"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."

"Over the years I’ve really fallen in love with building sets and shooting on them. I did it with several of my shorts and was fortunate enough to be able to do it on Hereditary. I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible."