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The Greensward (Pitch & Sickle #4)
10.0
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The Lady’s Horsemen are riding out once more. Carrying death’s scythe to where tormented souls...
MM Historical Gaslamp Fantasy
Bethr1986 (305 KP) rated Deep Waters (Jagged Shores #3) in Books
Jan 8, 2023
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Harry has a sailing boat that tourists can rent out. He has been hired by writer Christian Costner to help him get a lay of the land and research for a new book the author is planning on writing. However, the weather takes a turn for the worse so they have to cut the trip short and head back to the shore, as they are heading back Christian is adamant he has seen somebody in the swell of the waves so speaks out. Harry, his onboard help and cousin Tom look to discover there is somebody in the water so a daring rescue takes place. They recover the body but that is only the start!
Thom has a very easy style of writing and it captivated me from the get-go. This is the 3rd book in the jagged shores series but can be read as a stand-alone. It has intrigue and mystery that does keep you guessing until it's all out in the open who has committed the crime. It certainly hoodwinked me I normally can be quite good at guessing whodunit but I was completely off the mark.
I was rooting for the relationship between Harry and Christian as it was something they both needed. There are sex scenes but nothing too crass.
I thoroughly enjoyed this book and the author's writing and look forward to reading more of his books.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Harry has a sailing boat that tourists can rent out. He has been hired by writer Christian Costner to help him get a lay of the land and research for a new book the author is planning on writing. However, the weather takes a turn for the worse so they have to cut the trip short and head back to the shore, as they are heading back Christian is adamant he has seen somebody in the swell of the waves so speaks out. Harry, his onboard help and cousin Tom look to discover there is somebody in the water so a daring rescue takes place. They recover the body but that is only the start!
Thom has a very easy style of writing and it captivated me from the get-go. This is the 3rd book in the jagged shores series but can be read as a stand-alone. It has intrigue and mystery that does keep you guessing until it's all out in the open who has committed the crime. It certainly hoodwinked me I normally can be quite good at guessing whodunit but I was completely off the mark.
I was rooting for the relationship between Harry and Christian as it was something they both needed. There are sex scenes but nothing too crass.
I thoroughly enjoyed this book and the author's writing and look forward to reading more of his books.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
LeftSideCut (3778 KP) rated Hellraiser: Hellworld (2005) in Movies
Apr 27, 2022
The Hellraiser franchise has certainly hit some low notes by the eight entry in the series, but you know what? Hellworld ain't one of those low notes, and this a hill I am willing to die on.
It's without a doubt, the cheesiest Hellraiser thus far, and the first one to really lean into the dumb, sex-crazed teenager horror usually associated with slashers. It kind of works. There's a bit of an identity crisis going on. It's part slasher (complete with an I Know What You Did Last Summer set up), part typical Hellraiser, part Saw (this was the mid 00s after all), part haunted house horror. Suffice to say, there's a lot going on, and the plot even manages a semi decent twist during the climax which is a rarity with these later entries. It sometimes feels a bit muddled but most importantly, it's something different at this point! 5-7 all feel VERY similar so I can respect the fresh angle Hellworld was aiming for. Throw Lance Henriksen into the mix, alongside a returning Doug Bradley (unfortunately with little screentime yet again), and some early roles from Henry Cavill, Katheryn Winnick, and Khary Payton, and you have a pretty solid cast doing their best to traverse a typical low budget horror script. When all is said and done, it ain't too shabby, and even has the courtesy to include some memorable gore, and brings back the much loved Chatterer.
Hellworld is way more entertaining than it has any right to be, and is easily the best of the Rick Bota trilogy, which isn't exactly a high bar to clear, granted. Either way, it deserves more love!
It's without a doubt, the cheesiest Hellraiser thus far, and the first one to really lean into the dumb, sex-crazed teenager horror usually associated with slashers. It kind of works. There's a bit of an identity crisis going on. It's part slasher (complete with an I Know What You Did Last Summer set up), part typical Hellraiser, part Saw (this was the mid 00s after all), part haunted house horror. Suffice to say, there's a lot going on, and the plot even manages a semi decent twist during the climax which is a rarity with these later entries. It sometimes feels a bit muddled but most importantly, it's something different at this point! 5-7 all feel VERY similar so I can respect the fresh angle Hellworld was aiming for. Throw Lance Henriksen into the mix, alongside a returning Doug Bradley (unfortunately with little screentime yet again), and some early roles from Henry Cavill, Katheryn Winnick, and Khary Payton, and you have a pretty solid cast doing their best to traverse a typical low budget horror script. When all is said and done, it ain't too shabby, and even has the courtesy to include some memorable gore, and brings back the much loved Chatterer.
Hellworld is way more entertaining than it has any right to be, and is easily the best of the Rick Bota trilogy, which isn't exactly a high bar to clear, granted. Either way, it deserves more love!
Friedrichstrasse 19
8.0
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Sometimes I get fanciful and think the buildings speak. That all their history is locked into the...
Historical fiction Literary fiction Germany Berlin
Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Haley Mathiot (9 KP) rated Immortalis Carpe Noctem (Immortalis, #1) in Books
Apr 27, 2018
Alyssa never asked to become a vampire, but when handsome Lysander changes her in order to save her from two brutal rapists and murderers, she is forced to live with his decision. She soon learns the history of her new kind, her new abilities, and starts falling head over heels for her handsome savior. But just when things look like they can't be all that bad, the strongest known coven--whose leader has been holding a grudge against Lysander--and the most dangerous group of vampire hunters on earth show up. Now Alyssa has to use her newly found skills to save herself--and the man she loves.
I really enjoyed Imortalis Carpe Noctem. I tore through it in a few hours, and regretted having to put it down. It was very addicting and fast paced, especially the action scenes at the end, quite entertaining, and not to over-dramatic.
Imortalis was, in some ways, a typical vampire novel: having to escape would-be-vamp-rulers, running from vampire hunters, falling in love with a handsome vampire. The thing that made it worth reading was the characters and their emotions. They had so much character to them, and Alyssa's feelings were so real and—pardon me, human—that they were incredibly relatable. I felt like I was Alyssa, I could feel her pain and her joy, her love and her loss.
The writing was pretty good, except there was some careless editing and misuse of comas. They were everywhere they shouldn't be for some reason, as if the computer put them in willy-nilly. It wasn't so much of a distraction that I couldn't enjoy the book, however.
I am anxiously awaiting the sequel Imortalis: Hunter & Prey as well as Salidas' other upcoming novels.
Content: little language, some sex.
Recommendation: Ages 18+
I really enjoyed Imortalis Carpe Noctem. I tore through it in a few hours, and regretted having to put it down. It was very addicting and fast paced, especially the action scenes at the end, quite entertaining, and not to over-dramatic.
Imortalis was, in some ways, a typical vampire novel: having to escape would-be-vamp-rulers, running from vampire hunters, falling in love with a handsome vampire. The thing that made it worth reading was the characters and their emotions. They had so much character to them, and Alyssa's feelings were so real and—pardon me, human—that they were incredibly relatable. I felt like I was Alyssa, I could feel her pain and her joy, her love and her loss.
The writing was pretty good, except there was some careless editing and misuse of comas. They were everywhere they shouldn't be for some reason, as if the computer put them in willy-nilly. It wasn't so much of a distraction that I couldn't enjoy the book, however.
I am anxiously awaiting the sequel Imortalis: Hunter & Prey as well as Salidas' other upcoming novels.
Content: little language, some sex.
Recommendation: Ages 18+
Haley Mathiot (9 KP) rated The Language of Secrets in Books
Apr 27, 2018
Justin Fisher was just an ordinary guy—he was a manager of a hotel, married with a son, and a great future ahead of him. But he decides that he must go back to his home, because he hasn’t spoken with his family in years.
When he arrives, his parents are dead—and his gravestone is beside theirs.
Justin embarks on an amazing terrifying journey of mystery, self discovery, and secrets to try to fix his broken past—or at least figure out who he is.
The Language of Secrets was powerful, ironic, and profound. I was instantly swept away by Dixon’s prose and illustrations. My jaw literally dropped as I read the opening paragraphs, the writing was so fluid and descriptive. It was all written in third person, but switched perspectives every few chapters.
Near the middle I felt like I was in the middle of two separate stories, and I wasn’t sure how they connected, but I knew they did because they were about the same characters. Watching the story unfold in almost a mystery-novel way was incredible: it was a complex series of events woven together expertly so that you can’t even find the seams.
I loved the ending. The Language of Secrets finishes up the story, concludes it, leaves you satisfied, and then throws something at you in the very last paragraph of the very last chapter that you didn’t expect. It sent my eyebrows to the ceiling and my jaw to the floor. I think my eyeballs are still rolling around on the ground somewhere.
The Language of Secrets was amazing—it’s staying on my shelf for a definite re-read.
Content: medium language, some violence, mention of sex but no details, mention of rape but no details.
Recommendation: Ages 16+
When he arrives, his parents are dead—and his gravestone is beside theirs.
Justin embarks on an amazing terrifying journey of mystery, self discovery, and secrets to try to fix his broken past—or at least figure out who he is.
The Language of Secrets was powerful, ironic, and profound. I was instantly swept away by Dixon’s prose and illustrations. My jaw literally dropped as I read the opening paragraphs, the writing was so fluid and descriptive. It was all written in third person, but switched perspectives every few chapters.
Near the middle I felt like I was in the middle of two separate stories, and I wasn’t sure how they connected, but I knew they did because they were about the same characters. Watching the story unfold in almost a mystery-novel way was incredible: it was a complex series of events woven together expertly so that you can’t even find the seams.
I loved the ending. The Language of Secrets finishes up the story, concludes it, leaves you satisfied, and then throws something at you in the very last paragraph of the very last chapter that you didn’t expect. It sent my eyebrows to the ceiling and my jaw to the floor. I think my eyeballs are still rolling around on the ground somewhere.
The Language of Secrets was amazing—it’s staying on my shelf for a definite re-read.
Content: medium language, some violence, mention of sex but no details, mention of rape but no details.
Recommendation: Ages 16+
Haley Mathiot (9 KP) rated The Secret of Joy in Books
Apr 27, 2018
Thoughts: This is such a sweet heart-warming story about life and love, and takes the drama of ex-wives and love-sick ladies to a whole new level, giving it life and plausibility at the same time. How did Melissa do it? No idea. But she won me over.
This book asks a lot of questions about marriage, relationships, and love. Does the author answer all the questions? Not really—but she answers the ones that she needs to, and as for others, she lets her readers decide the answers for themselves. THE SECRET OF JOY makes the reader think about what forgiveness really is, what it means to love someone, and the responsibility of loving them.
Characters: Joy was my favorite character. She was a rough-tough-don’t-mess-with-me-you-cant-make-me-cry kinda girl. She held her facade well (most of the time) but when she showed her true colors, she was a gem. Michael, Rebecca’s boyfriend, was a bit of a confusing character. At first I really liked him but as the story went on, I got fed up with him and kept thinking “Rebecca, dump him, please.” I almost cried when Rebecca’s dad died. These characters in this story will beckon you.
Writing: Melissa held me captive with her unique writing style. It was relaxed and smooth, and flowed well, something that could be read aloud without too much problem.
Content: There was only an occasional swear word, and some mention of sex, but no details.
Recommendation: Ages 14+ to anyone craving a light-hearted sit-by-the-fire-with-tea kind of book.
**Thank you to Sarah from Pocketbooks for supplying my review copy!**
This book asks a lot of questions about marriage, relationships, and love. Does the author answer all the questions? Not really—but she answers the ones that she needs to, and as for others, she lets her readers decide the answers for themselves. THE SECRET OF JOY makes the reader think about what forgiveness really is, what it means to love someone, and the responsibility of loving them.
Characters: Joy was my favorite character. She was a rough-tough-don’t-mess-with-me-you-cant-make-me-cry kinda girl. She held her facade well (most of the time) but when she showed her true colors, she was a gem. Michael, Rebecca’s boyfriend, was a bit of a confusing character. At first I really liked him but as the story went on, I got fed up with him and kept thinking “Rebecca, dump him, please.” I almost cried when Rebecca’s dad died. These characters in this story will beckon you.
Writing: Melissa held me captive with her unique writing style. It was relaxed and smooth, and flowed well, something that could be read aloud without too much problem.
Content: There was only an occasional swear word, and some mention of sex, but no details.
Recommendation: Ages 14+ to anyone craving a light-hearted sit-by-the-fire-with-tea kind of book.
**Thank you to Sarah from Pocketbooks for supplying my review copy!**
Lee Ann (116 KP) rated Moonlight Sins in Books
May 18, 2018
This book is so awkward. That's really the only way I can put it. The female MC flits between sounding like a woman in her 20s to a teenager and back again with alarming regularity.
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
The three de Vincent brothers are flat. It's like JLA picked out three primary alpha male qualities, gave one to each and figured that was enough. Devlin is the silent, mysterious one, Gabe is the easygoing one and Lucian is the playboy. Each trope isn't a bad one, but there's barely any fleshing out.
The plot alludes to ghosts haunting the house, but nothing ever really comes of that other than ghostly footsteps and flickering lights happening here and there but have no real impact on the story, it's like they're used as an excuse for mystery.
The primary storyline is okay - Lucian is painted as a womaniser at first, and the first few scenes with him are boring and predictable. When he first meets Julia, the JLA we know and love shines through for a while, with witty banter and Lucian gets a little bit of padding.
Sadly, the plot seems to lose its way at some point - it's almost like she's trying to hard and throwing as much into the mix as she can to ensure she covers all bases.
The result is a messy read, up and down, good parts and bad. It reads mostly like it should be YA, but with some of the most awkward sex scenes with things like "he caught her nipple between thumb and forefinger and did something that...." lots of sentences in these scenes end with "did something that..." we never find out what that something is lol
Overall, it's not horrible, but it was awkward and clumsy. I do have the second one on preorder, so we'll see..
Whatchareadin (174 KP) rated Letter to My Daughter in Books
Apr 9, 2019
Maya Angelou has long been one of my favorite authors. I have even performed her poetry during my high school day in regional speech & debate tournaments. I Know Why the Caged Bird Sings was her first book that I read as an adolescent. Her words are always inspiring and listening to her read Letter to My Daughter was incredible. Reading her books always leave me feeling refreshed and alive, but hearing the emotion in her voice while she was reading her words, gives the book even more enjoyable. Hearing her voice crack as she talks about being beaten and raped almost brought me to tears. It made me feel a deeper connection to Ms. Angelou.
It's ironic that this book is called Letter to My Daughter when Maya Angelou doesn't have a daughter. She claims women such as Oprah Winfrey, Rosa Johnson Butler, Valerie Simpson, Brenda Crisp, and Frances Berry allowed her to be a mother to them. This book goes through different aspects of Maya Angelou's life from childhood living with her grandmother, to becoming an undeveloped woman who thought sex would bring in her breasts. And it did, but they were filled with milk.
We as women go through many struggles in life. A lot of the time, we put ourselves on the back burner in order to take care of those around us. In this book, Maya Angelou proves to us that no matter the struggle, if we work hard and put ourselves first, we can accomplish anything. She had it just as hard, actually harder than any of us and look at all she had done in this world.
I recommend this book to all the women I know. It will leave you feeling empowered, strong and on top of the world.
It's ironic that this book is called Letter to My Daughter when Maya Angelou doesn't have a daughter. She claims women such as Oprah Winfrey, Rosa Johnson Butler, Valerie Simpson, Brenda Crisp, and Frances Berry allowed her to be a mother to them. This book goes through different aspects of Maya Angelou's life from childhood living with her grandmother, to becoming an undeveloped woman who thought sex would bring in her breasts. And it did, but they were filled with milk.
We as women go through many struggles in life. A lot of the time, we put ourselves on the back burner in order to take care of those around us. In this book, Maya Angelou proves to us that no matter the struggle, if we work hard and put ourselves first, we can accomplish anything. She had it just as hard, actually harder than any of us and look at all she had done in this world.
I recommend this book to all the women I know. It will leave you feeling empowered, strong and on top of the world.