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LeftSideCut (3778 KP) rated Wes Craven's New Nightmare (1994) in Movies
Nov 2, 2021
Off the bat, New Nightmare is a veritable treat for fans of A Nightmare on Elm Street. Six films deep, the cold hard fact is that this series had become so far removed from what it once was, for better or for worse, and this 7th entry into the franchise provided the shake up so sorely needed. It's meta as hell, taking place in the "real world" where ANOES is just a movie. It's a fun slasher that sees the beloved series bleeding over into reality, when an evil entity begins to terrorize the actual Heather Langenkamp, posing as the ever popular Freddy Krueger.
This whole premise is just great. The dialogue can be a bit on the nose sometimes, but it's honestly forgivable, considering that Wes Craven was trying to out-Scream himself before Scream even existed. Craven himself appears alongside the likes of Robert Englund and producer Rob Shaye as themselves. Krueger himself is thankfully a scary bastard once again. This version doesn't have time for quips or shenanigans, instead opting for general terrorising and murder (a particular highlight riffs on the infamous ceiling kill from the original, but adds to it in the best way) and is probably the scariest version of Freddy since the first two movies.
The plot is clever in its way that it connects back to the original 84 story, and deserves all the credit for having the balls to take the series in a new direction. It deserves bonus points for the commitment to using practical effects
New Nightmare is a wonderful example of what a somewhat stale series should do next, and further cements just how important Wes Craven was to the genre. It's an ambitious sequel that earns it status as a fan favourite.
This whole premise is just great. The dialogue can be a bit on the nose sometimes, but it's honestly forgivable, considering that Wes Craven was trying to out-Scream himself before Scream even existed. Craven himself appears alongside the likes of Robert Englund and producer Rob Shaye as themselves. Krueger himself is thankfully a scary bastard once again. This version doesn't have time for quips or shenanigans, instead opting for general terrorising and murder (a particular highlight riffs on the infamous ceiling kill from the original, but adds to it in the best way) and is probably the scariest version of Freddy since the first two movies.
The plot is clever in its way that it connects back to the original 84 story, and deserves all the credit for having the balls to take the series in a new direction. It deserves bonus points for the commitment to using practical effects
New Nightmare is a wonderful example of what a somewhat stale series should do next, and further cements just how important Wes Craven was to the genre. It's an ambitious sequel that earns it status as a fan favourite.
Kim Pook (101 KP) rated My teacher, my obsession (2018) in Movies
May 31, 2022
The janitor of a school is closing up for the night. After hearing noises and a scream, he goes exploring to find a girl crying. He goes to help only to be told by another girl with blood on her hands to run and the movie starts.
Once the movie starts properly, we see both girls. One is the daughter of the hot new English teacher and the other being the yearbook photographer. Both girls get chatting after school in the computer room and agree to meet up to study. We soon discover that kyla (the yearbook photographer) has an ulterior motive, she is obsessed with rileys dad. It is more than a crush though. She doesn't want anyone else to get in her way of how she feels about him (Chris). At first it starts with her trying to keep Riley away from Trisha (another girl with a crush on Chris), and makes up lies to keep her mum and Chris from spending the night together, and even breaks them up before seducing Chris herself.
Personally I don't get the negativity surrounding this movie, I actually quite enjoyed it. OK a couple of scenes were a little cringy, such as when kyla was hitting herself, I couldn't help but laugh because it was so ridiculous.
It is very much like swimfan except its a student obsessed with a teacher, rather than another student.
I was disappointed with Chris as I didn't expect him to give in to kylas advances which he did, so the rest is on him really for leading her on.
In some scenes I found the music didn't really go with the scene, or there was music which wasn't needed, such as the end scene.
The movie was left open for a sequel which I personally don't see happening.
Once the movie starts properly, we see both girls. One is the daughter of the hot new English teacher and the other being the yearbook photographer. Both girls get chatting after school in the computer room and agree to meet up to study. We soon discover that kyla (the yearbook photographer) has an ulterior motive, she is obsessed with rileys dad. It is more than a crush though. She doesn't want anyone else to get in her way of how she feels about him (Chris). At first it starts with her trying to keep Riley away from Trisha (another girl with a crush on Chris), and makes up lies to keep her mum and Chris from spending the night together, and even breaks them up before seducing Chris herself.
Personally I don't get the negativity surrounding this movie, I actually quite enjoyed it. OK a couple of scenes were a little cringy, such as when kyla was hitting herself, I couldn't help but laugh because it was so ridiculous.
It is very much like swimfan except its a student obsessed with a teacher, rather than another student.
I was disappointed with Chris as I didn't expect him to give in to kylas advances which he did, so the rest is on him really for leading her on.
In some scenes I found the music didn't really go with the scene, or there was music which wasn't needed, such as the end scene.
The movie was left open for a sequel which I personally don't see happening.
Rogues & Patriots (Nick Crane #2)
Book
In the Depths of Corruption… In the Face of Tyranny… One Man's Quest Begins… Get ready...
PI Thriller
Ryan Hill (152 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
May 10, 2019
"He may have been your father boy but he wasn't your daddy"
The follow-up chapter to Guardians of the Galaxy and fifteenth instalment in the Marvel Cinematic Universe, Guardians of the Galaxy Vol. 2 is bigger in both scale & scope and continues the journey of this oddball gang of extra-terrestrial misfits while also bringing more figures from their past into the spotlight and although its vibrant use of colour palette & another tightly curated soundtrack are notable highlights, the film as a whole lacks the freshness of the original.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
Movie Metropolis (309 KP) rated Jurassic World (2015) in Movies
Jun 10, 2019
A Trip down memory lane
Can you believe it’s been 14 years since genetically modified dinosaurs rampaged across our screens in Joe Johnston’s underwhelming Jurassic Park III?
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
Daniel Boyd (1066 KP) rated Marvel's Spider-Man in Video Games
Jan 15, 2019 (Updated Jan 15, 2019)
The best web swinging has felt in any Spiderman game ever. (3 more)
Good presentation in all of the cutscenes.
Enjoyable orchestral backdrop to swing around Manhattan to.
The parts of Manhattan that are in the game look great.
A lot of Manhattan has been left out or vastly downsized. (2 more)
The other 4 boroughs have been ignored.
Although the presentation is great, the graphics are slightly sub par.
Thwip!
Marvel's Spider-man was one of the biggest games of last year. Developed by Insomniac and following an original story, not tied in to the recent MCU movie, this was the most exciting superhero game since the Arkham series for a lot of people. Thankfully, Insomniac did manage to deliver a brilliant game, but not a perfect one.
The game's opening fantastically sets up the tone and energy of what's to follow and it's probably one of the best video game opening's I have ever played in that respect. Once the rush and momentum of that first mission wears off, you are introduced to the open world that you will be exploring for the next 20 or so hours. Manhattan does look good here, possibly the best it ever has done in a game. Landmarks like the Empire State Building and Madison Square Garden are rendered extremely accurately to their real life counterparts.
The stuff that they chose to include in the game's version of Manhattan is great, but the issue is all of the parts that they left out. Battery Park is has halved in size, the One World Trade Centre has changed shape and everything above mid Harlem has vanished, making the district feel stumpy. Hopefully some of this stuff is amended for the sequel, along with the addition of at least a couple of the other boroughs.
Although the environment looks good graphically, as do Spidey's various suits that can be unlocked during the game, the human character models aren't the best and are fairly ugly when compared to character models in other 2018 games such as God of War, Red Dead 2 and Detroit: Become Human. Usually, in cutscenes etc, the game presents these character model well enough that it isn't too noticeable, but there were a good few times during gameplay that I would catch a glimpse of MJ's or Miles' weird faces and scratch my head wondering why they don't look better.
I have heard a few reviews moaning about the orchestral score that plays in the background as you swing around the city, but I personally really enjoyed it and it made me feel even more like a superhero than I already do when swinging through the middle of Times Square. I felt that all of the musical choices were well implemented and matched the story beats aptly to add impact in the right places.
Let's finish on a positive, the web swinging mechanic in this game is extremely satisfying and comes out on top of any other Spider-man game's web swinging system. Again, it's not flawless, there are moments that it will frustrate you and you will web to the opposite side of what you were aiming for. Also, for some reason the wall crawling mechanic is really slow and finicky and can often break the fast paced momentum of the web swinging/zipping/wall running combo that you have going. Most of the time though, it works fantastically and feels extremely fluid and immersive and it is probably one of the most satisfying game mechanics of 2018, along with Kratos' axe in GOW.
Overall, Marvel's Spider-man is great, but not perfect. There is definitely room for improvement, but this could be the start of a potentially incredible series of Marvel superhero games and hopefully the sequel, (that Insomniac is undoubtedly working on,) can improve on some of the flaws present in this game and deliver something incredible.
The game's opening fantastically sets up the tone and energy of what's to follow and it's probably one of the best video game opening's I have ever played in that respect. Once the rush and momentum of that first mission wears off, you are introduced to the open world that you will be exploring for the next 20 or so hours. Manhattan does look good here, possibly the best it ever has done in a game. Landmarks like the Empire State Building and Madison Square Garden are rendered extremely accurately to their real life counterparts.
The stuff that they chose to include in the game's version of Manhattan is great, but the issue is all of the parts that they left out. Battery Park is has halved in size, the One World Trade Centre has changed shape and everything above mid Harlem has vanished, making the district feel stumpy. Hopefully some of this stuff is amended for the sequel, along with the addition of at least a couple of the other boroughs.
Although the environment looks good graphically, as do Spidey's various suits that can be unlocked during the game, the human character models aren't the best and are fairly ugly when compared to character models in other 2018 games such as God of War, Red Dead 2 and Detroit: Become Human. Usually, in cutscenes etc, the game presents these character model well enough that it isn't too noticeable, but there were a good few times during gameplay that I would catch a glimpse of MJ's or Miles' weird faces and scratch my head wondering why they don't look better.
I have heard a few reviews moaning about the orchestral score that plays in the background as you swing around the city, but I personally really enjoyed it and it made me feel even more like a superhero than I already do when swinging through the middle of Times Square. I felt that all of the musical choices were well implemented and matched the story beats aptly to add impact in the right places.
Let's finish on a positive, the web swinging mechanic in this game is extremely satisfying and comes out on top of any other Spider-man game's web swinging system. Again, it's not flawless, there are moments that it will frustrate you and you will web to the opposite side of what you were aiming for. Also, for some reason the wall crawling mechanic is really slow and finicky and can often break the fast paced momentum of the web swinging/zipping/wall running combo that you have going. Most of the time though, it works fantastically and feels extremely fluid and immersive and it is probably one of the most satisfying game mechanics of 2018, along with Kratos' axe in GOW.
Overall, Marvel's Spider-man is great, but not perfect. There is definitely room for improvement, but this could be the start of a potentially incredible series of Marvel superhero games and hopefully the sequel, (that Insomniac is undoubtedly working on,) can improve on some of the flaws present in this game and deliver something incredible.
Considering the fact all of the nominees for the 2015-2016 Gateway Award aren't exactly very appealing and I've had quite the bad luck with them... I pretty much decided to take a stab with Ashley Elston's <i>The Rules for Disappearing</i> as my next victim.
In elaboration of that bad luck, <a title="In the Shadow of Blackbirds" href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank" rel="noopener">my first one was insanity</a>. I'm scared of reading another book by Cat Winters. <a href="http://bookwyrmingthoughts.com/dnf-review-the-5th-wave-by-rick-yancey"; target="_blank" rel="noopener">My second one had a highly annoying character named after a constellation</a>.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/05/dean-what-have-i-done.gif"; border="0" /></div>
And now, my third book has a very materialistic character (completely opposite spectrum from me) whose family is in Witness Protection for the last year and has quite literally changed their names far more times than Zach/Jack in <i>Zach's Lie</i> and <i>Jack's Run</i>. With their eighth move, "Meg," is extremely tired of constantly having to move places, leaving her life behind, and changing her identities – the moves were beginning to tear apart their family. Meg vows to find what landed her and her family in Witness Protection in the first place throughout the book.
I personally liked how the book was formatted. The beginning of each chapter has a "rule for disappearing," possibly concocted by Meg over the year her family has been in Witness Protection, and what happens in the chapter is sort of a reason "why" Meg established the rule in the first place.
For almost half the book there isn't really too much that happens – Meg makes a plan to not settle down with her new life like she did in her past placements, her "diary" gets stolen, and she tries to avoid a boy named Ethan Landry who's a lot smarter than he seems. After accidentally hearing a few conversations her dad has over the phone in the middle of the night, things start to pick up – Meg starts to remember more of what happened in her original life and becomes more determined to get her family out of Witness protection.
Meg is like a clamshell at the very beginning – she's very closed off and she wants to isolate herself from her peers because who cares about making friends when you might be plucked from your current life any moment? It's not until she meets Ethan that she "gives up" on trying to isolate herself and becomes more open with other people. In all honesty, if Ethan didn't make a constant attempt to open up her shell, Meg probably wouldn't have told her story – how her old life was like, why she's really in Witness Protection, and what each of her moves were like compared to her original life.
Elston does drop a hint or two of a sequel near the end of the book, which I'm not exactly too excited for. <i>The Rules for Disappearing</i> felt like a stand-alone rather than a duology, but maybe the sequel will be equally or more interesting.
<blockquote>We force you to sit through the chick flicks so maybe you'll get some idea of how you're supposed to act.</blockquote>
<a href="https://bookwyrmingthoughts.com/review-the-rules-for-disappearing-by-ashley-elston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In elaboration of that bad luck, <a title="In the Shadow of Blackbirds" href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank" rel="noopener">my first one was insanity</a>. I'm scared of reading another book by Cat Winters. <a href="http://bookwyrmingthoughts.com/dnf-review-the-5th-wave-by-rick-yancey"; target="_blank" rel="noopener">My second one had a highly annoying character named after a constellation</a>.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/05/dean-what-have-i-done.gif"; border="0" /></div>
And now, my third book has a very materialistic character (completely opposite spectrum from me) whose family is in Witness Protection for the last year and has quite literally changed their names far more times than Zach/Jack in <i>Zach's Lie</i> and <i>Jack's Run</i>. With their eighth move, "Meg," is extremely tired of constantly having to move places, leaving her life behind, and changing her identities – the moves were beginning to tear apart their family. Meg vows to find what landed her and her family in Witness Protection in the first place throughout the book.
I personally liked how the book was formatted. The beginning of each chapter has a "rule for disappearing," possibly concocted by Meg over the year her family has been in Witness Protection, and what happens in the chapter is sort of a reason "why" Meg established the rule in the first place.
For almost half the book there isn't really too much that happens – Meg makes a plan to not settle down with her new life like she did in her past placements, her "diary" gets stolen, and she tries to avoid a boy named Ethan Landry who's a lot smarter than he seems. After accidentally hearing a few conversations her dad has over the phone in the middle of the night, things start to pick up – Meg starts to remember more of what happened in her original life and becomes more determined to get her family out of Witness protection.
Meg is like a clamshell at the very beginning – she's very closed off and she wants to isolate herself from her peers because who cares about making friends when you might be plucked from your current life any moment? It's not until she meets Ethan that she "gives up" on trying to isolate herself and becomes more open with other people. In all honesty, if Ethan didn't make a constant attempt to open up her shell, Meg probably wouldn't have told her story – how her old life was like, why she's really in Witness Protection, and what each of her moves were like compared to her original life.
Elston does drop a hint or two of a sequel near the end of the book, which I'm not exactly too excited for. <i>The Rules for Disappearing</i> felt like a stand-alone rather than a duology, but maybe the sequel will be equally or more interesting.
<blockquote>We force you to sit through the chick flicks so maybe you'll get some idea of how you're supposed to act.</blockquote>
<a href="https://bookwyrmingthoughts.com/review-the-rules-for-disappearing-by-ashley-elston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated The Figment Wars: Through the Portals in Books
Jan 9, 2020
The Figment Wars: Through The Portals by David R. Lord is a book that I hope to see a sequel to in the coming years. In fact, the ending of the book suggests at least a sequel if not an entire series. I just wonder how such stories can continue without becoming too far fetched or simplified by the childrens stabilizes in this book, but without giving too much away I have to stop there.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Thomas and his little brother Isaac are visiting their cousin Emily at her house and they are not exactly having a good time. At Emilys house, the boys dont even have a TV to watch and they are extremely bored. Then one afternoon when Thomas goes to the woods behind the house to get Emily for lunch something amazing happens. The trees themselves bend and move, forming a portal that all three children fall into. The portal transports the children into the Realm of Imagination, a place where all the things humans imagine come to life.
https://nightreaderreviews.blogspot.com/2019/07/review-figment-wars-through-portals-by.html
https://www.austinmacauley.com/book/figment-wars-through-portals
Almost as soon as the children arrive they are attacked by Monsters but luckily they are saved by Heroes and are taken to the Library in the Impossible City. It is here that they meet Belactacus who believes that the children are Real and not just confused imaginary friends. Sadly the Council who is in charge of the portals that allow beings in the Realm of Imagination to go to the Realm of Reality is corrupted and the children are denied a portal back home. Shortly after this decision Monsters attack the Impossible City and even overwhelm the Heroes. Now the children must find a way to stop the corrupted council member from bringing all the Monsters from human imagination to life in the Realm of Reality, home of the humans.
What I liked best might not seem like much but for a story such as this one, it makes a big difference. I liked how not only was the idea of the Realm of Imagination a great concept but the creation of the Realm was well explained. Also, some of the main people in the Realm were explained to be the result of collective consciousness in humans such as the standard idea of a mother figure which was a very nice touch. What I didnt like was the budding relationship between Thomas and Emilys old imaginary friend. I actually thought it was a little creepy. At times I found myself hoping that she would be able to become real and then I thought that it would be way too much like Thomas having a relationship with his cousin.
This book falls solidly into the YA or young adult group of readers. I know this is a broad group ranging from middle school and older, but this book is actually really good and I saw nothing that would make in inappropriate for young readers. The only thing to be careful about is if an advanced reader in elementary school wanted to read this book. I dont know how well they would take to the idea that monsters such as the Boogeyman are real and just living in a different dimension so to speak. With all that being said I rate this book a 3 out of 4. Everything is extremely well thought out in this book. The idea of the Library and the collective consciousness of humans was amazing. The only reason why this book did not get a perfect rating is that I still felt like it was missing something that gave it that wonderful ability to really stand out, but few books have that.
Darren (1599 KP) rated Crouching Tiger, Hidden Dragon: Sword of Destiny (2016) in Movies
Aug 6, 2019
Story: Crouching Tiger, Hidden Dragon: Sword of Destiny starts 18-years after Yu (Yeoh) saw her love die returns to safeguard the sword of destiny, after a warlord Hades Dai (Lee) goes in search for the sword believing it will give him the power to conquer the land.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Darren (1599 KP) rated Nanny McPhee Returns (2010) in Movies
Aug 6, 2019
Story: Nanny McPhee and the Big Bang starts as we meet mother Isabel (Gyllenhaal) who is trying to run the family home and raise her three children, while her husband is away at war, adding to her pressure is her brother-in-law Phil (Ifans) that is looking to get money and two cousins added to the family that are used to the luxury life.
When Isabel starts struggling, she gets the call from Nanny McPhee (Thompson) who offers to help put the children back in line with her magic. The children must learn to work together to help the farm stay in the right hands.
Thoughts on Nanny McPhee and the Big Bang
Characters – Nanny McPhee is the magical nanny that comes to family’s when they are in need of support, she has come to this family in their time of need to help teach them how to be together in one of the most difficult times in their lives, the war, she brings her rules like before as she looks to bring the best out in the people. Isabel is the mother of the three that is trying to run and farm and work, her husband is at war, with the uncertainty of whether he will be returning. She doesn’t want help, but must accept it to keep the pressures of her life away from her children. Phil is the brother-in-law to Isabel, he has created his own gambling debts and wants the farm to clear the debts, he will do anything to get what he needs. Mrs Docherty is the boss of Isabel and family friend, she isn’t quite all there which makes her character come off funnier than she should. The children do come from different worlds which does see them clash in the time of conflict.
Performances – Emma Thompson does continue to enjoy playing this role which she handles with ease. Maggie Gyllenhaal gets to play the role well through the film, which shows us just how difficult a position her character is in. Rhys Ifans does everything you would imagine in the comedy role in the film, while Maggie Smith also adds plenty of comedy through the film.
Story – The story here follows a mother that takes over the family farm with her husband away at war, with money running low and the stress of life getting to her, that gets help from Nanny McPhee. The story here easily becomes a much more serious one because we are dealing with children that are being separated from their parents during war, where they don’t know if their family will be together once the war is over. This story does have a very different tone to the first one, one that does feel real, even though it does seem slightly stranger for Nanny McPhee to be here, this time around. The story here is more entertaining than the original which is always a good thing.
Comedy/Fantasy – The comedy in the film does hit better than the first film, most of it comes from the arguments which feel funnier, the fantasy in the film does work too, which ends up blending with the comedy involved.
Settings – The film is mostly set within one farm which does show us just how much trouble the family will be facing in their time of need.
Special Effects – The effects here are the biggest step back sadly because we can see the CGI moments looking completely out of place.
Scene of the Movie – Connection.
That Moment That Annoyed Me – The CGI.
Final Thoughts – This is a great sequel that does have a strong story to cover up the weaker CGI being used in the film.
Overall: Wonderful sequel.
When Isabel starts struggling, she gets the call from Nanny McPhee (Thompson) who offers to help put the children back in line with her magic. The children must learn to work together to help the farm stay in the right hands.
Thoughts on Nanny McPhee and the Big Bang
Characters – Nanny McPhee is the magical nanny that comes to family’s when they are in need of support, she has come to this family in their time of need to help teach them how to be together in one of the most difficult times in their lives, the war, she brings her rules like before as she looks to bring the best out in the people. Isabel is the mother of the three that is trying to run and farm and work, her husband is at war, with the uncertainty of whether he will be returning. She doesn’t want help, but must accept it to keep the pressures of her life away from her children. Phil is the brother-in-law to Isabel, he has created his own gambling debts and wants the farm to clear the debts, he will do anything to get what he needs. Mrs Docherty is the boss of Isabel and family friend, she isn’t quite all there which makes her character come off funnier than she should. The children do come from different worlds which does see them clash in the time of conflict.
Performances – Emma Thompson does continue to enjoy playing this role which she handles with ease. Maggie Gyllenhaal gets to play the role well through the film, which shows us just how difficult a position her character is in. Rhys Ifans does everything you would imagine in the comedy role in the film, while Maggie Smith also adds plenty of comedy through the film.
Story – The story here follows a mother that takes over the family farm with her husband away at war, with money running low and the stress of life getting to her, that gets help from Nanny McPhee. The story here easily becomes a much more serious one because we are dealing with children that are being separated from their parents during war, where they don’t know if their family will be together once the war is over. This story does have a very different tone to the first one, one that does feel real, even though it does seem slightly stranger for Nanny McPhee to be here, this time around. The story here is more entertaining than the original which is always a good thing.
Comedy/Fantasy – The comedy in the film does hit better than the first film, most of it comes from the arguments which feel funnier, the fantasy in the film does work too, which ends up blending with the comedy involved.
Settings – The film is mostly set within one farm which does show us just how much trouble the family will be facing in their time of need.
Special Effects – The effects here are the biggest step back sadly because we can see the CGI moments looking completely out of place.
Scene of the Movie – Connection.
That Moment That Annoyed Me – The CGI.
Final Thoughts – This is a great sequel that does have a strong story to cover up the weaker CGI being used in the film.
Overall: Wonderful sequel.