"I remember the impact Lucrecia Martel’s debut feature had on film students, critics, and fellow filmmakers. It was released on one single 35 mm print in Brazil, and that was shredded over a period of a year after playing in just about all noncommercial movie theaters around the country. I love everything about this film: the obliqueness of it, the fresh and bold take on sexuality, the use of sound, the faces and bodies. It was also quite a reference for a filmmaker like me, who like Martel believed films could be about people interacting with a certain feeling of space and time, mediated by cinema itself."

"This is Eisenberg's first collection of stories — and many of them hinge on how our perception of the world can be irrevocably changed. In the title story, a character answers the phone, and as she talks to the caller, a former lover, she glances toward the man she's having a drink with: "He seemed like a scrap of paper, or the handle from a broken cup, or a single rubber band — a thing that has become dislodged from its rightful place." I so responded to this wonderful notion that you can lose yourself in one moment, and afterward see everything in a totally different way."