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Darren (1599 KP) rated 21 Jump Street (2012) in Movies
Jun 20, 2019
Story: We start by following our two very different high school students failing at something different things. We fast forward seven years to the police academy where the two become friends to help each other overcome their problems and get through. After they get through the two get partnered up but continue to fail leading them to get transferred to ’21 Jump Street’ program. They have to go undercover as high school students. They have to uncover a drug ring at the high school and get over the problems they faced before.
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
Bound for Justice Box Set
Book
Bound for Justice: A Box Set Against the Rules Targeted by a drug cartel, Teague is out for...
ANTHOLOGIES AND COLLECTIONS BONDAGE AND BDSM CONTEMPORARY EROTIC ROMANCE
Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
The New PSYCHOLOGY
10.0
Rate It
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From the mind of genius to the suicide bombers of today’s news, from science to sex, understanding...
Connor Sheffield (293 KP) rated Clerks (1994) in Movies
Apr 22, 2017
Simple (3 more)
Hilarious
Pop Culture discussions
Jay and Silent Bob
I'm not even suppose to be here today!
Here is a film that could have left Kevin Smith in the Quickstop paying off the money he used to make this film, which he accomplished by maxing out credit cards.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Haley Mathiot (9 KP) rated You in Books
Apr 27, 2018
While reading—and after finishing—You, I really had no idea what to say about it. I let it sit in my brain for a while, and I think I’ve decided how I feel. It’s a funny book though, because honestly, you have to be the right kind of reader for it. I’m not yet sure what that kind of reader is.
First, as you can see above, I can’t really say what genre it was. It wasn’t really young adult, though I’m sure some young people will enjoy it. It’s not really adult either though, because it’s about a group of people who play videogames for a living. So I wasn’t sure what category to put it into for my brain.
There was some fantasy aspects, because the videogame they made was fantasy. The videogame characters would come to visit Russell, the main character, in his dreams or daydreams. Once he took one of them on a date. That was kind of weird.
Then there was the plot. They’re making this game, another game in the series, and there’s a bug that’s causing all sorts of problems. They have to play the game to get rid of the bug. Now I’m not a game designer but that doesn’t seem very probable to me personally. I’d do a control search for the line of problem code, and just take it the hell out. But like I said, I’m not a designer.
The subplot to the bug mystery had something to do with the past, the founder of the company, a mysterious death, and an “ultimate game.” It was all very vague, and not a lot of it was wrapped up.
Finally, I didn’t particularly like the conclusion. Suffice to say I thought the whole novel would take a different turn than it did, and it wasn’t what I wanted.
But the good parts were good! The writing was funny and descriptive, the characters were well developed—I loved Lisa so much!—and it was fast paced.
Personally, I liked it. I didn’t love it, I didn’t hate it, but I probably wouldn’t read (or listen to) it again.
Content/recommendation: some language, no sex. Ages 16+
First, as you can see above, I can’t really say what genre it was. It wasn’t really young adult, though I’m sure some young people will enjoy it. It’s not really adult either though, because it’s about a group of people who play videogames for a living. So I wasn’t sure what category to put it into for my brain.
There was some fantasy aspects, because the videogame they made was fantasy. The videogame characters would come to visit Russell, the main character, in his dreams or daydreams. Once he took one of them on a date. That was kind of weird.
Then there was the plot. They’re making this game, another game in the series, and there’s a bug that’s causing all sorts of problems. They have to play the game to get rid of the bug. Now I’m not a game designer but that doesn’t seem very probable to me personally. I’d do a control search for the line of problem code, and just take it the hell out. But like I said, I’m not a designer.
The subplot to the bug mystery had something to do with the past, the founder of the company, a mysterious death, and an “ultimate game.” It was all very vague, and not a lot of it was wrapped up.
Finally, I didn’t particularly like the conclusion. Suffice to say I thought the whole novel would take a different turn than it did, and it wasn’t what I wanted.
But the good parts were good! The writing was funny and descriptive, the characters were well developed—I loved Lisa so much!—and it was fast paced.
Personally, I liked it. I didn’t love it, I didn’t hate it, but I probably wouldn’t read (or listen to) it again.
Content/recommendation: some language, no sex. Ages 16+
Haley Mathiot (9 KP) rated What Curiosity Kills (The Turning, #1) in Books
Apr 27, 2018
The Turning: What Curiosity Kills by Helen Ellis
Genre: YA, paranormal, romance
Rating: 4
Mary Richards always knew she didn't fit in exactly with everyone else, but she always attributed that to the fact that she and her sister were adopted. But when her long time crush suddenly starts showing interest in her, she randomly starts sleeping and purring in class, and she starts to turn into a cat, she knows things are never going to be the same.
I was instantly pulled into The Turning. The story starts and progresses quickly, and I read the whole thing in one day, almost fully in one sitting. It's the kind of book that you don't realize you've gotten to the next page, or the next chapter, and before you know it, you're done… but the adventure was so engaging, you forgot who you were for a while, because you were living solely in the character's shoes.
The writing was casual, but good. I rarely felt out of place or confused by what had just occurred. One of the only things that really bothered me about this book was the fact that Nick and Mary's relationship was very fast, and seemingly out of nowhere but lust. The ending, also, didn't quite have enough closure on the relationship aspect, nor on the actual story. It directly after the final exciting scene, with no smooth curve down. My heart was still racing when I got to the last page, and I felt like it should have lasted a little longer. Lastly, I wasn't sure if this book was for pre-teens, ages 12-14, or older. It would probably appeal to both age groups.
My favorite part was watching the characters show themselves for who they were. Yoon being more than what meets the eye, Octavia confessing her secrets and being willing, for love, to face her fears, and all the others, too. They were all very unique. I loved the characters and their interaction and dialogue.
Overall, I enjoyed The Turning, and look forward to the rest of the series.
Content: Some language, no sex
Recommendation: Ages 14-18, or if offended by language 16+
Genre: YA, paranormal, romance
Rating: 4
Mary Richards always knew she didn't fit in exactly with everyone else, but she always attributed that to the fact that she and her sister were adopted. But when her long time crush suddenly starts showing interest in her, she randomly starts sleeping and purring in class, and she starts to turn into a cat, she knows things are never going to be the same.
I was instantly pulled into The Turning. The story starts and progresses quickly, and I read the whole thing in one day, almost fully in one sitting. It's the kind of book that you don't realize you've gotten to the next page, or the next chapter, and before you know it, you're done… but the adventure was so engaging, you forgot who you were for a while, because you were living solely in the character's shoes.
The writing was casual, but good. I rarely felt out of place or confused by what had just occurred. One of the only things that really bothered me about this book was the fact that Nick and Mary's relationship was very fast, and seemingly out of nowhere but lust. The ending, also, didn't quite have enough closure on the relationship aspect, nor on the actual story. It directly after the final exciting scene, with no smooth curve down. My heart was still racing when I got to the last page, and I felt like it should have lasted a little longer. Lastly, I wasn't sure if this book was for pre-teens, ages 12-14, or older. It would probably appeal to both age groups.
My favorite part was watching the characters show themselves for who they were. Yoon being more than what meets the eye, Octavia confessing her secrets and being willing, for love, to face her fears, and all the others, too. They were all very unique. I loved the characters and their interaction and dialogue.
Overall, I enjoyed The Turning, and look forward to the rest of the series.
Content: Some language, no sex
Recommendation: Ages 14-18, or if offended by language 16+
Haley Mathiot (9 KP) rated Before They are Hanged: The First Law: Book Two in Books
Apr 27, 2018
First of all, these were some of the longest books I’ve listened to in a while. I’ve been plugging away on these suckers for over a month. some of the tracks are an hour or longer. So if you like long books, it’s worth the time investment! this is a great series for a long road trip, a summer (winter) vacation, or to play in the background while you attack a major knitting project.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
Haley Mathiot (9 KP) rated The Better Part of Darkness (Charlie Madigan, #1) in Books
Apr 27, 2018
THE BETTER PART OF DARKNESS by Kelly Gay
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
graveyardgremlin (7194 KP) rated Night Rising (Vampire Babylon, #1) in Books
Feb 15, 2019
I'm having a hard time formulating my thoughts on this book. I did like it and will read the next one, but there was just something off about the whole thing. Maybe because there were a bunch of loose ends at the end of the book than was necessary, but who knows. I didn't get the whole promiscuous thing, mostly because it didn't feel like it belonged in the book and really came out of nowhere; it felt like it was added for the whole "sex sells" concept. I mean that thing with "the Voice" was just plain weird and creepy. Quite few times I thought Dawn needed to get over herself and quit whining about her mother. She's twenty-four, she needs to act like it, not like some angsty teenager. I get it - it's hard to grow up with a beautiful mother who died too young and being compared to her when you're only average looking is hard (Although the cover model is above average looking. Marketing? I think so. :P), but deal with it already. I really didn't care about her and thought overall that Kiko was the best character of the bunch. Hopefully in the next book they are all developed better and Dawn grows up.
You can tell the author has taken some things from other medias: The Crow, Buffy the Vampire Slayer, especially with Dawn being the "key" and probably from other things I haven't seen or read so can't compare. I think that detracted from the book because I don't want to compare the stories; I'd rather the book stood alone as it is.
Nearer the end it had me wondering about a certain character and if that was a hint to what's to come in future books. That's probably the main reason I'll read on, although there are some interesting concepts in the book too. The most interesting is the the vampire world, in which there are some varying degrees of good and evil - like humans - and they're just trying to survive without being found out - at least that's how I took it. All in all it was a decent read, but just an average urban fantasy book.
2.5 stars
You can tell the author has taken some things from other medias: The Crow, Buffy the Vampire Slayer, especially with Dawn being the "key" and probably from other things I haven't seen or read so can't compare. I think that detracted from the book because I don't want to compare the stories; I'd rather the book stood alone as it is.
Nearer the end it had me wondering about a certain character and if that was a hint to what's to come in future books. That's probably the main reason I'll read on, although there are some interesting concepts in the book too. The most interesting is the the vampire world, in which there are some varying degrees of good and evil - like humans - and they're just trying to survive without being found out - at least that's how I took it. All in all it was a decent read, but just an average urban fantasy book.
2.5 stars