"Magical realism is very important to me, and here you have some wonderful fantasy sequences—including Roy Scheider talking to Death, played by Jessica Lange. And there’s so much humor in this movie. It’s very serious on one level, because the protagonist is reflecting on his own mortality and the constant presence of death in his life, but it’s also very funny. Even when the hero is having a heart attack, the movie can’t help but break into a bit of musical theater! And as someone who used to dance before becoming a filmmaker, I’m in love with the choreography—how Scheider watches it all happening and participates in it, and how sexy it is. The dancing is very of the period—it’s maybe even a little dated—but the movie itself is not. It completely holds up."

"Wong Kar-Wai is one of my favorite directors from Asia. I’m a natural romantic. I feel like his movies — slow motion, the momentum of people, even a clock running — are non-traditional filmmaking. Normal movies [have scenes set up] like, I talk to you; you talk to me. Those kinds of movies are boring to me, but his films are advanced. He’s also extremely private and personal. His stories are all about innocent love, sort of like teenage love. How people need; how you love. They’re very, very romantic. When I talk about it, I feel this slow motion romance, high heels, the mystery of women, sexy, walking by. I recognize things in my soul that are unspoken; a lot of those longings, and unfulfilled romances, and dreams within [Wong Kar-Wai’s] films — they make me feel that."