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Phillip McSween (751 KP) rated Bad Santa (2003) in Movies
Jul 26, 2019
"I'm On My Fucking Lunch Break!"
A crook poses as a mall Santa over the holidays to pull off a quick score.
Acting: 10
Billy Bob Thornton is, dare I say, brilliant in his role as Willie Stokes. His rage alone makes for a number of hilarious moments throughout the movie. In one of my favorite scenes, a kid walks up to him in the food court because he is still in his Santa pants. After the kid continues to pester him, Willie finally screams, “I’m on my fucking lunch break!” as pieces of food fly out of his mouth. It is still to this day one of the most memorably hilarious scenes I’ve ever seen.
Beginning: 10
Characters: 10
Just like Willie, Bad Santa features a bunch of broken characters that are messed up and dysfunctional. They are the reason this movie works as its fun watching everyone walk around so screwed up. Screwed up people have a tendency to leave a mark on scenes and this movie is no exception. Some of my favorite scenes involve the senile Grandma played by Cloris Leachman. Like most of these characters. You really just don’t know what to expect from her.
Cinematography/Visuals: 8
Conflict: 10
Entertainment Value: 9
This category fell short of a perfect score for me due to the fact that, while I think it’s absolutely hysterical, I also understand that this is a specific type of humor that may not cater to everyone. Speaking for myself, it had me in stitches. It is one of those comedies that’s just hard to forget.
Memorability: 10
Pace: 6
Plot: 10
I will admit, the story is a bit of a stretch in certain spots, but otherwise very creative. Its originality allows me to say that I have seen anything like it before it or since. The best part is though it follows the story of an alcoholic crook, it manages to somehow still stay within the spirit of Christmas.
Resolution: 10
Overall: 93
If you’re not watching Bad Santa during the holidays, you’re doing something wrong. It’s about as ridiculous as a softcore porn movie, but if we’re being honest, aren’t most Christmas movies? Ah, Christmas and porn. Yup, that just happened.
Acting: 10
Billy Bob Thornton is, dare I say, brilliant in his role as Willie Stokes. His rage alone makes for a number of hilarious moments throughout the movie. In one of my favorite scenes, a kid walks up to him in the food court because he is still in his Santa pants. After the kid continues to pester him, Willie finally screams, “I’m on my fucking lunch break!” as pieces of food fly out of his mouth. It is still to this day one of the most memorably hilarious scenes I’ve ever seen.
Beginning: 10
Characters: 10
Just like Willie, Bad Santa features a bunch of broken characters that are messed up and dysfunctional. They are the reason this movie works as its fun watching everyone walk around so screwed up. Screwed up people have a tendency to leave a mark on scenes and this movie is no exception. Some of my favorite scenes involve the senile Grandma played by Cloris Leachman. Like most of these characters. You really just don’t know what to expect from her.
Cinematography/Visuals: 8
Conflict: 10
Entertainment Value: 9
This category fell short of a perfect score for me due to the fact that, while I think it’s absolutely hysterical, I also understand that this is a specific type of humor that may not cater to everyone. Speaking for myself, it had me in stitches. It is one of those comedies that’s just hard to forget.
Memorability: 10
Pace: 6
Plot: 10
I will admit, the story is a bit of a stretch in certain spots, but otherwise very creative. Its originality allows me to say that I have seen anything like it before it or since. The best part is though it follows the story of an alcoholic crook, it manages to somehow still stay within the spirit of Christmas.
Resolution: 10
Overall: 93
If you’re not watching Bad Santa during the holidays, you’re doing something wrong. It’s about as ridiculous as a softcore porn movie, but if we’re being honest, aren’t most Christmas movies? Ah, Christmas and porn. Yup, that just happened.
BankofMarquis (1832 KP) rated Judy (2019) in Movies
Feb 6, 2020
Brilliant performance by Zellwegger - and not much else
Renee Zellwegger is absolutely brilliant in her channeling of Judy Garland in the film JUDY. She deserves to - and WILL WIN - the Oscar for Best Actress. Her performance is amazing and I forgot that I was watching an actress playing Judy Garland and fell into a trance thinking I was actually watching the real Judy Garland.
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
Gareth von Kallenbach (980 KP) rated Wrath of the Titans (2012) in Movies
Aug 7, 2019
Sequels often struggle to live up to the expectations set by their predecessors. Wrath of the Titans delivers. Sam Worthington, Liam Neeson, and Ralph Fiennes reprise their roles as Perseus, Zeus, and Hades in this continuation of the Clash of the Titans remake from 2010. They’re joined this time by Rosamund Pike, who portrays the strong, female love interest as the beautiful Queen Andromeda.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
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Matt Geiger (15 KP) rated Cars 2 (2011) in Movies
Jun 27, 2020 (Updated Jun 27, 2020)
Perhaps the first indication that Pixar could still lose sight of its capabilities, it should be common knowledge that CARS 2 is the worst Pixar film. While the first Cars movie was not Pixar's finest outing itself, the eccentricities of its premise and the likeable residents of Radiator Springs were enough to draw attention away from any holes the story had, numerous as they were. What we get here is an utterly incoherent and inconceivable sequel that makes just about every mistake a sequel can make. While the central espionage-based plot initially appears as a thoughtful homage to 007, and ultimately proves that Larry the Cable Guy has plenty of star power as Tow Mater, it devolves into an overstuffed, mediocre snoozefest that just keeps driving in a circle, content with giving the viewer vertigo. In fact, it is so flawed, audiences finally have to consider the implications imposed by the concept of living cars operating freely in their own world. It's not just that it's bad, but creating an entirely different story of this nature requires shoving all of the original characters to the side, including Lightning McQueen. You would think that a character who grew on audiences and learned some valuable lessons in such a short amount of time would've played a more notable role in the outcome of the film, but here he is reduced to a yammering motor of a damsel in distress, and hilarious stock characters like Luigi, Guido, and Fillmore are given literally nothing to work with. Not even the new characters make an impression, wasting the talent of Michael Caine and John Turturro among others. Honestly, there really isn't much about this movie to justify its existence. Whereas better Pixar sequels ring in on the success of their predecessor for the sake of inviting us to invest in the world they are trying to build, CARS 2 is a blown gasket that ultimately crashes the once profitable cash grab vehicle that the nostalgic first film helped to create. With this film, Pixar achieved the impossible: they made a bad movie.