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Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
Ivana A. | Diary of Difference (1171 KP) rated Falling Short in Books
Oct 2, 2020
Contains spoilers, click to show
When I first found out about Falling Short, written by Lex Coulton, the blurb promised to be ''fresh, funny and life-affirming''. I am sorry, but no. That is not correct. This book was none of those things. It wasn’t bad at all, but I would prefer describing it as a slow-paced, and confusingly complex in an unsatisfying way.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
About the book:
Frances Pilgrim’s father went missing when she was five, and ever since all sorts of things have been going astray: car keys, promotions, a series of underwhelming and unsuitable boyfriends . . . Now here she is, thirty-bloody-nine, teaching Shakespeare to rowdy sixth formers and still losing things.
But she has a much more pressing problem. Her mother, whose odd behaviour Frances has long put down to eccentricity, is slowly yielding to Alzheimer’s, leaving Frances with some disturbing questions about her father’s disappearance, and the family history she’s always believed in. Frances could really do with someone to talk to. Ideally Jackson: fellow teacher, dedicated hedonist, erstwhile best friend. Only they haven’t spoken since that night last summer when things got complicated . . .
As the new school year begins, and her mother’s behavior becomes more and more erratic, Frances realizes that she might just have a chance to find something for once. But will it be what she’s looking for?
My thoughts:
I am usually good at explaining why I don’t like a certain book, or why I feel the way I feel, and believe me, with this one, I have spent two days and 6 sittings in front of this draft (now published post) to try and write about it. So I am doing my best now…
First of all, there has to be something about a certain book to make me want to read it. With this one – there were two things:
I love romance and intrigue, and the blurb promised two people not really talking to each other, but sparks flying around… so yes, that got me.
The Alzheimer’s disease – as a person that has worked with people suffering from Dementia and Alzheimer’s, this subject is very close to my heart. I couldn’t miss this book for this reason.
Now – the romance part disappointed me, as there was no romance. No romance at all. Unless, of course, you count as a romance a person in their mid-forties sleeping around with drunk teens, and is then too complicated of a character to even realise who he loves, and why, and the moment he does, he still has no idea what to do with that information.
The other disappointment I had was that I expected to read about the Alzheimer’s, and not only that they weren’t there, but also some of the symptoms mentioned were not correct at all. There were only sex relationships and sex scenes, and that was supposed to define their relationship in the end. Not realistic at all.
Even though it seems that we follow Frances’s story throughout, we actually follow Jackson’s story as well. Their characters were too complicated and confusing for me, and it let me to now feel nor care about them at all. I honestly cared about Frances’s dog the most in this book.
The plot wasn’t perfect – there were times when the information given didn’t match.
[SPOILER ALERT]
The scene how Frances searches on Google to find the address of her dad. We are then told that she found out his address through Jean. Which one is it, then?
I am actually quite sad that I didn’t enjoy this book, but I will still be curious about new works from Lex Coulton, because, somehow, I really liked her writing style, despite all the flaws.
Lottie disney bookworm (1056 KP) rated The Magic of Terry Pratchett in Books
May 27, 2020
As a child who was brought up in a house of Discworld stories, with a stepfather who (still) proudly displays the Clarecraft Rincewind figurine which bears an uncanny likeness to him, and a mother who has a matching Nanny Ogg (it bears no likeness but let’s just say encompasses a couple of her characteristics), this was an ARC that I was frankly desperate to read. I have to thank Netgalley and Marc Burrows for granting me this opportunity. My opinions are enthusiastic, and entirely my own.
As a 32 year old female, mother and accountant you may be forgiven for expecting my book reviews to be based around chick-lit or classical novels and, although it is the case that I own several very well-read copies of Pride & Prejudice, I am wholly a child of the sci-fi/fantasy genre. Terry Pratchett novels sit alongside George RR Martin, Terry Brooks, David Eddings and Ursula Le Guin in my house; I owned and loved Discworld computer games and probably know every word to the film Labyrinth.
It could therefore be said that I would find Marc Burrow’s biography fascinating regardless: however, I am ashamed to say that, before reading this book, I knew very little about the life of the author whose books I admire so much.
Burrows structures his writing predictably enough, running through the life of Terry Pratchett chronologically, from his working-class upbringing; his career in journalism; the progression in popularity of his novels; his knighthood all the way up to his untimely death from Alzheimer’s. However, this is where an affiliation to any standard biography ends.
It is immediately apparent that Marc Burrows is an avid Terry Pratchett fan, even without reading his foreword, due to the inclusion of footnotes: a writing style which is synonymous with Pratchett. This allows Burrows, as it did with Pratchett, to provide little notes and details which cannot be in the main text without limiting the reading experience. It also allows both authors to inject a large amount of humour into their writing.
It should also be mentioned that no book has gripped me from the introduction in a long time, although I am fairly sure no other book would use the word “crotch” before we even reach Chapter One!
‘The Magic of Terry Pratchett’ is a clever, well-informed biography which perfectly encompasses the humour of the Discworld creator whilst educating the reader of his journey to becoming the icon that he is today. I have no doubt that this has been a labour of love for Marc Burrows: when the kindle says you have 20 minutes reading time left and you have reached the bibliography, you know that a whole lot of research has been done!
Sir Terry also had the tendency to embellish his stories and this is a factor Burrows does not try to hide; highlighting when facts don't quite add up and almost analysing the situation to try and discern the truth. This was such a refreshing approach to a biography: the wool is not pulled over the eyes of the reader, nor the subject blindly believed for convenience.
It is important to note that this book transgresses the existence of Discworld and “the business with the elephant” and encompasses all of Sir Terry’s work: from short stories in the local paper to his TV documentary on assisted death.
The reader will also learn of the involvement of Rhianna Pratchett in her father’s work and discover that the “man in the hat” was not always the easiest man to work with.
I am going to need at least 3 copies upon release- can we preorder?
As a 32 year old female, mother and accountant you may be forgiven for expecting my book reviews to be based around chick-lit or classical novels and, although it is the case that I own several very well-read copies of Pride & Prejudice, I am wholly a child of the sci-fi/fantasy genre. Terry Pratchett novels sit alongside George RR Martin, Terry Brooks, David Eddings and Ursula Le Guin in my house; I owned and loved Discworld computer games and probably know every word to the film Labyrinth.
It could therefore be said that I would find Marc Burrow’s biography fascinating regardless: however, I am ashamed to say that, before reading this book, I knew very little about the life of the author whose books I admire so much.
Burrows structures his writing predictably enough, running through the life of Terry Pratchett chronologically, from his working-class upbringing; his career in journalism; the progression in popularity of his novels; his knighthood all the way up to his untimely death from Alzheimer’s. However, this is where an affiliation to any standard biography ends.
It is immediately apparent that Marc Burrows is an avid Terry Pratchett fan, even without reading his foreword, due to the inclusion of footnotes: a writing style which is synonymous with Pratchett. This allows Burrows, as it did with Pratchett, to provide little notes and details which cannot be in the main text without limiting the reading experience. It also allows both authors to inject a large amount of humour into their writing.
It should also be mentioned that no book has gripped me from the introduction in a long time, although I am fairly sure no other book would use the word “crotch” before we even reach Chapter One!
‘The Magic of Terry Pratchett’ is a clever, well-informed biography which perfectly encompasses the humour of the Discworld creator whilst educating the reader of his journey to becoming the icon that he is today. I have no doubt that this has been a labour of love for Marc Burrows: when the kindle says you have 20 minutes reading time left and you have reached the bibliography, you know that a whole lot of research has been done!
Sir Terry also had the tendency to embellish his stories and this is a factor Burrows does not try to hide; highlighting when facts don't quite add up and almost analysing the situation to try and discern the truth. This was such a refreshing approach to a biography: the wool is not pulled over the eyes of the reader, nor the subject blindly believed for convenience.
It is important to note that this book transgresses the existence of Discworld and “the business with the elephant” and encompasses all of Sir Terry’s work: from short stories in the local paper to his TV documentary on assisted death.
The reader will also learn of the involvement of Rhianna Pratchett in her father’s work and discover that the “man in the hat” was not always the easiest man to work with.
I am going to need at least 3 copies upon release- can we preorder?
Hadley (567 KP) rated Stranger Things: Suspicious Minds in Books
Jun 10, 2019
The first novel adapted from the Netflix series hit 'Stranger Things' is an astonishing work of art. Viewers of the show may be familiar with Eleven's mother, Terry Ives, which this book surrounds. Along for the ride are a few important characters that weren't mentioned in the series: Alice, Gloria and Ken - a self proclaimed psychic - all of which meet because they signed up for a human experiment at Hawkins National Laboratory, where each are given doses of LSD every week. This quickly tells readers that the book is not recommended for anyone under the age of 14.
Although the series has more than one book, and no end in sight, Bond was only chosen to do this novel. 'Suspicious Minds' is categorized under Young Adult books, but with the heavy Vietnam content, it's not considered that many young adults today can actually relate with this story or even understand the devastating effects of a looming draft hanging over the heads of young men throughout America in the 1960's. But Bond does a wonderful job in relating the emotional state of this era through our main character, Terry. Another subject that Bond does a fantastic job of explaining in 'Suspicious Minds' is the taboo of being a pregnant, unwed mother in this era, something that seems to be making headlines again in the States nearly 60 years later.
Bond shows us a young Dr. Martin Brenner, with neatly styled brown hair and an almost unlined face, as well as a more lively Terry Ives (which only season 2 has shown a very short flashback sequence of Terry being mobile before her dreaded consequence from being associated with the human experiments). We find out that the reason Terry volunteered for the experiment is due to her father's service in WWII, and wanting to make the world a better place. Bond brings in the other important characters, who also volunteered for the experiments, quickly bonding the four as friends for life.
As far as characters go, these four are written very well. Although Terry is the main character of 'Suspicious Minds,' we get to see from the viewpoints of all people, including Brenner. Bond gives the reader a short background on what LSD is and where it came from when the time comes for the experiments to begin. Brenner doesn't really explain why he gives LSD to the volunteers, but only that it is part of a secret experiment. Even when Terry is placed in a sensory deprivation tank, he doesn't reveal anything to her, and Bond does a great job of keeping the characters enough in the grey area of knowing that it's believable. Even at one point, when Terry begins to suspect something strange from the experiments, she keeps the belief that whatever is going on at Hawkins Laboratory must be important: " 'But you can't see it's important?' Terry leaned in close, and they kept their voices down as other students walked past. 'They just called up the school and told them to give me Thursdays off and I'm getting credit for it? They're tying our grades to doing this. And no one asked any questions. They just agreed. I have to keep going.' " Bond eloquently keeps the mystery going.
This mystery is even interesting to those who know what happens in the end. In 'Stranger Things,' Terry is introduced as a comatose woman in a rocking chair- who happens to be Eleven's mother. We have never met Gloria, Alice or Ken. The three become very close to Terry, and they all somehow escape from Brenner's grasp, but they also end up joining in Terry's pursuit of getting Eleven/Jane back to her mother. Fans of the show might be left asking what happened to these three enjoyable characters? I haven't seen any plans for a part two of this story, so we may be left not knowing what happened or if the three are even still alive today (in the Stranger Things' era). Even more enjoyable is the random use of J.R.R. Tolkien's 'The Lord of the Rings,' where in one scene, Alice and Terry decide to name their small group 'The Fellowship of the Lab.' Any veteran reader will be happy to see a classic brought up in a newer book of today.
And also of interest, fans will recognize a little girl who is frequent throughout the story: Eight a.k.a. Kali. We never get to see through Kali's perspective, but the reader does get to see the multitude of her abilities. For instance, Kali is able to scare personnel in the lab by causing the hallucination of tidal waves inside the building, only to stop when Brenner (or Papa to her) gives her her favorite sweet: Hostess cakes. Other than that, Kali is like any child; she throws tantrums and rebels from her Papa, sometimes to the laughter of the reader.
One point, Terry even meets with Kali in her LSD induced state: " Terry shook her head. 'There can be. He's just a man. He can't know everything.' She paused. 'Does he hurt you? Papa?' Kali frowned, but she didn't answer. 'If he does... I can help you.' Terry had to make her understand. The little girl shook her head. 'I don't think so. I might be able to help you, though.' A field of yellow sunflowers grew up around them. A rainbow arcing over the golden tops." Terry, understandably, begins to scheme about how they can help Kali to escape the lab.
Bond does a great job of transitioning between Terry's point of view to the other characters' viewpoints. We get a young woman named Gloria, who has a secret obsession with comic books (especially X-Men). A hippie-looking man named Ken, who claims he is psychic, but just happens to have a lot of hunches that come true. And last, but not least, another young woman named Alice, who shows up in grease covered overalls and curly black hair, explaining that she works for her uncle's garage and that she loves machines. These three are delightful to read about, and the story would be boring without them.
This book was the perfect novel to answer questions fans may have had about Eleven's mother. Bond writes smoothly and easily enough that you may find yourself wanting to read just one more page before setting the book down for the evening. She drags you into the world of the 1960's and helps young readers to feel the emotional time that it was for women like Terry. But with only a few inconsistencies here and there, 'Suspicious Minds' leaves us wanting more. If you are a fan of 'Stranger Things,' I say that this is a must-read! Highly recommend!
Although the series has more than one book, and no end in sight, Bond was only chosen to do this novel. 'Suspicious Minds' is categorized under Young Adult books, but with the heavy Vietnam content, it's not considered that many young adults today can actually relate with this story or even understand the devastating effects of a looming draft hanging over the heads of young men throughout America in the 1960's. But Bond does a wonderful job in relating the emotional state of this era through our main character, Terry. Another subject that Bond does a fantastic job of explaining in 'Suspicious Minds' is the taboo of being a pregnant, unwed mother in this era, something that seems to be making headlines again in the States nearly 60 years later.
Bond shows us a young Dr. Martin Brenner, with neatly styled brown hair and an almost unlined face, as well as a more lively Terry Ives (which only season 2 has shown a very short flashback sequence of Terry being mobile before her dreaded consequence from being associated with the human experiments). We find out that the reason Terry volunteered for the experiment is due to her father's service in WWII, and wanting to make the world a better place. Bond brings in the other important characters, who also volunteered for the experiments, quickly bonding the four as friends for life.
As far as characters go, these four are written very well. Although Terry is the main character of 'Suspicious Minds,' we get to see from the viewpoints of all people, including Brenner. Bond gives the reader a short background on what LSD is and where it came from when the time comes for the experiments to begin. Brenner doesn't really explain why he gives LSD to the volunteers, but only that it is part of a secret experiment. Even when Terry is placed in a sensory deprivation tank, he doesn't reveal anything to her, and Bond does a great job of keeping the characters enough in the grey area of knowing that it's believable. Even at one point, when Terry begins to suspect something strange from the experiments, she keeps the belief that whatever is going on at Hawkins Laboratory must be important: " 'But you can't see it's important?' Terry leaned in close, and they kept their voices down as other students walked past. 'They just called up the school and told them to give me Thursdays off and I'm getting credit for it? They're tying our grades to doing this. And no one asked any questions. They just agreed. I have to keep going.' " Bond eloquently keeps the mystery going.
This mystery is even interesting to those who know what happens in the end. In 'Stranger Things,' Terry is introduced as a comatose woman in a rocking chair- who happens to be Eleven's mother. We have never met Gloria, Alice or Ken. The three become very close to Terry, and they all somehow escape from Brenner's grasp, but they also end up joining in Terry's pursuit of getting Eleven/Jane back to her mother. Fans of the show might be left asking what happened to these three enjoyable characters? I haven't seen any plans for a part two of this story, so we may be left not knowing what happened or if the three are even still alive today (in the Stranger Things' era). Even more enjoyable is the random use of J.R.R. Tolkien's 'The Lord of the Rings,' where in one scene, Alice and Terry decide to name their small group 'The Fellowship of the Lab.' Any veteran reader will be happy to see a classic brought up in a newer book of today.
And also of interest, fans will recognize a little girl who is frequent throughout the story: Eight a.k.a. Kali. We never get to see through Kali's perspective, but the reader does get to see the multitude of her abilities. For instance, Kali is able to scare personnel in the lab by causing the hallucination of tidal waves inside the building, only to stop when Brenner (or Papa to her) gives her her favorite sweet: Hostess cakes. Other than that, Kali is like any child; she throws tantrums and rebels from her Papa, sometimes to the laughter of the reader.
One point, Terry even meets with Kali in her LSD induced state: " Terry shook her head. 'There can be. He's just a man. He can't know everything.' She paused. 'Does he hurt you? Papa?' Kali frowned, but she didn't answer. 'If he does... I can help you.' Terry had to make her understand. The little girl shook her head. 'I don't think so. I might be able to help you, though.' A field of yellow sunflowers grew up around them. A rainbow arcing over the golden tops." Terry, understandably, begins to scheme about how they can help Kali to escape the lab.
Bond does a great job of transitioning between Terry's point of view to the other characters' viewpoints. We get a young woman named Gloria, who has a secret obsession with comic books (especially X-Men). A hippie-looking man named Ken, who claims he is psychic, but just happens to have a lot of hunches that come true. And last, but not least, another young woman named Alice, who shows up in grease covered overalls and curly black hair, explaining that she works for her uncle's garage and that she loves machines. These three are delightful to read about, and the story would be boring without them.
This book was the perfect novel to answer questions fans may have had about Eleven's mother. Bond writes smoothly and easily enough that you may find yourself wanting to read just one more page before setting the book down for the evening. She drags you into the world of the 1960's and helps young readers to feel the emotional time that it was for women like Terry. But with only a few inconsistencies here and there, 'Suspicious Minds' leaves us wanting more. If you are a fan of 'Stranger Things,' I say that this is a must-read! Highly recommend!
TheDefunctDiva (304 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Sep 27, 2017
C is for Candy
Contains spoilers, click to show
And yes, I certainly mean eye candy. Johnny Depp is gorgeous despite the makeup artists’ attempts to make him seem pale and awkward. My brain isn’t working properly due to lack of sleep so I’ll just go ahead and warn you that this is more a regurgitation than a review. Read at your own risk, because I even give the entire ending of the movie away…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…
Heather Cranmer (2721 KP) rated Alice in Zombieland - White Rabbit Chronicles in Books
Jun 7, 2018
(This review can also be found on my blog at <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I've been dying to read this book since I first heard about it months ago. I love zombies because, well, zombies are just so darn cool! However, I think I built myself up a bit too much and bought in to the hype a bit too much. I didn't think the book was bad, but I didn't think it was that great either.
Alice, or Ali for short, thinks her father is crazy. He has so many rules when it comes to his daughters, especially things that involve go out during the night. He's worried about the monsters, but Alice just thinks he's going insane until one night, her whole family is killed in a car crash. It is then that she sees her first monster. Maybe her dad wasn't crazy after all. Alice will have to enlist the help of the school's bad crowd if she wants answers, and that means getting close to Cole Holland, the resident bad boy. Will Alice have her heart broken? Will she even be able to survive long enough to have her heart broken?
Okay, I absolutely, positively love, love, love the title of this book: Alice in Zombieland. It just has a certain ring to it. I'd say the title definitely describes the story. If I were to sum up this book in three words, Alice in Zombieland would be exactly what I'd say.
I do think the cover is pretty, but I feel that it's lacking. I do love the little details there are to see when you look closer at the cover, but as I said, something is missing from the cover. I think it would've been cool, maybe, to have a few zombies on the cover as well.
The world building is fantastic! Gena Showalter makes it feel as if a zombie apocalypse is actually happening or really could happen. It's so easy to get lost in Alice's world and forget that you're actually just reading a story. The author makes the world of zombies come to life, and it does get a bit scary.
The pacing is what really bothered me. I felt as if it was a bit all over the place. At the very beginning, I felt I was losing the will to live as the pacing was so slow. Then it got a bit better, then it'd get slow, then it'd get better again. My interest in this book was all over the place. I never knew what to expect in the next chapter. Was it going to be super slow or fast paced?
The dialogue was believable for the teenagers. They spoke exactly how I'd imagine teens of today to speak. However, Alice has a seven year old sister who spoke like she was at least thirteen years old. Her vocabulary, and the way she spoke were definitely not normal for a seven year old. With that said, I did enjoy the dialogue immensely especially when it came to interactions between Kat and Alice. I even loved the sarcastic interactions between Cole and Alice. There wasn't any swearing in this book which I admired.
I thought the characters were fantastic and very believable. I loved how Alice was willing to do whatever it took to avenge her family and how she wasn't willing to take anything from anybody. Cole is your typical bad boy: moody, snarly, sarcastic, etc. There is something likable about Cole, and as the story progresses, we find out a little bit about why Cole is the way he is. My favourite character had to be Kat though. I loved her witty and sarcastic sense of humour. In fact, I wish I could be like Kat. She definitely had me laughing quite a bit. The only non-believable character was Alice's little sister Emma. As stated in the previous paragraph, she didn't speak like a normal seven year old, nor did she act like an everyday seven year old. Because of that, I had a hard time relating to her as a character.
One thing I really loved about this book was the chapter names. I loved how they were zombie related but still had the Alice in Wonderland feel about them. Unfortunately, this was not enough to warrant a higher rating for this book. Perhaps it's just me though as this book does have quite high reviews, but I just couldn't enjoy it that much. I might carry on with the series in the hopes it gets better, but I'm not dying to read the next book in the series.
I'd recommend this book to those aged 14+ if I really had to recommend it. However, I'd say don't waste your money. Rent it from a library or borrow it if you really want to read it.
Alice in Zombieland (The White Rabbit Chronicles #1) by Gena Showalter gets a 3.25 out of 5 from me.
I've been dying to read this book since I first heard about it months ago. I love zombies because, well, zombies are just so darn cool! However, I think I built myself up a bit too much and bought in to the hype a bit too much. I didn't think the book was bad, but I didn't think it was that great either.
Alice, or Ali for short, thinks her father is crazy. He has so many rules when it comes to his daughters, especially things that involve go out during the night. He's worried about the monsters, but Alice just thinks he's going insane until one night, her whole family is killed in a car crash. It is then that she sees her first monster. Maybe her dad wasn't crazy after all. Alice will have to enlist the help of the school's bad crowd if she wants answers, and that means getting close to Cole Holland, the resident bad boy. Will Alice have her heart broken? Will she even be able to survive long enough to have her heart broken?
Okay, I absolutely, positively love, love, love the title of this book: Alice in Zombieland. It just has a certain ring to it. I'd say the title definitely describes the story. If I were to sum up this book in three words, Alice in Zombieland would be exactly what I'd say.
I do think the cover is pretty, but I feel that it's lacking. I do love the little details there are to see when you look closer at the cover, but as I said, something is missing from the cover. I think it would've been cool, maybe, to have a few zombies on the cover as well.
The world building is fantastic! Gena Showalter makes it feel as if a zombie apocalypse is actually happening or really could happen. It's so easy to get lost in Alice's world and forget that you're actually just reading a story. The author makes the world of zombies come to life, and it does get a bit scary.
The pacing is what really bothered me. I felt as if it was a bit all over the place. At the very beginning, I felt I was losing the will to live as the pacing was so slow. Then it got a bit better, then it'd get slow, then it'd get better again. My interest in this book was all over the place. I never knew what to expect in the next chapter. Was it going to be super slow or fast paced?
The dialogue was believable for the teenagers. They spoke exactly how I'd imagine teens of today to speak. However, Alice has a seven year old sister who spoke like she was at least thirteen years old. Her vocabulary, and the way she spoke were definitely not normal for a seven year old. With that said, I did enjoy the dialogue immensely especially when it came to interactions between Kat and Alice. I even loved the sarcastic interactions between Cole and Alice. There wasn't any swearing in this book which I admired.
I thought the characters were fantastic and very believable. I loved how Alice was willing to do whatever it took to avenge her family and how she wasn't willing to take anything from anybody. Cole is your typical bad boy: moody, snarly, sarcastic, etc. There is something likable about Cole, and as the story progresses, we find out a little bit about why Cole is the way he is. My favourite character had to be Kat though. I loved her witty and sarcastic sense of humour. In fact, I wish I could be like Kat. She definitely had me laughing quite a bit. The only non-believable character was Alice's little sister Emma. As stated in the previous paragraph, she didn't speak like a normal seven year old, nor did she act like an everyday seven year old. Because of that, I had a hard time relating to her as a character.
One thing I really loved about this book was the chapter names. I loved how they were zombie related but still had the Alice in Wonderland feel about them. Unfortunately, this was not enough to warrant a higher rating for this book. Perhaps it's just me though as this book does have quite high reviews, but I just couldn't enjoy it that much. I might carry on with the series in the hopes it gets better, but I'm not dying to read the next book in the series.
I'd recommend this book to those aged 14+ if I really had to recommend it. However, I'd say don't waste your money. Rent it from a library or borrow it if you really want to read it.
Alice in Zombieland (The White Rabbit Chronicles #1) by Gena Showalter gets a 3.25 out of 5 from me.
Hazel (1853 KP) rated Stork Mountain in Books
May 25, 2017
Captivating
I received this book for free through Goodreads First Reads.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Rachel King (13 KP) rated On Writing in Books
Feb 11, 2019
I have not now nor ever been a fan of Stephen King's fiction, nor do I intend to change that pattern. His personal brand of fiction is simply not for me. But since this book is non-fiction, curiosity got the better of me. I am glad that I read this book very much, for both the memoir of his writing life, as well as the writing skills he attempts to impart.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.