Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (1991)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
    Sparkle Spice

    Sparkle Spice

    (0 Ratings) Rate It

    YouTube Channel

    Hi and Welcome to Sparkle Spice where we make family-friendly videos your kids will enjoy. Have fun...

40x40

Karina Longworth recommended Kitty Foyle (1940) in Movies (curated)

 
Kitty Foyle (1940)
Kitty Foyle (1940)
1940 | Classics, Drama, Romance
8.0 (1 Ratings)
Movie Favorite

"Next would be Kitty Foyle, which is the movie that Ginger Rogers won her Oscar for. She is obviously mostly remembered for a singing and dancing star from the Astaire and Rogers musicals, but this is a melodrama – there was no singing or dancing. It basically tells the story of a girl who grows up on the wrong side of the tracks and falls in love with a wealthy heir to a big Philadelphia fortune, and has to navigate romance and class and all of these different issues. It’s a very conservative film and it’s very didactic. It’s extremely problematic in a lot of ways, but I find it fascinating. The performance that she gives, though… I think a lot of times, some of these great stars, they win an Oscar for a movie that’s not their best work, or it’s sort of given as a consolation prize for them not winning for something that is a classic. I think people think that about Kitty Foyle because nobody watches it any more, and people only remember Ginger Rogers as a dancer, but her performance in this movie is stunning. The character she’s playing has to sort of take on different personas over the course of her life and with different people in her life. The way that Ginger Rogers performs those unique and distinct versions of the same person is just really incredible. Obviously, there’s a huge degree of difficulty to a career based on singing and dancing. I wrote about this in my book, but there’s that old line about Ginger Rogers that “She had to do everything Fred Astaire did, but backwards and in heels.” The whole idea of her stardom is about how much harder it is for a woman to do the same things that a man does. But all of that said, I think there’s a degree of difficulty to this performance that is the kind of thing that is really, true great acting and great stardom, but it’s the kind of thing where the labor doesn’t show, and so people don’t talk about it in that way."

Source
  
40x40

Jonathan Donahue recommended track I'm a Fool to Want You by Billie Holiday in Ultimate Collection: 8 Original Albums by Billie Holiday in Music (curated)

 
Ultimate Collection: 8 Original Albums by Billie Holiday
Ultimate Collection: 8 Original Albums by Billie Holiday
2005 | Rock
(0 Ratings)
Album Favorite
Details

I'm a Fool to Want You by Billie Holiday

(0 Ratings)

Track

"Grasshopper gave me Lady in Satin for my 30th birthday. People were startled by the quality of Billie’s voice on this, her final album before she died, you can hear the years of her life in her voice. As a singer you’re always doing everything you can to imagine your voice being clear, non-crackly and not having any cobwebs, you’re doing everything you can to sing perfectly. “Yet here was someone singing imperfectly, but with all the vulnerability of a life well and certainly intensely lived. That changed everything for me, hearing the crackle in her voice, the years making their way out of her windpipe, almost by clawing their way out. “I’d read that Ray Ellis, who conducted and produced the album, cried when she first sang these songs, because he knew her as someone whose voice had a very full, rich-sounding tonal quality. Yet on this album you can hear the cobwebs, the lisping gasps of air between words. He cried because he thought this shouldn’t be Billie Holiday on record. It was only later that he thought it was her masterpiece. “It was the first time I began to see the connection between the singer, their voice and the listener, that it had nothing to do with the pureness of tone, being perfectly in tune or singing as loud as could be. It was all about the emotions that came out via the breath and the notes together that made the connection. “It changed everything, not only about my singing, but the way I began to understand what people appreciated in a singers’ voice. I could really understand and take some of the pressure off trying to be what I thought was a perfect singer, I know I’m not, but you always have it in mind that you’ve to belt it out and sing perfectly. “I finally began to accept that what comes out of me is my voice and no one else’s, this song and the album as a whole finally released that anxiety in me. The next record we made was Deserter’s Songs.”"

Source