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Anohni recommended Warzone by Yoko Ono / Plastic Ono Band in Music (curated)

 
Warzone by Yoko Ono / Plastic Ono Band
Warzone by Yoko Ono / Plastic Ono Band
2018
(0 Ratings)
Album Favorite

"Almost everything I have tried to say, Yoko Ono was saying over 30 years ago. For half a century, she has been a prophet in our midst. On WARZONE, producer Thomas Bartlett sets her sage voice amid the barest of arrangements, shining a light once and for all on the essence of Ono’s legacy.A recent Netflix film revealed that Yoko cowrote the words for “Imagine,” one of the songs for which John Lennon was deified. It is pure Yoko that she would sit silently next to John as he sang it, knowing the world would listen to her message if it seemed to be from the perspective of her partner, a white, male English megastar. Yoko Ono has given and given to us. She is one of the most brilliant and generous artists of the 20th century, and the public record now reflects this."

Source
  
See how they run (2022)
See how they run (2022)
2022 | Comedy, Crime
6
7.0 (4 Ratings)
Movie Rating
Some funny moments (0 more)
Different vibe to the trailer (0 more)
Whodunit?
This looked like a very witty, funny whodunit film from the trailer. The film as a whole doesn't have that same vibe unfortunately.
The film centres around The Mousetrap play in the West End in the 50's. I saw it just a couple of years ago. After the 100th performance it is being looked at to be made into a film. However differences on how it should be adapted come to surface and it's not long before someone is bumped off.
A clever take as this film almost becomes a film version of the story. Lots of scenes from the Theatre where the play is on feature.
Saoirse Ronan is the shining light here as the inexperienced Constable on the case. If you like the play or an Agatha Christie Whodunit you should enjoy.
  
Censor (2021)
Censor (2021)
2021 |
8
7.7 (3 Ratings)
Movie Rating
Censor is yet another shining example of how damn good modern horror can be. Every minute of it's rather brisk runtime is simultaneously unsettling and intoxicating.
Lead Niamh Algar gives us a sympathetic and increasingly unhinged protagonist to get behind, even when things really take a sinister turn. You so desperately want her to be right in her suspicions, even as the reality grows clearer, and Algar carries all of this with aplomb. It's her show through and through.
The constant foreboding atmosphere is complimented by a brooding music score, plenty of great cinematography and a colour scheme that manages to be vibrant and bleak. The finale in particular nails it's landing with the help of some hugely effective and stylish editing tricks.
A hugely impressive and tight debut feature length from Prano Bailey-Bond. I'm excited to see what she brings to the table next.