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Matthew Krueger (10051 KP) rated Black Christmas (1974) in Movies
Dec 11, 2019
Answer The Phone
With anethor remake coming out this friday, and that i already reviewed the 2006 remake. In going back to the oringal, were it alll started from. So lets take a little trip back to 1974.
Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.
The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.
Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).
Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.
A overall classic slasher horror movie based around a hoilday.
Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.
The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.
Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).
Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.
A overall classic slasher horror movie based around a hoilday.
Matthew Krueger (10051 KP) rated Day of the Dead (1985) in Movies
Apr 1, 2020
Bub The Zombie (1 more)
Capt. Rhodes
Night, Dawn and Day: The Perfect Trilogy
Day of the Dead- is the final movie in George's trilogy. It started with Night, than Dawn and now Day. The perfect trilogy about surival, surviving, surival of the finest and the livng dead. With great charcters, excellent villians and of course the zombies. In this one you have, Bub the zombie and the evil Capt. Rhodies. So thats a plus.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
Gareth von Kallenbach (974 KP) rated Homefront (2013) in Movies
Aug 6, 2019
The new movie Homefront stars Jason Statham (Phil Broker), James Franco (Gator Bodine), Winona Ryder (Sheryl Gott), Kate Bosworth (Cassie Bodine), Chuck Zito (Danny T), Omar Benson Miller (Tito), Izabela Vidovic (Maddy Broker).
Written by Sylvestor Stallone. The film opens with a major drug bust going down, and inside undercover DEA agent Phil Broker (Statham) gives chase to the head of the drug ring and his son. While trying to arrest the father and son team, the son is shot to death, and his father promises to kill Broker and his children.
The rest of the movie takes place a few years later in a small town in Louisiana, where a now widowed Broker and his pre-teen daughter have moved to rebuild their life. An entire series of events is set off by Broker’s daughter standing up for herself against the school bully. The bully’s mother Cassie, demands an apology and doesn’t get one enough to her liking. She escalates the situation by going to her brother, Gator, who is the town’s resident “drug kingpin”.
After Gator discovers that Broker is actually an ex-undercover DEA agent, he tries to use that information as leverage to gain business ground for his drug running enterprise, and that’s where the rest of the movie plays out.
There are a lot of action and shooting scenes, which is what one would expect from a Statham movie, but it is still pretty predictable. Once Gator brings in the “big dogs” from the city, things quickly escalate and spin out of his control. The remainder of the movie is one gun fight after another, interspersed with chase scenes, swearing, explosions and hand to hand fighting. If you’re a fan of Statham, then there are really no surprises here. If you know to expect the movie’s complete predictability and his somewhat stiff acting, you’ll enjoy it.
Written by Sylvestor Stallone. The film opens with a major drug bust going down, and inside undercover DEA agent Phil Broker (Statham) gives chase to the head of the drug ring and his son. While trying to arrest the father and son team, the son is shot to death, and his father promises to kill Broker and his children.
The rest of the movie takes place a few years later in a small town in Louisiana, where a now widowed Broker and his pre-teen daughter have moved to rebuild their life. An entire series of events is set off by Broker’s daughter standing up for herself against the school bully. The bully’s mother Cassie, demands an apology and doesn’t get one enough to her liking. She escalates the situation by going to her brother, Gator, who is the town’s resident “drug kingpin”.
After Gator discovers that Broker is actually an ex-undercover DEA agent, he tries to use that information as leverage to gain business ground for his drug running enterprise, and that’s where the rest of the movie plays out.
There are a lot of action and shooting scenes, which is what one would expect from a Statham movie, but it is still pretty predictable. Once Gator brings in the “big dogs” from the city, things quickly escalate and spin out of his control. The remainder of the movie is one gun fight after another, interspersed with chase scenes, swearing, explosions and hand to hand fighting. If you’re a fan of Statham, then there are really no surprises here. If you know to expect the movie’s complete predictability and his somewhat stiff acting, you’ll enjoy it.
Gareth von Kallenbach (974 KP) rated Tonight You're Mine (2012) in Movies
Aug 7, 2019
Indie music sensation Adam (Luke Treadaway) is interrupted from shooting his band’s new music video by a childish fight with punk rock girl Morello (Natalia Tena). In a moment of binding conflict resolution the two characters are handcuffed together starting a concert-filled night of adventure and romance for the two musicians and their variety of hipster friends.
Like a sharply cut YouTube video, “Tonight You’re Mine” is quick-paced, jostled, and deeply impacted by the music in the background. The film is scattered with songs to represent all musical genres found at the giant Scottish music festival that serves as the film’s sole environment. Moreover, this continual musical metamorphosis helps to skirt the fatigued plot: of a boy who dislikes a girl until they fall in love.
But the film avoids the image of squeaky-clean new lovers by literally marching the leads through the muddy grounds of the festival. The expansive habitat invites the characters to be odd and open to rapidly changing experiences, sounds, and obstacles. The empowered characters take advantage of the freedoms offered by the concerts, filling the scenes with gritty honest language that pokes fun, sling insults, and express emotions directly. The result is a film that is as hip and likeable, just like Adam and Morello.
While you know better than to root for a perfect ending, “Tonight Your Mine” has the draw of an indie “High School Musical”; the love story is so far-fetched that you can’t help but hope it will all turn out in end.
The single night adventure film spun around, “Tonight You’re Mine” provides audiences with characters who are more engaging, slightly darker, and quickly established as too cool to care what their critics think. The result is a film that is honest and very likeable even when the plot is one you already know by heart.
Like a sharply cut YouTube video, “Tonight You’re Mine” is quick-paced, jostled, and deeply impacted by the music in the background. The film is scattered with songs to represent all musical genres found at the giant Scottish music festival that serves as the film’s sole environment. Moreover, this continual musical metamorphosis helps to skirt the fatigued plot: of a boy who dislikes a girl until they fall in love.
But the film avoids the image of squeaky-clean new lovers by literally marching the leads through the muddy grounds of the festival. The expansive habitat invites the characters to be odd and open to rapidly changing experiences, sounds, and obstacles. The empowered characters take advantage of the freedoms offered by the concerts, filling the scenes with gritty honest language that pokes fun, sling insults, and express emotions directly. The result is a film that is as hip and likeable, just like Adam and Morello.
While you know better than to root for a perfect ending, “Tonight Your Mine” has the draw of an indie “High School Musical”; the love story is so far-fetched that you can’t help but hope it will all turn out in end.
The single night adventure film spun around, “Tonight You’re Mine” provides audiences with characters who are more engaging, slightly darker, and quickly established as too cool to care what their critics think. The result is a film that is honest and very likeable even when the plot is one you already know by heart.
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