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Awix (3310 KP) rated Hellraiser III: Hell on Earth (1992) in Movies

May 27, 2020 (Updated Aug 2, 2020)

Second Hellraiser sequel and the first no-two-ways-about-it lousy one. Chief bondage demon Pinhead has been stripped of the limitations constraining his unpleasant recreational activities, which he likes, but also turned into a piece of interior decoration, which he doesn't. He endeavours to get himself released while a plucky young journalist tries to figure out why people keep turning up skinned or lacerated by flying chains.

A Hellraiser movie made with an American sensibility and for a mainstream American audience - one almost gets the sense the writers think they're making a Nightmare on Elm Street movie. The first half, with Pinhead stuck in a pillar, is not too bad, but they have to let him out eventually at which point the film's IQ and sense of restraint both vanish. Too much lazy gore and silly action (rubbish Cenobites wandering around New York City fighting the police). Doug Bradley just about saves the movie from being completely worthless, as he manages to chew the scenery even while being part of it; Terry Farrell was better in Star Trek. The occasional interesting idea or image but the film's main achievement is making the first two look better than they actually are.

Kudos

David McK (3557 KP) rated Camelot in Books

Jun 1, 2020

Camelot

Giles Kristian | 2020 | Fiction & Poetry

9.0

(1 Ratings)

Book Rating

"Camelot!"
"Camelot!"
"It's only a model"
"Shhh"

…

"On second thoughts, let's not go there. 'Tis a silly place"

With that out of the way, this is a sequel - or, as the author (Giles Kristian) himself puts it - more of a companion piece to his earlier (and originally conceived as being standalone) novel Lancelot, although I feel that he REALLY should have stuck with his original name for the novel: Galahad.

Calling it Camelot, to me, does the novel a bit of a disservice, with that location not really a key factor in the story. What is, however, is the central character (and first person narrator) of Galahad himself: Lancelot's son, raised by Christian monks following his fathers death in the climax of the previous, who (here) is not as pure and devout and, well, 'holy' as he is otherwise sometimes depicted, and who is still haunted by his legacy.

Various other characters from Arthurian legend themselves make an appearance, most notably (on the character front) Gawain, Merlin and Iselle whilst (on the 'Quest'/story front) we have a reimagining of The Green Knight, and the Search for The Holy Grail.

Like "Lancelot" before it, this is well worth a read.