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Kyera (8 KP) rated Daughter Of The Burning City in Books
Jan 31, 2018
There were more twists and turns in the story than the labyrinthine paths through the Gomorrah Festival. I was impressed that this was Amanda Foody's debut novel, but that does not mean it was without its faults. Overall, I felt that the Festival itself as a setting was the most intriguing part of the story.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
Heather Cranmer (2721 KP) rated We Are the Goldens in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
Lucy Buglass (45 KP) rated The Girl in the Spider's Web (2018) in Movies
Jun 20, 2019
Disappointingly Average
I love The Girl With The Dragon Tattoo series. The Swedish films are excellent and David Fincher’s US adaptation was a decent watch too. Lisbeth Salander is such an iconic and well-written character, so her return to the big screen was met with much anticipation. With a new cast and new story I was looking forward to seeing it, catching a Limitless preview screening a few days before its general UK release. Unfortunately, it didn’t live up to my relatively high expectations.
The biggest insult to this film is its trailer. It gives away EVERYTHING so if you’ve seen the trailer, you’ve basically seen the entire film condensed down into a few minutes. All the best scenes and key moments have been awkwardly crammed into its promotion, to the point where I was able to predict exactly what was going to happen. I felt very let down by this and it seriously ruined my ability to enjoy the film properly. It deserved a much more ambiguous trailer, letting the mystery be revealed throughout the full narrative instead.
The film is redeemed somewhat by the performances. Claire Foy is a fantastic Lisbeth Salander, putting her all into this performance and fully embodying the badass, bisexual cyber-hacker that we all know and love. She is slick, smart and sexually charged, and is a worthy successor to both Noomi Rapace and Rooney Mara. If anything, Foy deserved a better film because this story really didn’t do her much justice and that’s not her fault.
It was also interesting to see British comedian Stephen Merchant in a much more serious role, proving that he is able to step out of his comfort zone. His character, Frans Balder, is a complex one despite his lack of screen time, and I was convinced by his take on the character. Despite his relatively small role, I found him more interesting than some of the main characters.
Security expert Edwin Needham is utterly forgettable, and his character wasn’t strong enough to get much interest from me. In a similar vein, Millenium journalist Mikael Blomkvist barely even made an appearance and considering he’s been a key character in the novels and in Lisbeth’s life, this was disappointing for me. I haven’t read the novel yet so I’m unsure if this is true to the original story, but it was a shame he didn’t feature more.
Because this film focuses primarily on Salander and twin sister, Camilla, I was relieved that I at least enjoyed scenes featuring the two of them. Sylvia Hoeks is a terrifying and powerful on-screen presence, from her mannerisms to her costume design. The fractured relationship between the two sisters is fascinating and runs deep, but seems to be glossed over at times. Foy and Hoeks did their best with the script they had, but I still found the narrative jumbled and rushed in places, favouring drawn-out action over scenes with any real substance.
Sure, the action sequences are well-shot and full of adrenaline but when they replace actual narrative coherence, we have a problem. There’s too much going on, there’s plot holes, and filler scenes that really didn’t need to be there. I know two hours isn’t really a lot of screen time to play with, but it could’ve been so much better than this.
The Girl In The Spider’s Web is nothing like the complex thriller I was expecting it to be, cramming far too much into its runtime and leaving me feeling dissatisfied. It’s entertaining in its own way and if you’re mainly looking looking for chase sequences, fast cars and action, then you’ll probably have a good time. There are some great scenes and lines of dialogue, but not enough to fully redeem itself. I don’t necessarily regret watching it, but I won’t be watching again. It’s a forgettable action film.
If you want to see Lisbeth Salander and co. at their best, catch the Swedish films instead.
https://lucygoestohollywood.com/2018/11/28/disappointingly-average-a-review-of-the-girl-in-the-spiders-web/
The biggest insult to this film is its trailer. It gives away EVERYTHING so if you’ve seen the trailer, you’ve basically seen the entire film condensed down into a few minutes. All the best scenes and key moments have been awkwardly crammed into its promotion, to the point where I was able to predict exactly what was going to happen. I felt very let down by this and it seriously ruined my ability to enjoy the film properly. It deserved a much more ambiguous trailer, letting the mystery be revealed throughout the full narrative instead.
The film is redeemed somewhat by the performances. Claire Foy is a fantastic Lisbeth Salander, putting her all into this performance and fully embodying the badass, bisexual cyber-hacker that we all know and love. She is slick, smart and sexually charged, and is a worthy successor to both Noomi Rapace and Rooney Mara. If anything, Foy deserved a better film because this story really didn’t do her much justice and that’s not her fault.
It was also interesting to see British comedian Stephen Merchant in a much more serious role, proving that he is able to step out of his comfort zone. His character, Frans Balder, is a complex one despite his lack of screen time, and I was convinced by his take on the character. Despite his relatively small role, I found him more interesting than some of the main characters.
Security expert Edwin Needham is utterly forgettable, and his character wasn’t strong enough to get much interest from me. In a similar vein, Millenium journalist Mikael Blomkvist barely even made an appearance and considering he’s been a key character in the novels and in Lisbeth’s life, this was disappointing for me. I haven’t read the novel yet so I’m unsure if this is true to the original story, but it was a shame he didn’t feature more.
Because this film focuses primarily on Salander and twin sister, Camilla, I was relieved that I at least enjoyed scenes featuring the two of them. Sylvia Hoeks is a terrifying and powerful on-screen presence, from her mannerisms to her costume design. The fractured relationship between the two sisters is fascinating and runs deep, but seems to be glossed over at times. Foy and Hoeks did their best with the script they had, but I still found the narrative jumbled and rushed in places, favouring drawn-out action over scenes with any real substance.
Sure, the action sequences are well-shot and full of adrenaline but when they replace actual narrative coherence, we have a problem. There’s too much going on, there’s plot holes, and filler scenes that really didn’t need to be there. I know two hours isn’t really a lot of screen time to play with, but it could’ve been so much better than this.
The Girl In The Spider’s Web is nothing like the complex thriller I was expecting it to be, cramming far too much into its runtime and leaving me feeling dissatisfied. It’s entertaining in its own way and if you’re mainly looking looking for chase sequences, fast cars and action, then you’ll probably have a good time. There are some great scenes and lines of dialogue, but not enough to fully redeem itself. I don’t necessarily regret watching it, but I won’t be watching again. It’s a forgettable action film.
If you want to see Lisbeth Salander and co. at their best, catch the Swedish films instead.
https://lucygoestohollywood.com/2018/11/28/disappointingly-average-a-review-of-the-girl-in-the-spiders-web/
Johnny Marr recommended track Coconut Grove by The Lovin Spoonful in Very Best of the Lovin' Spoonful by The Lovin Spoonful in Music (curated)
Emma @ The Movies (1786 KP) rated Some Like It Hot (1959) in Movies
Sep 25, 2019
The dilemma of an obsessed movie-goer is choosing what films to watch when things clash. It really wasn't a tough choice when an Unlimited Screening was announced for the same evening as Some Like It Hot. The screening was only two days before release, I could wait. It wasn't big enough to miss the chance to see this classic on the big screen.
It's been a long time since I've seen this and I'm always a little cautious about revisiting old favourites as my taste in films gradually changes. But luckily this one hadn't lost any of it's magic. It's a simple idea that's taken to the next level by a talented cast and wonderful script.
One of the reasons I think I love old movies so much is that they had a love of musical elements. I was always a fan of The Andrews Sisters, the Road movies, and of course musicals. A jazzy little number kept you buzzing and always knocked the entertainment value up a notch. This is no exception. Everyone loves some sultry Monroe be-dooping on screen.
There are lots of snippets online about the production and it give you a fantastic background. Monroe was terrible at remembering even that basic lines and they ended up writing lots of them down to hide on set, but some how that still didn't help to reduce the number of takes they needed to do. Curtis' prim and proper Josephine actually came about from him being uncomfortable dressed as a woman. Lemmon gave up being taught how to walk in heels because he wanted to look like a man wearing heels for the part. Despite it being in Monroe's contract that all her films had to be in colour they agreed to film in black and white because the make-up Curtis and Lemmon were wearing made them looking slightly green on camera... that's just some of it. It's well worth having a look around for other tidbits.
It's amazing to think that the flawless looking make-up in black and white looks completely different in colour. Let's face it, they both turn out looking pretty good dressed as women.
As a double act Curtis and Lemmon are wonderful together, both and Joe & Jerry and Josephine and Daphne. The dialogue, timing and the way they interact physically is all brilliant. One of my favourite bits is very early on when they realise the "funeral" is about to get raided. It's cool, calm and coordinated, not a beat is missed and the whole sequence puts a smile on my face.
I went to log this film on Letterboxd and noticed that I'd rated it as a four star film. Accurate, I thought to myself. But as I started to write notes for this review I realised I was sorely under appreciating it. How could I not give this five stars? Everything it does, it nails.
Being really picky, I'm not a big fan of Marilyn Monroe as an actress. I never feel that she stood up on her own, it tends to be the effort of everyone else that makes her shine better. That being said, she still has that massive impact on the screen and a naivety that needs to be there for some of the humour to work. Curtis dropping the dead pan line about water polo wouldn't have worked with any other type of character.
If I were to list the best bits of the film here I might as well just narrate you the whole movie. There are so many fun bits but one of my top ones is the engagement. That childlike glee is just so much fun that you're rooting for it to work too.
What you should do
There's no way that you should go through life without seeing Some Like It Hot. While there are a couple of moments that feel dated the humour is so good it would be a travesty to miss it.
Movie thing you wish you could take home
Tough choice... Curtis' agility when climbing the front of the hotel, Lemmon's dance moves, or the ability to make a cocktail in a hot water bottle... decisions decisions!
It's been a long time since I've seen this and I'm always a little cautious about revisiting old favourites as my taste in films gradually changes. But luckily this one hadn't lost any of it's magic. It's a simple idea that's taken to the next level by a talented cast and wonderful script.
One of the reasons I think I love old movies so much is that they had a love of musical elements. I was always a fan of The Andrews Sisters, the Road movies, and of course musicals. A jazzy little number kept you buzzing and always knocked the entertainment value up a notch. This is no exception. Everyone loves some sultry Monroe be-dooping on screen.
There are lots of snippets online about the production and it give you a fantastic background. Monroe was terrible at remembering even that basic lines and they ended up writing lots of them down to hide on set, but some how that still didn't help to reduce the number of takes they needed to do. Curtis' prim and proper Josephine actually came about from him being uncomfortable dressed as a woman. Lemmon gave up being taught how to walk in heels because he wanted to look like a man wearing heels for the part. Despite it being in Monroe's contract that all her films had to be in colour they agreed to film in black and white because the make-up Curtis and Lemmon were wearing made them looking slightly green on camera... that's just some of it. It's well worth having a look around for other tidbits.
It's amazing to think that the flawless looking make-up in black and white looks completely different in colour. Let's face it, they both turn out looking pretty good dressed as women.
As a double act Curtis and Lemmon are wonderful together, both and Joe & Jerry and Josephine and Daphne. The dialogue, timing and the way they interact physically is all brilliant. One of my favourite bits is very early on when they realise the "funeral" is about to get raided. It's cool, calm and coordinated, not a beat is missed and the whole sequence puts a smile on my face.
I went to log this film on Letterboxd and noticed that I'd rated it as a four star film. Accurate, I thought to myself. But as I started to write notes for this review I realised I was sorely under appreciating it. How could I not give this five stars? Everything it does, it nails.
Being really picky, I'm not a big fan of Marilyn Monroe as an actress. I never feel that she stood up on her own, it tends to be the effort of everyone else that makes her shine better. That being said, she still has that massive impact on the screen and a naivety that needs to be there for some of the humour to work. Curtis dropping the dead pan line about water polo wouldn't have worked with any other type of character.
If I were to list the best bits of the film here I might as well just narrate you the whole movie. There are so many fun bits but one of my top ones is the engagement. That childlike glee is just so much fun that you're rooting for it to work too.
What you should do
There's no way that you should go through life without seeing Some Like It Hot. While there are a couple of moments that feel dated the humour is so good it would be a travesty to miss it.
Movie thing you wish you could take home
Tough choice... Curtis' agility when climbing the front of the hotel, Lemmon's dance moves, or the ability to make a cocktail in a hot water bottle... decisions decisions!
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Where to begin with my review? I guess I should start out by being completely honest and mentioning that I did not buy Cinder for myself, and I likely never would have either. After begging me to read it for a while, my best friend ended up buying me a copy for Christmas in the hope that I would give it a go. And to be fair to her, I did. Four times to be precise. The first three times I ended up giving up before chapter four. However, don't let that deter you. On my fourth attempt, I loved it! The only reason I can think of as to why I struggled the other times was because I was in a serious book hangover from another story. So I was a little reluctant to start a new story with characters I wasn't invested in yet, and a story I already knew. Or at least, I thought I did.
So let's start with the plot. Cinder is a retelling of Cinderella. Perhaps another reason for my lack of interest in the beginning as I've never really been a huge fan of that particular princess. What I do enjoy is a fresh twist on a well known story, so I should have known I would enjoy it if I gave it a chance. Like Cinderella, Cinder follows the story of a young girl who lives with her step-mother, and her two step-sisters, no love lost between them. In both, the girl leads a tough, though somewhat mundane life, right up until she meets her prince, and then things start to look up. Blah, blah, blah... We all know the story right? No. Marissa Meyer gives the traditional tale a new spin, and it was like reading the story for the first time. Because of this, I easily finished the story over one (busy) weekend. The story contained just the right mix of adventure, romance, and sci-fi to keep me hooked, even if -in places- the story seemed to drag a little. This was more than made up for with the explosive ending though. The story ends with enough unresolved conflict to keep you wanting more... And if you're anything like me, thankfully you don't have to wait months for the next one (It's called Scarlet BTW). Another great part of this story was the world building and backstory. At one point, the events of WW4 are mentioned, giving us a little insight as to how the world we know morphed into the one in the story. This also prevented the world from becoming too complicated when other races (The Lunars) are introduced, and helped blend the backstories of both races nicely. Lunars are the genetically mutated humans that live on the moon (Luna), and they have the ability to use a power known as "Glamour" to influence other's minds and make them see and believe what they want them to. This particular part impressed me as it was a clever way of introducing magic in an otherwise "normal" world. Because I'm a sucker for a bit of magic. The only real problem I had with this story was that the plot was somewhat predictable at times... For example, pretty much as soon as it was mentioned that there was once a princess who -if she was still alive- could usurp the Queen of the Lunars and restore peace to the two worlds... It was obvious that it was going to end up being Cinder. (This is confirmed at the end of the book).
Now, onto the characters! Meet our protagonist, Linh Cinder. Cinder is a sixteen-year-old living in New Beijing with her evil Step-mother and two step-sisters... But that's pretty much where the similarities with her and the traditional Cinderella end. Not only is our protagonist more than just a pretty face with a kind heart, she is a badass! Throughout the story she impressed me with her attitude, intelligence, and ability to call people out on their bullshit. Fair enough she came across a little whiny at times, but this can be overlooked when you remember she is pretty much still a child who has had a pretty rough life. Unable to remember her life before a crash that claimed the lives of her family, she was adopted by a man who soon died, leaving her at the mercy of his wife, who was not a fan of Cinder. Why, you ask? Well, Cinder is a cyborg, and that is unforgivable and clearly Cinder's fault... According to the step mother at least. Still, despite being shunned by most people who knew the truth about her, Cinder still manages to be a likable character. Yeah she has her flaws, but that's what I liked about her. She's realistic. She's embarrassed by the fact she is a cyborg, especially when she meets the handsome Prince Kai. It was frustrating at times to read scenes with these two, mainly because Cinder was reluctant to tell Kai about her being a cyborg, and it built a wall between them. I mean, I can see where she's coming from. It would be a nice change to just be a normal girl to someone after years of being told she was less. BUT DAMN GIRL! KAI IS A CINNAMON ROLL AND WOULD LOVE YOU EITHER WAY!!!
*Clears throat* Anyway, moving on... Now we can talk about Kai. Handsome, charming, clueless, Prince Kai. We meet Kai pretty early on in the story (first chapter in fact) and from the moment we meet him, we know he and Cinder are destined. Or at least I hope so... I haven't read the second book yet! The only child of the emperor, Kai will someday rule the Eastern Commonwealth. Unfortunately that day comes all too soon when his father contracts the plague and soon after dies, leaving the job to the young Prince. If I'm being completely honest, I was expecting him to crash and burn at some point, but I was pleasantly surprised when he managed to hack it, even going as far as to stand up to the Lunar Queen- A megabitch we will discuss later- despite the fact she could start a war that would cause chaos for the Earthlings. His character development was fun to read. He started as a charismatic prince with a rebellious streak, and by the end of the book he was an Emperor loyal to his people and smarter than he lets on. I was a little disappointed in his reaction to finding out Cinder was a cyborg (and a Lunar), but under the circumstances, he can be forgiven. I'm quite interested in how the rest of Emperor Kai's story is going to play out, especially as he seemed to have something planned at the end of the first book, but I have yet to see if my suspicions are correct about him.
Now time to talk about our main antagonist, Queen Levana AKA The Megabitch. As far as antagonists go, she isn't the most evil I've met, but she is one of the more interesting. Queen of the Lunars, she is a cold, flawless, evil lady, who hates technology, and is infamous for using her glamour to hide her true face. Her motives seem pretty simple. She wants to rule. As Queen of the Lunars, she can do this by marriage, or she can take it by force. She doesn't really seem to care which way she goes about it, but she does suggest a marriage alliance with Prince/Emperor Kai Puh-lease. He and Cinder are OTP. (Also, I have to praise Meyer for the lack of a love triangle here, even though it would have been easy enough to include one. Bless you, child!) For the majority of the story she seems to be cool and in control, which is worrying for those of us rooting for the heroes, but at the Ball Naturally Cinder manages to crack the flawless facade and give us a little insight to the Queen's weakness Score 1 for Cinder! I have a feeling though that the next time we see the Queen, she is going to up her game and really give our heroes some problems, but we shall see!
Overall, I really enjoyed Cinder and I'm glad that I gave it another go. I should really start listening when my friend suggests books to me. It was an entertaining, frustrating, and even heart-breaking story at times, but I loved it. Marissa Meyer has definitely earned another fan, and I cannot wait to get my hands on the rest of the series. I NEED TO KNOW WHAT HAPPENS TO MY SHIP. The book had a few issues of course, but not enough that I would hesitate to read the next book... Hopefully I'll get around to it soon! In the mean time, anyone debating reading Cinder, you should definitely do it! 100%. And if anyone -like me- is struggling to get into it... Stick at it! I swear it's worth it in the end!
So let's start with the plot. Cinder is a retelling of Cinderella. Perhaps another reason for my lack of interest in the beginning as I've never really been a huge fan of that particular princess. What I do enjoy is a fresh twist on a well known story, so I should have known I would enjoy it if I gave it a chance. Like Cinderella, Cinder follows the story of a young girl who lives with her step-mother, and her two step-sisters, no love lost between them. In both, the girl leads a tough, though somewhat mundane life, right up until she meets her prince, and then things start to look up. Blah, blah, blah... We all know the story right? No. Marissa Meyer gives the traditional tale a new spin, and it was like reading the story for the first time. Because of this, I easily finished the story over one (busy) weekend. The story contained just the right mix of adventure, romance, and sci-fi to keep me hooked, even if -in places- the story seemed to drag a little. This was more than made up for with the explosive ending though. The story ends with enough unresolved conflict to keep you wanting more... And if you're anything like me, thankfully you don't have to wait months for the next one (It's called Scarlet BTW). Another great part of this story was the world building and backstory. At one point, the events of WW4 are mentioned, giving us a little insight as to how the world we know morphed into the one in the story. This also prevented the world from becoming too complicated when other races (The Lunars) are introduced, and helped blend the backstories of both races nicely. Lunars are the genetically mutated humans that live on the moon (Luna), and they have the ability to use a power known as "Glamour" to influence other's minds and make them see and believe what they want them to. This particular part impressed me as it was a clever way of introducing magic in an otherwise "normal" world. Because I'm a sucker for a bit of magic. The only real problem I had with this story was that the plot was somewhat predictable at times... For example, pretty much as soon as it was mentioned that there was once a princess who -if she was still alive- could usurp the Queen of the Lunars and restore peace to the two worlds... It was obvious that it was going to end up being Cinder. (This is confirmed at the end of the book).
Now, onto the characters! Meet our protagonist, Linh Cinder. Cinder is a sixteen-year-old living in New Beijing with her evil Step-mother and two step-sisters... But that's pretty much where the similarities with her and the traditional Cinderella end. Not only is our protagonist more than just a pretty face with a kind heart, she is a badass! Throughout the story she impressed me with her attitude, intelligence, and ability to call people out on their bullshit. Fair enough she came across a little whiny at times, but this can be overlooked when you remember she is pretty much still a child who has had a pretty rough life. Unable to remember her life before a crash that claimed the lives of her family, she was adopted by a man who soon died, leaving her at the mercy of his wife, who was not a fan of Cinder. Why, you ask? Well, Cinder is a cyborg, and that is unforgivable and clearly Cinder's fault... According to the step mother at least. Still, despite being shunned by most people who knew the truth about her, Cinder still manages to be a likable character. Yeah she has her flaws, but that's what I liked about her. She's realistic. She's embarrassed by the fact she is a cyborg, especially when she meets the handsome Prince Kai. It was frustrating at times to read scenes with these two, mainly because Cinder was reluctant to tell Kai about her being a cyborg, and it built a wall between them. I mean, I can see where she's coming from. It would be a nice change to just be a normal girl to someone after years of being told she was less. BUT DAMN GIRL! KAI IS A CINNAMON ROLL AND WOULD LOVE YOU EITHER WAY!!!
*Clears throat* Anyway, moving on... Now we can talk about Kai. Handsome, charming, clueless, Prince Kai. We meet Kai pretty early on in the story (first chapter in fact) and from the moment we meet him, we know he and Cinder are destined. Or at least I hope so... I haven't read the second book yet! The only child of the emperor, Kai will someday rule the Eastern Commonwealth. Unfortunately that day comes all too soon when his father contracts the plague and soon after dies, leaving the job to the young Prince. If I'm being completely honest, I was expecting him to crash and burn at some point, but I was pleasantly surprised when he managed to hack it, even going as far as to stand up to the Lunar Queen- A megabitch we will discuss later- despite the fact she could start a war that would cause chaos for the Earthlings. His character development was fun to read. He started as a charismatic prince with a rebellious streak, and by the end of the book he was an Emperor loyal to his people and smarter than he lets on. I was a little disappointed in his reaction to finding out Cinder was a cyborg (and a Lunar), but under the circumstances, he can be forgiven. I'm quite interested in how the rest of Emperor Kai's story is going to play out, especially as he seemed to have something planned at the end of the first book, but I have yet to see if my suspicions are correct about him.
Now time to talk about our main antagonist, Queen Levana AKA The Megabitch. As far as antagonists go, she isn't the most evil I've met, but she is one of the more interesting. Queen of the Lunars, she is a cold, flawless, evil lady, who hates technology, and is infamous for using her glamour to hide her true face. Her motives seem pretty simple. She wants to rule. As Queen of the Lunars, she can do this by marriage, or she can take it by force. She doesn't really seem to care which way she goes about it, but she does suggest a marriage alliance with Prince/Emperor Kai Puh-lease. He and Cinder are OTP. (Also, I have to praise Meyer for the lack of a love triangle here, even though it would have been easy enough to include one. Bless you, child!) For the majority of the story she seems to be cool and in control, which is worrying for those of us rooting for the heroes, but at the Ball Naturally Cinder manages to crack the flawless facade and give us a little insight to the Queen's weakness Score 1 for Cinder! I have a feeling though that the next time we see the Queen, she is going to up her game and really give our heroes some problems, but we shall see!
Overall, I really enjoyed Cinder and I'm glad that I gave it another go. I should really start listening when my friend suggests books to me. It was an entertaining, frustrating, and even heart-breaking story at times, but I loved it. Marissa Meyer has definitely earned another fan, and I cannot wait to get my hands on the rest of the series. I NEED TO KNOW WHAT HAPPENS TO MY SHIP. The book had a few issues of course, but not enough that I would hesitate to read the next book... Hopefully I'll get around to it soon! In the mean time, anyone debating reading Cinder, you should definitely do it! 100%. And if anyone -like me- is struggling to get into it... Stick at it! I swear it's worth it in the end!
graveyardgremlin (7194 KP) rated The Other Boleyn Girl in Books
Feb 15, 2019
Going into <b>The Other Boleyn Girl</b> I already knew that the historical details weren't very factual, but I had this laying around and needed something both light and set in the past, so I figured this would do nicely. The writing itself is perfectly fine, and mostly, I did enjoy the book. Although, for the first half, it seemed as if everyone only wore red and by the end I got so sick of hearing about Anne's "B" for Boleyn necklace I could scream.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.
What can I say about <i>Revenger</i>?
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
Darren (1599 KP) rated Aftershock (2013) in Movies
Jun 20, 2019
Story: Aftershock starts as Gringo (Roth), Ariel (Levy) and Pollo (Martinez) travelling around Chile, they party over all night where they meet three girls Monica (Osvart), Irina (Yarovenko) and Kylie (Izzo). Going for one last party the six new friends find themselves in the middle of an earthquake, one seriously injured and an impending tsunami heading towards them.
The friends must race against time in a country none of them call home to make it out alive but the natural disaster isn’t the only threat when the prison is damaged leading to the prisoners being released upon the streets.
Aftershock gives us something very different because we get a disaster movie which comes off realistic and sudden which is a big plus but it doesn’t stop there by giving us a survival horror when the group have to survive from prisoners. It would be fair to say there is a negative with the building up to the disaster but this does help give us small character development. When we deal with the aftershock of the earthquake we have to deal with non-stop action throughout. This was a real surprise because I thought there would have been more hype about the film.
Actor Review
Eli Roth: Gringo is the single father on the trip, he is friends with Ariel which shows that he isn’t the closet with Pollo. He is using this holiday as a chance to get over the recently divorce but when the quake hits he finds himself having to pull Pollo out of his daze. Eli does well but it becomes clear he really should be behind the camera.
Andrea Osvart: Monica is the stricter older sister to Kylie who tries her best to keep her sister safe on their adventure but she has a secret from the rest which is very important for the aftershock side of the story. Andrea is good in this leading role being the sensible one during the situation.monica
Nicolas Martinez: Pollo is the Spanish talking member of the group, he has gotten by because the money his family has. He finds himself having to step up after the quake to do the things normal men wouldn’t. his final moments are slightly stupid but otherwise a good character. Nicolas is good in this role as the man who needs to step up.
Natasha Yarovenko: Irina is one of the girls who is very similar to Gringo being a single parent and also a success. She starts off thinking she is more but soon becomes the strongest one during the situation. Natasha is good in this role and the sympathy between her and Gringo’s character comes through strong.
Lorenza Izzo: Kylie is the younger party animal of the two sisters, she just wants to have fun on her trip but with her old sister trying to protect her she finds herself being held back until the quake hits and she wants her sister to help her. Lorenza is good in this bratty like character which put her on the map for a future horror scream queen.
Support Cast: Aftershock has the basic supporting cast that all help with the survival side of the story.
Director Review: Nicolas Lopez – Nicolas gives us a film that keeps pulling us in once the earthquake hits.
Action: Aftershock use the action for the destruction side of the story which helps us with mother nature side of the story.
Horror: Aftershock comes from the human side of the story as we see just how twisted they can become in a situation our characters find themselves in.
Thriller: Aftershock keeps us on edge from start to finish.
Settings: Aftershock uses Chile for the settings which works for a different location and shows our characters lost during a disaster.
Special Effects: Aftershock has good effects to create what happens to the characters in the disaster.
Suggestion: Aftershock is one to watch especially is you like disaster movies. (Watch)
Best Part: Earthquake.
Worst Part: Slightly too much before the quake.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $2 Million
Runtime: 1 Hour 29 Minutes
Tagline: The only thing more terrifying than Mother Nature is human nature.
Overall: Surprisingly intense film that blends two great genres.
https://moviesreview101.com/2016/08/19/movie-reviews-101-midnight-horror-aftershock-2012/
The friends must race against time in a country none of them call home to make it out alive but the natural disaster isn’t the only threat when the prison is damaged leading to the prisoners being released upon the streets.
Aftershock gives us something very different because we get a disaster movie which comes off realistic and sudden which is a big plus but it doesn’t stop there by giving us a survival horror when the group have to survive from prisoners. It would be fair to say there is a negative with the building up to the disaster but this does help give us small character development. When we deal with the aftershock of the earthquake we have to deal with non-stop action throughout. This was a real surprise because I thought there would have been more hype about the film.
Actor Review
Eli Roth: Gringo is the single father on the trip, he is friends with Ariel which shows that he isn’t the closet with Pollo. He is using this holiday as a chance to get over the recently divorce but when the quake hits he finds himself having to pull Pollo out of his daze. Eli does well but it becomes clear he really should be behind the camera.
Andrea Osvart: Monica is the stricter older sister to Kylie who tries her best to keep her sister safe on their adventure but she has a secret from the rest which is very important for the aftershock side of the story. Andrea is good in this leading role being the sensible one during the situation.monica
Nicolas Martinez: Pollo is the Spanish talking member of the group, he has gotten by because the money his family has. He finds himself having to step up after the quake to do the things normal men wouldn’t. his final moments are slightly stupid but otherwise a good character. Nicolas is good in this role as the man who needs to step up.
Natasha Yarovenko: Irina is one of the girls who is very similar to Gringo being a single parent and also a success. She starts off thinking she is more but soon becomes the strongest one during the situation. Natasha is good in this role and the sympathy between her and Gringo’s character comes through strong.
Lorenza Izzo: Kylie is the younger party animal of the two sisters, she just wants to have fun on her trip but with her old sister trying to protect her she finds herself being held back until the quake hits and she wants her sister to help her. Lorenza is good in this bratty like character which put her on the map for a future horror scream queen.
Support Cast: Aftershock has the basic supporting cast that all help with the survival side of the story.
Director Review: Nicolas Lopez – Nicolas gives us a film that keeps pulling us in once the earthquake hits.
Action: Aftershock use the action for the destruction side of the story which helps us with mother nature side of the story.
Horror: Aftershock comes from the human side of the story as we see just how twisted they can become in a situation our characters find themselves in.
Thriller: Aftershock keeps us on edge from start to finish.
Settings: Aftershock uses Chile for the settings which works for a different location and shows our characters lost during a disaster.
Special Effects: Aftershock has good effects to create what happens to the characters in the disaster.
Suggestion: Aftershock is one to watch especially is you like disaster movies. (Watch)
Best Part: Earthquake.
Worst Part: Slightly too much before the quake.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $2 Million
Runtime: 1 Hour 29 Minutes
Tagline: The only thing more terrifying than Mother Nature is human nature.
Overall: Surprisingly intense film that blends two great genres.
https://moviesreview101.com/2016/08/19/movie-reviews-101-midnight-horror-aftershock-2012/