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Kim Pook (101 KP) rated There's Someone Inside Your House (2021) in Movies
Jun 2, 2022
Movie starts with a young teen coming home, the house is empty but the egg timer is ticking away, he calls out to see if anybody is home but there is no answer and he thinks nothing of it, finishes his phone conversation and goes to sleep. He is woken up in the middle of the night by the egg timer which is now in his room, this freaks him out and he calls the police, but is interrupted by random photos placed around the house of a secret he has been keeping and we soon have our first kill. A video of his secret is then sent to everyone and as this video also contains another jock, that jock is shunned at school and ends up sitting with a different group of teens, which is who the movie follows.
After the second kill, everyone becomes aware that the killer is going after those with a secret, meaning bad news for one of the teens.
This movie has many cliches used in teen Slashers, such as running anywhere but outside when trying to escape the killer, going to parties despite a killer being on the loose, the killer wearing a mask, people blaming each other and of course the killer having a plan to frame someone. Despite this (and the look a like masks which bared no resemblance to the victims) I did enjoy this movie. The acting wasn't spot on all the time but good enough for me. I also felt that the music wasn't right for the movie as it had more of a strangers things vibe than horror.
After the second kill, everyone becomes aware that the killer is going after those with a secret, meaning bad news for one of the teens.
This movie has many cliches used in teen Slashers, such as running anywhere but outside when trying to escape the killer, going to parties despite a killer being on the loose, the killer wearing a mask, people blaming each other and of course the killer having a plan to frame someone. Despite this (and the look a like masks which bared no resemblance to the victims) I did enjoy this movie. The acting wasn't spot on all the time but good enough for me. I also felt that the music wasn't right for the movie as it had more of a strangers things vibe than horror.
ClareR (5879 KP) rated Circus of Wonders in Books
Mar 15, 2022
After reading The Doll Factory, I was on the look out for Elizabeth Macneal’s next book. Circus of Wonders has NOT disappointed me.
Elizabeth Macneal has described what it is like to be on the margins of society - an outcast because you don’t look the same as everyone else. Nell lives in a time where you are shunned for having birthmarks such as hers. She is considered to be bad luck, a curse. Not helped by the fact that her mother had died in childbirth. Her father constantly reinforces this, and won’t even touch her. Nell’s beloved brother is her sole comfort. He cares for her, and promises to take her with him when he marries.
But Nell’s father sells her to Jasper Jupiters Circus of Wonders. Jasper is a man who is hellbent on being a success, and thinks nothing of using Nell and others like her, to achieve greatness. Jasper and his brother Toby, are both survivors of the Crimean war, and clearly carry many secrets.
Themes such as exploitation, ownership, differences, power, sibling love, secrets, love and loss are central to this book.
Nell is a constant surprise. She goes from being a scared, vulnerable girl, to becoming the centre of attention, in control of all those who come to watch her. This is the other side to the P. T. Barnum story. We’ve probably all heard of ‘The Greatest Showman’, but there’s the other exploitative side that seems to have been brushed under the carpet. This book shows that side.
I loved this book, and I wouldn’t hesitate to tell you all to go out and buy it!
Elizabeth Macneal has described what it is like to be on the margins of society - an outcast because you don’t look the same as everyone else. Nell lives in a time where you are shunned for having birthmarks such as hers. She is considered to be bad luck, a curse. Not helped by the fact that her mother had died in childbirth. Her father constantly reinforces this, and won’t even touch her. Nell’s beloved brother is her sole comfort. He cares for her, and promises to take her with him when he marries.
But Nell’s father sells her to Jasper Jupiters Circus of Wonders. Jasper is a man who is hellbent on being a success, and thinks nothing of using Nell and others like her, to achieve greatness. Jasper and his brother Toby, are both survivors of the Crimean war, and clearly carry many secrets.
Themes such as exploitation, ownership, differences, power, sibling love, secrets, love and loss are central to this book.
Nell is a constant surprise. She goes from being a scared, vulnerable girl, to becoming the centre of attention, in control of all those who come to watch her. This is the other side to the P. T. Barnum story. We’ve probably all heard of ‘The Greatest Showman’, but there’s the other exploitative side that seems to have been brushed under the carpet. This book shows that side.
I loved this book, and I wouldn’t hesitate to tell you all to go out and buy it!
Phil Leader (619 KP) rated Zero Hour (Numa Files #11) in Books
Nov 29, 2019
Zero Hour is an 'Adventure from the NUMA Files' which means following the team of Kurt Austin, Joe Zavala and Paul and Gamay Trout on their adventures.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
ClareR (5879 KP) rated Unsettled Ground in Books
Feb 21, 2021
I make no secret of the fact that I’m a huge Claire Fuller fan, and Unsettled Ground gave me no reason at all to think otherwise - it’s a beautiful book.
The characters Jeanie and Julius are vulnerable people who just need someone to guide them when their mother dies, even though they are fiercely independent. This is a family that has always lived on the edge of their community - both their actual geographical location and socially. They live hand to mouth, and when Doris their mother dies, the twins have to go without food at times, when it transpires that Doris has left them with no money and debts. The cost of her funeral is the least of their problems (and they overcome that problem reasonably easily anyway).
There is a feeling that the twins are trapped by circumstance and by each other. Jeanie has never recovered from a childhood illness and is illiterate, and Julius is not only expected to look after her, but is trapped in their local area because he has severe travel sickness linked to their fathers terrible death. Their one comfort is their joint love of folk music (I wish I could have actually listened to these songs - I shall have to google them, and I hope they really exist!).
Claire Fullers use of language makes the everyday seem more lifelike in her books. I read most, if not all, of this with my heart in my mouth. How could I not? Jeanie and Julius are people who are shunned by society, taken advantage of and treated terribly. I feel I can’t leave this quite like this though: there are the good people, the ones that help.
I don’t want to spoil the story, so I’ll stop here, but what I will say is that this is another gorgeously written novel by Claire Fuller, and you should most definitely read it!
Many thanks to the publisher for providing me with an e-copy of this book through NetGalley to read and review.
The characters Jeanie and Julius are vulnerable people who just need someone to guide them when their mother dies, even though they are fiercely independent. This is a family that has always lived on the edge of their community - both their actual geographical location and socially. They live hand to mouth, and when Doris their mother dies, the twins have to go without food at times, when it transpires that Doris has left them with no money and debts. The cost of her funeral is the least of their problems (and they overcome that problem reasonably easily anyway).
There is a feeling that the twins are trapped by circumstance and by each other. Jeanie has never recovered from a childhood illness and is illiterate, and Julius is not only expected to look after her, but is trapped in their local area because he has severe travel sickness linked to their fathers terrible death. Their one comfort is their joint love of folk music (I wish I could have actually listened to these songs - I shall have to google them, and I hope they really exist!).
Claire Fullers use of language makes the everyday seem more lifelike in her books. I read most, if not all, of this with my heart in my mouth. How could I not? Jeanie and Julius are people who are shunned by society, taken advantage of and treated terribly. I feel I can’t leave this quite like this though: there are the good people, the ones that help.
I don’t want to spoil the story, so I’ll stop here, but what I will say is that this is another gorgeously written novel by Claire Fuller, and you should most definitely read it!
Many thanks to the publisher for providing me with an e-copy of this book through NetGalley to read and review.
Hazel (1853 KP) rated This Raging Light in Books
May 25, 2017
Hard to put down
This ARC was provided by the publisher via NetGalley in exchange for an honest review
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
Hazel (1853 KP) rated This Raging Light in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
This Raging Light</i> is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, <i>This Raging Light</i> is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
This Raging Light</i> is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, <i>This Raging Light</i> is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
Kirk Bage (1775 KP) rated Uncut Gems (2019) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
I despised this film so much, I can barely bring myself to look at Adam Sandler’s face ever again! I mean, I hated everything about it. Half a day after seeing it I am still feeling somewhat nauseous, and full of disbelief that it has been subject to such attention and favourable reviews.
Objectively, it isn’t a badly made film; it has a consistent visual and tonal style, and at least the semblance of a structure that drives towards a conclusion that makes sense. It is just that it is a nasty piece of work, about awful people in an awful world, doing awful things, presented as though that is somehow edgy and cool, rather than crass and offensive.
Not since Whiplash has a film felt so much like a heart-attack, such is the dizzying, unrelenting pace. If it is designed to unnerve then it accomplishes that in spades, but unlike Whiplash it is not a pleasant experience to be forced to feel that way for 2 hours in the presence of this despicable character. It lacks any kind of grace or empathy, replacing clever, tight dialogue with loud, grating rants that make you feel physically sick.
Much has been made by Netflix of publicising this as an awards worthy work, with Sandler at the centre of attention. And many have wondered why it has been shunned by every major awards, in every category. That is no mystery to me, because when you strip away the bling it is almost totally devoid of value or meaning. It is just about an arsehole being an arsehole, surrounded by arseholes, chasing something no one cares about but them.
Screaming and saying “fuck” a lot in every single scene does not constitute acting. It constitutes an annoying headache! This is not the Sandler of Punch Drunk Love or Reign Over Me, where he does demonstrate some skill, but the Sandler of his worst macho and misogynistic tendencies. Take my word for it and avoid this piece of trash at all costs. Life is too short. The only reason I am not giving this 1/10 is that it did have the power to offend me – insipid it isn’t, repugnant it surely is.
Objectively, it isn’t a badly made film; it has a consistent visual and tonal style, and at least the semblance of a structure that drives towards a conclusion that makes sense. It is just that it is a nasty piece of work, about awful people in an awful world, doing awful things, presented as though that is somehow edgy and cool, rather than crass and offensive.
Not since Whiplash has a film felt so much like a heart-attack, such is the dizzying, unrelenting pace. If it is designed to unnerve then it accomplishes that in spades, but unlike Whiplash it is not a pleasant experience to be forced to feel that way for 2 hours in the presence of this despicable character. It lacks any kind of grace or empathy, replacing clever, tight dialogue with loud, grating rants that make you feel physically sick.
Much has been made by Netflix of publicising this as an awards worthy work, with Sandler at the centre of attention. And many have wondered why it has been shunned by every major awards, in every category. That is no mystery to me, because when you strip away the bling it is almost totally devoid of value or meaning. It is just about an arsehole being an arsehole, surrounded by arseholes, chasing something no one cares about but them.
Screaming and saying “fuck” a lot in every single scene does not constitute acting. It constitutes an annoying headache! This is not the Sandler of Punch Drunk Love or Reign Over Me, where he does demonstrate some skill, but the Sandler of his worst macho and misogynistic tendencies. Take my word for it and avoid this piece of trash at all costs. Life is too short. The only reason I am not giving this 1/10 is that it did have the power to offend me – insipid it isn’t, repugnant it surely is.
Joe Goodhart (27 KP) rated X-Men Red, Vol. 2: Waging Peace in Books
Nov 30, 2020
Holy shnikes!! (c'mon, gotta love some TOMMY BOY! Am I right??!) That was so damn cool, and sooo very socially relevant in a time where to be of a different <i>racially</i> yet still of the same species is regarded as a crime of sorts! Literally, at that very last panel of the final issue, where Jean Grey is speaking to the U.N.:
"I died. I returned to a world divided. A world where intolerance is cheered, where ignorance is celebrated, where rumor is fact and fact is dismissed.
"I don't believe in this world.
"I believe in a greater one. We are, all of us, better than this. Stronger than this. Kinder than this.
"I'd like to show you... a world where no one is left behind. Where no one is shunned, where no one is less than. No humans and mutants No Us and Them. Just 'us'."
Can I tell you, that final scene made me want to both cry, as well as standing up and applauding!
These two volumes of X-MEN: RED, a collection that originally ran from February 2018 to December of that same year, has never been more important, more of what we need at this moment in time! I applaud Tom Taylor for turning out a story that touched the mind, stirred the conscience, and fired up and inspired the truest sense of doing what is right!
I urge you, while we are stuck in our homes (that is, if you have any sense, instead of believing <i>"going out in a world where the virus is as far from dead as you are from smart"</i>), read this Volume, and the previous Volume! Try to walk away after finishing, and just go, "Um, yeah, it was an okay story, but a bit on the nose.."! Yup, I urge to try and NOT be that person! Instead be inspired to help change the world, make it a more positive, more united world of love and acceptance! And that, my friends, is all I have for this review! Peace!
"I died. I returned to a world divided. A world where intolerance is cheered, where ignorance is celebrated, where rumor is fact and fact is dismissed.
"I don't believe in this world.
"I believe in a greater one. We are, all of us, better than this. Stronger than this. Kinder than this.
"I'd like to show you... a world where no one is left behind. Where no one is shunned, where no one is less than. No humans and mutants No Us and Them. Just 'us'."
Can I tell you, that final scene made me want to both cry, as well as standing up and applauding!
These two volumes of X-MEN: RED, a collection that originally ran from February 2018 to December of that same year, has never been more important, more of what we need at this moment in time! I applaud Tom Taylor for turning out a story that touched the mind, stirred the conscience, and fired up and inspired the truest sense of doing what is right!
I urge you, while we are stuck in our homes (that is, if you have any sense, instead of believing <i>"going out in a world where the virus is as far from dead as you are from smart"</i>), read this Volume, and the previous Volume! Try to walk away after finishing, and just go, "Um, yeah, it was an okay story, but a bit on the nose.."! Yup, I urge to try and NOT be that person! Instead be inspired to help change the world, make it a more positive, more united world of love and acceptance! And that, my friends, is all I have for this review! Peace!
Debbiereadsbook (1444 KP) rated A Lady to Treasure in Books
Oct 17, 2023
very much fade to black and I liked that!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.