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Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Hazel (1853 KP) rated Clover Moon in Books
May 24, 2017
A Victorian Story
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Connor Sheffield (293 KP) rated Supernatural - Season 12 in TV
May 25, 2017
Sam and Dean still kick ass (1 more)
Really comedic Season
Not over yet
-Don't read if you haven't caught up unless you don't mind spoilers-
Supernatural has come a long, long, so very long way since it's first pilot episode and season in 2005. If you haven't started to watch this show yet, then you're probably going to feel like there's too much. I know that I've recommended this show to dozens of my friends or friends of friends, because the show, though slower in some seasons, overall is brilliant.
So here we find ourselves in 2016/17 and Supernatural is airing it's 12th season...good luck catching up if you never started the show. After helping the darkness, God's sister, she rewards Sam and Dean by bringing Mary Winchester, their mother, back from the dead after 30+ years. This messes with her mind because she doesn't belong in this time line and she never got the chance to be a proper mother to the two men she sees standing before her in the bunker. So they give her some time and Mary ends up joining the British Men of Letters who have come to America to sort out the American Hunters. Whether that is to recruit them or destroy them.
For those of you who have read or watched Harry Potter, you know Delores Umbridge and how much you want her dead probably more than Voldemort, well the British Men of Letters are like a group of Umbridge's. You quickly begin to hate them and want them all to be wiped out.
Season 12 brings back some of the classic humour that we've come to love from this show. There's an episode where Dean is losing his memory, of not just his last but basic knowledge, so much so that Sam has to label everything from lamp, to tv, to the door, just so Dean remembers the name of them. It is so beautifully written and whilst hilarious for the majority, there's one scene where my heart sank as you realise Dean is slipping further and further into memory loss, as he stares into a mirror repeating the line 'my name....is....' and eventually responding to himself with 'i don't know' and it is such a heart aching moment because sometimes Supernatural doesn't always end perfectly and you hope that in this particular instance, that Dean gets everything back, with no little blanks.
This season, and I'm not gonna spoil it with names, sees the death of two characters who have been major to the series for a while now. That finale wasn't the best in terms of certain aspects, such as the final sequence where usually something is said that would give us something more about what's been happening, but it leaves the many fans including myself heartbroken and wishing that I never saw what I saw, because the loss of these two characters (and although many characters have died and come back, the cast and crew have confirmed that this isn't one of those cases) is going to make Sam and Dean next journey, one hell of a ride, but most certainly, one hell of a struggle.
Overall a great season full of laughter and emotion, containing one of the funniest episodes I have seen for a while, and an emotional finale that leaves you wanting more as always. I love this show and will continue to watch and recommend it to anyone interesting in monsters, demons, ghouls etc. Like I said though, good luck playing catch up.
Supernatural has come a long, long, so very long way since it's first pilot episode and season in 2005. If you haven't started to watch this show yet, then you're probably going to feel like there's too much. I know that I've recommended this show to dozens of my friends or friends of friends, because the show, though slower in some seasons, overall is brilliant.
So here we find ourselves in 2016/17 and Supernatural is airing it's 12th season...good luck catching up if you never started the show. After helping the darkness, God's sister, she rewards Sam and Dean by bringing Mary Winchester, their mother, back from the dead after 30+ years. This messes with her mind because she doesn't belong in this time line and she never got the chance to be a proper mother to the two men she sees standing before her in the bunker. So they give her some time and Mary ends up joining the British Men of Letters who have come to America to sort out the American Hunters. Whether that is to recruit them or destroy them.
For those of you who have read or watched Harry Potter, you know Delores Umbridge and how much you want her dead probably more than Voldemort, well the British Men of Letters are like a group of Umbridge's. You quickly begin to hate them and want them all to be wiped out.
Season 12 brings back some of the classic humour that we've come to love from this show. There's an episode where Dean is losing his memory, of not just his last but basic knowledge, so much so that Sam has to label everything from lamp, to tv, to the door, just so Dean remembers the name of them. It is so beautifully written and whilst hilarious for the majority, there's one scene where my heart sank as you realise Dean is slipping further and further into memory loss, as he stares into a mirror repeating the line 'my name....is....' and eventually responding to himself with 'i don't know' and it is such a heart aching moment because sometimes Supernatural doesn't always end perfectly and you hope that in this particular instance, that Dean gets everything back, with no little blanks.
This season, and I'm not gonna spoil it with names, sees the death of two characters who have been major to the series for a while now. That finale wasn't the best in terms of certain aspects, such as the final sequence where usually something is said that would give us something more about what's been happening, but it leaves the many fans including myself heartbroken and wishing that I never saw what I saw, because the loss of these two characters (and although many characters have died and come back, the cast and crew have confirmed that this isn't one of those cases) is going to make Sam and Dean next journey, one hell of a ride, but most certainly, one hell of a struggle.
Overall a great season full of laughter and emotion, containing one of the funniest episodes I have seen for a while, and an emotional finale that leaves you wanting more as always. I love this show and will continue to watch and recommend it to anyone interesting in monsters, demons, ghouls etc. Like I said though, good luck playing catch up.
Hazel (1853 KP) rated And Then We Ran in Books
Jun 23, 2017
Drastic Decision Making
I received this book for free through Goodreads First Reads.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. And Then We Ran by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate And Then We Ran, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. And The We Ran is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
And Then We Ran is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
Have you ever felt so desperate to achieve your dreams that you would do anything, no matter how crazy, to reach them? Seventeen-year-old Megan dreams of becoming a professional photographer, however, her parents have other ideas. And Then We Ran by Katy Cannon is a Young Adult novel about learning to be yourself and realising your dreams.
Megan’s older sister died in a terrible accident the year before she completed her A Levels. Now, Megan is at the same stage and is fed up of trying to live up to her sister’s memory. Forced to study subjects she does not care for and pressurised into applying to Oxbridge, Megan feels she only has one option left. Her grandmother’s will stipulates that on her 21st birthday or when she gets married, a little flat in London will become hers. Unable to wait another four years, Megan decides marriage is the only way forward.
Two characters narrate And Then We Ran, the second being an old friend of Megan’s. Elliott has given up all hope of going to university to study archaeology and no longer has any ambitions for the future. Then, Megan approaches him with a proposal that could change his life forever. If Elliott agrees to elope with her to Gretna Green, he could live with her in London and study at UCL. So, with a new future developing before their eyes, the two coalesce and begin to develop their clandestine plan.
Naturally, it is not a simple procedure; they cannot get married on the spur of the moment. Careful planning and a long month later, they are ready to go ahead with their plan, however, things outside of their control seem intent on preventing their marriage. From delayed trains to inclement weather, Megan and Elliott determinedly carry on until, after a more circuitous route, they arrive at their destination. But, that does not necessarily result in their happy ever after.
Getting married for a chance at freedom seems a rather peculiar idea, however, you have to appreciate how determined they are to achieve their dreams. Applying to university is a decision that can alter your entire future, so it is understandable how angry Megan feels that her parents are dictating where she goes and what she studies. And The We Ran is an encouraging book that shows two teenagers seriously contemplating their future and making decisions that will make them happy, rather than doing what everyone else expects.
Although it is a fun story, Megan is not the most relatable character. To begin with, it is hard to connect with her outgoing personality, unlike Elliott who is more reserved and introverted. But, once the story gets going, Megan’s façade begins to slip, revealing that she is not much different from other teenagers with hopes and dreams for the future.
And Then We Ran is not the most realistic of contemporary stories, but it is enjoyable and makes us as readers question the methods of Megan and Elliott’s journey to freedom. Most significantly, it highlights the importance of learning and being who you are, rather than whom other people want you to be. Finally, this story emphasises that there are more than one way of achieving your dreams.
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
Kristy H (1252 KP) rated Good Luck with That in Books
Mar 11, 2019
Powerful, emotional read, but completely worth it
Emerson, Georgia, and Marley have been best friends since they were teens. They met at Camp Copperbrook, a weight-loss camp. They've stayed close ever since, so when Emerson passes away, Georgia and Marley are distraught. Emerson asks her friends to complete a list they made at camp, forcing both Georgia and Marley to confront some long-held fears. Marley still feels guilty since her twin sister, Frankie, died when they were four. And Georgia, has been scarred by the exacting conditions--especially about weight--passed on by her mother and brother. And she's hurt after the ending of her marriage. But Georgia and Marley are determined to complete the items on the list, for Emerson, even if it means getting past their comfort zone and learning to love themselves just as they are.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated All I Ever Wanted in Books
Mar 20, 2019
Fun, enjoyable book with great characters
Callie Grey is turning thirty, and her life simply isn't going as planned. She's not married--or even dating--and now her boss, Mark, whom she's loved for years, is marrying Muriel, a perfect specimen from California. Even worse, Muriel is honing in on Callie's territory at the advertising agency where she works. Her mother runs the family business: a funeral home, where Callie's thirtieth birthday was held (sharing space with a wake). Her father, meanwhile, is trying to win her mother back, despite the fact that she hates him for cheating on her--when Callie was eight. Hester, her sister, despises all men due to said cheating incident. And no matter how hard she tries, Callie can't get over Mark and the five weeks they "dated." Still, it seems like maybe that could change when she meets Ian, the town's new sulky but handsome veterinarian. But can Callie put the past behind her to find her own happiness? And is Ian ready to move on himself?
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
Sassy Brit (97 KP) rated Tear Me Apart in Books
Jun 5, 2019
Tear Me Apart by J.T. Ellison is a “why done it,” instead of a “who done it.” She explores how one lie can build upon another as the resulting betrayal rips two families apart.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Kara Skinner (332 KP) rated In Debt to the Enemy Lord in Books
Jun 11, 2019
Contains spoilers, click to show
My rating: 3 out of 5 stars
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.