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Acanthea Grimscythe (300 KP) rated Baby Teeth in Books
Jan 31, 2019
For all the hype that Zoje Stage’s debut novel, Baby Teeth has garnered, I expected this to be a delightful, bone-chilling read. After all, the idea of homicidal children is, on its own, creepy. Unfortunately, it fell disgustingly flat, repetitive and, for the most part, bored me. This is not a novel of horror; it is barely even a thriller. If anything, it’s the story of how a selfish mother, oblivious father, and attention-seeking child live their day-to-day lives.
One of the things that drew me in initially with this book is the fact that the mother, Suzette, suffers from Crohn’s disease. Stage does an amazing job at describing life for someone who suffers from IBD – all the way down to the medications (which I knew by their descriptions exactly what they were from experience). This is great, especially since more attention needs to be drawn to Crohn’s and colitis. However, Suzette’s personality, innermost thoughts, and general disdain give a poor, almost stereotypical visual of the character. Stage makes it seem like Suzette simply doesn’t want to do things, rather than can’t which, as a sufferer of ulcerative colitis, really irks me. In fact, Suzette is utterly unlikable.
Hanna, on the other hand, is a child that acts out horridly in order to garner her father’s attention. Sure, it’s pretty messed up–the things she does to her mother–but overall, she seems more like an undisciplined brat with a hint of something worse wrong with her. And the father? God forbid he man up and play his role as he should; rather, he coddles and feeds into Hanna’s bad behavior. Seriously, there’s nothing to like about the characters here.
Moving on to the plot, Baby Teeth is an absolute snoozefest. Girl attacks mom, mom gets upset, dad doesn’t listen, rinse and repeat for three hundred or so pages. Seriously, the only good thing it has is that things escalate, but even that is extremely slow.
Overall, I’m utterly disappointed in this book. It’s extremely tame (though there is a brief, unnecessary sex scene). I’d like to thank NetGalley and St. Martin’s Press for providing me with a copy of this book for the purpose of an unbiased review.
One of the things that drew me in initially with this book is the fact that the mother, Suzette, suffers from Crohn’s disease. Stage does an amazing job at describing life for someone who suffers from IBD – all the way down to the medications (which I knew by their descriptions exactly what they were from experience). This is great, especially since more attention needs to be drawn to Crohn’s and colitis. However, Suzette’s personality, innermost thoughts, and general disdain give a poor, almost stereotypical visual of the character. Stage makes it seem like Suzette simply doesn’t want to do things, rather than can’t which, as a sufferer of ulcerative colitis, really irks me. In fact, Suzette is utterly unlikable.
Hanna, on the other hand, is a child that acts out horridly in order to garner her father’s attention. Sure, it’s pretty messed up–the things she does to her mother–but overall, she seems more like an undisciplined brat with a hint of something worse wrong with her. And the father? God forbid he man up and play his role as he should; rather, he coddles and feeds into Hanna’s bad behavior. Seriously, there’s nothing to like about the characters here.
Moving on to the plot, Baby Teeth is an absolute snoozefest. Girl attacks mom, mom gets upset, dad doesn’t listen, rinse and repeat for three hundred or so pages. Seriously, the only good thing it has is that things escalate, but even that is extremely slow.
Overall, I’m utterly disappointed in this book. It’s extremely tame (though there is a brief, unnecessary sex scene). I’d like to thank NetGalley and St. Martin’s Press for providing me with a copy of this book for the purpose of an unbiased review.
Kara Skinner (332 KP) rated Mine for Tonight in Books
Nov 3, 2019
Nothing says sexy like a brooding billionaire. I mean, in a world of car payments, nine-to-five nightmares, and student loans hanging over people’s heads like spiders on their bedroom ceilings, it can be a lot of fun to daydream about a billionaire lover who will take it all away. Unfortunately, a lot of them are really bad, like Fifty Shades of Writing So Bad I Want All The Characters to Spontaneously Combust. The damsel in distress routine can also be sadly lacking plot and character development, like in The Doctor’s Slave. However, Mine for Tonight is definitely one of the good ones.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
JT (287 KP) rated Drive Angry (2011) in Movies
Mar 10, 2020
The only thing going for this piece of red necked, muscle car mayhem was that it was shot in 3D, and maybe the inclusion of Amber Heard. Aside from that is was pretty poor and that is being nice. After Ghost Rider I thought Nicolas Cage might steer clear of the ‘escaped-from-hell- out-for-revenge’ type role, but he’s ventured straight back.
Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.
Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over
Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.
The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.
Instead this one got a flat the moment the opening credits rolled.
Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.
Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over
Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.
The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.
Instead this one got a flat the moment the opening credits rolled.
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
Debbiereadsbook (1554 KP) rated Thief In The Light (Bed, Breakfast and Beyond #1) in Books
Apr 18, 2020
a thoroughly delightful read!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
I've left with a deep feeling of delightful!
I mean, it comes with a story line that is a bit darker in places, when Lucky is telling what happened to him and the others but it's not delivered in any GREAT detail. You are just given enough for you to add things up, at first, to make a picture. More comes, in more detail, but still not great detail, you know? You don't have to live through everything Lucky and the kids went though.
It is *almost* clean. I expected it to come out totally clean, to be honest, but still I really enjoyed that fact. This is not about the sex between Lucky and Kreed, it's about the LOVE, or rather, about learning to love, to trust and to just be, you know?
I LOVED Mildred, the house! Loved the little noises she makes to express her opinion and thoughts on a matter or person. Loved that she saw the main trouble-causer in this book way before we did. Mildred did make me laugh, with her little noises, she really did.
I loved Lucky, and what he was running from, but more importantly, what he ran TO. He knew Kreed needed him, very quickly and just as quickly, Lucky was staying, even though people thought he had done a runner. I loved Kreed, too. He knew that Mildred wanted Lucky and he knew that HE wanted Lucky, it was just a matter of whether Lucky wanted Kredd enough to stay.
Like i said, a bit darker in places, but it really is the most delightful read I've read in a very long time! From what I can see, I've only read one other by Samms, and that was a long while ago. THIS book is billed as book 1 in the Bed, Breakfast and Beyond series, and I really hope I get to read the future books and that Kreed and Lucky pop up too.
Thank you, Ms Samms, for an enjoyable, delightful read!
4 stars
**same worded review will appear elsewhere**
I've left with a deep feeling of delightful!
I mean, it comes with a story line that is a bit darker in places, when Lucky is telling what happened to him and the others but it's not delivered in any GREAT detail. You are just given enough for you to add things up, at first, to make a picture. More comes, in more detail, but still not great detail, you know? You don't have to live through everything Lucky and the kids went though.
It is *almost* clean. I expected it to come out totally clean, to be honest, but still I really enjoyed that fact. This is not about the sex between Lucky and Kreed, it's about the LOVE, or rather, about learning to love, to trust and to just be, you know?
I LOVED Mildred, the house! Loved the little noises she makes to express her opinion and thoughts on a matter or person. Loved that she saw the main trouble-causer in this book way before we did. Mildred did make me laugh, with her little noises, she really did.
I loved Lucky, and what he was running from, but more importantly, what he ran TO. He knew Kreed needed him, very quickly and just as quickly, Lucky was staying, even though people thought he had done a runner. I loved Kreed, too. He knew that Mildred wanted Lucky and he knew that HE wanted Lucky, it was just a matter of whether Lucky wanted Kredd enough to stay.
Like i said, a bit darker in places, but it really is the most delightful read I've read in a very long time! From what I can see, I've only read one other by Samms, and that was a long while ago. THIS book is billed as book 1 in the Bed, Breakfast and Beyond series, and I really hope I get to read the future books and that Kreed and Lucky pop up too.
Thank you, Ms Samms, for an enjoyable, delightful read!
4 stars
**same worded review will appear elsewhere**
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