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Hazel (1853 KP) rated Kids of Appetite in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
They lived and they laughed and they saw that it was good.</i>
<i>Mosquitoland </i>was the best book I read last year (2015) and I was excited to discover what David Arnold would write next. I approached<i> Kids of Appetite</i> with mild trepidation; what if it did not live up to my expectations? Need not have worried – it was brilliant. Dubbed a “tragicomedy” <i>Kids of Appetite</i> is a combination of realistic, heartbreaking experiences with intellectual humour.
The book opens mid interview at a local police station where two teenagers, Vic and Mad, are being questioned about a murder their friend has supposedly committed. From there, the story backtracks a week and proceeds to bring the reader up to date. It all begins with Vic running away from home, distancing himself from his mother and her new partner. By chance, a coincidence – a bump, Vic would say – he is found by Mad who introduces him to a small group of homeless friends. Vic may not have packed in preparation for life on the streets – or in a greenhouse as it turns out – however he did grab the urn containing his late father’s ashes before racing out of the house. Along with the urn is a letter containing cryptic clues that lead to various locations that Vic’s father wished for his ashes to be scattered. He, along with his new found friends; make it a mission to put his father to rest.
It is not possible to label the general theme of the book. <i>Kids of Appetite</i> is a story full of stories. Each character has their own past, something that led them to the situation they find themselves in now. The group consists of five members – once Vic has been accepted. Baz, at age twenty-seven, is clearly the leader: responsible, caring, and fatherly – until accused of murder. Seven years younger is Zuz, Baz’s mute brother, and finally Coco, an eleven year old with the mouth of a foul old lady. It is Coco, amongst all her swearing and hilarious misuse of words, that coins the name <i>Kids of Appetite, KOA</i> for short, a play on words: they are not solely in want of food, they hunger for life.
Initially it would appear that the main focus will be on Vic: his father’s death, his mother’s new partner, Moebius (facial paralysis) – a syndrome that results in a lot of bullying and discrimination – and, of course, his flight from home. However the remaining members of <i>KOA </i>equally contribute to the overall narrative. Mad, like Vic, knows what it is like to lose a father. Unfortunately she also knows what it is like to lose a mother. Her life since the fateful car crash that left her and orphan has been full of abuse and uncertainty. Baz and Zuz, on the other hand, have escaped a traumatizing childhood in the midst of the Congo Civil War.
Similarly with <i>Mosquitoland</i>, Arnold’s second book is full of intellectual knowledge and humour complete with references to highbrow material. Vic is obsessed with an operatic song and deeply interested in abstract art, particularly Matisse. He pulls the artist’s work apart in search of meaning and relatable truths of life. Like Vic, Mad has a particular song she draws comfort from. The lyrics help her make sense of the world around her, and produce her own manifesto – Madifesto, rather. She is particularly fascinated by S E Hinton’s <i>The Outsiders</i> – a book I have not read, but am obviously going to now. With in-depth theories purloined from her favourite novel, she encourages and advises those around her.
The murder investigation is evidently another key point of the book. I do not want to say too much on the matter as it would not be fair to give the ending away. Be reassured that<i> Kids of Appetite</i> is not a thriller, crime or horror novel; it is the events and dialogue leading up to the conclusion that make up the greatest parts of the story.
It is essentially the characters that make <i>Kids of Appetite</i> such a fantastic work of fiction. Their background stories are all based on real life experiences of many people throughout the world, but it is their opinion of life, their terminology, and their reckless enthusiasm that really impacts the reader. <i>Kids of Appetite</i> is a book to be read over and over again. So many phrases can be lifted and quoted to explain our own lives and feelings. In fact, the entire novel is one big quote to sum up life itself. Although there are so many themes, stories and ideas, there is one clear message. Let go. Let go of the past. Let go of the things that hold you back. For Vic and Mad it is the death of their parents; for Coco it is abandonment; and Baz and Zuz learn to let go of their violent childhood.
David Arnold is an extremely talented author, seamlessly flowing from one notion to another, whilst sweeping the reader into a sea of pure emotion. He may over use the word “ergo” and have an unconventional penchant for ellipses, but that only adds to the uniqueness of the writing. There may be an excessive amount of expletives, however that is overshadowed by the pure genius of the story itself. <i>Kids of Appetite</i> is a book I want to recommend to all. The blurb likens it to authors Rainbow Rowell and Jennifer Niven – I would like to throw John Green into the mix – and should appeal to many Young Adult readers. I could write forever about this book, but I would rather you go and read it yourself. And whilst you read, remember:
<i>They lived and they laughed and they saw that it was good. </i>
They lived and they laughed and they saw that it was good.</i>
<i>Mosquitoland </i>was the best book I read last year (2015) and I was excited to discover what David Arnold would write next. I approached<i> Kids of Appetite</i> with mild trepidation; what if it did not live up to my expectations? Need not have worried – it was brilliant. Dubbed a “tragicomedy” <i>Kids of Appetite</i> is a combination of realistic, heartbreaking experiences with intellectual humour.
The book opens mid interview at a local police station where two teenagers, Vic and Mad, are being questioned about a murder their friend has supposedly committed. From there, the story backtracks a week and proceeds to bring the reader up to date. It all begins with Vic running away from home, distancing himself from his mother and her new partner. By chance, a coincidence – a bump, Vic would say – he is found by Mad who introduces him to a small group of homeless friends. Vic may not have packed in preparation for life on the streets – or in a greenhouse as it turns out – however he did grab the urn containing his late father’s ashes before racing out of the house. Along with the urn is a letter containing cryptic clues that lead to various locations that Vic’s father wished for his ashes to be scattered. He, along with his new found friends; make it a mission to put his father to rest.
It is not possible to label the general theme of the book. <i>Kids of Appetite</i> is a story full of stories. Each character has their own past, something that led them to the situation they find themselves in now. The group consists of five members – once Vic has been accepted. Baz, at age twenty-seven, is clearly the leader: responsible, caring, and fatherly – until accused of murder. Seven years younger is Zuz, Baz’s mute brother, and finally Coco, an eleven year old with the mouth of a foul old lady. It is Coco, amongst all her swearing and hilarious misuse of words, that coins the name <i>Kids of Appetite, KOA</i> for short, a play on words: they are not solely in want of food, they hunger for life.
Initially it would appear that the main focus will be on Vic: his father’s death, his mother’s new partner, Moebius (facial paralysis) – a syndrome that results in a lot of bullying and discrimination – and, of course, his flight from home. However the remaining members of <i>KOA </i>equally contribute to the overall narrative. Mad, like Vic, knows what it is like to lose a father. Unfortunately she also knows what it is like to lose a mother. Her life since the fateful car crash that left her and orphan has been full of abuse and uncertainty. Baz and Zuz, on the other hand, have escaped a traumatizing childhood in the midst of the Congo Civil War.
Similarly with <i>Mosquitoland</i>, Arnold’s second book is full of intellectual knowledge and humour complete with references to highbrow material. Vic is obsessed with an operatic song and deeply interested in abstract art, particularly Matisse. He pulls the artist’s work apart in search of meaning and relatable truths of life. Like Vic, Mad has a particular song she draws comfort from. The lyrics help her make sense of the world around her, and produce her own manifesto – Madifesto, rather. She is particularly fascinated by S E Hinton’s <i>The Outsiders</i> – a book I have not read, but am obviously going to now. With in-depth theories purloined from her favourite novel, she encourages and advises those around her.
The murder investigation is evidently another key point of the book. I do not want to say too much on the matter as it would not be fair to give the ending away. Be reassured that<i> Kids of Appetite</i> is not a thriller, crime or horror novel; it is the events and dialogue leading up to the conclusion that make up the greatest parts of the story.
It is essentially the characters that make <i>Kids of Appetite</i> such a fantastic work of fiction. Their background stories are all based on real life experiences of many people throughout the world, but it is their opinion of life, their terminology, and their reckless enthusiasm that really impacts the reader. <i>Kids of Appetite</i> is a book to be read over and over again. So many phrases can be lifted and quoted to explain our own lives and feelings. In fact, the entire novel is one big quote to sum up life itself. Although there are so many themes, stories and ideas, there is one clear message. Let go. Let go of the past. Let go of the things that hold you back. For Vic and Mad it is the death of their parents; for Coco it is abandonment; and Baz and Zuz learn to let go of their violent childhood.
David Arnold is an extremely talented author, seamlessly flowing from one notion to another, whilst sweeping the reader into a sea of pure emotion. He may over use the word “ergo” and have an unconventional penchant for ellipses, but that only adds to the uniqueness of the writing. There may be an excessive amount of expletives, however that is overshadowed by the pure genius of the story itself. <i>Kids of Appetite</i> is a book I want to recommend to all. The blurb likens it to authors Rainbow Rowell and Jennifer Niven – I would like to throw John Green into the mix – and should appeal to many Young Adult readers. I could write forever about this book, but I would rather you go and read it yourself. And whilst you read, remember:
<i>They lived and they laughed and they saw that it was good. </i>
Ross (3284 KP) rated Nightblade's Vengeance in Books
Oct 10, 2017
*** I received a free advance copy of this book from NetGalley in exchange for an honest review ***
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
Ross (3284 KP) rated The Path of Flames in Books
Oct 24, 2017
This book has popped up a number of times as I have strolled through the fantasy section of Amazon's kindle store in the past. However, I was never really taken with the cover (which sadly I do base my TBR list on, in part) as I'm not much of one for elves. However, with the invitation to sample Kindle Unlimited for 60 days I thought I'd try and maximise my trial period and blast through this (now completed) series.
The first in the 5 book series (unless you count Escape from Bythos, a short opener) begins with Asho (the white haired character on the cover, not an elf after all but a Bythian human, at war alongside his lord and the army of "the good" against the armies of "the bad". We gradually start to see the world revealed at a gentle pace and each of the races are at different stages of their ascension to heaven, each step depending on how they lived that life (kind of like a tiered Buddhist reincarnation with eventually getting to heaven after a number of good lives). The Bythians are the lowest of the low and Asho is very lucky to be allowed to squire the Ennoian (read annoyin') Lord Kyferin.
From the result of that battle, further PoV characters are introduced: Ishkra and Kethe (Lord Kyferin's widow and daughter respectively), Audsley the magister and former knight Ser Tiron, as well as the orc-esque kragh Tarkon. All but Tarkon's narratives blend together to give an overall storyline from different perspectives.
The somewhat familiar castle setting is quickly thrown out the window as Lord Kyferin's brother takes over the castle and banishes his widow through a lunar gate (a mystic portal that only opens once a month used to travel great distances) along with her loyal followers into a ruined inhospitable wasteland with demons wandering the moors.
The characters are well defined and develop well through their trials and tribulations. While the plot is somewhat reactionary (there isn't really one main quest set up early on, rather events unfold and the plot is driven from there) this doesn't feel like it evolved that way, everything slots together well.
I have really enjoyed this first episode in the world of the black gate and have carried on with the follow-up, The Black Shriving.
The first in the 5 book series (unless you count Escape from Bythos, a short opener) begins with Asho (the white haired character on the cover, not an elf after all but a Bythian human, at war alongside his lord and the army of "the good" against the armies of "the bad". We gradually start to see the world revealed at a gentle pace and each of the races are at different stages of their ascension to heaven, each step depending on how they lived that life (kind of like a tiered Buddhist reincarnation with eventually getting to heaven after a number of good lives). The Bythians are the lowest of the low and Asho is very lucky to be allowed to squire the Ennoian (read annoyin') Lord Kyferin.
From the result of that battle, further PoV characters are introduced: Ishkra and Kethe (Lord Kyferin's widow and daughter respectively), Audsley the magister and former knight Ser Tiron, as well as the orc-esque kragh Tarkon. All but Tarkon's narratives blend together to give an overall storyline from different perspectives.
The somewhat familiar castle setting is quickly thrown out the window as Lord Kyferin's brother takes over the castle and banishes his widow through a lunar gate (a mystic portal that only opens once a month used to travel great distances) along with her loyal followers into a ruined inhospitable wasteland with demons wandering the moors.
The characters are well defined and develop well through their trials and tribulations. While the plot is somewhat reactionary (there isn't really one main quest set up early on, rather events unfold and the plot is driven from there) this doesn't feel like it evolved that way, everything slots together well.
I have really enjoyed this first episode in the world of the black gate and have carried on with the follow-up, The Black Shriving.
Suswatibasu (1703 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Main Character (1 more)
Short Chapters
Unnecessarily long (2 more)
The subplot was better than the Main Plot
Supporting Characters not given enough development
About 200 pages too long
After M.R Carey blew me away with the novel THE GIRL WITH ALL THE GIFTS i couldn't wait to read the follow up FELLSIDE. Unfortunately i was left a little disappointed, the opening was great setting up the character of Jess Moulson and why and how she has ended up in Fellside Womens prison. But once the opening court case and transfer to Fellside was complete it became a bit lackluster, with the introduction of prison politics, unrounded and redundant characters and Ghosts. Yes Ghosts! the Supernatural element to the story actually makes it feel rather stupid when compared with the darkend side of humanity the reside in the prison.
The book is approximately 500 pages long and i felt like it was a 300 page story dragged out. However if you stick with it the pay is worth it for the best part. Unfortunately the actual climax itself was an absolute mess. I found that about half way through the book i stopped caring about the main plot which focused on the supernatural part and Jess and her promise to the ghost of the little boy she has killed, and i became more interested in the subplots, involving drug smuggling, re-trials and a potential friendship/relationship with her lawyers assistant. I found that we are given some extensive time to characters who are the medical staff in the prison which proved to be way way too much for the relative small role they actual play in the story, and characters that i would have thought would have been more prominent and created much more interesting reading such as Jess' boyfriend John, her cell mate and the Prison Warden were never really fleshed out and barely anything more than inanimate object being pushed in place.
I did enjoy Jess Moulson as a main character, she is presented as a timid, repentant, emotionally and defiantly physically scarred and M.R Carey did make her a stereotypical drop out waster drug user or loud mouth bully inmate and think that is the strong credit here. Her situation does dictate her actions and decisions greatly but unfortunately it does seem like she is the only character that has that depth to her.
The book is approximately 500 pages long and i felt like it was a 300 page story dragged out. However if you stick with it the pay is worth it for the best part. Unfortunately the actual climax itself was an absolute mess. I found that about half way through the book i stopped caring about the main plot which focused on the supernatural part and Jess and her promise to the ghost of the little boy she has killed, and i became more interested in the subplots, involving drug smuggling, re-trials and a potential friendship/relationship with her lawyers assistant. I found that we are given some extensive time to characters who are the medical staff in the prison which proved to be way way too much for the relative small role they actual play in the story, and characters that i would have thought would have been more prominent and created much more interesting reading such as Jess' boyfriend John, her cell mate and the Prison Warden were never really fleshed out and barely anything more than inanimate object being pushed in place.
I did enjoy Jess Moulson as a main character, she is presented as a timid, repentant, emotionally and defiantly physically scarred and M.R Carey did make her a stereotypical drop out waster drug user or loud mouth bully inmate and think that is the strong credit here. Her situation does dictate her actions and decisions greatly but unfortunately it does seem like she is the only character that has that depth to her.
Debbiereadsbook (1413 KP) rated Soul of Discretion in Books
May 1, 2018
great collaboration!
I was gifted my copy of this book, direct from the author, that I write a review was not required.
You know how you love a particular author, all their books are mostly 5 stars reviews, and then one comes along that throws you for a loop, and you did not love it, but you cannot figure out why?? This one, right here.
Simon is in Canada to see just what has happened to his money, and more importantly, his friend. His hook-up provides him with some much needed relief. When said hook-up turns out to be the police officer dealing with his friend, both Simon and Nick realise they have to stay apart. But neither man can do that, because each man feels more for the other than just a hook-up. But how can things work, with them living on opposite sides of the world??
I LIKED this, I really did, I just didn't love, and it pains me deeply to say that, and I really don't know why!
I loved Simon, being an Earl, but he doesn't lord it over others. He works hard, makes his millions by working hard and pushing others to work hard for him. Loved Nick, who is, up to now, quite happy in his job as a Mountie. Loved the supporting cast of characters that take part in this story. Loved how they came together, and that they both thought, quite quickly, that there could be more between them.
I just didn't love the story! I did love how Jack, Simon's friend, redeemed himself, and the bad guys got their comeuppence, though.
This is a collaboration between Susan Mac Nicol, and M.Tasia. I LOVE Ms Mac Nicol, but have only read one short by Ms Tasia. I tried really hard to pick out where each author had their say, as it were, but I couldn't find any seams. The changes between each author are smooth and painless and unless you KNOW where they are, you might never be able to pick those seams apart. So, very well done for that!
So, as much as I enjoyed the story, I just didn't love it and for that I'm deeply sorry!
4 stars
**same worded review will appear elsewhere**
You know how you love a particular author, all their books are mostly 5 stars reviews, and then one comes along that throws you for a loop, and you did not love it, but you cannot figure out why?? This one, right here.
Simon is in Canada to see just what has happened to his money, and more importantly, his friend. His hook-up provides him with some much needed relief. When said hook-up turns out to be the police officer dealing with his friend, both Simon and Nick realise they have to stay apart. But neither man can do that, because each man feels more for the other than just a hook-up. But how can things work, with them living on opposite sides of the world??
I LIKED this, I really did, I just didn't love, and it pains me deeply to say that, and I really don't know why!
I loved Simon, being an Earl, but he doesn't lord it over others. He works hard, makes his millions by working hard and pushing others to work hard for him. Loved Nick, who is, up to now, quite happy in his job as a Mountie. Loved the supporting cast of characters that take part in this story. Loved how they came together, and that they both thought, quite quickly, that there could be more between them.
I just didn't love the story! I did love how Jack, Simon's friend, redeemed himself, and the bad guys got their comeuppence, though.
This is a collaboration between Susan Mac Nicol, and M.Tasia. I LOVE Ms Mac Nicol, but have only read one short by Ms Tasia. I tried really hard to pick out where each author had their say, as it were, but I couldn't find any seams. The changes between each author are smooth and painless and unless you KNOW where they are, you might never be able to pick those seams apart. So, very well done for that!
So, as much as I enjoyed the story, I just didn't love it and for that I'm deeply sorry!
4 stars
**same worded review will appear elsewhere**
Whatchareadin (174 KP) rated The Husband's Secret in Books
May 10, 2018
The Husband's Secret focuses on three main characters. Cecelia Fitzpatrick, married to John-Paul with three beautiful daughters. Tess O'Leary who owns a business with her husband, Will and cousin, Felicity and has a son, Liam. And Rachel Crowley, who is still mourning the death of her daughter nearly 30 years after the fact. How do these women's lives intersect, well....Cecelia finds a letter from her husband, not to be opened until his death...she opens it anyway. Tess finds out that her husband and cousin(yes her business partners) have fallen in love with each other. So she takes her son and heads to Sydney and enrolls him in the school which, Rachel Crowley is the secretary and Cecelia is the mother all other mothers love and hate.
The news Cecelia finds in the letter, the thoughts Rachel has about her daughters killer, and the actions Tess take after leaving her husband would make for one exciting story.
I'm afraid this story feel short of the exciting mark. When I first picked it up and started reading, I was dying to find out what was in the letter, but I would have to wait for that. Once the secret was out, I wanted to know what was going to happen next, with everyone's story. But the excitement wasn't there. This wasn't a book, that I had to hurry to get back to, which was very disappointing. I couldn't abandon the book, though because I had to know.
Would Rachel find her daughter's killer? Would Cecelia be able to live with her husband's secret? Would Tess and Will be able to work through their marriage? But getting those answers was not page turning and gripping.
I gave the book three stars because the whole premise behind the book was good, I enjoyed the story as a whole, but there was too much in between the good parts. Don't tell me about a secret letter at the beginning of the story and take three days to tell me what was in it....it's not fair. And what was happening in those three days was not exciting enough to make me wait. The moments just before the opening were the most thrilling.
Don't know if I will read more from Ms. Moriarty or not.
The news Cecelia finds in the letter, the thoughts Rachel has about her daughters killer, and the actions Tess take after leaving her husband would make for one exciting story.
I'm afraid this story feel short of the exciting mark. When I first picked it up and started reading, I was dying to find out what was in the letter, but I would have to wait for that. Once the secret was out, I wanted to know what was going to happen next, with everyone's story. But the excitement wasn't there. This wasn't a book, that I had to hurry to get back to, which was very disappointing. I couldn't abandon the book, though because I had to know.
Would Rachel find her daughter's killer? Would Cecelia be able to live with her husband's secret? Would Tess and Will be able to work through their marriage? But getting those answers was not page turning and gripping.
I gave the book three stars because the whole premise behind the book was good, I enjoyed the story as a whole, but there was too much in between the good parts. Don't tell me about a secret letter at the beginning of the story and take three days to tell me what was in it....it's not fair. And what was happening in those three days was not exciting enough to make me wait. The moments just before the opening were the most thrilling.
Don't know if I will read more from Ms. Moriarty or not.
Whatchareadin (174 KP) rated The Sunshine Sisters in Books
Apr 9, 2019
Ronni Sunshine was not a very good mother. Her career as an actress was always most important to her. But when life throws her a curve ball she isn't expecting, she will call her three daughters home together to try to make up for lost time.
Each daughter dealt with their mother's selfish ways the best way they knew how. Nell, the eldest,was unemotional; Meredith, in the middle, took everything to heart; and Lizzy, the youngest ignored her mother and did whatever she wanted to do anyway. They have all gone on to lead separate lives, and rarely spoke to each other. Their childhood and their relationship with they mother have shaped them into the women they became as women. Nell has lived her life being a mother to her son and running a farm, even though she loves her work and her son, is she really happy? Meredith is engaged to be married and has a great job, but is this the life she envisioned? Lizzy is a celebrity chef and is married with a son, but her life isn't as perfect as it looks from the outside.
Thank you to NetGalley and Berkley Publishing for the opportunity to read and review this book.
I love Jane Green's books. They always send a wave of emotions. This book grabs at your heart strings and makes you feel for these characters How do you reconnect with family when you've been apart for so long. I don't think there has ever been a time when I didn't speak with my mom and my sister. I don't know what I would do if anything would happen to either one of them. The character I most connected with in this story was Meredith. I've always been the type of person to always make sure the people around me are taken care of before I've taken care of myself.
This book immediately makes you think of family and how to stay connected to them. Make sure your relationships are well maintained before it's too late. Life is so short and the next day is not promised to anyone. For those you love, you need to always keep them close so that when they go, as we all will someday, you will not feel as though there was something that you should have or could have done
Each daughter dealt with their mother's selfish ways the best way they knew how. Nell, the eldest,was unemotional; Meredith, in the middle, took everything to heart; and Lizzy, the youngest ignored her mother and did whatever she wanted to do anyway. They have all gone on to lead separate lives, and rarely spoke to each other. Their childhood and their relationship with they mother have shaped them into the women they became as women. Nell has lived her life being a mother to her son and running a farm, even though she loves her work and her son, is she really happy? Meredith is engaged to be married and has a great job, but is this the life she envisioned? Lizzy is a celebrity chef and is married with a son, but her life isn't as perfect as it looks from the outside.
Thank you to NetGalley and Berkley Publishing for the opportunity to read and review this book.
I love Jane Green's books. They always send a wave of emotions. This book grabs at your heart strings and makes you feel for these characters How do you reconnect with family when you've been apart for so long. I don't think there has ever been a time when I didn't speak with my mom and my sister. I don't know what I would do if anything would happen to either one of them. The character I most connected with in this story was Meredith. I've always been the type of person to always make sure the people around me are taken care of before I've taken care of myself.
This book immediately makes you think of family and how to stay connected to them. Make sure your relationships are well maintained before it's too late. Life is so short and the next day is not promised to anyone. For those you love, you need to always keep them close so that when they go, as we all will someday, you will not feel as though there was something that you should have or could have done
ArecRain (8 KP) rated Ivan (Her Russian Protector, #1) in Books
Jan 18, 2018
I should start by saying that I dont usually read this
these tropes. I am not into the whole mobster idea or the female lead running to some "dangerous" man for protection because hes the only one who can help her.
I made an exception in this case and I was not disappointed. The only negative comment I can make about this novel was that it felt like the couple had instalove. This is a trope I have always disliked. I am not saying I dont believe people can have an immediate connection. I just dont like when from the moment they meet, the couple knows that the other person is the one for them.
That being said, I felt that the author did a pretty good job for such a short story. I wish there had been more character development and build up to their relationship but it didn't detract from the story. Ivan was so sweet to Erin. He seemed to genuinely care about her and was honest with her the entire time. Don't get me wrong, in some places, it was super cheesy and some of the dialogue during the sex scenes should have been left out. Everything he seemed to do centered around making her happy and protecting her. And she appreciated it! She wasn't some spoiled feale either. She can take care of herself if need be.
What I really appreciated, however, smart Erin acted. She realized that she was delving into a world where she was at a disadvantage so when Ivan asked her to do something, she did it. She knew that when he was instructing her to do something, it was because it was the best route. She didnt just do whatever she wanted and make the situation worse. I am not saying a woman has to blindly follow what their man tells them to do. I just loath when the female lead does whatever she wants because, in reality, had shethought about her actions a little longer, she would realize it probably wasnt the best to take.
What I am trying to say, is that Ivan and Erin were a team that listened and talked to each other. They genuinely cared about each other and worked together towards a common goal. They spent the entire novel loving each other instead of fighting. I just dont understand those novels..
I made an exception in this case and I was not disappointed. The only negative comment I can make about this novel was that it felt like the couple had instalove. This is a trope I have always disliked. I am not saying I dont believe people can have an immediate connection. I just dont like when from the moment they meet, the couple knows that the other person is the one for them.
That being said, I felt that the author did a pretty good job for such a short story. I wish there had been more character development and build up to their relationship but it didn't detract from the story. Ivan was so sweet to Erin. He seemed to genuinely care about her and was honest with her the entire time. Don't get me wrong, in some places, it was super cheesy and some of the dialogue during the sex scenes should have been left out. Everything he seemed to do centered around making her happy and protecting her. And she appreciated it! She wasn't some spoiled feale either. She can take care of herself if need be.
What I really appreciated, however, smart Erin acted. She realized that she was delving into a world where she was at a disadvantage so when Ivan asked her to do something, she did it. She knew that when he was instructing her to do something, it was because it was the best route. She didnt just do whatever she wanted and make the situation worse. I am not saying a woman has to blindly follow what their man tells them to do. I just loath when the female lead does whatever she wants because, in reality, had shethought about her actions a little longer, she would realize it probably wasnt the best to take.
What I am trying to say, is that Ivan and Erin were a team that listened and talked to each other. They genuinely cared about each other and worked together towards a common goal. They spent the entire novel loving each other instead of fighting. I just dont understand those novels..
Asiza Tait (139 KP) rated Shadow and Bone (The Grisha #1) in Books
Feb 1, 2018
Bream Reading Club Reviews of Shadow and Bone by Leigh Bardugo
Total Stars out of 5: 3 Stars
The first book in the Grisha Trilogy was full of promise. Dynamic and different, full of interesting places and characters, it ended on a cliff hanger pulling the reader in to read book two. Unfortunately as it often is with cases like this, the first book was great and the rest was not.
We are introduced to Alina and Mal, orphans who are raised together in the same orphanage. Some of our members assumed their affection was more familial so their stilted and lengthy romance felt awkward and though the rest of us ‘saw it coming’ it still felt contrived. Their love story we assumed was supposed to be something truly epic, a love that overcome all odds, but by book three we were still left wanting, perhaps the author changed her mind half way, leaving the reader sadly unfulfilled.
Alina is discovered to be the long awaited for ‘Sun Summoner’ the one the Darkling has been waiting for. The Darkling is a very interesting character, one with depth and personality. For a little while one almost looks forward to the relationship beginning to form between Alina and him, but that hope is for nought. It felt as if the author was afraid to let these two characters have a night in the same bed, and veered away from it instead of facing it head on. The light and dark of their respective powers draw these two together, but any chance of them bonding is ripped away with an old lady called Bhagra compelling Alina to run away, revealing what the Darkling really is.
Alina made good her escape but not for long. The Darkling’s powers are overwhelming and she is soon back in his grasp. The books ends with Alina managing to take control again of her own power and saves Mal’s life while sacrificing other Grisha in the process.
If you’ve noticed how Mal is not spoken about a whole lot in this review it is because his character is undeveloped. He is supposed to be the ‘hero’ in this story but all we saw of him was a square. He is immature and all the members agreed that Mal was short changed when it came to putting him on paper.
For all its promise, it did not deliver.
Total Stars out of 5: 3 Stars
The first book in the Grisha Trilogy was full of promise. Dynamic and different, full of interesting places and characters, it ended on a cliff hanger pulling the reader in to read book two. Unfortunately as it often is with cases like this, the first book was great and the rest was not.
We are introduced to Alina and Mal, orphans who are raised together in the same orphanage. Some of our members assumed their affection was more familial so their stilted and lengthy romance felt awkward and though the rest of us ‘saw it coming’ it still felt contrived. Their love story we assumed was supposed to be something truly epic, a love that overcome all odds, but by book three we were still left wanting, perhaps the author changed her mind half way, leaving the reader sadly unfulfilled.
Alina is discovered to be the long awaited for ‘Sun Summoner’ the one the Darkling has been waiting for. The Darkling is a very interesting character, one with depth and personality. For a little while one almost looks forward to the relationship beginning to form between Alina and him, but that hope is for nought. It felt as if the author was afraid to let these two characters have a night in the same bed, and veered away from it instead of facing it head on. The light and dark of their respective powers draw these two together, but any chance of them bonding is ripped away with an old lady called Bhagra compelling Alina to run away, revealing what the Darkling really is.
Alina made good her escape but not for long. The Darkling’s powers are overwhelming and she is soon back in his grasp. The books ends with Alina managing to take control again of her own power and saves Mal’s life while sacrificing other Grisha in the process.
If you’ve noticed how Mal is not spoken about a whole lot in this review it is because his character is undeveloped. He is supposed to be the ‘hero’ in this story but all we saw of him was a square. He is immature and all the members agreed that Mal was short changed when it came to putting him on paper.
For all its promise, it did not deliver.