Search
Search results
Karaoke - Sing with MyKara
Music and Entertainment
7.0
Rate It
App
THE BEST KARAOKE APPLICATION FOR IPHONE/IPOD Have you ever dreamed about a karaoke machine in your...
Live.me – Live Video Chat
Social Networking and Entertainment
App
Live.me is one of the top live broadcasting apps - Make new friends in your area and around the...
Yonder Music - Indonesia
Music
App
Yonder Music adalah layanan streaming musik yang dapat dinikmati secara GRATIS dengan lebih dari 20...
7Nujoom-Live Stream Video Chat
Social Networking and Entertainment
App
تطبيق 7 نجوم هو أول منصة للعروض المباشرة في الشرق...
VoiceJam: Vocal Looper - Sing, Loop, Share
Music and Entertainment
App
Sing, Loop, Share. What if you could create something musically amazing with just your voice? What...
Miss Hollywood Showtime - Pet House Makeover
Entertainment and Games
App
Budge Studios™ presents Miss Hollywood Showtime! Miss Hollywood and her fabulously fiercetastic...
There's Something About Sweetie
Book
The irresistible companion novel to the New York Times bestseller When Dimple Met Rishi, which...
Kristy H (1252 KP) rated Heard It in a Love Song in Books
Oct 28, 2021
Layla is recently divorced after a ten-year marriage to a man who never truly appreciated her and subjected her to constant financial and emotional stress. Once a lead singer in a rock band, Layla is now an elementary music teacher struggling to find her place in the world. One thing that brightens her day is her interactions with Josh, the father of one of her students. A single father, Josh was married to his high school sweetheart, Kimmy, for nearly twenty years. He too is trying to find his way now that he's single. Both wary about getting back into the dating grind, Layla and Josh decide to be "friends with potential." But with all their baggage, are they destined for heartbreak?
"And she wasn't lonely, not really. Layla had been lonely for years while she was married, and she'd take being alone over lonely any day."
I didn't dislike this book, but it wasn't the sweeping romance I was hoping for. This one redefined slow burner, as Josh and Layla sloowly made their way toward one another. Most of this is the format--told from both Layla and Josh's point of view, each chapter breaks off to delve into how that particular's character's marriage fell apart. So we may get a few moments of them in the present and then--boom--it quickly flashes back to Josh and Kimmy in high school or Layla and her ex-husband, Liam, meeting when Layla is singing in her band. Each piece is just a snippet, slowly parsed out per chapter and building up to the end of the marriage, so both the past and the present is a build-up. I admire the style, but wow... everything takes time. A lot of time! It made the story feel quite plodding at times.
And, I just couldn't quite find the spark between Layla and Josh. Individually, they were great people, and I liked and rooted for their characters to move on from their past relationships. Together, I just didn't feel that they had "it"--that special something that really makes you want a particular couple to succeed. I certainly desired for each to find themselves again, but I didn't necessarily need it to be with one another. I did, however, have great fondness for Norton, the older dog Josh adopts, and whom Layla often dog-sits. So there you go.
This isn't a bad book, and I know lots of people who enjoyed it. It received a 3-star rating from me, which is *not* a poor rating. It just wasn't what I was hoping for, and I had wanted more passion. But if you enjoy a character-driven read, especially one that really delves into the characters' pasts, you'll find a lot to love here. (Also the cover is simply gorgeous.)
"And she wasn't lonely, not really. Layla had been lonely for years while she was married, and she'd take being alone over lonely any day."
I didn't dislike this book, but it wasn't the sweeping romance I was hoping for. This one redefined slow burner, as Josh and Layla sloowly made their way toward one another. Most of this is the format--told from both Layla and Josh's point of view, each chapter breaks off to delve into how that particular's character's marriage fell apart. So we may get a few moments of them in the present and then--boom--it quickly flashes back to Josh and Kimmy in high school or Layla and her ex-husband, Liam, meeting when Layla is singing in her band. Each piece is just a snippet, slowly parsed out per chapter and building up to the end of the marriage, so both the past and the present is a build-up. I admire the style, but wow... everything takes time. A lot of time! It made the story feel quite plodding at times.
And, I just couldn't quite find the spark between Layla and Josh. Individually, they were great people, and I liked and rooted for their characters to move on from their past relationships. Together, I just didn't feel that they had "it"--that special something that really makes you want a particular couple to succeed. I certainly desired for each to find themselves again, but I didn't necessarily need it to be with one another. I did, however, have great fondness for Norton, the older dog Josh adopts, and whom Layla often dog-sits. So there you go.
This isn't a bad book, and I know lots of people who enjoyed it. It received a 3-star rating from me, which is *not* a poor rating. It just wasn't what I was hoping for, and I had wanted more passion. But if you enjoy a character-driven read, especially one that really delves into the characters' pasts, you'll find a lot to love here. (Also the cover is simply gorgeous.)
Phillip McSween (751 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 13, 2019
Great Mystery
A strange mystery unfolds at a seedy motel that resides on the border of California and Nevada.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Movie Metropolis (309 KP) rated The Jungle Book (2016) in Movies
Jun 10, 2019
A New Classic
There’s an old saying; “if it ain’t broke, don’t fix it”, and that was the kind of reaction many people had towards Disney’s live-action remake of The Jungle Book.
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/