"Any recording of this just kills me. Faure's writing feels incredibly contemporary to me, in the way the melodies and harmonies move. The 'Paradisum' has a quality about it that reminds me of Massive Attack's 'Teardrop', or maybe it should be the other way around.

I also sung this in my boys' choir at school – I was a boy treble before my voice broke. Usually, I was more interested in the coach trips to concerts, the mucking about in the back row of the bus, as much as performing. But I remember us singing at Malvern Cathedral, surrounded by candles, and what a profoundly beautiful moment it was. Every now and then, odd moments from childhood just bounce back at you, and I'm always happy when it's this one.
"

"I saw The Beastie Boys when I was about 14, perhaps around the corner at Hammersmith Odeon. I was fucking obsessed. There were loads of twats like me wearing ill-fitting Adidas, looking like Harry Enfield characters. We were so into it, but very young. I started off with Run DMC, though, I liked the stuff where it was just a drum machine and them singing. We were really into Def Jam, and we pre-empted a big wave of other people being into it. I think we saw Run DMC as well, that was a bit tougher. I guess with Beastie Boys, cynically they were just Russell Simmons and Rick Rubin saying ‘let’s make a band for all the white kids’, and we were just gone, we were away."

"I love Bill Withers and this is my favourite Bill Withers record. Again, it's about the rhythm section. It has the most beautiful songs, but also the most incredible rhythm. This is just a particularly good selection of songs - you've got 'Use Me' on there, which is a classic, and that would be the first song I'd ever heard by him, when I was really young, like 12, in the clubs in Norwich - [adopts Norfolk accent] "excuse me, have you got 'Use Me'?". But now 'Kissing My Love' is pretty much my favourite song on that record. It's just beautiful, beautiful music: a beautiful, beautiful man, incredible singing, but also something you can actually have a dance too. What more can you ask than that? It covers all bases."

"As a teenager in the late 70s I wasn't really interested in contemporary pop music or punk-rock, I was listening to stuff from 10 years earlier. This was a big record for me. Sometimes when I'm singing – it occurred to me last night in Istanbul – I realise there's a certain kind of vocalising I do that takes its cue from Leon Russell. He sang in a southern accent but it was very blown-out and exaggerated, very free and loose. I got this record as a gift for playing in the baseball team at junior high – I loathed sports but there weren't enough people to complete the team. So the coach said, have as many records as you want, just please be on the baseball team. I was like, all right I'll do it."