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ClareR (6250 KP) rated The Book of Echoes in Books
Dec 4, 2020
The Book of Echoes has left me with a serious book hangover. It’s a hard book to follow. All three of the narrative voices in this book grab your heart and squeeze it - hard! Michael who lives in Brixton has a normal South London upbringing, living on a housing estate with his stepmother, sister and brother. When his brother kills his stepmother, his life takes a completely different direction as he steps in to care for his sister.
Ngozi lives in Nigeria, and we pick up as she transitions from being an orange seller to a house girl. Her life is changed forever when a house burglary goes terribly wrong. Her life takes many twists and turns, and she is determined to make something of her life.
The third voice is that of a female African slave, as she follows her children centuries after her death. She recounts the story of her life and death as well. I found this and Ngozi’s story particularly fascinating, as their stories are so very far removed from my own experience - so is Michael’s, to be honest.
This is a story of poverty, racism and the determination to change your life and break free from the expectations that others have of you. Ngozi is an ‘osu’, an outcast, and she makes a success of her life against all the odds. Michael makes a mistake and society makes him pay for it - wrongly in his case, but again, he’s determined to turn his life around. However the unnamed female slave never managed to live the life she wanted. Slave traders took that opportunity away from her - but she is still filled with hope for her ‘children’ through the generations.
I thought the ending of this book was perfect for all three characters, and I still think of this book a week after I finished it. I think it will be one of those books that will stay with me.
Many thanks to The Pigeonhole for serialising this very special book.
Ngozi lives in Nigeria, and we pick up as she transitions from being an orange seller to a house girl. Her life is changed forever when a house burglary goes terribly wrong. Her life takes many twists and turns, and she is determined to make something of her life.
The third voice is that of a female African slave, as she follows her children centuries after her death. She recounts the story of her life and death as well. I found this and Ngozi’s story particularly fascinating, as their stories are so very far removed from my own experience - so is Michael’s, to be honest.
This is a story of poverty, racism and the determination to change your life and break free from the expectations that others have of you. Ngozi is an ‘osu’, an outcast, and she makes a success of her life against all the odds. Michael makes a mistake and society makes him pay for it - wrongly in his case, but again, he’s determined to turn his life around. However the unnamed female slave never managed to live the life she wanted. Slave traders took that opportunity away from her - but she is still filled with hope for her ‘children’ through the generations.
I thought the ending of this book was perfect for all three characters, and I still think of this book a week after I finished it. I think it will be one of those books that will stay with me.
Many thanks to The Pigeonhole for serialising this very special book.
LaBMaC (116 KP) rated Psychopath with Piers Morgan (Crime Documentary) in TV
Jul 10, 2019
Direct and in depth interview technique (3 more)
Able to see family interaction in video footage
Mothers point of view is shared
Expert point of view is shared
Over dramatisation (1 more)
Piers questions repeatedly ask Paris to describe feelings that he may not have.
Contains spoilers, click to show
Paris Bennett is a diagnosed psychopath incarcerated in the Ferguson Unit within Texas State prison for stabbing his 4 year old sister to death.
Piers, revealing that Paris has a 'genius' level intellect.. an IQ score of 141 'wants to find out how their (psychopaths) minds work'.
When Piers opens the interview, in which he is separated from Paris by 'toughened glass', Paris begins with 'Since this is going to be done for ITV would you like me to speak in Queens English'. The comment, clearly planned, is blurted out almost in excitement and followed with a self-satisfied smile. Immediately, arrogance comes accross reflecting his narcissism.
This interview is mesmerising in that, despite his attempts to control his responses, you see the presentation of psychopathy quite clearly in the detachment and monotone used by Paris in describing horrific acts.
The documentary provides context by showing videotaped interactions between Paris, his sister and his mother which while appearing normal and happy, contained the odd disturbing comment from Paris that may have revealed his mindset. For example, to his mother:' what is your favourite sentence?,' I don't know ',' kill Charity's children? '.
Piers carries it out in a professional manner, calmly yet assertively seeking information. However the focus of his questions, on asking Paris to describe emotions, while helping to reveal the nature of psychopathy, do seem unfair.
One of the most disturbing aspects of this documentary is the fact that Charity, who has another child, has not only remained in contact with Paris but that she encourages his contact with his sibling rather than putting as much distance between him and Paris as possible.
Because Paris was a juvenile when convicted he will be up for parole in a few years in spite of his diagnosis.
Piers, revealing that Paris has a 'genius' level intellect.. an IQ score of 141 'wants to find out how their (psychopaths) minds work'.
When Piers opens the interview, in which he is separated from Paris by 'toughened glass', Paris begins with 'Since this is going to be done for ITV would you like me to speak in Queens English'. The comment, clearly planned, is blurted out almost in excitement and followed with a self-satisfied smile. Immediately, arrogance comes accross reflecting his narcissism.
This interview is mesmerising in that, despite his attempts to control his responses, you see the presentation of psychopathy quite clearly in the detachment and monotone used by Paris in describing horrific acts.
The documentary provides context by showing videotaped interactions between Paris, his sister and his mother which while appearing normal and happy, contained the odd disturbing comment from Paris that may have revealed his mindset. For example, to his mother:' what is your favourite sentence?,' I don't know ',' kill Charity's children? '.
Piers carries it out in a professional manner, calmly yet assertively seeking information. However the focus of his questions, on asking Paris to describe emotions, while helping to reveal the nature of psychopathy, do seem unfair.
One of the most disturbing aspects of this documentary is the fact that Charity, who has another child, has not only remained in contact with Paris but that she encourages his contact with his sibling rather than putting as much distance between him and Paris as possible.
Because Paris was a juvenile when convicted he will be up for parole in a few years in spite of his diagnosis.
ClareR (6250 KP) rated One Year Later in Books
Aug 18, 2019
One Year Later by Sanjida Kay is a psychological thriller that had my heart in my mouth from the first page. It starts with an emotive subject: the death of a child - 3 year old Ruby. The family becomes fractured, no one deals well with Ruby’s death, and so Nick, her uncle, convinces his sister and her husband that it would be a good idea for the whole family to celebrate or mark the anniversary of Ruby’s death abroad and away from the bad memories. So they all go to a small island off the coast of Italy. But instead of this being the healing holiday that everyone needs and hopes for, secrets are revealed and it looks as though fractures within the family will become even worse.
I really think that Sanjida Kay has the voices of the characters just right: the mother who is barely able to function and hides alcohol around the house, just to get by and to be able to function for her two living children; the father who distances himself from everyone; the uncle who constantly thinks about his dead niece, and blames himself even though he couldn’t possibly be to blame; the sister who seems completely wrapped up in her own world of TV and her looks; and the grandfather who is responsible for the death of his granddaughter, but can’t remember what happened.
It’s such an emotional subject and so well written. I found myself very involved with these characters, and I couldn’t help but empathise with them. I was never quite sure if the person they all thought was responsible for Ruby’s death actually was, but I have to admit that I changed my mind a few times. The twist revealing the actual culprit came as a total shock and surprise.
A really very impressive book, in my opinion, and I’ll be telling everyone to read it!
Many thanks to NetGalley and the publisher for my copy to read and review.
I really think that Sanjida Kay has the voices of the characters just right: the mother who is barely able to function and hides alcohol around the house, just to get by and to be able to function for her two living children; the father who distances himself from everyone; the uncle who constantly thinks about his dead niece, and blames himself even though he couldn’t possibly be to blame; the sister who seems completely wrapped up in her own world of TV and her looks; and the grandfather who is responsible for the death of his granddaughter, but can’t remember what happened.
It’s such an emotional subject and so well written. I found myself very involved with these characters, and I couldn’t help but empathise with them. I was never quite sure if the person they all thought was responsible for Ruby’s death actually was, but I have to admit that I changed my mind a few times. The twist revealing the actual culprit came as a total shock and surprise.
A really very impressive book, in my opinion, and I’ll be telling everyone to read it!
Many thanks to NetGalley and the publisher for my copy to read and review.
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Hazel (2934 KP) rated The Castaways in Books
Oct 3, 2021
An intriguing and enjoyable mystery about one sister's quest for survival and the other's hunt for answers.
Lori and Erin are close having lost their parents at an early age. Things are not going too well for either of them but Lori in particular, so she books a holiday of a lifetime for them both to a Fijian island. Unfortunately, things don't go to plan and Lori finds herself on the plane without her sister. Disaster then ensues when the plan goes missing. Two years later, the pilot turns up - he has been working under an alias in Fiji.
What the heck happened? Why wasn't Erin on the plane? Where are the rest of the passengers? Did anyone else survive and why did the pilot go into hiding? So many questions!
Written in two distinct voices and time lines - Lori in the then and Erin in the now - the story follows Erin's search for the truth about what happened to her sister and the rest of the passengers and Lori's experience from the moment she realised something was going terribly wrong with the plane.
Lucy Clarke's writing is captivating and puts you right at the heart of the story; the two main characters are really well developed and you absolutely get a sense of the strong bond between the two sisters. The pacing is pretty good - the beginning is riveting, it dips a bit in the middle but then ramps up again towards the end. The plot is expertly weaved throughout with twists jumping from nowhere, just when you think you've worked it out, and with an ending that is quite satisfactory.
Overall, I enjoyed this book from an author I've never read anything from before and I would recommend to those who enjoy a bit of escapism albeit one with a few twists and hair-raising moments.
Thank you to HarperCollinsUK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
Lori and Erin are close having lost their parents at an early age. Things are not going too well for either of them but Lori in particular, so she books a holiday of a lifetime for them both to a Fijian island. Unfortunately, things don't go to plan and Lori finds herself on the plane without her sister. Disaster then ensues when the plan goes missing. Two years later, the pilot turns up - he has been working under an alias in Fiji.
What the heck happened? Why wasn't Erin on the plane? Where are the rest of the passengers? Did anyone else survive and why did the pilot go into hiding? So many questions!
Written in two distinct voices and time lines - Lori in the then and Erin in the now - the story follows Erin's search for the truth about what happened to her sister and the rest of the passengers and Lori's experience from the moment she realised something was going terribly wrong with the plane.
Lucy Clarke's writing is captivating and puts you right at the heart of the story; the two main characters are really well developed and you absolutely get a sense of the strong bond between the two sisters. The pacing is pretty good - the beginning is riveting, it dips a bit in the middle but then ramps up again towards the end. The plot is expertly weaved throughout with twists jumping from nowhere, just when you think you've worked it out, and with an ending that is quite satisfactory.
Overall, I enjoyed this book from an author I've never read anything from before and I would recommend to those who enjoy a bit of escapism albeit one with a few twists and hair-raising moments.
Thank you to HarperCollinsUK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.