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Brightburn (2019)
Brightburn (2019)
2019 | Horror
Contains spoilers, click to show
Brightburn is a mostly solid 'superhero' horror that sets out what it means to do. The narrative plays out a bit like an issue of Marvel's What If? - in this case, what if an alien baby crashed to earth, much like Superman, but grew up to be a danger to mankind.

One of the main issues I had with Brightburn rears it head pretty early on - it doesn't spend a huge amount of time establishing 12 year old Brandon (Jackson A. Dunn) before hurtling straight into his turn to evil. It's not the biggest deal I guess, the movie does enough to set up the main bulk of the plot, but I can't help but feel that the execution would have been more effective if the set up had been a bit more drawn out.
We're also introduced to Brandon's parents, the people who found him when he was a baby and raised him as their own, Tori and Kyle, played by Elizabeth Banks and David Denman. Both actors are great throughout, but their characters are a bit iffy. There's a lot silliness going on - Tori takes an abnormally long time to accept that Brandon in dangerous, even when loved ones are being murdered around her - she purposefully keeps information from Kyle about Brandon nearly stumbling across the spaceship he arrived in, even though that should really be something shared considering how Brandon is an alien and all that - at one point, Kyle tries to get one over on Brandon by shooting him in the head when he's not looking, despite clearly stating earlier on in the movie that Brandon has never even bled throughout his whole life...
It sounds like nitpicking, but it's just silliness that is very obviously included to easily advance the plot, and it's a little distracting.

The special effects used are mostly good, but they are purposely done quickly to avoid much room for scrutiny, however, there are some really great shots throughout Brightburn, especially in the third act. Brandon's costume design is suitably creepy, his mask looks almost Mothman-esque, and his glowing red eyes make him a genuinely sinister looking villain.

The violence in Brightburn really packs a punch as well... It doesn't happen often, but when it does, it's creative, and brutal. The movie leans a little into jump scare territory, but just about toes the line, and provides a decent enough unsettling atmosphere to justify it.

On a final note, it always refreshing when a Hollywood film like this has the balls to end in the way it does. The movie sets up Brandon for defeat and failure, and it just doesn't happen. The bad guys win and that's that. The ending credits feature news reports showing Brandon in the following weeks wreaking havoc all over the place, and it sets up a sequel which I don't think will happen due to box office reasons. Which is a shame, because even though Brightburn has its flaws, it still kept me involved.

Worth checking out for superhero and horror fans alike.
  
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JT (287 KP) rated Escape Plan (2013) in Movies

Mar 23, 2020  
Escape Plan (2013)
Escape Plan (2013)
2013 | Action, Mystery, Sci-Fi
Arnie and Stallone (1 more)
Entertaining
80s action icons join forces
For those of us that grew up watching action films in the 80s, one can only stand by and admire that Stallone and Schwarzenegger were still going well into their 60s at the time of shooting. Clearly, they’re having fun, which is a good thing as we’re not expecting Oscar material here and those that are may as well leave now.

Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.

When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.

Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.

He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.

Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.

There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.

It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
  
4 Minute Mile (2014)
4 Minute Mile (2014)
2014 | Drama
8
8.0 (1 Ratings)
Movie Rating
Once again, Skewed & Reviewed has granted me the good fortune to screen another film for
you. An ‘underdog story’ that gives most others a ‘run for their money’ but keeps us, the
viewers’ glued to our seats with it’s drama and intensity. What makes the film more unqiue
is that not only does it take place in the city of Seattle but was also film in the great
city!

‘4 Minute Mile’ premiered at the Seattle International Film Festival on June 5th and is
set for a theatrical release on August 1st. ‘4 Minute Mile’ stars Kelly Blatz, Richard Jenkins,
Analeigh Tipton, Cam Gigandet, Rhys Coiro, and Kim Basinger. Directed by Charles-Oliver
Michaud, ‘4 Minute Mile’ tells the story of Drew (Blatz). An smart teenager from the wrong
side of the tracks doing his best to help his mother (Basinger) while doing everything
possible to avoid the fate of his older brother, an ex-con out on parole who pressures
Drew into running ‘errands’ which are presumably illegal in nature. Drew also happens
to be a fast runner. He runs like hell. The very same day he quits his school’s track team,
a reclusive track coach (Jenkins) scouts him and agrees to train him. The two soon form a
‘Rocky/Mickey’- like bond. However, tragedy soon strikes and Drew finds himself facing
the fear of losing everything hes’ worked and fought for.

I honestly don’t think I can describe how amazing I thoughtnthis movie was. I really can’t
see myself writing anything that would do it justice. It’s like ‘Good Will Hunting’ meets
‘Rocky 1′. This is no major hollywood production. This film is an intense drama with A LOT
of heart in it. These folks obviously believed in the film and it shows in every aspect from
the story, to the acting, and the way it was filmed. Theres’ also ‘realism’ to it. It doesn’t
have a ‘perfect ending’. Drew, the main character, overcomes tragedy after defeat after tragedy
and in the end … he succeeds but at great cost. It’s like with an quest or journey. You’re
not going to succeed without lose. Being from the Pacific Northwest, I also have to give
the film mad props for actually shooting the film in Seattle where the movie takes place
rather than saying it takes place here and then going to shoot it in Canada which has
sadly become ‘standard procedure’ for Hollywood to the dismay of many.
My recommendation? If you like a down-to-earth movie with heart, go see this one.
See it in the theater, see it at home, but go see it. It’s worth seeing and its worth
spending your hard-earned money in my opinion. I personally give the movie 4 out of 5 stars.
The film is PG-13 and it clocks in at about an hour and 36 minutes.

On behalf of my fellows at Skewed & Reviewed, this is your fellow movie fanatic ‘The CameraMan’
thanks for reading, and i’ll see you folks at the movies ….
  
    Dream Defense

    Dream Defense

    Games and Stickers

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    The night seems endless and full of terrors… Who will save Robin from her evil nightmares, if not...

Targets (1968)
Targets (1968)
1968 | Action, Classics, Mystery
9
8.0 (4 Ratings)
Movie Rating
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.

The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.

Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.

In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.

Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.

American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.

Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.

Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.

Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
  
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Alan Tudyk recommended Grown Man by Loudon Wainwright, III in Music (curated)

 
Grown Man by Loudon Wainwright, III
Grown Man by Loudon Wainwright, III
(0 Ratings)
Album Favorite

"Loudon Wainwright III's Grown Man—it's hard to narrow down to any one album, but that album is important as far as when it came along in my life. And it's a classic Loudon album. I was shooting a movie in North Carolina. It was the first movie I did where I had a larger role, a movie with Sandra Bullock called 28 Days. It was about rehab. Viggo Mortensen was also in it and Margo Martindale and Steve Buscemi, and Loudon Wainwright, who's role was "Guitar Guy." I wind up going to set every day in a van sitting next to him. He didn't say anything, and I didn't have anything to say to him. We were just quietly going to work. So there was another actress named Susan Krebs, who's also a jazz singer, who was in the movie, and her and I got along. And Susan and I were talking about music all the time, because she's a singer and I love music. And one day she's like, "Do you know who Loudon Wainwright is?" And I don't. I have no idea. And she's like, "Come by my room. I have his new album. I'll play it for you." And she played Grown Man. And I was blown away. It was the perfect kind of music for me. He's a troubadour. He's a poet. The way that he uses language. He just does that thing with my brain where it just gives me glee and joy. I become that annoying guy going, "Back up, back up. Listen to the words. Listen to what he just said. You gotta hear how he says it. He coulda-said-this-but-he-didn't-he-said-that." So I after that first listen I went out to a music store, which used to exist before the Internet, and bought six other albums. And of course the next day when I sat in the van next to Loudon I'm like, "So, ha ha, Loudon. Alan Tudyk. Good to meet you. Uh, can we talk a little bit about Grown Man real quick?" He was very patient with me and talked through everything. I had a relationship that was kind of starting to fray at the edges. And most of Grown Man is about relationships under duress. On the album there's this song "Dreaming," which is one of his best songs I think ever. He actually played it in the movie as "Guitar Guy." It starts out "I'd rather be dreaming than living..." And it just resonated with me. When Loudon was on set playing this song live he sat in a hallway. I was not in the scene, so I didn't get to be on set, but he was right by a door that had a grate. Because we were filming in a rehab facility the door had this vent, like a fence on the bottom half of it. So I'm lying on the floor on the other side of that door just listening to him sing this song over and over and over again. I mean, come on. That's fucking special."

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