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A Creepshow Animated Special (2020)
A Creepshow Animated Special (2020)
2020 | Animation, Horror, Thriller
7
7.0 (2 Ratings)
Movie Rating
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.

The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.

Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!

I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
  
Horror Express (1972)
Horror Express (1972)
1972 | Horror, Sci-Fi
8
7.3 (8 Ratings)
Movie Rating
Christopher Lee (1 more)
Peter Cushing
The Terror Express
Horror Express- is a great movie. The horror, the terror, the gory, the acting, all great.

The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.

According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."

Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.

Its a great movie.
  
Hallo Sausages: The Lyrics of Ian Dury
Hallo Sausages: The Lyrics of Ian Dury
(0 Ratings)
Book Favorite

"When I want to cheer myself up, I think of Ian Dury – the best lyricist in English music, who fused music hall and funk, the first Cockney rapper. The music is always there and the music is very good, but it’s easy to miss the joyous flow of words when you’re listening to it. That’s where Hallo Sausages: The Lyrics of Ian Dury, edited by his daughter, is sublimely useful. Along with great photographs and a tender memoir, it collects the words for all the songs. So you can actually read “Reasons to Be Cheerful (Part Three)”, and get all the brilliant internal rhymes: “Seeing Piccadilly, Fanny Smith and Willy / Being rather silly and porridge oats.” There’s that great exercise in admiration and mockery, “There Ain’t Half Been Some Clever Bastards” – people like Einstein and Van Gogh – with its running refrain: “Probably got help from their mum who had help from her mum.” And everyone’s favourite, “Hit me With Your Rhythm Stick” (“Two fat persons, click, click, click”). Who couldn’t love a songwriter who has a song called “Plaistow Patricia”? Actually, my favourite Dury song is not cheerful, but terribly sad, “You’ll See Glimpses”, which takes the form of a letter written by someone who has been locked up because his mind doesn’t work properly. This letter is utopian: the inmate lists everything he would do to sort out “the problems of the world”. It ends: “This has been got out by a friend.” Go and listen to it – Dury doesn’t sing but reads the words, jauntily. Yet it’s profoundly sad, and seems to me as great a work of art as any novel or short story of the last 40 years."

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