Search
Search results
Darren (1599 KP) rated Rec 3: Genesis (2012) in Movies
Jun 20, 2019
Story: We start by seeing friends and family coming together for the wedding of our two leads Clara and Koldo. The wedding goes perfectly but as they after party continues one of the guests starts coming off sick and the quarantine team turn up. One an infected guest starts to spread the virus all hell lets loose and we have to follow our groom and a few friends as they try to find safety and watch how he has to find his bride. All this while the bride tries to escape but refuses to leave without her groom.
With the first two in the series being set in the same building it is nice to see something different and with the wedding we get a one night chaos idea. It has the basic escape from the zombie like creatures that we have seen before with the self-sacrifice but lacks the unique kills. It ends up turning into a romantic escape as the two want to find each other and end up getting all their friends and family killed. It is very basic but does what you ask it too. (6/10)
Actor Review
Leticia Dolera: Clara bride who escapes with a priest and a few friends but once she releases her groom is not out she wants to go back and armed with chainsaw she goes back for him. Leticia gives a good performance. (7/10)
Diego Martin: Koldo groom who escapes and tries to save the people he is with before going back in his armour to save his bride. Diego gives a good performance. (7/10)
Support Cast: Friends and family back up the support cast and end up becoming victims while our heroes try to escape.
Director Review: Paco Plaza – Paco makes a solid bloody zombie film that has some good kills but lacks what made the first one special. (5/10)
Horror: Never really reaches the levels of the first ones. (3/10)
Settings: Fresh setting for the series works because it shows how one of the greatest moments of a couple’s life could turn into the biggest nightmare in a matter of moments. (8/10)
Special Effects: Great effects used for the kills and zombies images. (9/10)
Suggestion: This is one for the horror fans to try, it is bloodier that the first too but lacks the suspense they had. (Try It)
Best Part: Chainsaw time
Worst Part: No suspense
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: There is a fourth in the series.
Opening Credits Rating: We get to see photos of the two leads as they grow up until they are about to get married. (7/10)
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 20 Minutes
Tagline: You may now kiss the bride
Overall: That moment when zombies crash your wedding
https://moviesreview101.com/2014/12/05/rec-3-genesis-2012/
With the first two in the series being set in the same building it is nice to see something different and with the wedding we get a one night chaos idea. It has the basic escape from the zombie like creatures that we have seen before with the self-sacrifice but lacks the unique kills. It ends up turning into a romantic escape as the two want to find each other and end up getting all their friends and family killed. It is very basic but does what you ask it too. (6/10)
Actor Review
Leticia Dolera: Clara bride who escapes with a priest and a few friends but once she releases her groom is not out she wants to go back and armed with chainsaw she goes back for him. Leticia gives a good performance. (7/10)
Diego Martin: Koldo groom who escapes and tries to save the people he is with before going back in his armour to save his bride. Diego gives a good performance. (7/10)
Support Cast: Friends and family back up the support cast and end up becoming victims while our heroes try to escape.
Director Review: Paco Plaza – Paco makes a solid bloody zombie film that has some good kills but lacks what made the first one special. (5/10)
Horror: Never really reaches the levels of the first ones. (3/10)
Settings: Fresh setting for the series works because it shows how one of the greatest moments of a couple’s life could turn into the biggest nightmare in a matter of moments. (8/10)
Special Effects: Great effects used for the kills and zombies images. (9/10)
Suggestion: This is one for the horror fans to try, it is bloodier that the first too but lacks the suspense they had. (Try It)
Best Part: Chainsaw time
Worst Part: No suspense
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: There is a fourth in the series.
Opening Credits Rating: We get to see photos of the two leads as they grow up until they are about to get married. (7/10)
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 20 Minutes
Tagline: You may now kiss the bride
Overall: That moment when zombies crash your wedding
https://moviesreview101.com/2014/12/05/rec-3-genesis-2012/
Darren (1599 KP) rated Alien (1979) in Movies
Jun 20, 2019
Story: It would be fair to say when this came out it was brilliant and stand alone on the type of film. Now the story has been copied, pinched from and used to the death. This paved the way for the truly trapped horror films because the space mission means it’s the ship of nothing. The twist that comes half way through offers a surprise and of cause the mood of the film changes drastically when the alien makes its first appearance. (10/10)
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Darren (1599 KP) rated Alien Resurrection (1997) in Movies
Jun 20, 2019
Story: Alien: Resurrection starts as we arrive on a US space research facility where General Perez (Hedaya) is working on bringing back the aliens with clones of Ripley (Weaver), the latest number 8 shows incredible strength and development. Waiting for a delivery from Captain Elgyn (Wincott) and his crew Call (Ryder), Vriess (Pinon), Johner (Perlman) Hillard (Flowers) and Christie (Dourdan) a deal is agreed they can spend a couple of days’ rest on the research ship.
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
Jessica - Where the Book Ends (15 KP) rated Leah on the Offbeat in Books
Jan 30, 2019
**** SPOILER ALERT ****
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.
LeftSideCut (3776 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 29, 2019 (Updated Oct 29, 2019)
I'll start by saying that Terminator: Dark Fate isn't quite the glorious return to form that a lot of people were hoping it would be. It's not a scratch on the first two, but there's enough good here to provide a mostly enjoyable sequel.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
Darren (1599 KP) rated Leprechaun Returns (2019) in Movies
Oct 31, 2019
Characters – Lila is the daughter or Tory (from the original) she is moving back to the same house in the vents of the original to be part of a college sorority, she is clearly the outsider of the group desperate to make new friends after a lifetime of looking after her mother. She learns to start believing what her mother did and proves to be resourceful throughout the film. Katie is the slutty of the friends, Rose is the one trying to make a change and Meredith is the drunk one, while they are meant to be portrayed as smart, they are painfully generic and dumb throughout. The Leprechaun has returned looking for his gold and this time he isn’t going to be a friendly, trying to get his power back. He uses rhymes to try and scare the characters and new powers to make object move to kill.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Oct 17, 2019
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
BankofMarquis (1832 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 24, 2019
"Satisfying Enough" Conclusion
I am a fan of the STAR WARS films. Ever since I first went to a place A LONG TIME AGO IN A GALAXY FAR, FAR AWAY I have enjoyed the adventures of the ragtag group of rebels taking on the evil Galactic Empire. Like most folks, I was blown away by the first STAR WARS film, LOVED the sequel, THE EMPIRE STRIKES BACK, thought the concluding film in the original trilogy, RETURN OF THE JEDI was "good enough", hated the prequels and have been cautiously optimistic when both THE FORCE AWAKENS and ROGUE ONE were good films. Finally, of course, I was disappointed (like everyone else) with THE LAST JEDI and SOLO. So...I was going to go to THE RISE OF SKYWALKER no matter what anyone else says.
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
JT (287 KP) rated World War Z (2013) in Movies
Mar 10, 2020
Zombies, they’ve been around for a while now in all shapes and sizes, yet like the walking undead the genre shows no signs of dying out. Director Marc Forster teams up with Brad Pitt for a zombie horror (if you can really call it that) which travels the world in search of a vaccine that will stop the world’s population being wiped out.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.