that sell the show. The show often ends on cliff hangers making you wanting to come back. My wife and I watched it through twice in one week. It's only 10 episodes and every single one of them is well worth it.
Also, shout out to the 90s tunes. Most of which are still songs on pretty much any of my playlists.
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