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LeftSideCut (3778 KP) rated the PlayStation 4 version of Star Wars Jedi: Fallen Order in Video Games
Apr 7, 2020
I don't have much negativity to direct at Star Wars Jedi: Fallen Order, it's a pretty solid single player adventure that expands on Star Wars lore to a competent degree, and had me absorbed for the most part.
For a start, the game looks amazing. The settings are full of colour one second, and then harsh and cold the next, as you traverse forest planets like Kashyyyk, before navigating through Empire facilities.
The game is set between Episodes 3 and 4 of the movie canon, and borrows asthethic elements from both the original and prequel trilogies. It's interesting to be in the middle of a universe that has recently seen the destruction of the Jedi Order.
The gameplay is also great. The exploration and parkour elements are reminiscent of the Uncharted series, but adds enough Force stuff to make it not feel stale, and the combat is thrilling. JFO is genuinely challenging at times, especially during boss battles. You have to approach each encounter with patience and some sort of plan, or you'll find yourself struggling. It's not to dissimilar from Dark Souls in that respect.
By the time I had finished the campaign, and went through areas again in my pursuit of Platinum, I had unlocked all skills, and combat became easier, at times, really giving you the feel of a Jedi Knight.
You can also build and edit your own lightsaber, which is a nice touch.
The story is ok, largely about finding a McGuffin to help restore the Jedi, but this is one of those games that is all about the journey. The characters you meet along the way are all fleshed out to an acceptable degree, and BD-1, your droid companion for the campaign, is endearing and feels essential to the way the story pans out.
My main criticism is that it didn't have a huge amount of replay value once I was done. After finishing the campaign, it didn't take a massive amount of time to mop up everything else, and that was that, but it's forgivable considering how tight and polished the rest of the game feels.
Star Wars Jedi: Fallen Order is another shining example of how important single player games are in an age where multiplayer games reign supreme. Go and play it.
For a start, the game looks amazing. The settings are full of colour one second, and then harsh and cold the next, as you traverse forest planets like Kashyyyk, before navigating through Empire facilities.
The game is set between Episodes 3 and 4 of the movie canon, and borrows asthethic elements from both the original and prequel trilogies. It's interesting to be in the middle of a universe that has recently seen the destruction of the Jedi Order.
The gameplay is also great. The exploration and parkour elements are reminiscent of the Uncharted series, but adds enough Force stuff to make it not feel stale, and the combat is thrilling. JFO is genuinely challenging at times, especially during boss battles. You have to approach each encounter with patience and some sort of plan, or you'll find yourself struggling. It's not to dissimilar from Dark Souls in that respect.
By the time I had finished the campaign, and went through areas again in my pursuit of Platinum, I had unlocked all skills, and combat became easier, at times, really giving you the feel of a Jedi Knight.
You can also build and edit your own lightsaber, which is a nice touch.
The story is ok, largely about finding a McGuffin to help restore the Jedi, but this is one of those games that is all about the journey. The characters you meet along the way are all fleshed out to an acceptable degree, and BD-1, your droid companion for the campaign, is endearing and feels essential to the way the story pans out.
My main criticism is that it didn't have a huge amount of replay value once I was done. After finishing the campaign, it didn't take a massive amount of time to mop up everything else, and that was that, but it's forgivable considering how tight and polished the rest of the game feels.
Star Wars Jedi: Fallen Order is another shining example of how important single player games are in an age where multiplayer games reign supreme. Go and play it.
Phillip McSween (751 KP) rated A Star Is Born (1976) in Movies
Jun 30, 2020
Decent, But Hoped For More
When a local singer is discovered by a big time star, she finds that her time in the spotlight isn’t all she expected it to be.
Acting: 10
While I wasn’t in love with Barbara Streisand’s lead role of Esther Hoffman, she did alright for the most part. I’ll just say it was a little bit better than bearable. I’m never one to say an actor has to knock it out of the park, but they can’t be so bad as to take me out of the movie. For any of her shortcomings Kris Kristofferson made up for it playing the alcoholic musician John Norman Howard. He definitely carries the chemistry between the two.
Beginning: 10
Solid kickoff as you are immediately engaged with John’s character and his shortcomings as a man. You can see this guy is a trainwreck and anyone that gets close to him will probably be brought down too. While I have seen the previous two versions before this one, it made me interested to see how they would tackle his struggles.
Characters: 8
Cinematography/Visuals: 10
For what it’s worth, I did like what director Frank R. Pierson did in showing Esther’s life at home versus what the glamorous life looked like. Before she makes it big, and even in some of the quieter moments, there is peace, shots of calm and quiet. The road life is an entirely different animal, however, as heaps of fans cheer her on at every turn and you can feel just how overwhelming it is. I appreciated that stark contrast.
Conflict: 7
Entertainment Value: 7
Throughout its 141-minute duration, A Star is Born definitely has its shining spots. Who doesn’t love a good rags to riches story? In a twist you can see coming for some time, this is a rags to riches to mortal endings story. I enjoyed watching her rise to stardom although some parts were truly unbearable with John’s character being such a total anus. It was over-the-top at times and took some of the enjoyment away.
Memorability: 2
Pace: 6
Plot: 8
Resolution: 4
Overall: 72
Of the four versions, this is hands-down the weakest A Star is Born. It’s not a horrible movie and I definitely wouldn’t steer someone away from checking it out at least once. For me, it just doesn’t stand the test of time.
Acting: 10
While I wasn’t in love with Barbara Streisand’s lead role of Esther Hoffman, she did alright for the most part. I’ll just say it was a little bit better than bearable. I’m never one to say an actor has to knock it out of the park, but they can’t be so bad as to take me out of the movie. For any of her shortcomings Kris Kristofferson made up for it playing the alcoholic musician John Norman Howard. He definitely carries the chemistry between the two.
Beginning: 10
Solid kickoff as you are immediately engaged with John’s character and his shortcomings as a man. You can see this guy is a trainwreck and anyone that gets close to him will probably be brought down too. While I have seen the previous two versions before this one, it made me interested to see how they would tackle his struggles.
Characters: 8
Cinematography/Visuals: 10
For what it’s worth, I did like what director Frank R. Pierson did in showing Esther’s life at home versus what the glamorous life looked like. Before she makes it big, and even in some of the quieter moments, there is peace, shots of calm and quiet. The road life is an entirely different animal, however, as heaps of fans cheer her on at every turn and you can feel just how overwhelming it is. I appreciated that stark contrast.
Conflict: 7
Entertainment Value: 7
Throughout its 141-minute duration, A Star is Born definitely has its shining spots. Who doesn’t love a good rags to riches story? In a twist you can see coming for some time, this is a rags to riches to mortal endings story. I enjoyed watching her rise to stardom although some parts were truly unbearable with John’s character being such a total anus. It was over-the-top at times and took some of the enjoyment away.
Memorability: 2
Pace: 6
Plot: 8
Resolution: 4
Overall: 72
Of the four versions, this is hands-down the weakest A Star is Born. It’s not a horrible movie and I definitely wouldn’t steer someone away from checking it out at least once. For me, it just doesn’t stand the test of time.
Emeli Sande recommended track Big Brother by Stevie Wonder in Talking Book by Stevie Wonder in Music (curated)
7.0
Album
Favorite
Ross (3284 KP) rated A Little Hatred in Books
Oct 1, 2019
The latest instalment in the world of the First Law is the start of Abercrombie's new series - The Age of Madness. The story take place some 30 years after the events of the First Law trilogy, and we are deep into that world's industrial revolution. Across the Union, tradesmen are being rendered obsolete by technological advancement. Savine dan Glokta, the daughter of the shining, shitty star of the First Law trilogy, has made her fortune by investing in such innovations and mercilessly milking their genius inventors for every mark of profit. Half of the story follows her on a trip to oversee the running of one of her investments, a trip which soon descends into riot, hostage-taking and a general shit-storm.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.
Phillip McSween (751 KP) rated The Public Enemy (1931) in Movies
Jul 30, 2020
Boring
The story of the rise and fall of prohibition-era Tom Powers. The Public Enemy currently sits at 100% on Rotten Tomatoes. I was excited to dive in to this movie, but I started drowning as soon as I hit the first ten minutes. And, no, it didn’t get better.
Acting: 7
Beginning: 4
The beginning is extremely slow. It was very hard for me to get engaged or even stay that way. I got out of the first ten minutes thinking, “If this is any indication of how the rest of the movie is going to be, count me out.”
Characters: 2
Cinematography/Visuals: 10
Conflict: 5
For a gangster movie, I was really hoping for a lot more action. The gun fights aren’t bad, but they happen so few and far between it makes the rest of the movie really boring. I never felt any stakes at any point with any of the characters either so the conflict is mediocre by comparison.
Entertainment Value: 5
I enjoyed watching a part of cinematic history. I respected that aspect at least. Overall, though, I was mildly entertained at best. I felt there were more lulls than high spots.
Memorability: 6
Pace: 4
I was bored out of my mind for most of the movie. Again, I expected more from a gangster movie. Too much talking, way too much exposition. The movie drags like a sloth.
Plot: 8
The story is solid. The execution was weak. There are a number of different ways this story could have been approached without there being so much repeated dialogue. Tom Powers has an interesting story that happened to get lost in translation with all of this.
Resolution: 2
I won’t spoil the ending, but it did nothing for the main character or his story overall. I felt we reached a climax where I had no sympathy for Tom because they had done little to nothing to that point to make me give a shit about him. Considering how bad the beginning was already, this was absolutely horrible.
Overall: 53Do I think The Public Enemy is a bad movie? Clearly, but I will say it’s not without a handful of shining moments. The camerawork is phenomenal particularly during gun fights. However, because I could never get to a point where I rooted for the main character, it made the movie as a whole hard to enjoy for me.
Acting: 7
Beginning: 4
The beginning is extremely slow. It was very hard for me to get engaged or even stay that way. I got out of the first ten minutes thinking, “If this is any indication of how the rest of the movie is going to be, count me out.”
Characters: 2
Cinematography/Visuals: 10
Conflict: 5
For a gangster movie, I was really hoping for a lot more action. The gun fights aren’t bad, but they happen so few and far between it makes the rest of the movie really boring. I never felt any stakes at any point with any of the characters either so the conflict is mediocre by comparison.
Entertainment Value: 5
I enjoyed watching a part of cinematic history. I respected that aspect at least. Overall, though, I was mildly entertained at best. I felt there were more lulls than high spots.
Memorability: 6
Pace: 4
I was bored out of my mind for most of the movie. Again, I expected more from a gangster movie. Too much talking, way too much exposition. The movie drags like a sloth.
Plot: 8
The story is solid. The execution was weak. There are a number of different ways this story could have been approached without there being so much repeated dialogue. Tom Powers has an interesting story that happened to get lost in translation with all of this.
Resolution: 2
I won’t spoil the ending, but it did nothing for the main character or his story overall. I felt we reached a climax where I had no sympathy for Tom because they had done little to nothing to that point to make me give a shit about him. Considering how bad the beginning was already, this was absolutely horrible.
Overall: 53Do I think The Public Enemy is a bad movie? Clearly, but I will say it’s not without a handful of shining moments. The camerawork is phenomenal particularly during gun fights. However, because I could never get to a point where I rooted for the main character, it made the movie as a whole hard to enjoy for me.
Acanthea Grimscythe (300 KP) rated Fungoid in Books
May 16, 2018
Actual rating: 4.5 Stars
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.
BankofMarquis (1832 KP) rated Tomb Raider (2018) in Movies
Mar 17, 2018
Not a bad start to this series
I have a confession to make, I have not seen the Angelina Jolie Lara Croft films, nor am I all that familiar with the video games that have spawned these movies, so it is with a fresh perspective that I judge how good (or bad) this film is.
And you know what? It's pretty good.
Starring Alicia Vikander, TOMB RAIDER is the origin story of how Lara Croft becomes a...ahem...Tomb Raider. This is the first starring role in a big "tent pole" film for her and she holds the center of the story quite well. Best known as the Oscar winner for Best Supporting Actress in THE DANISH GIRL (which I feel was a consolation prize for her from the Academy as a way of apologizing for not even nominating her for her Oscar-worthy performance in EX MACHINA), TOMB RAIDER transforms Ms. Vikander into a viable action star. Her Lara Croft is not a "super-hero" who is impervious to pain, rather, she is a real person (a tough one, I'll admit) but when she gets hurt, she feels it.
Doing everything but twirling his mustache is Walton Goggins as Mathias Vogel a rival Tomb Raider looking to raid the same tomb.
Why are they looking for this tomb? Does it matter? Nope. The fun is in the journey - and what fun there is. Norwegian Director Roar Uthaug (THE WAVE) keeps the action moving swiftly, jumping from one clue to another and one stunt to another, rarely slowing down for the audience to think - and that's a good thing, because as I'm thinking about this film a day later, I'm beginning to punch some pretty big holes in the plot. But...that doesn't matter because watching Croft/Vikander get herself out of trouble is entertaining.
Also shining in this film is Daniel Wu as Lu Ren, who's father, Lu Ren, disappeared chasing the same tomb as Croft's father (Dominic West). Ren and Crofft team up to race Vogel to the tomb.
Along for the ride in smaller-ish roles - in what appears to be the first film of a series - are such stalwarts as Nick Frost (uncredited), Jaime Winstone, Derek Jacobi and Kristen ScottThomas. All of whom must have been promised larger roles in later films in this series.
A solid start to the series. I, for one, will look forward to the next tomb that Lara Croft raids.
Letter Grade B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And you know what? It's pretty good.
Starring Alicia Vikander, TOMB RAIDER is the origin story of how Lara Croft becomes a...ahem...Tomb Raider. This is the first starring role in a big "tent pole" film for her and she holds the center of the story quite well. Best known as the Oscar winner for Best Supporting Actress in THE DANISH GIRL (which I feel was a consolation prize for her from the Academy as a way of apologizing for not even nominating her for her Oscar-worthy performance in EX MACHINA), TOMB RAIDER transforms Ms. Vikander into a viable action star. Her Lara Croft is not a "super-hero" who is impervious to pain, rather, she is a real person (a tough one, I'll admit) but when she gets hurt, she feels it.
Doing everything but twirling his mustache is Walton Goggins as Mathias Vogel a rival Tomb Raider looking to raid the same tomb.
Why are they looking for this tomb? Does it matter? Nope. The fun is in the journey - and what fun there is. Norwegian Director Roar Uthaug (THE WAVE) keeps the action moving swiftly, jumping from one clue to another and one stunt to another, rarely slowing down for the audience to think - and that's a good thing, because as I'm thinking about this film a day later, I'm beginning to punch some pretty big holes in the plot. But...that doesn't matter because watching Croft/Vikander get herself out of trouble is entertaining.
Also shining in this film is Daniel Wu as Lu Ren, who's father, Lu Ren, disappeared chasing the same tomb as Croft's father (Dominic West). Ren and Crofft team up to race Vogel to the tomb.
Along for the ride in smaller-ish roles - in what appears to be the first film of a series - are such stalwarts as Nick Frost (uncredited), Jaime Winstone, Derek Jacobi and Kristen ScottThomas. All of whom must have been promised larger roles in later films in this series.
A solid start to the series. I, for one, will look forward to the next tomb that Lara Croft raids.
Letter Grade B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
BookInspector (124 KP) rated I'll Find You in Books
Sep 24, 2020
The protagonist in this story is Emily, a nurse, who is struggling with the loss of her sister Zoe. Zoe has been missing for over a year, and Emily still keeps looking for her. The rest is covered by the blurb pretty accurately. Emily is a very disturbed character, she has mental health issues and is trying to cling to normality very hard, but life keeps throwing unusual situations at her. I think Emily is a very interesting and unique character, and I did like her baffled but a very strong personality.
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
Lyndsey Gollogly (2893 KP) rated Kill Switch in Books
Feb 17, 2023
🔞🔞🔞
17 of 235
Kindle
Kill switch ( Devils Night book 3)
By Penelope Douglas
⭐️⭐️⭐️⭐️
"I've done far worse than what I went to prison for. She has no idea how bad this can get."
WINTER
Sending him to prison was the worst thing I could’ve done. It didn’t matter that he did the crime or that I wished he was dead. Perhaps I thought I’d have time to disappear before he got out or he’d cool off in jail and be anything but the horror he was.
But I was wrong. Three years came and went too fast, and now he’s anything but calm. Prison only gave him time to plan.
And while I anticipated his vengeance, I didn’t expect this.
He doesn’t want to make me hurt. He wants to make everything hurt.
DAMON
First thing’s first. Get rid of her daddy. He told them I forced her. He told them his little girl was a victim, but I was a kid, too, and she wanted it just as much as I did.
Step two… Give her, her sister, and her mother nowhere to run and no fuel to escape. The Ashby women are alone now and desperate for a knight in shining armor.
But that’s not what’s coming.
No, it’s time I listened to my father and took control of my future. It’s time I showed them all—my family, her family, my friends—that I will never change and that I have no other ambition than to be the nightmare of their lives.
Starting with her.
She’ll be so scared, she won’t even be safe in her own head by the time I’m done with her. And the best part is I won’t have to break into her home to do it.
As the new man of the house I have all the keys.
For gods sake this woman knows how to kick you in the guts with trauma! This has so many trigger warnings. This book makes you feel everything it’s quite graphic and she doesn’t hold back! Whether you like this series or not the woman writes abuse better than anyone I’ve read she gets you feeling all the emotions. I still can’t stand these men but there is a catalyst for each one of them that being the worlds worst parents they certainly didn’t do their kids any good. One thing I love is these women are strong and ruling the world is on the agenda!
17 of 235
Kindle
Kill switch ( Devils Night book 3)
By Penelope Douglas
⭐️⭐️⭐️⭐️
"I've done far worse than what I went to prison for. She has no idea how bad this can get."
WINTER
Sending him to prison was the worst thing I could’ve done. It didn’t matter that he did the crime or that I wished he was dead. Perhaps I thought I’d have time to disappear before he got out or he’d cool off in jail and be anything but the horror he was.
But I was wrong. Three years came and went too fast, and now he’s anything but calm. Prison only gave him time to plan.
And while I anticipated his vengeance, I didn’t expect this.
He doesn’t want to make me hurt. He wants to make everything hurt.
DAMON
First thing’s first. Get rid of her daddy. He told them I forced her. He told them his little girl was a victim, but I was a kid, too, and she wanted it just as much as I did.
Step two… Give her, her sister, and her mother nowhere to run and no fuel to escape. The Ashby women are alone now and desperate for a knight in shining armor.
But that’s not what’s coming.
No, it’s time I listened to my father and took control of my future. It’s time I showed them all—my family, her family, my friends—that I will never change and that I have no other ambition than to be the nightmare of their lives.
Starting with her.
She’ll be so scared, she won’t even be safe in her own head by the time I’m done with her. And the best part is I won’t have to break into her home to do it.
As the new man of the house I have all the keys.
For gods sake this woman knows how to kick you in the guts with trauma! This has so many trigger warnings. This book makes you feel everything it’s quite graphic and she doesn’t hold back! Whether you like this series or not the woman writes abuse better than anyone I’ve read she gets you feeling all the emotions. I still can’t stand these men but there is a catalyst for each one of them that being the worlds worst parents they certainly didn’t do their kids any good. One thing I love is these women are strong and ruling the world is on the agenda!
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.