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Caffeinated Fae (464 KP) rated Hook in Books
Nov 11, 2019
Characters (1 more)
Action Packed
Heartbreaking & beautiful.
Trigger Warning: Sexual Assault, Child Abuse, Murder, Abuse, Angst, Drug Use
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
LeftSideCut (3776 KP) rated American Horror Story - Season 5 in TV
Dec 5, 2019
AHS season 5 - subtitled 'Hotel' - is a real mixture of genres. It's part vampire dram, part crime-mystery thriller, part haunted house... It's ambitious to say the least.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
BankofMarquis (1832 KP) rated Judy (2019) in Movies
Feb 6, 2020
Brilliant performance by Zellwegger - and not much else
Renee Zellwegger is absolutely brilliant in her channeling of Judy Garland in the film JUDY. She deserves to - and WILL WIN - the Oscar for Best Actress. Her performance is amazing and I forgot that I was watching an actress playing Judy Garland and fell into a trance thinking I was actually watching the real Judy Garland.
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
JT (287 KP) rated Drive Angry (2011) in Movies
Mar 10, 2020
The only thing going for this piece of red necked, muscle car mayhem was that it was shot in 3D, and maybe the inclusion of Amber Heard. Aside from that is was pretty poor and that is being nice. After Ghost Rider I thought Nicolas Cage might steer clear of the ‘escaped-from-hell- out-for-revenge’ type role, but he’s ventured straight back.
Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.
Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over
Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.
The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.
Instead this one got a flat the moment the opening credits rolled.
Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.
Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over
Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.
The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.
Instead this one got a flat the moment the opening credits rolled.
Gareth von Kallenbach (980 KP) rated 30 Minutes or Less (2011) in Movies
Aug 7, 2019
You don’t have to be imaginative to envision the plot behind “30 Minutes or Less”, because this is a story that is wildly over told. Just listing the components make it clear that no inventive or unexpected plot devices were considered in the creation of this summer comedy. There is the pizza boy who finds himself in the wrong place at the wrong time, a set of bumbling idiots who are planning a bank heist and even a girl who is oblivious to the longstanding affection of her brother’s best friend. But somehow even with this wildly over told plot the movie manages to be sporadically very funny.
“ 30 Minutes or Less” is, like so many of the big comedy hits of the last few years, a film that centers around well crafted honest yet crass dialogue between experienced comedic actors. Timing is critical to the success of the film and thankfully the actors in “30 Minutes or Less” are funny people who repeatedly manage to execute good lines.
The cast is the shining aspect of the film; a hodgepodge crew of comedians you likely already know. The best friend Chet is portrayed by the ever funny Aziz Ansari of Televisions’ “Parks and Recreation”. The bomb clad pizza boy Nick is played by Jesse Einsenberg who also starred in “The Social Network” and “Zombieland”. And this role is not a far cry from Einsenberg’s role in “Zombieland” aside from the lack of character development and on screen chemistry leading lady Kate, played by former TV “Greek” bad girl Dilshad Vadsaria.
The film is backed by a fun soundtrack of grooves that significantly assist in maintaining a quickened pace, even when the story is less than laughably slow. There are also a number of diverse yet comedic fight scenes that spot the film, from a juvenile slap fight to the use of a blow torch.
But the smattering of creative lines, sure to be repeated in excess by the post-emo generation, did not manage to hold up this film that unfortunately ran out of steam within “30 Minutes or Less”.
“ 30 Minutes or Less” is, like so many of the big comedy hits of the last few years, a film that centers around well crafted honest yet crass dialogue between experienced comedic actors. Timing is critical to the success of the film and thankfully the actors in “30 Minutes or Less” are funny people who repeatedly manage to execute good lines.
The cast is the shining aspect of the film; a hodgepodge crew of comedians you likely already know. The best friend Chet is portrayed by the ever funny Aziz Ansari of Televisions’ “Parks and Recreation”. The bomb clad pizza boy Nick is played by Jesse Einsenberg who also starred in “The Social Network” and “Zombieland”. And this role is not a far cry from Einsenberg’s role in “Zombieland” aside from the lack of character development and on screen chemistry leading lady Kate, played by former TV “Greek” bad girl Dilshad Vadsaria.
The film is backed by a fun soundtrack of grooves that significantly assist in maintaining a quickened pace, even when the story is less than laughably slow. There are also a number of diverse yet comedic fight scenes that spot the film, from a juvenile slap fight to the use of a blow torch.
But the smattering of creative lines, sure to be repeated in excess by the post-emo generation, did not manage to hold up this film that unfortunately ran out of steam within “30 Minutes or Less”.
Lonely Planet Pocket Bruges & Brussels
Lonely Planet and Helena Smith
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Pocket Bruges & Brussels is...
8-bit Adventure Anthology: Volume I
Video Game Watch
8-bit Adventure Anthology is a compilation featuring faithful remakes of three of the best 8-bit...
action adventure
Lyndsey Gollogly (2893 KP) rated Fearless (Scarlet Suffragette #1) in Books
Apr 21, 2021
54 of 250
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
BankofMarquis (1832 KP) rated Minari (2020) in Movies
Apr 4, 2021
Pleasant Enough
With it’s 6 Oscar nominations (including nominations for Best Picture, Best Director and Best Actor), the drama MINARI has become a touchstone of films with Asian (or Asian-American) roots.
And…it is worthy of these accolades - and this place in history - for MINARI is a warm-hearted, loving look at a Korean-American family trying to make it’s way in the world in 1980’s Arkansas.
Written and Directed in Oscar Nominated fashion (for both categories), Lee Isaac Chung presents a realistic American family looking to forge a new living while still remaining true to their cultural roots.
Steve Yeun (THE WALKING DEAD) is Oscar nominated for his lead role of Jacob, who moves his family to Arkansas in the hopes to start a farm that specializes in Korean food. Yeun’s performance is earnest and sincere and I am happy for him that this performance is nominated. The rest of the family unit is strong - with the stand out being Yuh-Jung Youn as the Grandmother. She brings the most interesting and nuanced character to the screen and I wouldn’t be surprised if she pulls the upset and wins the Oscar for Supporting Actress. Finally, veteran character Actor Will Patton is a spark of energy as a local who helps Jacob on the farm.
And…that, ultimately, is the problem with this film. Writer/Director Chung spends most of his time creating the atmosphere and the characters, He fails to realize that there really is no compelling event to drive the plot forward. It’s a “fine” slice-of-life film and one that is enjoyable to watch with a strong, charismatic cast, but nothing really happens and that, finally, is a problem.
This is most certainly a deserving Oscar nominated film - especially in these pandemic times - with big budget Blockbuster films pushed to the sidelines, this type of quiet film is thrust to the forefront - and good for them and I’m glad that the spotlight is shining on this film. I just wish there was more plot and a more compelling reason to watch this film.
Letter Grade: B
7 stars (out of 10) and you can take this to the Bank(ofMarquis)
And…it is worthy of these accolades - and this place in history - for MINARI is a warm-hearted, loving look at a Korean-American family trying to make it’s way in the world in 1980’s Arkansas.
Written and Directed in Oscar Nominated fashion (for both categories), Lee Isaac Chung presents a realistic American family looking to forge a new living while still remaining true to their cultural roots.
Steve Yeun (THE WALKING DEAD) is Oscar nominated for his lead role of Jacob, who moves his family to Arkansas in the hopes to start a farm that specializes in Korean food. Yeun’s performance is earnest and sincere and I am happy for him that this performance is nominated. The rest of the family unit is strong - with the stand out being Yuh-Jung Youn as the Grandmother. She brings the most interesting and nuanced character to the screen and I wouldn’t be surprised if she pulls the upset and wins the Oscar for Supporting Actress. Finally, veteran character Actor Will Patton is a spark of energy as a local who helps Jacob on the farm.
And…that, ultimately, is the problem with this film. Writer/Director Chung spends most of his time creating the atmosphere and the characters, He fails to realize that there really is no compelling event to drive the plot forward. It’s a “fine” slice-of-life film and one that is enjoyable to watch with a strong, charismatic cast, but nothing really happens and that, finally, is a problem.
This is most certainly a deserving Oscar nominated film - especially in these pandemic times - with big budget Blockbuster films pushed to the sidelines, this type of quiet film is thrust to the forefront - and good for them and I’m glad that the spotlight is shining on this film. I just wish there was more plot and a more compelling reason to watch this film.
Letter Grade: B
7 stars (out of 10) and you can take this to the Bank(ofMarquis)
