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Erika (17789 KP) rated True Blood - Season 1 in TV

Aug 18, 2020

Awful Southern/Louisiana accents (1 more)

Not enough Alexander Skarsgård

So, since I have all the time in the world now, I decided to re-watch True Blood, but, I had to go old school because I am not subscribing to another services. Luckily, I own the first four seasons.
The first season sets up the world of True Blood, the vamps had come out of the closet and some drink the artificial True Blood. Apparently, this Bon Temps town is a hot bed for magical creatures, as the series progresses.
Sookie is the main character, and has a silly name. She can reads minds, and discovers that it doesn't apply to vamps when Bill comes strolling in.
Then someone's going around, killing chicks that associate with vamps in various ways. This is essentially a mystery, and from what I can recall, it does an ok job of following the book. The killer begins to become more obvious as the season goes on, and it's resolved in a super dramatic way.
As mentioned, the Southern/Louisiana accents are pretty bad and annoying to someone from the South, NOT ALL SOUTHERN STATES HAVE THE SAME ACCENTS. Out of all of the actors, Ryan Kwanten is the best.
Of course, there's gratuitous sex, this is an HBO show, but I just fast forward through all of that crap. It really makes the episodes much shorter.

Kudos

Awix (3310 KP) rated Citizen Kane (1941) in Movies

May 23, 2020

Citizen Kane (1941)

1941 | Classics, Drama, Mystery

8.6

(19 Ratings)

Movie Rating Watch

Orson Welles' Citizen Kane is the Citizen Kane of modern movie-making. That doesn't make a lot of sense, but it tells you everything about the place of this film in our culture. Amoral narcissist inherits a huge fortune, accrues even more wealth and power by peddling fake news, but finds his political ambitions thwarted by a sex scandal (which just goes to show you how different life is from the movies).

Trying to ascertain the extent of Citizen Kane's influence on the movies is a bit like trying to map the coastline of the USA without leaving Kansas: the film is packed with so many narrative and technical innovations it's impossible to conceive of the impact it had on the industry. Terrific performances and a clever, serious script about the dangers of choosing the love of power over the power of love, and many moments and images of throwaway genius. You might have expected Welles to make more of the possibilities for unreliable narration in the movie, plus some of his technical virtuosity seems more geared towards showing off than thought-through storytelling, but this is still a genuine classic. One wonders what else Welles might have achieved, had he been allowed to continue to make films with all the resources of Hollywood behind him - but it wasn't to be. Still, this film alone guarantees him immortality.