"Hearing this Leonard Cohen stuff, after listening to the Red Hot Chilli Peppers it was like ‘this sounds like bullshit!’, I didn’t understand the layers of intellect that had gone into making that record, and the large element of humour. My dad is into Leonard Cohen, I remember hearing the older stuff, then my sister was getting into it because she was becoming very literary. I was basically absorbing Leonard Cohen but I wasn’t crazy about it. I remember hearing ‘The Story Of Isaac’ as a child and thinking ‘god, this is fully intense, it’s so bare’. I remember hearing I’m Your Man it and at first finding it a really odd, unenjoyable experience, but now I realise that it’s a very curious idea, this industrial Leonard Cohen record, it’s really cool! ‘First We Take Manhattan’, imagine being a musician and being able to put a song like that out."

"I'm getting the hardcore folk records out of the way first! This is another family group of five brothers and a sister from Billingham who were a big part of my childhood. I've seen them live many times. Their harmonies are properly spine-tingling, and it's so intuitive, the way they sing together. They sing lots of the songs of Graeme Miles, who lived and worked in Teeside, a man who worked in different industries to write songs informed by people's experiences. Another song of his called ‘Sea Coal', about people collecting coal washed up on the shore and then selling it cheaply, is one we do. God, they're such evocative songs. I've also sung some of his songs recently with Paul Smith from Maximo Park, who's from Billingham too – we've basically made an album together. That's to come! He's a real folk-lover. They're everywhere, you know.
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"It closely mirrors Low by Bowie. It took the format of the really busy first side and really melancholic b-side and took it to the next level grim. Grim factor 20. But it's a wonderful record and a very unique sounding record. I remember reading some things about how it was recorded, they didn't really use any amps. They just plugged straight into the desk and replayed it through speakers and recorded it again, which is mental. I've been a massive Joy Division fan ever since I started listening to music. It was probably through my sister and all her goth friends. Was she a goth too? Oh yeah! Everyone in Scotland's a goth, Luke, do you not know that? Margaret Thatcher brought such a black cloud over Scotland that there's nothing better to do than sit about drinking cider and listening to the Sisters Of Mercy."

"We listened to a fair amount of Serge during Supergrass. We spent a lot of time in France – recording and writing in different houses and villas – and we’d often hear him on the radio. This one really got to me when I started to get nerdier about sounds – the bass sound is killer, and the drum sounds are great. The one person I’ve worked with who can get close to those Serge drum sounds is Nigel Godrich. We did a few bits of the Hotrats [Coombes and Goffey’s covers side-project] album together. They’re sort of dirty and a bit unstable; there’s something about them. You have to get past what a nutcase he was but it also adds to it; this whole mythology and glamour around him. My sister-in-law bought me this about five Christmases ago and that reignited my love of it."