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David McK (3801 KP) rated Spider-Man: No Way Home (2021) in Movies

Jan 3, 2022 (Updated Dec 24, 2023)  
Spider-Man: No Way Home (2021)
Spider-Man: No Way Home (2021)
2021 | Action, Adventure
There's a famous (and controversial) Marvel comic run called 'One Last Day', where - following his self-unmasking during the previous 'Civil War' run - Peter Parker ends up making a deal with Mephisto (Marvel's version of the devil) that everybody would forget his true identity, following Aunt May being shot by an assassin.

Sound at all familiar?

Yes, it's used as the building blocks for this movie, where Peter's identity ahs been revealed to the world by Mysterio during the end-credits of the previous movie ('Far from Home'), with a knock-on effect on friends and family.

Instead of Mephisto, however, Peter seeks help from Doctor Strange, who agrees (for reasons) to cast a spell in order that everyone would forget who Peter was - a spell that goes awry, and that leads to characters from the previous non-MCU iterations of the Spider-Man films finally joining the MCU. Some of those characters are more effectively scary here than they were previously ...

This is maybe a little bit slow getting started, with plenty of nods and Easter Eggs throughout (including FEAST, where Aunt May works) to both the comics, games, and previous Spider-Man movies, and ends with, effectively, the character of Spider-Man being reset: no longer part of The Avengers; no longer with MJ, Aunt May, Ned or even 'Happy' Hogan knowing his identity, back to being your 'friendly neighbourhood Spider-Man'.
  
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Heather Cranmer (2721 KP) created a post

Sep 11, 2022  
Sneak a peek at the self-help memoir on aging entitled CREATRIX RISING by Byline Stephanie on my blog. (I read this book last year and loved it!) Enter the giveaway for a chance to win a print copy and the audiobook - four winners!

https://alltheupsandowns.blogspot.com/2022/09/audiobook-blog-tour-and-giveaway.html

**BOOK SYNOPSIS**
Ever since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label, in particular, rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability.

None of us has ever truly fit the old-crone image, and for today’s midlife women, a new archetype is being birthed: the Creatrix.

In Creatrix Rising, Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the Creatrix will for certain be out front, leading the pack.