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Hazel (1853 KP) rated Buying Samir (India's Street Kids #2) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Buying Samir</i> is the second book in the <i>India Street Kids</i> series by Kimberly Rae. Previously Jasmina and her brother, Samir, had been sold to traffickers who treated the children as slaves. Jasmina, however, managed to escape and found safety amongst a group of American missionaries. Now aged 14, Jasmina is determined to locate and save her brother.
Initially with the help of one of the missionaries, Jasmina begins searching for Samir at various locations hoping she can free him from whatever slavery he has been forced into. However desperation encourages Jasmina to secretly go alone on this dangerous mission. Although she finds her brother there is no happy reunion. Samir has become one of the traffickers and Jasmina finds herself in a lot of trouble.
Jasmina learns a lot more about the world she lives in, who to trust and who to avoid. She also learns of Christian forgiveness – a concept that was alien to her as she was used to being punished.
Rae shocks the reader with her descriptions of horrors children in India face on the streets. Many are tricked into dreadful situations by false promises of luxury. What is the most disturbing is that this story is not about the past, these things are happening now! Thankfully there are people such as the missionaries who, with Gods help, give up their time to rescue these children and give them a better life or restore them to their families.
<i>Buying Samir</i> is a very short book and suitable for both adults and teens. Readers would benefit from reading the previous book first however Jasmina’s narrative reflects on the past providing enough information to understand what is going on.
Buying Samir</i> is the second book in the <i>India Street Kids</i> series by Kimberly Rae. Previously Jasmina and her brother, Samir, had been sold to traffickers who treated the children as slaves. Jasmina, however, managed to escape and found safety amongst a group of American missionaries. Now aged 14, Jasmina is determined to locate and save her brother.
Initially with the help of one of the missionaries, Jasmina begins searching for Samir at various locations hoping she can free him from whatever slavery he has been forced into. However desperation encourages Jasmina to secretly go alone on this dangerous mission. Although she finds her brother there is no happy reunion. Samir has become one of the traffickers and Jasmina finds herself in a lot of trouble.
Jasmina learns a lot more about the world she lives in, who to trust and who to avoid. She also learns of Christian forgiveness – a concept that was alien to her as she was used to being punished.
Rae shocks the reader with her descriptions of horrors children in India face on the streets. Many are tricked into dreadful situations by false promises of luxury. What is the most disturbing is that this story is not about the past, these things are happening now! Thankfully there are people such as the missionaries who, with Gods help, give up their time to rescue these children and give them a better life or restore them to their families.
<i>Buying Samir</i> is a very short book and suitable for both adults and teens. Readers would benefit from reading the previous book first however Jasmina’s narrative reflects on the past providing enough information to understand what is going on.
Hazel (1853 KP) rated Bunker Boy in Books
Jun 18, 2019
Bunker Boy is the latest dystopian novel by the diverse author Jordan Elizabeth. One minute, the eighteen-year-old Zara is studying for her Spanish exam and the next she is waking up in a strange room where she has apparently spent five years in a coma. The world as Zara knew it is over. She is informed that terrorists bombed the East Coast of the United States of America and she is one of the lucky few to survive the viaane gas poisoning.
What initially seemed to be salvation turns into a backward, middle ages scenario where women are oppressed by the government run by a dictatorial headmaster. Zara soon learns that no one can challenge the way of life without putting their own lives at risk. She also discovers that things are not at all what they seem.
Jordan Elizabeth's writing is fast-paced but still manages to gradually build up the storyline. Being told from Zara's point of view, the reader experiences things as they happen rather than being aware of things the characters do not know. As a result, readers share the same emotions as the protagonist, imagining themselves in the same position.
Another great attribute of Jordan Elizabeth's writing is that she does not need to include romance to make the story interesting. Although there are relationships of a sort, there is no love, lust or conflicting emotions to distract from the storyline. The author knows how to naturally engage the reader and keep them interested.
Bunker Boy is just one of many of Jordan Elizabeth's greatest books. The only downside is it is short and, therefore, over way too quickly. The author has the potential to write a full-length novel in the future.
What initially seemed to be salvation turns into a backward, middle ages scenario where women are oppressed by the government run by a dictatorial headmaster. Zara soon learns that no one can challenge the way of life without putting their own lives at risk. She also discovers that things are not at all what they seem.
Jordan Elizabeth's writing is fast-paced but still manages to gradually build up the storyline. Being told from Zara's point of view, the reader experiences things as they happen rather than being aware of things the characters do not know. As a result, readers share the same emotions as the protagonist, imagining themselves in the same position.
Another great attribute of Jordan Elizabeth's writing is that she does not need to include romance to make the story interesting. Although there are relationships of a sort, there is no love, lust or conflicting emotions to distract from the storyline. The author knows how to naturally engage the reader and keep them interested.
Bunker Boy is just one of many of Jordan Elizabeth's greatest books. The only downside is it is short and, therefore, over way too quickly. The author has the potential to write a full-length novel in the future.
Scott Tostik (389 KP) rated Three on A Meathook (1972) in Movies
Jan 6, 2019
The Porno 70's Soundtrack (1 more)
The Dad character
About a million gratuitous boob shots (1 more)
The plot is somewhat absent...ish
Huh.... Kinda cool...ish
Contains spoilers, click to show
When you review cheesy horror films for fun while your fiancee is alseep.... And you have to keep the volune down so you can barely hear the drivel that most scripted movies spew out... Captions are always an option.
When they work...
This movie is sorta bad to begin with. The camera work is sub par. Tue acting is all around shite. And lets be honest here.... The only good part about this film was the creativity of the kills for the time it was made.
The movie breaks down at the halfway point when it turns into Billy goes to tue city lookin for love and all he finds is a brunette skank who wants to come to his farm after knowing him for 15 seconds in a bar.... But its true love
Lobg story short... Billy's Daddy is a psychopath... Blood is spilt... Carnage insues... And boobs are flashed a plenty....
But not even glorious tan lined hooters can save this thing.... Only reason i rated it what i did... Is because i could see how modern day horror film writers and directors would use this as source material for writing their own slasher style scripts. Its groundbreaking... I admit that... It's just not... Well... It's not Black Christmas enough to be considered the first slasher style film of the 70's... Watch it if you want to.... I recommend it to those who want to go into horror directing or writing as both things to do and not to do.
On to the next....
When they work...
This movie is sorta bad to begin with. The camera work is sub par. Tue acting is all around shite. And lets be honest here.... The only good part about this film was the creativity of the kills for the time it was made.
The movie breaks down at the halfway point when it turns into Billy goes to tue city lookin for love and all he finds is a brunette skank who wants to come to his farm after knowing him for 15 seconds in a bar.... But its true love
Lobg story short... Billy's Daddy is a psychopath... Blood is spilt... Carnage insues... And boobs are flashed a plenty....
But not even glorious tan lined hooters can save this thing.... Only reason i rated it what i did... Is because i could see how modern day horror film writers and directors would use this as source material for writing their own slasher style scripts. Its groundbreaking... I admit that... It's just not... Well... It's not Black Christmas enough to be considered the first slasher style film of the 70's... Watch it if you want to.... I recommend it to those who want to go into horror directing or writing as both things to do and not to do.
On to the next....
Erika (17789 KP) rated The Mandalorian - Season 1 in TV
Dec 28, 2019 (Updated Dec 28, 2019)
I want to say that I love this show like nearly everyone else, but it's simply not the case. It's just not amazing or mind-blowing, like many suggest.
The show is sufficiently entertaining, but I have a few issues with it. The episodes were all directed by different people (Filoni and Chow directed 2), and that may have been the issue. The styles were just too different. I'm also not sure why Bryce Dallas Howard was allowed to direct an ep, she should really leave the directing to her father and stick with acting. Howard's ep was, by far, the worst of them all.
I was bummed that the eps were so short, just over 30 minutes with the end credits. It was definitely a bummer.
My favorite (and the best) episodes were directed by Deborah Chow, who is set to direct the new Obi-Wan series. I'm even more excited for that now, because she was rock solid.
I won't say much about the story line, I don't want to spoil it more than it already has been. The episodes were kind of everywhere, and I found myself thinking after them, what the hell was the point of this ep? It was all just a little disappointing, the hype was too much for this show.
I liked Pascal's Mando, and Cara Dune (Carano) was probably my favorite human character. The Child is, of course, ADORABLE, but I need to know the mystery. A scene in ep 6 or 7 seemed to dismiss my personal theory, but I'm still sticking to it.
If you're a fan of the Clone Wars and/or Rebels, the final scene of the last ep will be a treat. Though, what the hell happened in order for that artefact to land in that person's hands??
The show is sufficiently entertaining, but I have a few issues with it. The episodes were all directed by different people (Filoni and Chow directed 2), and that may have been the issue. The styles were just too different. I'm also not sure why Bryce Dallas Howard was allowed to direct an ep, she should really leave the directing to her father and stick with acting. Howard's ep was, by far, the worst of them all.
I was bummed that the eps were so short, just over 30 minutes with the end credits. It was definitely a bummer.
My favorite (and the best) episodes were directed by Deborah Chow, who is set to direct the new Obi-Wan series. I'm even more excited for that now, because she was rock solid.
I won't say much about the story line, I don't want to spoil it more than it already has been. The episodes were kind of everywhere, and I found myself thinking after them, what the hell was the point of this ep? It was all just a little disappointing, the hype was too much for this show.
I liked Pascal's Mando, and Cara Dune (Carano) was probably my favorite human character. The Child is, of course, ADORABLE, but I need to know the mystery. A scene in ep 6 or 7 seemed to dismiss my personal theory, but I'm still sticking to it.
If you're a fan of the Clone Wars and/or Rebels, the final scene of the last ep will be a treat. Though, what the hell happened in order for that artefact to land in that person's hands??
Amy Christmas (171 KP) rated The Subtle Knife in Books
Jan 18, 2019 (Updated Jan 19, 2019)
Well paced (2 more)
Information is introduced quickly and effectively
Lyra having no idea how to function in our world
Lee scoresby (if you've read it you know why) (1 more)
A lack of Iorek Byrnison
Short so sweet and informative
Contains spoilers, click to show
For a conventional middle filler book this is beautiful, just as good as the first and possibly better?
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
Deborah (162 KP) rated The Yard: Book 1 in Books
Dec 21, 2018
The Yard is a detective novel set in Victorian London in the early days of the Metropolitan Police force. It is a bit gruesome to be honest; the first victim is discovered packed in a steamer trunk with eyes and lips sewn shut and there are a number of murders of bearded men, which may or may not be connected.
Our main protagonist is Inspector Day, who is new to London, previously having been a constable in Devon, but now living in the Big Smoke with his wife, Claire. He is ably assisted by other members of the force, including constable Hammersmith. There is a also Kingsley, who has made himself unofficial police surgeon. The forensic bits with Kingsley are a bit macabre in some ways, but I also found them very interesting. I did wonder if some of the detail in the book was based on fact. Obviously it wasn't a real case and I'm not sure the characters are based on actual people (I daresay there could be some borrowing of characteristics, but nothing is mentioned).
It's over 500 pages long, but I seemed to get through it in no time at all! Many of the chapters are actually quite short. There are three interludes along the way, so we get a bit of back story on the three main characters (as mentioned above). There's also a fair bit seen from the point of view of the murderer, so we actually know 'whodunit' from quite early on. Somehow, this doesn't stop this from being a ripping read though!
The book reads as if it's due to be the first in a series and I think I'd be interested in reading Grecian's next offering.
Our main protagonist is Inspector Day, who is new to London, previously having been a constable in Devon, but now living in the Big Smoke with his wife, Claire. He is ably assisted by other members of the force, including constable Hammersmith. There is a also Kingsley, who has made himself unofficial police surgeon. The forensic bits with Kingsley are a bit macabre in some ways, but I also found them very interesting. I did wonder if some of the detail in the book was based on fact. Obviously it wasn't a real case and I'm not sure the characters are based on actual people (I daresay there could be some borrowing of characteristics, but nothing is mentioned).
It's over 500 pages long, but I seemed to get through it in no time at all! Many of the chapters are actually quite short. There are three interludes along the way, so we get a bit of back story on the three main characters (as mentioned above). There's also a fair bit seen from the point of view of the murderer, so we actually know 'whodunit' from quite early on. Somehow, this doesn't stop this from being a ripping read though!
The book reads as if it's due to be the first in a series and I think I'd be interested in reading Grecian's next offering.
Lenard (726 KP) rated The Lion King (2019) in Movies
Jul 28, 2019
The short review: This film is a crowd pleasing movie for fans of the original animated film. This hits all the highlights you love about the first version.
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
Emma @ The Movies (1786 KP) rated The Lighthouse (2019) in Movies
Nov 7, 2019
Just when you thought it wasn't possible for Willem Dafoe's expressions to haunt you in your dreams they go and cast him as a crazed lighthouse keeper in a moody black and white film.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
JT (287 KP) rated Sucker Punch (2011) in Movies
Mar 10, 2020
Sucker Punch will pack just that, a massive visual punch, so hard you’ll be doubled over by the stunning action sequences the film has to offer. Using a number of different scenarios from an alternative reality concocted in the mind of Baby Doll (Emily Browning), she plots a daring escape with the help of her fellow sexy inmates, and I do mean sexy.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
