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Kristy H (1252 KP) rated You Love Me in Books
Apr 15, 2021
A creepy but long-winded entry in the YOU series
Joe Goldberg has resolved to be a good guy. No more obsessions, no more killing to get what he wants. He's moving to the Pacific Northwest, he's going to work in a library (he has some experience with books, after all), and he's reformed. It's at the library where he meets her. Mary Kay DiMarco. A librarian. Beautiful, older. She's also a mother. She's busy and distracted. But Joe knows true love will prevail, because he's doing things the right way. With his undying love and friendship, Mary Kay will have no choice but to fall for him.
"And of course you couldn't help it. After all, you love me."
I was incredibly excited to hear there would be a third "Joe" book, because I can still remember reading the first, YOU. I was alone on a mini-vacation and spent the entire thing creeped out, feeling watched, thanks to how good Kepnes is at writing Joe and his obsessiveness. The good thing about YOU LOVE ME is that she still captures Joe's voice perfectly. He's just... Joe. Obsessed. Weird. Witty. Over the top.
(Stop reading if you don't want to know what happened in the first two books.)
In YOU LOVE ME, Joe is fleeing Love--not the concept, but the actual person, from book two. After his encounters with her, he's ready to be on the straight and narrow. He realizes he has no more chances, no more "get out of jail free" cards. Starting over in the Pacific Northwest is it.
So, while Joe is still his usual creepy self, he's slightly diminished. We don't get full-on stalk/kill Joe, and it's a little disappointing. I'm not going to lie: I want Joe to triumph over others. I like when Joe wins. And, sadly, I found myself not wanting to go back and pick this book up after I started it. I was so bummed! It was long, meandering, and all the twists seemed either odd and too convenient or just really strange. It dragged on, lacking the ominous tension of YOU.
I still rooted for Joe, of course. That's the talent Kepnes brings, making us cheer on the bad guy. But there was less "Joe versus evil" than "Joe versus annoying" in this read. Of course we wanted Joe to win--his foes were downright irritating.
Overall, this book still captures Joe's voice really well, but the actual story seems lacking. It's long and couldn't keep my full interest. Now, if there's a book four, will I still read it? Sure. 2.5 stars, rounded to 3 here, because there's always something about Joe.
"And of course you couldn't help it. After all, you love me."
I was incredibly excited to hear there would be a third "Joe" book, because I can still remember reading the first, YOU. I was alone on a mini-vacation and spent the entire thing creeped out, feeling watched, thanks to how good Kepnes is at writing Joe and his obsessiveness. The good thing about YOU LOVE ME is that she still captures Joe's voice perfectly. He's just... Joe. Obsessed. Weird. Witty. Over the top.
(Stop reading if you don't want to know what happened in the first two books.)
In YOU LOVE ME, Joe is fleeing Love--not the concept, but the actual person, from book two. After his encounters with her, he's ready to be on the straight and narrow. He realizes he has no more chances, no more "get out of jail free" cards. Starting over in the Pacific Northwest is it.
So, while Joe is still his usual creepy self, he's slightly diminished. We don't get full-on stalk/kill Joe, and it's a little disappointing. I'm not going to lie: I want Joe to triumph over others. I like when Joe wins. And, sadly, I found myself not wanting to go back and pick this book up after I started it. I was so bummed! It was long, meandering, and all the twists seemed either odd and too convenient or just really strange. It dragged on, lacking the ominous tension of YOU.
I still rooted for Joe, of course. That's the talent Kepnes brings, making us cheer on the bad guy. But there was less "Joe versus evil" than "Joe versus annoying" in this read. Of course we wanted Joe to win--his foes were downright irritating.
Overall, this book still captures Joe's voice really well, but the actual story seems lacking. It's long and couldn't keep my full interest. Now, if there's a book four, will I still read it? Sure. 2.5 stars, rounded to 3 here, because there's always something about Joe.
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Jamie (131 KP) rated The Darkest Lies in Books
Jul 26, 2017
Believable plot regarding child abduction (1 more)
The mystery is compelling
Frustrating protagonist, (2 more)
Extremely predictable
Good case for why civilians shouldn’t go rogue and get in the way of police work
A frustrating abduction mystery
You know that age in every teenager’s life where they start to become a little bit rebellious? Telling little white lies, sneaking out, hanging out with crowds they know the family wouldn’t approve of? It can be a scary time for parents, who knows who’s out there? The Darkest Lies is every parent’s worst nightmare and follows a mother who finds her world shattered when her daughter goes missing.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.