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Mark @ Carstairs Considers (2611 KP) rated A Killing in Costumes in Books
May 9, 2025
Memorabilia to Die For
Jay and Cindy were on their way to a successful career in Hollywood until their marriage ended when they both realized they were gay. Now, a couple of decades later, they are opening a Hollywood memorabilia shop in Palm Springs. Things are off to a slow start until aging actress Yana Tosh contacts them about selling her collection of Hollywood costumes. She’s talking to a larger auction house as well, and when Cindy and Jay’s competition dies, they quickly find themselves suspects. Can they clear their names?
This book has been on my radar for a while, and I’m glad I finally picked it up. The writing did make it hard to get into the story originally, but soon I was hooked on the mystery. There were several good twists and surprises on the way to the logical climax. Jay and Cindy share lead character duties, and they lead a cast of characters I enjoyed getting to know. And I smiled at the many references to classic movies, tv shows, and stars of the screen. We also get talk about classic musicians. At this point, this is looking like a standalone novel, but if a sequel does pop up, I’d be happy to visit Cindy and Jay again.
This book has been on my radar for a while, and I’m glad I finally picked it up. The writing did make it hard to get into the story originally, but soon I was hooked on the mystery. There were several good twists and surprises on the way to the logical climax. Jay and Cindy share lead character duties, and they lead a cast of characters I enjoyed getting to know. And I smiled at the many references to classic movies, tv shows, and stars of the screen. We also get talk about classic musicians. At this point, this is looking like a standalone novel, but if a sequel does pop up, I’d be happy to visit Cindy and Jay again.
Mark @ Carstairs Considers (2611 KP) rated The Last Line in Books
Aug 16, 2025 (Updated Aug 16, 2025)
Murder in a Teacup…Live on Stage!
The latest production at the theater Ellie Marlow owns is Murder in a Teacup. Unfortunately, the lead is Reginald Thornton IV, who seems to be going out of his way to alienate everyone. His character is supposed to die as part of the play, but opening night, he really dies. While the state detectives are quick to judge it natural, something doesn’t sit right with Ellie. Can she figure out what happened?
I picked this book up expecting a cozy, but it quickly became evident this is a bit more of a traditional than a lighter cozy. As long as you know this going in, you should be fine. The mystery is good, and I was fooled until the end. Ellie has Tourette’s, something that overwhelms at times and proves to be a distraction. On the whole, I did love her character and the co-lead as well, as well as how their marriages were shown. The story is told from several points of view, but at times, we have some head hopping. This feels like a standalone instead of a series opener, but if we get a sequel, I’d be interested in revisiting the characters.
I picked this book up expecting a cozy, but it quickly became evident this is a bit more of a traditional than a lighter cozy. As long as you know this going in, you should be fine. The mystery is good, and I was fooled until the end. Ellie has Tourette’s, something that overwhelms at times and proves to be a distraction. On the whole, I did love her character and the co-lead as well, as well as how their marriages were shown. The story is told from several points of view, but at times, we have some head hopping. This feels like a standalone instead of a series opener, but if we get a sequel, I’d be interested in revisiting the characters.
The Therans: Legends Never Die (The Therans Trilogy #2)
Book
Buried Legends. Deadly Secrets. And a Love that Haunts the Heart. WHERE SECRETS BURN BLOOD RUNS...
Contemporary Fantasy Young Adult Romance
David McK (3851 KP) rated Superman Returns (2006) in Movies
Aug 26, 2019 (Updated May 9, 2026)
Edit: Brandon Routh finally got to return to the character in (TV) Arrow's 'Crisis on Infinite Earths', about 15 years later ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the shape of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the shape of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
David McK (3851 KP) rated Destiny's Way (The Doomed Earth #2) in Books
Apr 6, 2025
This is a direct sequel to Jack Campbell's earlier "In Our Stars", picking up almost directly where that finished with Lieutenant Selene Genji and Lieutenant Kayl Owen making their way back to Earth, still on a mission to stop the destruction of Earth 40 years into the future on June 12, 2180, which Selene Genji witnessed happen and was somehow thrust back in time.
From the future in which she comes, she is what is known as a Alloy: a human with alien DNA. In that future, they are feared and mistrusted.
And so do certain section of the Earth Guard, the forerunner to the Unified Fleet for which Selene works, who are doing their best to hunt down and kill Genji, believing her to be the monstrous spearhead of an alien invasion (with said First Contact happening towards the end of the previous novel).
With the way this novel ends, I think it's unlikely there will be any more in this series. Or, if there are, that it will concentrate on the same two characters.
Sometimes it's nice ending on a hopeful high note (think how much better the Terminator series would have been if it had ended with T2: Judgment Day, for example).
From the future in which she comes, she is what is known as a Alloy: a human with alien DNA. In that future, they are feared and mistrusted.
And so do certain section of the Earth Guard, the forerunner to the Unified Fleet for which Selene works, who are doing their best to hunt down and kill Genji, believing her to be the monstrous spearhead of an alien invasion (with said First Contact happening towards the end of the previous novel).
With the way this novel ends, I think it's unlikely there will be any more in this series. Or, if there are, that it will concentrate on the same two characters.
Sometimes it's nice ending on a hopeful high note (think how much better the Terminator series would have been if it had ended with T2: Judgment Day, for example).
LoganCrews (2861 KP) rated As the Gods Will (2014) in Movies
Oct 28, 2021
"𝘛𝘩𝘦 𝘴𝘶𝘳𝘷𝘪𝘷𝘰𝘳𝘴 𝘢𝘳𝘦 𝘨𝘰𝘰𝘥, 𝘵𝘩𝘦 𝘥𝘦𝘢𝘥 𝘢𝘳𝘦 𝘦𝘷𝘪𝘭."
Seventh Miike down and so far this is my favorite of his by a wide margin: gorgeous, fearlessly stupid, entertaining as can be, grisly, funny, and as giddy as a kid in a candy shop with its cruelty. Pretty much the shit movies were made for. Couldn't tell you how this holds up as an adaptation of the manga, but it's a top-to-bottom gnarly blast in its own right - just keeps topping and topping itself with its series of totally ludicrous rug-pulls until you have no choice but to strap in blindfolded and hold on for the ride. I still can't get over the combination of all these breathtaking sets with the garish, purposefully fugly CGI - it adds a deep idiosyncrasy to the project that works like a motherfucker in deepening its artsy camp. The entirety of the 'telling the truth' game is the best scene in any Miike movie I've seen up to this point. Ryunosuke Kamiki is a God's-honest talent. And at this point in Takashi's filmography it should go without saying that Koji Endo's score rips hard. Catch me demanding a sequel to this overlooked genre classic.
Seventh Miike down and so far this is my favorite of his by a wide margin: gorgeous, fearlessly stupid, entertaining as can be, grisly, funny, and as giddy as a kid in a candy shop with its cruelty. Pretty much the shit movies were made for. Couldn't tell you how this holds up as an adaptation of the manga, but it's a top-to-bottom gnarly blast in its own right - just keeps topping and topping itself with its series of totally ludicrous rug-pulls until you have no choice but to strap in blindfolded and hold on for the ride. I still can't get over the combination of all these breathtaking sets with the garish, purposefully fugly CGI - it adds a deep idiosyncrasy to the project that works like a motherfucker in deepening its artsy camp. The entirety of the 'telling the truth' game is the best scene in any Miike movie I've seen up to this point. Ryunosuke Kamiki is a God's-honest talent. And at this point in Takashi's filmography it should go without saying that Koji Endo's score rips hard. Catch me demanding a sequel to this overlooked genre classic.
LeftSideCut (3776 KP) rated Top Gun: Maverick (2022) in Movies
May 25, 2022
"Legacy Sequels" are big business these days. Some have been bad, some have been surprisingly great. Top Gun: Maverick falls into the latter camp without a shadow of a doubt. It's a sequel, so many years later, that surpasses the much loved original in every way.
It definitely leans heavily on the nostalgia button here and there, but everything it offers is so much fun that it never feels like it's relying on that nostalgia. The new cast are hugely likable, and just like the first time around, the comradery between the characters is well realised, and wholesome as hell, with some good hearted rivalry. Tom Cruise slips back into the role of Maverick like he never left, and is clearly having a blast once again in the drivers seat.
The action set pieces are exciting, and it boasts a genuinely intense and high octane finale, as well as emotional beats that had me welling up dammit. Combine all of this with a spruced up classic music score, and you have a true blockbuster that will thrill fans of the original, and new audiences alike.
I wasn't overly excited about Top Gun: Maverick during the lead up to release, but I would be a fool not to admit that it's a triumph. Absolutely loved it.
It definitely leans heavily on the nostalgia button here and there, but everything it offers is so much fun that it never feels like it's relying on that nostalgia. The new cast are hugely likable, and just like the first time around, the comradery between the characters is well realised, and wholesome as hell, with some good hearted rivalry. Tom Cruise slips back into the role of Maverick like he never left, and is clearly having a blast once again in the drivers seat.
The action set pieces are exciting, and it boasts a genuinely intense and high octane finale, as well as emotional beats that had me welling up dammit. Combine all of this with a spruced up classic music score, and you have a true blockbuster that will thrill fans of the original, and new audiences alike.
I wasn't overly excited about Top Gun: Maverick during the lead up to release, but I would be a fool not to admit that it's a triumph. Absolutely loved it.
David McK (3851 KP) rated Corpse Thief (Joshua Hawke #1) in Books
Feb 26, 2022
I remember reading Michael Arnold's seemingly-abandoned Captain Stryker Civil War Chronicles books when they first came out, and quite enjoying them.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.
Mark @ Carstairs Considers (2611 KP) rated Lost and Clowned in Books
Jun 17, 2026 (Updated Jun 17, 2026)
Finding a Killer is a Circus
Pi Steely is the business manager for her uncle’s traveling circus. They are spending their Christmas break in a small California coastal town, putting on a rare holiday performance while there. The next morning, Pi finds a body on the beach. The police think the someone in the troop could be responsible. As Pi begins to dig in, she finds secrets from the past that might be related. Can she figure out what is going on?
The characters are grounded for a circus setting; in fact, the book is a bit more serious in tone than I was expecting. It took me a bit to get all the characters straight, but I was soon able to. Pi felt a bit immature to me a time or two, but it was minor. Likewise, the pacing stalled a couple of times, but nothing that lasted long. There were some good surprises and twists along the way to the logical climax. I enjoyed the Northern California setting. This appears to be a rare cozy standalone, but if we get a sequel, I will gladly revisit these characters. Those looking for an unusual cozy will be glad they picked this one up.
The characters are grounded for a circus setting; in fact, the book is a bit more serious in tone than I was expecting. It took me a bit to get all the characters straight, but I was soon able to. Pi felt a bit immature to me a time or two, but it was minor. Likewise, the pacing stalled a couple of times, but nothing that lasted long. There were some good surprises and twists along the way to the logical climax. I enjoyed the Northern California setting. This appears to be a rare cozy standalone, but if we get a sequel, I will gladly revisit these characters. Those looking for an unusual cozy will be glad they picked this one up.
David McK (3851 KP) rated Superman II (1981) in Movies
Mar 11, 2023 (Updated Aug 9, 2026)
KNEEL BEFORE ZOD!
Straight sequel (as in, referencing the events of the first and building on it) to the 1978 Christopher Reeve original, and there's a reason why this, for many, is held up as one of the best Superhero sequels (and Reeves as one of the best actors to portray Clarke Kent/Superman).
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...