"I first encountered Kate Bush through 'Wuthering Heights'. I remember my sister rushed out and bought that single in 1978 so I was very aware of her. The Sex Pistols and Kate Bush were my formative music, not The Smiths and David Bowie, that came later. For me Hounds Of Love is the biggest influence on [Suede's] Dog Man Star. I love the way it's a record of two halves, and the second half is a concept record about fear of drowning. It's an amazing record to listen to really late at night, unsettling and really jarring. I always wanted to make a record that was a concept album but not in an ELP sense. I wanted to make one that had a musical coherence, and wasn't just ten songs stuck together but had this sense of journey, that took the listener to a new world. And that's the impact Hounds Of Love had on Dog Man Star."

"This is the most terrifying film I’ve ever seen. It’s a story about a quiet young woman named Carol Ledoux who is a manicurist in London. As the story unfolds we see that she is more and more disturbed and strange. We learn that she is sexually obsessed and actually repulsed by sex at the same time. Her sister and her sister’s lover share an apartment with her, and she’s more and more disgusted by hearing their lovemaking every night. When they leave London to vacation in Italy, she barricades herself in the apartment, and as the days pass she becomes more and more insane. The story escalates, but I won’t tell you the ending. It would spoil it for anyone who hasn’t seen it. This film freaked me out so much that it was a long time before I could stay alone in my apartment—and I must admit, I’m still affected by it."

"My sister was into that kind of music. She could afford records, I didn't have a job or anything, I was a kid. That was one of the first albums I really heard, it wasn't until later on that I began to really appreciate what an amazing record it is, sound-wise. I think it's the best album ever made. It has changed for me over the years. I bought a really good stereo system, and suddenly I'm hearing this record like it's meant to be heard. It blew me away. I know it's not got pop songs or anything, but it's just perfection, all the tracks are really exciting. I think it's really out there somewhere. My best friend, every Saturday we'd go to the record shop and buy a single each. Then we'd go back to his house and argue all afternoon about who had the best taste. I was never afraid or ashamed of the things that I liked."

"I remember my sister bringing The Slim Shady LP home from school and I’d never heard anything like it. The lyrics were so fucking cool, he was so weird and dark and it was so different. He just tells these fucking creative stories and I think that’s what really appeals to me, I’m such a storyteller with my songs. “I love him as an artist because he represented the struggle of being a fucking teenager, being misunderstood and being like ‘Fuck you, fuck everyone.’ There’s so much aggression in it and I felt that in my hormones as a teenager. He gave a voice to all the ways that you’re misunderstood and the hardship of being a fucking adolescent. There’s anger and there’s ‘I’m an outsider’ and ‘fuck everyone.’ “It’s weird because even though there’s so much aggression in there, there’s also the humour and the sarcasm. He said things that no one else was saying and he created characters and stories and I liked that."