Smashbomb

Search

Search results

All (2560)

Content

Lorna Cant (51 KP) rated The Nightingale in Books

Jan 14, 2020

The Nightingale

Kristin Hannah | 2017 | Fiction & Poetry

8.9

(61 Ratings)

Book Rating

I honestly thought this was going to be a run of the mill WW2 story, but I was so wrong! These two sisters, one young, vivacious and spirited, the other older, settled and inclined to play it safe are so different, yet where it really counts each are as brave as the other.
Isabelle, the younger, is wild and impetuous. When Nazis invade their home town, she immediately wants to fight, regardless of the consequences. Taking an active part in the resistance she belies her years.
Older sister Vianne is more conservative. Married since she was 16, living in the family home that has been theirs for generations she is settled, keeps her head down and doesnt want to draw attention to herself.
Appearances can be deceptive. Even with Nazi officers billeted at her home, she proves that a mother is willing to do anything to protect her children, especially with her husband interned in a POW camp.
The stories these women have to tell are extraordinary, each of the finding in themselves a bravery they didn't know they had until they had to find it. Beautifully written, heart breaking. Extraordinary.

Kudos

Awix (3310 KP) rated Little Women (2019) in Movies

Jan 7, 2020

Not my usual kind of movie, but I turn up for anything with Greta Gerwig or Florence Pugh involved in it. Happily this proved not to be the leaden piece of post-MeToo agitprop some of the advertising suggested, but a sensitive and subtle adaptation of a classic piece of literature (it says here). During and after the American Civil War, four sisters (Meg, Amy, Little Jo and Hoss) grow up and come of age, under the steely gaze of their Aunt Ben Cartwright (Meryl Streep). (I may be getting this mixed up with something else.)

Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.