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BookInspector (124 KP) rated The Girl Before in Books
Sep 24, 2020
I would like to begin by saying one simple word, WOW. This book left me absolutely speechless to be honest. This book is a masterpiece and I’m absolutely in love with this author. This book begins quite calm, by looking for some properties in London and introducing the characters: then - Simon and Emma and now - Jane. It tells two stories at the same time, the action which happened three years ago and the action which is happening currently. I really enjoyed that there is not story from one person’s perspective but two characters are telling their story at the same time. All the main characters are really disturbed in this book and have their own problems which influenced their personalities. There is this taste of “fifty shades of Gray” in this book; just it doesn’t flatter the book unfortunately. I really liked the way characters where untangled while you flip the pages, the way their personalities unfolded. They were not boring, one thing what I would’ve liked, is more insight into Simon's and Edward's personalities and how do they think, I would’ve liked their perspective in the book. Even though the men in this book seemed like strong and demanding ones, in the end of the day I think the women were the strong ones and the most determined ones in this book.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
How To Get Filthy Rich in Rising Asia
Book
How to Get Filthy Rich in Rising Asia is Mohsin Hamid's spectacular, thought-provoking novel of...
Movie Metropolis (309 KP) rated Coco (2017) in Movies
Jun 10, 2019
Has pixar got it's mojo back?
Pixar has been on something of a downward trend of late, and that’s something I never thought I’d say. As much as it hurts, films like Cars 3, Finding Dory and The Good Dinosaur just don’t cut the mustard when compared to some of the studio’s greats.
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Ross (3284 KP) rated Insidious: Chapter 2 (2013) in Movies
Nov 28, 2017
This follow on film stays with the family after the events of the first film left the family reunited but with something decidedly not right about Josh, the father (played by The Conjuring's Patrick Wilson, who I really can't take to).
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.
Alison Pink (7 KP) rated The Casual Vacancy in Books
Jan 15, 2018
This book is another prime example of why I wish Goodreads would allow half stars...it wasn't a 4 but it wasn't a 3 either.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
Jason (7 KP) rated The Light Between Oceans in Books
Jul 9, 2017
Better Than The Film
Yes, yes, I know this has been made into a film. I'm always a little disappointed when a good book becomes a film. With the book, the characters look how you think they should and the locations look how you think they should and so on . . .
With the film, you have the directors vision not yours and I always seem to think the director has it wrong. I even felt this with the Harry Potters. In my head, everything was how I imagined it and the films were not.
Anyways, nothing exists to serve my point as much as this book. I read it a long time before the film came out and it made me feel things more than the subsequent film did.
If you didn't know, this is the story of a man who comes back from the First World War and seeks solitude manning a lighthouse on a lonely island.
He meets the love of his life and they marry and co-exist on the island very happily. They try to have a family but sadly it is not to be as his wife suffers miscarriages.
One day, a boat washes up with a dead man and a live baby inside. What follows is nothing short of heart rending. I won't go into too much detail as you need to read this yourself and please, I implore you to avoid the film until you have read the book.
It's an emotional read, but worth it.
With the film, you have the directors vision not yours and I always seem to think the director has it wrong. I even felt this with the Harry Potters. In my head, everything was how I imagined it and the films were not.
Anyways, nothing exists to serve my point as much as this book. I read it a long time before the film came out and it made me feel things more than the subsequent film did.
If you didn't know, this is the story of a man who comes back from the First World War and seeks solitude manning a lighthouse on a lonely island.
He meets the love of his life and they marry and co-exist on the island very happily. They try to have a family but sadly it is not to be as his wife suffers miscarriages.
One day, a boat washes up with a dead man and a live baby inside. What follows is nothing short of heart rending. I won't go into too much detail as you need to read this yourself and please, I implore you to avoid the film until you have read the book.
It's an emotional read, but worth it.
Phillip McSween (751 KP) rated Safety Not Guaranteed (2012) in Movies
Jan 15, 2018
A Favorite
In Safety Not Guaranteed, three reporters go on a wild goose chase to track down a man who put out a want-ad for a time travel partner. I want to keep this is as short as I can because, if you haven't seen it yet, I want you to go in knowing as little as I did. What starts out as a quirky adventure turns into a touching story as truth starts to unfold. Everyone can think of something they would go back in time and change, but Darius (Aubrey Plaza) secretly has a reason that would put ours to shame. Sometimes it's the little things that can make all the difference.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.
Mayhawke (97 KP) rated The Plank (1967) in Movies
Feb 7, 2018
Genius British Comedy Film-Making
If ever a film deserved the accolade 'classic' this is it. Not in the sense that it is the best of it's genre, but in the sense that it is typical of it. If you needed to to have just one exemplar of British 'silly' humour, this would fit all the requirements. Reminiscent of it's predecessors The Goons, Dad's Army and (early) Carry On, and probably inspirational to followers such as The Goodies and The Comic Strip.Packed with 'faces' that anyone over forty who grew up here will recognise.
Two builders find themselves one floor-board short of a house. So they go to the timber yard to get one.
And that's the story. All of it...except the details. It's the details that make the rest of the film, and make it so damn funny, as the hapless pair unwittingly wreak mayhem and chaos.
It shouldn't need to be said - but I'll say it any way :-) - that there is a level of genius required to make an entire film out of just that. But then it is the work of Eric Sykes (more recently seen in 'Harry P & the Goblet of Fire' and 'The Others', for younger viewers) who has been a mainstay of British humour, both as a writer and performer, for several decades now.
Incindentally if you don't quite 'get' the image of the incompetent British workman portrayed in this film find a copy of Bernard Cribbens' 'Right, Said Fred' and listen to it. Everything will become clear!
Oh, and there's a kitten, too.
Two builders find themselves one floor-board short of a house. So they go to the timber yard to get one.
And that's the story. All of it...except the details. It's the details that make the rest of the film, and make it so damn funny, as the hapless pair unwittingly wreak mayhem and chaos.
It shouldn't need to be said - but I'll say it any way :-) - that there is a level of genius required to make an entire film out of just that. But then it is the work of Eric Sykes (more recently seen in 'Harry P & the Goblet of Fire' and 'The Others', for younger viewers) who has been a mainstay of British humour, both as a writer and performer, for several decades now.
Incindentally if you don't quite 'get' the image of the incompetent British workman portrayed in this film find a copy of Bernard Cribbens' 'Right, Said Fred' and listen to it. Everything will become clear!
Oh, and there's a kitten, too.
Kristy H (1252 KP) rated Who Do You Love in Books
Feb 8, 2018
Rachel grows up the beloved daughter of wealthy parents in Florida. They are extra attention as she is born with a heart problem and requires multiple surgeries as a child. At age eight, in the ER, she meets Andy, also age 8. Waiting alone in the ER, he has a broken arm, and Rachel calms him down with stories. While it's a short meeting, the two leave a clear impression on each other, even as children.
Obviously, the premise of the novel is that Rachel and Andy will meet again, so when they do so in high school it doesn't come as a big shock. In fact, one of things Weiner does so well with this story is weaving a compelling tale, despite the reader knowing that Rachel and Andy will run into each other, over and over. It's definitely rough in some spots and jumps around a bit, but it's an enjoyable read. Rachel is an interesting character, if not always a likable one, but she comes across as human and real. Andy is a little harder to get to know, but he too is an intriguing character. The book makes a big show comparing Rachel's wealthy upbringing and Andy's impoverished childhood in Philadelphia - sometimes it seems a bit forced, but it brings up some good points about the class system. Some of the plot is a little unrealistic and it wraps up rather predictably, but I still found this a fun read and more enjoyable than some of Weiner's last couple of books.
Obviously, the premise of the novel is that Rachel and Andy will meet again, so when they do so in high school it doesn't come as a big shock. In fact, one of things Weiner does so well with this story is weaving a compelling tale, despite the reader knowing that Rachel and Andy will run into each other, over and over. It's definitely rough in some spots and jumps around a bit, but it's an enjoyable read. Rachel is an interesting character, if not always a likable one, but she comes across as human and real. Andy is a little harder to get to know, but he too is an intriguing character. The book makes a big show comparing Rachel's wealthy upbringing and Andy's impoverished childhood in Philadelphia - sometimes it seems a bit forced, but it brings up some good points about the class system. Some of the plot is a little unrealistic and it wraps up rather predictably, but I still found this a fun read and more enjoyable than some of Weiner's last couple of books.
Cyn Armistead (14 KP) rated Storm Front: The Dresden Files, Book 1 in Books
Feb 23, 2018
I just re-read Storm Front, after first reading it - well, I don't even know how many years ago! Shortly after it was first released, I think.
Now, it's important to know that I simply don't re-read books. I find that too boring, most of the time. There are a scant few exceptions. The Liaden Universe books by Sharon Lee and Steve Miller are the most remarkable of them. The fact that I would even consider a re-read speaks very, very highly of Butcher's work.
I'd forgotten far more than I expected, but I suppose that happens, with at least 15 years and goodness knows how many books in between readings. I knew it was a good book, I knew one important part of the ending (I mean, come on - there are many more books in the series, so you KNOW that Dresden lives!), but all else was lost. I wasn't sure I would like reading about old Harry with recent Harry fresh in my mind (I just read the short story "Jury Duty").
If anything, I enjoyed it even more spiced by the knowledge of who Dresden (and Murphy) will become in the future books. I enjoyed the setting, the craft that went into building the whole novel, and seeing how Butcher's skill grew from the first book to the more recent works.
I'm going to go on with re-reading the entire series - I hadn't committed to it before, but now I'm looking forward to it!
Now, it's important to know that I simply don't re-read books. I find that too boring, most of the time. There are a scant few exceptions. The Liaden Universe books by Sharon Lee and Steve Miller are the most remarkable of them. The fact that I would even consider a re-read speaks very, very highly of Butcher's work.
I'd forgotten far more than I expected, but I suppose that happens, with at least 15 years and goodness knows how many books in between readings. I knew it was a good book, I knew one important part of the ending (I mean, come on - there are many more books in the series, so you KNOW that Dresden lives!), but all else was lost. I wasn't sure I would like reading about old Harry with recent Harry fresh in my mind (I just read the short story "Jury Duty").
If anything, I enjoyed it even more spiced by the knowledge of who Dresden (and Murphy) will become in the future books. I enjoyed the setting, the craft that went into building the whole novel, and seeing how Butcher's skill grew from the first book to the more recent works.
I'm going to go on with re-reading the entire series - I hadn't committed to it before, but now I'm looking forward to it!