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"Whatever you've heard about Caraval, it doesn't compare to the reality. It's more than just a game or a performance. It's the closest you'll ever find to magic in this world . . ." Caraval is this indescribable world that you just need to fall into whole-heartedly.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
Kristy H (1252 KP) rated Who’s That Girl? in Books
Feb 1, 2018
Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in Nottingham, her hometown. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again?
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
I admit that I really didn't really know (remember?) the genre of this novel when I picked it up. It's a bit confusing at first, though certainly has its charming moments, especially as a romance.
<i>"Do we ever choose who we fall for? Edie has many a long lonely evening in with only Netflix for company to contemplate that one."</I>
Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. The novel switches between the present tense (starting with the wedding) and also gives us a little of the past in some places. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly...
However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side.
Just when it all seemed normal, it did get a little preposterous again, but hey, that can come with a good romance at times. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.
I received an ARC of this novel from the publisher and Edelweiss (thank you!).
BankofMarquis (1832 KP) rated The Incredibles 2 (2018) in Movies
Jun 20, 2018
Not just a good "kids" movie, but a good "movie" movie
INCREDIBLES 2 is one of the best movies that has been released, thus far, in 2018.
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Hazel (1853 KP) rated How Not to Fall in Love, Actually: A Laugh-Out-Loud Romantic Comedy in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
“Life, as any chancer knows, is 10% planning, 10% design and 80% totally winging it …” and Catherine Bennetto’s debut novel <i>How Not to Fall in Love, Actually</i> provides a perfect example. The protagonist, Emma George, does not have the most stable of lives: a job she is not that great at, a disappointing boyfriend, and not much hope for the future. Clinging on to dreams of working in the film industry in New York, Emma plods on in her frustrating London job, however, things are due to get a lot worse.
A quick succession of events leaves Emma boyfriend-less, homeless, penniless, grandmother-less, and, to top it off, pregnant. Although letting off a woe-is-me aura, Emma does not realise how fortunate she is. A series of serendipitous incidents, a fashion-obsessed mother, and a sister on the other side of the world make Emma’s life more bearable. Moving into her late grandmother’s Wimbledon cottage and acquiring a handsome lodger, with a loving family just around the corner, Emma’s life has the potential to be happier than it has ever been before – if only she could see that.
<i>How Not to Fall in Love, Actually</i> (a title presumably inspired by the film Love Actually) is a typical British romantic comedy that provides light-hearted relief with its jovial narrative. Full of eccentric characters – a foul-mouthed four-year-old, a felony-obsessed octogenarian, and a harried mother of four – this novel is certain to entertain, although whether it deserves the “laugh-out-loud” status it promises is questionable (but then I am more of a laugh-inside type of reader).
One of the best things about this book – and many British chick-lit – is the authenticity of the characters and settings. Although a few of the scenarios may be toward the extreme end of the scale, none of the occurrences are too far-fetched, and all the characters are relatable in some way, despite their idiosyncrasies.
Personally, I tend to avoid chick-lit, finding them rather lowbrow and written for the sake of writing. Books that have love or sexual encounters as their key theme are not something I enjoy. Therefore, I was pleasantly surprised when <i>How Not to Fall in Love, Actually</i> exceeded these rather low expectations. Admittedly, there are one too many sexual references and far too much swearing, particularly from a four-year-old character – although that does add to the overall humour - but the general storyline was enjoyable. Despite the title hinting at a love-focused story, there were so many other elements to the plot, resulting in a much more interesting novel.
<i>How Not to Fall in Love, Actually</i> is obviously targeted at women, but can be enjoyed by adults of all ages. Those in their twenties and thirties may be able to relate to the struggles Emma is dealing with, whereas older generations may be able to reminisce about their past dilemmas. Whatever the reader’s situation, this book brings laughter, relaxation and the realisation that life is not so bad.
Hazel (1853 KP) rated The Upside of Unrequited in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Louise (64 KP) rated When We Collided in Books
Jul 2, 2018
* I received a copy of this book from Netgalley and the publishers in exchange for an honest review*
Vivi arrives at Verona Cove for the summer holidays with her mum, after a few days of being in this little town she manages to snag herself a cushy little job in a pottery shop. Vivi is an extrovert, she will speak to anyone and everyone wants to be around her, she has this infectious personality and she certainly makes no exceptions when Jonah walks into the shop with his little sister. Jonah is 17 and a permanent resident at Verona Cove, however his life has been tipped upside down in the last 6 months and has become a responsible guardian to his three younger siblings while his mother is suffering from depression. Vivi and Jonah start hanging out together and become more than just friends. Vivi shows Jonah how to live like a teenager again with her wild antics and enthusiasm for life, however Jonah knows that Vivi has suffered, he has seen the scars.
This book was ok, I had problems with it though. I didn’t like Vivi whatsoever she was too flouncy, her personality was too much and the crap she came out with, such as Jonah used to be a pirate in his past life just had me rolling my eyes. There is also a serious case of insta – love in this book, as soon as Vivi sets eyes on Jonah she has to have him! urgh! There was no build up or tension between the two of them and the romance seemed a little forced and too heavy on Vivi’s side.
The mental health issues in this book were depicted really well, you could definitely tell through Vivi’s character that she was suffering and it was told in such an honest and respectful way. Even when Jonah is trying to come to terms that his mother is suffering from Depression or Ellie when she talks about her brothers stay in the psychiatric ward and recovery.
Jonah is one of six children in his household, for the past 6 months him and his two older siblings have been looking after ‘the littles’ (his 3 younger siblings) whilst his mother is battling depression. He is also trying to work his shifts at the restaurant and continue his dad’s legacy. He has no time to be a teenager, like playing baseball or worrying about homework. I love that he is a foodie, I want him to cook for me everyday as the food sounded divine.
When we collided is told in dual POV alternating from Vivi and Jonah, I would have like some other point of views in this like Vivi’s mum and Jonah’s siblings. The writing was good and even poetic in some parts. I think this book was a really good for people wanting to read about mental illness but I feel the romance wasn’t really necessary.
I recommend this book if you are interested in YA with mental health.
Overall I rated this 3 out of 5 stars
Vivi arrives at Verona Cove for the summer holidays with her mum, after a few days of being in this little town she manages to snag herself a cushy little job in a pottery shop. Vivi is an extrovert, she will speak to anyone and everyone wants to be around her, she has this infectious personality and she certainly makes no exceptions when Jonah walks into the shop with his little sister. Jonah is 17 and a permanent resident at Verona Cove, however his life has been tipped upside down in the last 6 months and has become a responsible guardian to his three younger siblings while his mother is suffering from depression. Vivi and Jonah start hanging out together and become more than just friends. Vivi shows Jonah how to live like a teenager again with her wild antics and enthusiasm for life, however Jonah knows that Vivi has suffered, he has seen the scars.
This book was ok, I had problems with it though. I didn’t like Vivi whatsoever she was too flouncy, her personality was too much and the crap she came out with, such as Jonah used to be a pirate in his past life just had me rolling my eyes. There is also a serious case of insta – love in this book, as soon as Vivi sets eyes on Jonah she has to have him! urgh! There was no build up or tension between the two of them and the romance seemed a little forced and too heavy on Vivi’s side.
The mental health issues in this book were depicted really well, you could definitely tell through Vivi’s character that she was suffering and it was told in such an honest and respectful way. Even when Jonah is trying to come to terms that his mother is suffering from Depression or Ellie when she talks about her brothers stay in the psychiatric ward and recovery.
Jonah is one of six children in his household, for the past 6 months him and his two older siblings have been looking after ‘the littles’ (his 3 younger siblings) whilst his mother is battling depression. He is also trying to work his shifts at the restaurant and continue his dad’s legacy. He has no time to be a teenager, like playing baseball or worrying about homework. I love that he is a foodie, I want him to cook for me everyday as the food sounded divine.
When we collided is told in dual POV alternating from Vivi and Jonah, I would have like some other point of views in this like Vivi’s mum and Jonah’s siblings. The writing was good and even poetic in some parts. I think this book was a really good for people wanting to read about mental illness but I feel the romance wasn’t really necessary.
I recommend this book if you are interested in YA with mental health.
Overall I rated this 3 out of 5 stars
Alice (12 KP) rated The Countess Conspiracy (Brothers Sinister, #3) in Books
Jul 3, 2018
What happened? Something went wrong with The Countess Conspiracy and I’m not 100% sure what it was that made it go wrong. I’m about 85% sure that it was Violet Waterfield, the remaining 15% though no idea.
The Countess Conspiracy follows the story of Sebastian Malheur and Violet Waterfield – the two remaining members (honorary included)of the Brother’s Sinister. In previous books Sebastian has become reviled by most people due to his “crazed” notions on reproduction of plants and comparing them to Darwinism and proving the theory correct.
He started off as a joker before becoming infinitely more serious as the books progressed and I missed the funny side to him. Unfortunately spends the better part of this book serious and seems to lose himself in his and Violets plot.
∞
Now Violet is my main issue with this book. Throughout I wanted to pull the stick out of her butt and beat her over the head with it. She was stuck-up, prudish, overbearingly annoying, flat out rude and completely beyond any hope.
At about 50% I gave her the benefit of the doubt what with her history with her previous husband and the many many miscarriages but in the next chapter I wanted to beat her over the head to knock some sense into her again. She was awful and insufferable.
In the latter pages of the book she redeemed herself most highly but by that time I’d already resigned myself to the fact that this book would get a 3 star review and not a 4.
∞
I found that parts of the book were a little bit Americanised particularly towards the end and it felt a little too modernised at some stages which detracted from the regency part of the genre.
It wasn’t an overly bad instalment just one that I didn’t enjoy nearly as much as the previous ones. There were parts to the story that I didn’t like and the characters I had some issues with (Violet and her sister Lily) being the biggest ones but overall it was alright.
The only thing worse than an unlovable woman was an unlovable woman who whined about not being loved.
The above is something to do with Violet and her mother’s rules, the only thing was though was that Violet whined – and she whined a lot.
“I know.” He didn’t look away from her. “Isn’t that what I said? Only one of us is in love, and it isn’t you.”
God that quote from Sebastian near broke my heart. I felt so sorry for him – the man’s been in love with her for 16 years and he’s had no chance in hell of getting her.
A final parting quote:
Knitting makes even the most conniving soul look innocent. Her mother had it right. For some reason, butlers rarely suspected that a woman who had started knitting would stop and sneak about a house. Idiocy on their part; they were knitting needles, not shackles.
That is the quote that made me smile. It’s such a misplaced quote for the story but it’s still really good.
The Countess Conspiracy follows the story of Sebastian Malheur and Violet Waterfield – the two remaining members (honorary included)of the Brother’s Sinister. In previous books Sebastian has become reviled by most people due to his “crazed” notions on reproduction of plants and comparing them to Darwinism and proving the theory correct.
He started off as a joker before becoming infinitely more serious as the books progressed and I missed the funny side to him. Unfortunately spends the better part of this book serious and seems to lose himself in his and Violets plot.
∞
Now Violet is my main issue with this book. Throughout I wanted to pull the stick out of her butt and beat her over the head with it. She was stuck-up, prudish, overbearingly annoying, flat out rude and completely beyond any hope.
At about 50% I gave her the benefit of the doubt what with her history with her previous husband and the many many miscarriages but in the next chapter I wanted to beat her over the head to knock some sense into her again. She was awful and insufferable.
In the latter pages of the book she redeemed herself most highly but by that time I’d already resigned myself to the fact that this book would get a 3 star review and not a 4.
∞
I found that parts of the book were a little bit Americanised particularly towards the end and it felt a little too modernised at some stages which detracted from the regency part of the genre.
It wasn’t an overly bad instalment just one that I didn’t enjoy nearly as much as the previous ones. There were parts to the story that I didn’t like and the characters I had some issues with (Violet and her sister Lily) being the biggest ones but overall it was alright.
The only thing worse than an unlovable woman was an unlovable woman who whined about not being loved.
The above is something to do with Violet and her mother’s rules, the only thing was though was that Violet whined – and she whined a lot.
“I know.” He didn’t look away from her. “Isn’t that what I said? Only one of us is in love, and it isn’t you.”
God that quote from Sebastian near broke my heart. I felt so sorry for him – the man’s been in love with her for 16 years and he’s had no chance in hell of getting her.
A final parting quote:
Knitting makes even the most conniving soul look innocent. Her mother had it right. For some reason, butlers rarely suspected that a woman who had started knitting would stop and sneak about a house. Idiocy on their part; they were knitting needles, not shackles.
That is the quote that made me smile. It’s such a misplaced quote for the story but it’s still really good.
Ivana A. | Diary of Difference (1171 KP) rated Beautiful Demons (The Shadow Demons Saga #1) in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png?w=544"/>
I used to read a lot of Young Adult, Fiction and Fantasy books before. My little sister mentioned to me a few weeks ago that she started reading this genre. I decided that it would be a good thing to join her in this adventure, and to read some of the books she's reading.
I have also asked for recommendations on the bookshelf that I made especially for this, and received so many responses. Thank you to all of you who contributed, and this is the list that we have now - <a href="https://www.goodreads.com/review/list/28198445-ivana-a?shelf=tea-s-wishlist">Tea's Wishlist</a>
<b><i>Beautiful Demons is the first book of the Shadow Demons series.</i></b>
It is a story about Harper Madison, an orphan, that went from one family to another, causing troubles all her life and on one occasion, unintentionally made fire and burned people to death. With no family willing to take her now, she has to go to Shadowford, a place for troubled orphan girls.
<b><i>But what if everything happens for a reason? And why is this whole town so mysterious? Why, for the first time, she actually belongs somewhere?
Everyone in this town seems to be hiding something? And that is just the beginning…</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover-1.png?w=544"/>
Even though this book is quite short, I was actually amused as to how much it was able to cover. I was pulled in from the first chapter, and this kept me going until the last.
We have all seen the new girl, new town, new school, being bullied type of scenario, and the cheerleaders owning the school and dating the jocks. This is the same, except it isn’t. It is spiced up with mystery and magic, and cheerleaders are just a metaphor of all that lies behind it. I will only reveal this much - the moment you get accepted to become a cheerleader, your life changes. But that is also the moment you realise it's only the beginning.
I liked Harper's character, and how she was presented. Sometimes she was too naïve and vulnerable for her own good, sometimes a bit too reckless when she didn't have enough information and clues. She was though, a nice young girl example of making brave decisions, but also a bad example of making stupid decisions…
The plot twist in the end was amazing, and I could never see that coming.
I think the purpose of this book was to make a nice scene building for the next books in the series, and to raise our curiosity. A lot of questions were raised, and not many were answered, which proves my point.
I really enjoyed the beginning of this series, and will definitely be reading the next books.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png?w=544"/>
I used to read a lot of Young Adult, Fiction and Fantasy books before. My little sister mentioned to me a few weeks ago that she started reading this genre. I decided that it would be a good thing to join her in this adventure, and to read some of the books she's reading.
I have also asked for recommendations on the bookshelf that I made especially for this, and received so many responses. Thank you to all of you who contributed, and this is the list that we have now - <a href="https://www.goodreads.com/review/list/28198445-ivana-a?shelf=tea-s-wishlist">Tea's Wishlist</a>
<b><i>Beautiful Demons is the first book of the Shadow Demons series.</i></b>
It is a story about Harper Madison, an orphan, that went from one family to another, causing troubles all her life and on one occasion, unintentionally made fire and burned people to death. With no family willing to take her now, she has to go to Shadowford, a place for troubled orphan girls.
<b><i>But what if everything happens for a reason? And why is this whole town so mysterious? Why, for the first time, she actually belongs somewhere?
Everyone in this town seems to be hiding something? And that is just the beginning…</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover-1.png?w=544"/>
Even though this book is quite short, I was actually amused as to how much it was able to cover. I was pulled in from the first chapter, and this kept me going until the last.
We have all seen the new girl, new town, new school, being bullied type of scenario, and the cheerleaders owning the school and dating the jocks. This is the same, except it isn’t. It is spiced up with mystery and magic, and cheerleaders are just a metaphor of all that lies behind it. I will only reveal this much - the moment you get accepted to become a cheerleader, your life changes. But that is also the moment you realise it's only the beginning.
I liked Harper's character, and how she was presented. Sometimes she was too naïve and vulnerable for her own good, sometimes a bit too reckless when she didn't have enough information and clues. She was though, a nice young girl example of making brave decisions, but also a bad example of making stupid decisions…
The plot twist in the end was amazing, and I could never see that coming.
I think the purpose of this book was to make a nice scene building for the next books in the series, and to raise our curiosity. A lot of questions were raised, and not many were answered, which proves my point.
I really enjoyed the beginning of this series, and will definitely be reading the next books.
BankofMarquis (1832 KP) rated Operation Finale (2018) in Movies
Sep 11, 2018
Very Good Film with 2 Very Good Performances
The kids are back in school, the leaves are beginning to turn and Halloween is just around the corner (if you believe the displays in the stores), which means it's a "dead period" at the Cineplex for decent films. So, the BankofMarquis headed to the "Art House" to check out a well made, well directed and well acted post WWII drama - OPERATION FINALE.
Set in the early 1960's, OPERATION FINALE tells the tale of Israeli Secret Service Agent's attempt to capture Adolph Eichman in Argentina and bring him back to Israel to face a very public, world-wide trial for his role as the "Architect of the Final Solution".
In other hands, this film could have very easily devolved into a Jason Bourne-type action flick with kick-ass Mossad agents fighting Nazi-loving Argentinian police (with assists from once and future Nazi's). But, in the hands of Writer Matthew Orton (in his major Screenplay debut) and Director Chris Weitz (ABOUT A BOY) this film becomes something much more, much deeper and much more interesting than that, it becomes a character study between Eichman and Mossad Agent Peter Malkin.
The first 1/2 hour of the film starts out "action-y" enough, with the discovery of Eichman and the Mossad's planning of the caper that will bring him to justice. We get the "gathering of the team" - and there's a couple of interesting characters in this group - specifically the characters played by Nick Kroll and Melanie Laurent - but the film really takes off and finds it's footing when the team - and the film - is forced to slow down (waiting for their escape plane to show up) and coax a confession (of sorts) out of Eichman.
So the middle part of this film is really a "two-hander" interrogation between Malkin (Oscar Isaac) and Eichman (Sir Ben Kingsley) - and both really bring it. Isaac (EX MACHINA, STAR WARS) shows a sadness and vulnerability as the agent who's life was deeply affected by the death of his sister (and other family members) at the hands of the SS. He is out to nail Eichman for his crime, but discovers a humanity (both in himself and in Eichman) along the way.
But the picture really belongs to the performance of Sir Ben as Eichman. This is a larger than life actor portraying a larger than life character and more than holds the audience's attention whenever he is on the scene - and when it comes down to an interrogation of Eichman by Malkin, the positions are quickly switched and it is Eichman who is the interrogator and Malkin is in the hot seat. It's not quite an "Oscar-worthy" performance, falling just short of that, but darn good nonetheless.
The final 1/2 hour of the film falls prey to the "Argo" ending - making a more exciting escape than it was in real life - but that is just a quibble for a really good, really intelligent and really ADULT film. One that is well worth checking out at an Art House near you.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Set in the early 1960's, OPERATION FINALE tells the tale of Israeli Secret Service Agent's attempt to capture Adolph Eichman in Argentina and bring him back to Israel to face a very public, world-wide trial for his role as the "Architect of the Final Solution".
In other hands, this film could have very easily devolved into a Jason Bourne-type action flick with kick-ass Mossad agents fighting Nazi-loving Argentinian police (with assists from once and future Nazi's). But, in the hands of Writer Matthew Orton (in his major Screenplay debut) and Director Chris Weitz (ABOUT A BOY) this film becomes something much more, much deeper and much more interesting than that, it becomes a character study between Eichman and Mossad Agent Peter Malkin.
The first 1/2 hour of the film starts out "action-y" enough, with the discovery of Eichman and the Mossad's planning of the caper that will bring him to justice. We get the "gathering of the team" - and there's a couple of interesting characters in this group - specifically the characters played by Nick Kroll and Melanie Laurent - but the film really takes off and finds it's footing when the team - and the film - is forced to slow down (waiting for their escape plane to show up) and coax a confession (of sorts) out of Eichman.
So the middle part of this film is really a "two-hander" interrogation between Malkin (Oscar Isaac) and Eichman (Sir Ben Kingsley) - and both really bring it. Isaac (EX MACHINA, STAR WARS) shows a sadness and vulnerability as the agent who's life was deeply affected by the death of his sister (and other family members) at the hands of the SS. He is out to nail Eichman for his crime, but discovers a humanity (both in himself and in Eichman) along the way.
But the picture really belongs to the performance of Sir Ben as Eichman. This is a larger than life actor portraying a larger than life character and more than holds the audience's attention whenever he is on the scene - and when it comes down to an interrogation of Eichman by Malkin, the positions are quickly switched and it is Eichman who is the interrogator and Malkin is in the hot seat. It's not quite an "Oscar-worthy" performance, falling just short of that, but darn good nonetheless.
The final 1/2 hour of the film falls prey to the "Argo" ending - making a more exciting escape than it was in real life - but that is just a quibble for a really good, really intelligent and really ADULT film. One that is well worth checking out at an Art House near you.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Bookapotamus (289 KP) rated FAME in Books
Oct 24, 2018
An Interesting Exploration of Fame
Raise your hand if you LOVED Family Ties as a kid! And had a crush on Alex P. Keaton? And wanted TO BE Mallory!?! Justine Bateman was an idol of mine in the 80's. If I could be like her, or look like her, I pressed my parents to give me a sister just like her! But I got stuck with a brother. Boo!
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.