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ClareR (6106 KP) rated The Guest List in Books
Feb 27, 2020
The Guest List is a murder mystery set at a wedding - and not just any wedding. This is the event of the year. It's set on an exclusive island off the coast of Ireland. The bride, Jules Keegan, is a magazine publisher, and the groom, Will Slater, is a handsome survivalist TV star. But all is not as it seems. Will's guests consist mainly of old public school friends who aren't particularly nice people (the ushers are frankly appalling), and Jules' 'Best Man' is an ex-boyfriend from when she was a teenager. Now, he seems perfectly nice, as does his 'plus one', his wife Hannah. Part of the story is actually told from Hannah's perspective. She's the person that you could see being your friend, someone who you could go out drinking with (coffee or alcohol!).
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Ali A (82 KP) rated I Wish You All the Best in Books
Mar 6, 2020
I Wish You All the Best is such a groundbreaking book that will let multiple people feel seen.
Trigger Warnings: misgendering, homophobia, anxiety, depression
When Ben finally decides to come out to their parents that they're nonbinary, everything goes south and Ben's out on the streets in just their socks. They call a sister they haven't had any contact with in 10 years to come pick them up and they begin living with them. Ben just wants to get through the last half of senior year unnoticed but they meet Nathan, a charming and humorous student who gets asked to show Ben around on their first day at their new high school, and feelings start to grow. Trying to deal with the rejection of their parents, depression and anxiety, as well as if and when they want to come out, Ben has a lot of their plate.
So much happens within just the first three chapters alone that my heart breaks for Ben and all I want is for them to have a happy ending. I believe this is a book that needs to be added to everyone's reading list.
- It really dives into how being closeted, even slightly, can affect mental health.
- How living a life that isn't 100% true to you is agonizing (in Ben's case, misgendering).
- The book, in my opinion, shows what it's truly like to have a panic attack and trying to figure out the triggers and then going through the steps to try and calm your nerves.
- It shines light on those who haven't really had much light shined on them in mainstream anything. There is a pansexual character in the book and so far, I've only read one other book with that representation and it made me smile.
- The book also brings up the struggle of figuring out "how and why do I want to label myself?" Rather that's to live your life to the fullest, to connect to others, or to give yourself a sense of being, everyone's reasons are different and Ben's story mentions that quite a bit.
Though I understand the book was focusing on Ben's journey as they begin coming out as nonbinary and trying to work through their anxiety and depression, I do wish some of the relationships were more flushed out. I feel like scenes were just glazed over and I just wish I would see more of Ben's friendships grow.
Trigger Warnings: misgendering, homophobia, anxiety, depression
When Ben finally decides to come out to their parents that they're nonbinary, everything goes south and Ben's out on the streets in just their socks. They call a sister they haven't had any contact with in 10 years to come pick them up and they begin living with them. Ben just wants to get through the last half of senior year unnoticed but they meet Nathan, a charming and humorous student who gets asked to show Ben around on their first day at their new high school, and feelings start to grow. Trying to deal with the rejection of their parents, depression and anxiety, as well as if and when they want to come out, Ben has a lot of their plate.
So much happens within just the first three chapters alone that my heart breaks for Ben and all I want is for them to have a happy ending. I believe this is a book that needs to be added to everyone's reading list.
- It really dives into how being closeted, even slightly, can affect mental health.
- How living a life that isn't 100% true to you is agonizing (in Ben's case, misgendering).
- The book, in my opinion, shows what it's truly like to have a panic attack and trying to figure out the triggers and then going through the steps to try and calm your nerves.
- It shines light on those who haven't really had much light shined on them in mainstream anything. There is a pansexual character in the book and so far, I've only read one other book with that representation and it made me smile.
- The book also brings up the struggle of figuring out "how and why do I want to label myself?" Rather that's to live your life to the fullest, to connect to others, or to give yourself a sense of being, everyone's reasons are different and Ben's story mentions that quite a bit.
Though I understand the book was focusing on Ben's journey as they begin coming out as nonbinary and trying to work through their anxiety and depression, I do wish some of the relationships were more flushed out. I feel like scenes were just glazed over and I just wish I would see more of Ben's friendships grow.
JT (287 KP) rated Don't Breathe (2016) in Movies
Mar 10, 2020
Building suspense is considered a difficult task. Alfred Hitchcock was a master of this. You need look no further than the shower scene in Psycho for an example of his work. When a film delivers on suspense it can sometimes take the emphasis off a predictable twist ending. If the audience leaves the screening visibly shaken then a director has done his job.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
JT (287 KP) rated Rabbit Hole (2010) in Movies
Mar 10, 2020
Anyone with children will surely feel the pain in this film which is disheartening right to the core. It’s emotionally draining with great central performances from Kidman and Eckhart.
Set eight months after the death of their son, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are trying to come to terms with him not being in their lives anymore and both have a different way of dealing with it. Howie prefers to relive the past by watching videos on his phone late at night, while Becca wants to eradicate his memory altogether by giving away his clothes, removing his paintings from the fridge and cleaning his room so that all traces are gone.
The pair try to seek solace in counselling, talking with other couples who regale their grieving process. This doesn’t sit well with Becca but Howie tries to stick with it. He even becomes close, too close in fact, with one of the other wives when he realises that the bond he has with his own wife might be slipping away. Their cause is not helped by the fact that Becca’s slightly rebellious sister falls pregnant or that her Mum, Nat, is still hurting from the death of her own son, a drug user. This only angers Becca more when Nat compares the two.
The cause of the death is slowly discovered when Becca spots the culprit on a school bus and it is revealed that Jason (Miles Teller) was behind the wheel of the car. The pair engage in secret meetings, as if having some kind of affair but simply sit to talk and reflect on each others lives and the accident itself.
Pain never goes away, it’s something that is carried around with you forever, people seem to tread lightly around you, and life will never be the same again. It’s certainly a tear jerker, there are plenty of moments to choose from in this but for me the film is all about the acting of which there is much to enjoy.
Kidman is at her best and Eckhart who was hand picked by Kidman to be her leading man is sublime and yet explosive in a number of highly charged scenes. The ending shot is one of hope, amid the shattered pieces of their lives scattered all over the place you feel that they might have crossed the road to a happier future.
Set eight months after the death of their son, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are trying to come to terms with him not being in their lives anymore and both have a different way of dealing with it. Howie prefers to relive the past by watching videos on his phone late at night, while Becca wants to eradicate his memory altogether by giving away his clothes, removing his paintings from the fridge and cleaning his room so that all traces are gone.
The pair try to seek solace in counselling, talking with other couples who regale their grieving process. This doesn’t sit well with Becca but Howie tries to stick with it. He even becomes close, too close in fact, with one of the other wives when he realises that the bond he has with his own wife might be slipping away. Their cause is not helped by the fact that Becca’s slightly rebellious sister falls pregnant or that her Mum, Nat, is still hurting from the death of her own son, a drug user. This only angers Becca more when Nat compares the two.
The cause of the death is slowly discovered when Becca spots the culprit on a school bus and it is revealed that Jason (Miles Teller) was behind the wheel of the car. The pair engage in secret meetings, as if having some kind of affair but simply sit to talk and reflect on each others lives and the accident itself.
Pain never goes away, it’s something that is carried around with you forever, people seem to tread lightly around you, and life will never be the same again. It’s certainly a tear jerker, there are plenty of moments to choose from in this but for me the film is all about the acting of which there is much to enjoy.
Kidman is at her best and Eckhart who was hand picked by Kidman to be her leading man is sublime and yet explosive in a number of highly charged scenes. The ending shot is one of hope, amid the shattered pieces of their lives scattered all over the place you feel that they might have crossed the road to a happier future.
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