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Hazel (1853 KP) rated Storm Watcher in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Phillip McSween (751 KP) rated See You Yesterday (2019) in Movies
Oct 23, 2019
Highly Entertaining and Thought-Provoking
After successfully creating a time machine, high school scientist CJ Walker (Eden Duncan-Smith) decides to go back in time and save her brother from being gunned down by police. She soon learns that it’s harder to change the past than she once thought.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
War Horse
Michael Morpurgo and Francois Place
9.1
Rate It
Book
Before the Steven Spielberg film, before the National Theatre production, there was the classic...
BookInspector (124 KP) rated The Girl Before in Books
Sep 24, 2020
I would like to begin by saying one simple word, WOW. This book left me absolutely speechless to be honest. This book is a masterpiece and I’m absolutely in love with this author. This book begins quite calm, by looking for some properties in London and introducing the characters: then - Simon and Emma and now - Jane. It tells two stories at the same time, the action which happened three years ago and the action which is happening currently. I really enjoyed that there is not story from one person’s perspective but two characters are telling their story at the same time. All the main characters are really disturbed in this book and have their own problems which influenced their personalities. There is this taste of “fifty shades of Gray” in this book; just it doesn’t flatter the book unfortunately. I really liked the way characters where untangled while you flip the pages, the way their personalities unfolded. They were not boring, one thing what I would’ve liked, is more insight into Simon's and Edward's personalities and how do they think, I would’ve liked their perspective in the book. Even though the men in this book seemed like strong and demanding ones, in the end of the day I think the women were the strong ones and the most determined ones in this book.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
How To Get Filthy Rich in Rising Asia
Book
How to Get Filthy Rich in Rising Asia is Mohsin Hamid's spectacular, thought-provoking novel of...
Movie Metropolis (309 KP) rated Coco (2017) in Movies
Jun 10, 2019
Has pixar got it's mojo back?
Pixar has been on something of a downward trend of late, and that’s something I never thought I’d say. As much as it hurts, films like Cars 3, Finding Dory and The Good Dinosaur just don’t cut the mustard when compared to some of the studio’s greats.
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Ross (3284 KP) rated Insidious: Chapter 2 (2013) in Movies
Nov 28, 2017
This follow on film stays with the family after the events of the first film left the family reunited but with something decidedly not right about Josh, the father (played by The Conjuring's Patrick Wilson, who I really can't take to).
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.
Alison Pink (7 KP) rated The Casual Vacancy in Books
Jan 15, 2018
This book is another prime example of why I wish Goodreads would allow half stars...it wasn't a 4 but it wasn't a 3 either.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
J.K. Rowlings's first forray into the adult book world is well written, don't get me wrong. She has a true gift in her ability to craft the written word and describes things in a way few other authors can. I just had a very hard time getting in to this book until the last 50 or so pages.
This book tells the tales of several families of all varities in the parrish of Pagford. It is a small town where it seems that evryone has their noses in each other's business and that they know who is who & what is what. The plot flows along following the lives of the various families & showing you how they are all connected, as much as 1 family or person may think they are better than the rest. Of course, the story twists & turns & eventually lets you in to the fact that no really knows what is going on in their neighbor's lives. It is all centered around the sudden death of parrish councillor Berry Fairbrother & the political wranglings around who will fill his seat.
On 1 jand it speaks to the impact that 1 man can have on the people around him. On the other it is a flat lesson on minding your own business. I hope Rowling will attempt more books targeted at an older audience but this one, for me, fell abit short of expectations.
Jason (7 KP) rated The Light Between Oceans in Books
Jul 9, 2017
Better Than The Film
Yes, yes, I know this has been made into a film. I'm always a little disappointed when a good book becomes a film. With the book, the characters look how you think they should and the locations look how you think they should and so on . . .
With the film, you have the directors vision not yours and I always seem to think the director has it wrong. I even felt this with the Harry Potters. In my head, everything was how I imagined it and the films were not.
Anyways, nothing exists to serve my point as much as this book. I read it a long time before the film came out and it made me feel things more than the subsequent film did.
If you didn't know, this is the story of a man who comes back from the First World War and seeks solitude manning a lighthouse on a lonely island.
He meets the love of his life and they marry and co-exist on the island very happily. They try to have a family but sadly it is not to be as his wife suffers miscarriages.
One day, a boat washes up with a dead man and a live baby inside. What follows is nothing short of heart rending. I won't go into too much detail as you need to read this yourself and please, I implore you to avoid the film until you have read the book.
It's an emotional read, but worth it.
With the film, you have the directors vision not yours and I always seem to think the director has it wrong. I even felt this with the Harry Potters. In my head, everything was how I imagined it and the films were not.
Anyways, nothing exists to serve my point as much as this book. I read it a long time before the film came out and it made me feel things more than the subsequent film did.
If you didn't know, this is the story of a man who comes back from the First World War and seeks solitude manning a lighthouse on a lonely island.
He meets the love of his life and they marry and co-exist on the island very happily. They try to have a family but sadly it is not to be as his wife suffers miscarriages.
One day, a boat washes up with a dead man and a live baby inside. What follows is nothing short of heart rending. I won't go into too much detail as you need to read this yourself and please, I implore you to avoid the film until you have read the book.
It's an emotional read, but worth it.
Phillip McSween (751 KP) rated Safety Not Guaranteed (2012) in Movies
Jan 15, 2018
A Favorite
In Safety Not Guaranteed, three reporters go on a wild goose chase to track down a man who put out a want-ad for a time travel partner. I want to keep this is as short as I can because, if you haven't seen it yet, I want you to go in knowing as little as I did. What starts out as a quirky adventure turns into a touching story as truth starts to unfold. Everyone can think of something they would go back in time and change, but Darius (Aubrey Plaza) secretly has a reason that would put ours to shame. Sometimes it's the little things that can make all the difference.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.
You'll come to love Darius within the first ten minutes of the movie. Plaza plays the role well with quirky quips that crack me up. Definitely an easy character to root for.
My only problem with the film was that it ended way too soon. At only 86 minutes, it's a quick watch that keeps you entertained the whole way through. There is more that I want to expand on outside of the fun, unique premise and the wonderful protagonist, but this is definitely one you should experience for yourself with as little to go on as possible. It finds a way into your heart and sticks with you. For that, not only am I giving it a 100, but it knocks off Spider-Man 2 to crack my All-Time Top Ten List. See it.