No Regrets
Book
No Regrets is Coleen Nolan's gripping new memoir about love and heartbreak. As a member of the Nolan...
ClareR (6250 KP) rated False Witness in Books
Jul 27, 2021
It’s set during the Covid-19 pandemic, and we can see the drastic effect it’s had on people’s everyday lives, as well as the working life of a Leigh, a lawyer.
When Leigh walks in to a meeting with a new client - a man accused of violently raping a woman - she doesn’t expect to see someone from her past. It’s a past that she doesn’t talk about, and has told no-one about in its entirety. Even her husband.
Trevor Tennant is the boy that Leigh and her sister, Callie, used to babysit, and now it seems that he has picked up some of the bad habits that his father had: violence against women for one thing. Except Buddy Waleski, Trevors father, also liked very young girls.
Somehow, Trevor has found out what happened between his father and the sisters on the night Buddy disappeared, and blackmails Leigh in order to get him off all charges. He sees the acts of his paedophile father as acceptable, that Callie enjoyed the abuse - in fact he doesn’t believe it was abuse at all. The entitlement is strong in this story - as well as a twisted view of life in general!
Callie is such a vulnerable character. As strong as her sister is, Callie hides behind heroin. It’s a life of existing and getting to the next fix. She’s a really caring person though: she loves animals and she repeatedly puts others before herself.
This is a really dark, high paced, intelligent novel, and it kept me riveted to the screen as I read it in instalments on The Pigeonhole. It was torture waiting for the next instalment, and I’d definitely recommend it!
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
Vacation Mogul HD
Games and Entertainment
App
Make more money than you ever dreamed possible in Vacation Mogul, a casual building sim! Become one...
Ollie SB (2282 KP) rated A Bat out of Hell: The Musical in Dominion Theatre (London, United Kingdom) in Shows
Aug 14, 2020
Written by Jim Steinman, who also wrote the original album 'Bat Out of Hell' (one of the greatest albums ever btw) this show tells the story of... well it's kinda confusing... basically, two 18 year olds that fall in love, even though the parents forbid it... but the characters are all stuck at age 18 and never age... and it's set in some post-apocalyptic, dystopian future... yeah like I said, confusing. But as I said, I didn't really see this show for the story, it was the music that carried me through this show.
The story is... okay, but the music is brilliant. It offers a slightly different take on classics such as 'Bat Out of Hell', 'Paradise by the Dashboard Lights' and 'Heaven Can Wait' amongst others. The songs really help you to understand the story a bit better, and are performed brilliantly by the cast.
Overall I would say this show is probably perfect for fans of Meat Loaf, but perhaps lacking in story for avid theatre goers. For someone like me who isn't that invested in theatre culture, but appreciates the music, this show was perfect.
Night Prayers
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Elektra by Jennifer Saint is told from three female perspectives: Clytemnestra, the sister of Helen, the wife of Agamemnon; Cassandra, a Princess of Troy; and Elektra, Clytemnestra and Agamemnon’s youngest daughter.
The things these women had to put up with! Clytemnestra’s husband Agamemnon, acts like a madman (but it’s ok, it’s all for the Gods!) and she’s supposed to accept it all. Except she doesn’t.
Cassandra is treated like a madwoman after she’s cursed by Apollo. She can tell the future, but no-one believes her. So they only have themselves to blame when Troy is destroyed.
And then there’s Elektra. She seems to have fully bought into the whole “men/ daddy knows best, and anyway, he’s a hero” story. She’s a young woman who adores her father and believes he can do no wrong. She can’t understand her mothers reaction to the sacrifice of her eldest daughter and Elektra’s sister. Can we blame Elektra though? Probably. She certainly knows how to play the long game.
The narrators were well chosen, and really helped to add life and vigour to the characters of the three women. Listening to these Greek myths haas added something extra special to the stories - after all, I’ve read these stories so many times over the years in different forms. And I still can’t see a time where they’ll get old. In every retelling there’s a different angle, and I don’t think I can express enough how much I enjoy the story told from the women’s points of view.
Elektra is just fabulous - a timeless story about strong women.