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Ryan Hill (152 KP) rated Thor (2011) in Movies
May 9, 2019
Two worlds, One hero
Thor is presented with a difficult challenge - believably incorporating a god into the Marvel Cinematic Universe that has already been established. This task falls to director Kenneth Branagh, who devotes sufficient time to both Asgard, Thor's (Chris Hemsworth) home realm, and Earth, where he is exiled to. Asgard is depicted through a heavy use of special effects which creates a sense of wonder, but the story is steeped in relatable familial issues. When Thor disobeys his father, Odin (Anthony Hopkins), he is cast to Earth as a mortal. His hammer, Mjolnir, is the source of his powers, and it is also sent to Earth to await someone worthy enough to wield such power.
Most superhero movies spend a large amount of time introducing their hero to their superpower, and then invest yet more time discovering the full potential of this power. In the case of Thor, this is reversed. He begins the film a powerful god and is then stripped of such a gift, forced to learn to live without such capabilities. It is here that the film really shines, as Thor attempts to adapt to life on Earth. He is not accustomed to human ways, and this fish out of water scenario is wisely played for laughs.
Of course, this being a superhero movie means a love interest is required to be drafted in. Enter Jane Foster (Natalie Portman), an astrophysicist who discovers Thor. She is accompanied by her mentor, Dr. Erik Selvig (Stellan Skarsgård), and her assistant, Darcy Lewis (Kat Dennings). They all become entangled with S.H.I.E.L.D, who have previously been glimpsed in Iron Man (2008), The Incredible Hulk (2008), and Iron Man 2 (2010). Throughout this series of films it has been evident that there is something larger at play, and with Thor this bigger picture begins to come into sharper focus.
Thor's brother Loki (Tom Hiddleston) is presented as the villain, but he mostly stays in the shadows and pulls the strings of others to do his fighting. This results in less CGI-laden battles but a stronger character-based story. Thor strikes a pleasing balance between plot and spectacle, effectively setting up a likeable hero and an interesting big bad. However, with most of the Earth-based action set in a small town in New Mexico, the threat never feels particularly palpable.
I was skeptical but intrigued by Thor, and Branagh does do a marvellous job of incorporating myth and legend into the Marvel Cinematic Universe. I would have liked to see Kat Dennings given a meatier role to play, but that minor quibble aside Thor is a highly enjoyable superhero movie. Chris Hemsworth is great as Thor, delivering in both the heroics and comedy and Loki played by Tom Hiddelston is a fantastic villian. Sadly, the film doesn't quite rise to the bar set by Iron Man, but it does come impressively close.
Most superhero movies spend a large amount of time introducing their hero to their superpower, and then invest yet more time discovering the full potential of this power. In the case of Thor, this is reversed. He begins the film a powerful god and is then stripped of such a gift, forced to learn to live without such capabilities. It is here that the film really shines, as Thor attempts to adapt to life on Earth. He is not accustomed to human ways, and this fish out of water scenario is wisely played for laughs.
Of course, this being a superhero movie means a love interest is required to be drafted in. Enter Jane Foster (Natalie Portman), an astrophysicist who discovers Thor. She is accompanied by her mentor, Dr. Erik Selvig (Stellan Skarsgård), and her assistant, Darcy Lewis (Kat Dennings). They all become entangled with S.H.I.E.L.D, who have previously been glimpsed in Iron Man (2008), The Incredible Hulk (2008), and Iron Man 2 (2010). Throughout this series of films it has been evident that there is something larger at play, and with Thor this bigger picture begins to come into sharper focus.
Thor's brother Loki (Tom Hiddleston) is presented as the villain, but he mostly stays in the shadows and pulls the strings of others to do his fighting. This results in less CGI-laden battles but a stronger character-based story. Thor strikes a pleasing balance between plot and spectacle, effectively setting up a likeable hero and an interesting big bad. However, with most of the Earth-based action set in a small town in New Mexico, the threat never feels particularly palpable.
I was skeptical but intrigued by Thor, and Branagh does do a marvellous job of incorporating myth and legend into the Marvel Cinematic Universe. I would have liked to see Kat Dennings given a meatier role to play, but that minor quibble aside Thor is a highly enjoyable superhero movie. Chris Hemsworth is great as Thor, delivering in both the heroics and comedy and Loki played by Tom Hiddelston is a fantastic villian. Sadly, the film doesn't quite rise to the bar set by Iron Man, but it does come impressively close.
Movie Metropolis (309 KP) rated Dad's Army (2016) in Movies
Jun 11, 2019
Full of wasted British talent
I may be fairly young in years, but I grew up around comedies like Only Fools & Horses, One Foot in the Grave and of course Dad’s Army. I remember many evenings sitting at home with my dad as he cried with laughter at all three, though it was the latter’s influence that stuck with me the most.
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Kristy H (1252 KP) rated Never Let You Go in Books
Jan 22, 2018
Lindsey Nash has not had the easiest of lives.
She escaped in the dark one night with her six-year-old daughter, Sophie, and just a few of their possessions. They were running from Andrew, Lindsey's drunken, abusive, and possessive husband. Lindsey knew that it was only a matter of time before Andrew killed her, leaving Sophie without her mom. But the night the two disappear, something else happens: a drunken Andrew gets behind the wheel, crashes his vehicle, and kills another woman. The accident puts him in prison for 10 years, giving Lindsey a small sense of freedom, but it's short-lived. Before she knows it, he's out, and headed for the town where Lindsey and Sophie have started over. Strange things start happen, and Lindsey is terrified for her life again--and Sophie's. Andrew claims prison has changed him, but Lindsey can't believe it. How will she and her daughter ever be safe?
This is my fourth Stevens book, and I know by now that she will keep you up late, frantically turning the pages, wondering what will happen. Of the ones I've read, I still think That Night is my favorite, but this one was quite an enjoyable and fast-paced read as well. I blew through it on vacation in about 24 hours, and it had a chilling creepiness to it that made me feel like I should be looking over my shoulder or continually pulling the curtains shut.
First, let's just put out there, as with most of Stevens' books, a big warning for abuse triggers. Please make that known to anyone who might be affected by such a storyline.
One of the best things about this novel was the way Stevens slowly unfurled bits of the plot, making you go "wow" each time something was revealed. The book is divided into three parts, and the first one switches between the present and the past, showcasing some of Lindsey and Andrew's abusive marriage. It's very effective. In the later parts, we hear from both Lindsey and Sophie, who is now a nearly grown teenager. Again, it's a compelling storytelling tool and allows Stevens to work the unreliable narrator angle. Is Lindsey just imagining all this? Can we trust her? Has she just brainwashed Sophie against her father?
The novel sets up a series of suspects, and I admit that I guessed "who did it" before page 100, but I still enjoyed the book immensely. It took me longer to work out why, and I was quite engrossed in the characters. I liked both Lindsey and Sophie, though I didn't love them or feel particularly attached to either, but I so enjoyed the mechanics of the story and what was going to come next that I was completely engaged nonetheless. The novel is very chilling, very eerie, and written so vividly that you can quite imagine many of its more frightening and suspenseful scenes. I can easily see it being made into a movie where I would be peeking tensely through my sleeves.
She escaped in the dark one night with her six-year-old daughter, Sophie, and just a few of their possessions. They were running from Andrew, Lindsey's drunken, abusive, and possessive husband. Lindsey knew that it was only a matter of time before Andrew killed her, leaving Sophie without her mom. But the night the two disappear, something else happens: a drunken Andrew gets behind the wheel, crashes his vehicle, and kills another woman. The accident puts him in prison for 10 years, giving Lindsey a small sense of freedom, but it's short-lived. Before she knows it, he's out, and headed for the town where Lindsey and Sophie have started over. Strange things start happen, and Lindsey is terrified for her life again--and Sophie's. Andrew claims prison has changed him, but Lindsey can't believe it. How will she and her daughter ever be safe?
This is my fourth Stevens book, and I know by now that she will keep you up late, frantically turning the pages, wondering what will happen. Of the ones I've read, I still think That Night is my favorite, but this one was quite an enjoyable and fast-paced read as well. I blew through it on vacation in about 24 hours, and it had a chilling creepiness to it that made me feel like I should be looking over my shoulder or continually pulling the curtains shut.
First, let's just put out there, as with most of Stevens' books, a big warning for abuse triggers. Please make that known to anyone who might be affected by such a storyline.
One of the best things about this novel was the way Stevens slowly unfurled bits of the plot, making you go "wow" each time something was revealed. The book is divided into three parts, and the first one switches between the present and the past, showcasing some of Lindsey and Andrew's abusive marriage. It's very effective. In the later parts, we hear from both Lindsey and Sophie, who is now a nearly grown teenager. Again, it's a compelling storytelling tool and allows Stevens to work the unreliable narrator angle. Is Lindsey just imagining all this? Can we trust her? Has she just brainwashed Sophie against her father?
The novel sets up a series of suspects, and I admit that I guessed "who did it" before page 100, but I still enjoyed the book immensely. It took me longer to work out why, and I was quite engrossed in the characters. I liked both Lindsey and Sophie, though I didn't love them or feel particularly attached to either, but I so enjoyed the mechanics of the story and what was going to come next that I was completely engaged nonetheless. The novel is very chilling, very eerie, and written so vividly that you can quite imagine many of its more frightening and suspenseful scenes. I can easily see it being made into a movie where I would be peeking tensely through my sleeves.
Darren (1599 KP) rated The Book Of Love (2017) in Movies
Jul 25, 2019
Story: The Book of Love starts when architect Henry Herschel (Sudeikis) loses his pregnant wife Penny (Biel) in a car accident, broken he needs to take time away from work, he notices homeless teenager Millie (Williams) searching for scraps.
When Henry learns what Millie is planning, he decides to jump in and help her with the project to build a raft to sail across the Atlantic, this gives him a new lease for life, to help someone follow their dream.
Thoughts on The Book of Love
Characters – Henry Herschel is an architect on the verge of a big promotion to partner in the company, and a baby, his life however is turned upside down when his wife is killed in an accident. Filled with grief he meets teenager Millie who he helps with her project, taking his mind off his loss. Millie is a homeless teenager, well she is forced to live with her estranged Uncle and she wants to build a raft like in the journal she finds. She believes she is doing the right thing as she is dealing with own problems. Penny is Henry’s wife who even after her death gives him guiding light to help Millie. Julia is the mother-in-law wanting the best for Henry as her own way of dealing with the loss of her daughter.
Performances – Jason Sudeikis continues to show that he is delightful to watch in these drama-comedy roles, he shows enough grief and hope to make you believe that he has been the one to lose his wife. Maisie Williams is good for the most part, but she does struggle to maintain the accent through the film. Jessica Biel and Mary Steenburgen both give us good performances in the supporting roles.
Story – The story follows a grief ridden man that decides to help a teenager with her own problems in an attempt to cure his own problems only to there to help cure her problems. This does have sweet moments as we see how the lives have been turned upside down by their own tragic losses and the moments where they can help support each other, we do however deal with grief in a realistic way, being left empty in need of something to keep us going. The glaring problem is the repeating of the facts about people dying, we just don’t need this on repeat to get the point, as we know the focus on the story is, enjoy life however difficult moments have been.
Settings – The film is set-in small-town America, well the suburbs, which shows us how life can change in an instant in this world no matter who or where you are.
Scene of the Movie – Closing shot.
That Moment That Annoyed Me – Maisie Williams accent.
Final Thoughts – This is a charming movie that gets the message across well, we get to see just how grief can be processed by the people suffering from it.
Overall: One of the dreamers to see where people can make it.
When Henry learns what Millie is planning, he decides to jump in and help her with the project to build a raft to sail across the Atlantic, this gives him a new lease for life, to help someone follow their dream.
Thoughts on The Book of Love
Characters – Henry Herschel is an architect on the verge of a big promotion to partner in the company, and a baby, his life however is turned upside down when his wife is killed in an accident. Filled with grief he meets teenager Millie who he helps with her project, taking his mind off his loss. Millie is a homeless teenager, well she is forced to live with her estranged Uncle and she wants to build a raft like in the journal she finds. She believes she is doing the right thing as she is dealing with own problems. Penny is Henry’s wife who even after her death gives him guiding light to help Millie. Julia is the mother-in-law wanting the best for Henry as her own way of dealing with the loss of her daughter.
Performances – Jason Sudeikis continues to show that he is delightful to watch in these drama-comedy roles, he shows enough grief and hope to make you believe that he has been the one to lose his wife. Maisie Williams is good for the most part, but she does struggle to maintain the accent through the film. Jessica Biel and Mary Steenburgen both give us good performances in the supporting roles.
Story – The story follows a grief ridden man that decides to help a teenager with her own problems in an attempt to cure his own problems only to there to help cure her problems. This does have sweet moments as we see how the lives have been turned upside down by their own tragic losses and the moments where they can help support each other, we do however deal with grief in a realistic way, being left empty in need of something to keep us going. The glaring problem is the repeating of the facts about people dying, we just don’t need this on repeat to get the point, as we know the focus on the story is, enjoy life however difficult moments have been.
Settings – The film is set-in small-town America, well the suburbs, which shows us how life can change in an instant in this world no matter who or where you are.
Scene of the Movie – Closing shot.
That Moment That Annoyed Me – Maisie Williams accent.
Final Thoughts – This is a charming movie that gets the message across well, we get to see just how grief can be processed by the people suffering from it.
Overall: One of the dreamers to see where people can make it.
MaryAnn (14 KP) rated The Printed Letter Bookshop in Books
Nov 4, 2019
Amid literature and lattes, three women come together and find that sharing ones journey with best friends makes life richer.
When attorney Madeline Carter inherits her aunts bookstore in a small town north of Chicago, she plans to sell it and add the proceeds to her nonexistent investment portfolio. But plans change when Madeline discovers the store isnt making money and she gets passed over for promotion at her firm. She quits in protest, takes the train north, and decides to work at the store to prep it for sale. Madeline soon finds herself at odds with employees Jessica and Courtney; when she also finds herself attracted to an affianced man, it only confuses the entire situation. After blowing up her marriage two years earlier, Janet has found solace working at the bookstore and a kindred spirit within its owner, Maddie Cullen. But when Maddie dies and her niece, Madeline, barges in like a bulldozer, Janet pushes at the new owner in every way-until she trips over common ground. Soon the women are delving into online dating and fashion makeovers, and Janet feels the pull to rediscover her art, a love she thought long behind her. After a night of bad decisions leaves the store in peril, Claire arrives and tries to save the day. While she, too, found sanctuary in the little bookstore, she knows its under-insured, in the red, and will never survive. When she discovers her teenage daughter has played a part in vandalizing the store, Courtney taps into strength she didnt know existed or had long forgotten. The quietest of the three, she steps up and finds a way to save her family, the store, and the precious friendships that have grown within it. The Printed Letter Bookshop is the story of friends who find each other-and themselves-in a place none of them ever expected.
This is a wonderful read. It's hard to put down once the reader begins the story. One shop, three women and their lives are connected through one woman, Aunt Maddie. In this story, we learn through three women how one magnificent woman helps each woman, Madeline, Janet, and Claire take a look into their lives through books that she has left them to read after her death.
I love bookstores, and this one is more than a bookstore; it's a place where friends come together for love, help, and healing. It's about friendships that can last through trials and tribulations. It's about one woman's legacy and how she looked at life. It's a story that one should not miss.
This is a story of finding one's calling in life, of love, forgiveness and true friendships that last through trials and tribulations, not just in the good times but in the worst of days. This was a wonderful book that teaches us that reading is beneficial, soothing and can always be a learning experience.
I loved the shop; I wish it were real if it were I would visit everyday!
When attorney Madeline Carter inherits her aunts bookstore in a small town north of Chicago, she plans to sell it and add the proceeds to her nonexistent investment portfolio. But plans change when Madeline discovers the store isnt making money and she gets passed over for promotion at her firm. She quits in protest, takes the train north, and decides to work at the store to prep it for sale. Madeline soon finds herself at odds with employees Jessica and Courtney; when she also finds herself attracted to an affianced man, it only confuses the entire situation. After blowing up her marriage two years earlier, Janet has found solace working at the bookstore and a kindred spirit within its owner, Maddie Cullen. But when Maddie dies and her niece, Madeline, barges in like a bulldozer, Janet pushes at the new owner in every way-until she trips over common ground. Soon the women are delving into online dating and fashion makeovers, and Janet feels the pull to rediscover her art, a love she thought long behind her. After a night of bad decisions leaves the store in peril, Claire arrives and tries to save the day. While she, too, found sanctuary in the little bookstore, she knows its under-insured, in the red, and will never survive. When she discovers her teenage daughter has played a part in vandalizing the store, Courtney taps into strength she didnt know existed or had long forgotten. The quietest of the three, she steps up and finds a way to save her family, the store, and the precious friendships that have grown within it. The Printed Letter Bookshop is the story of friends who find each other-and themselves-in a place none of them ever expected.
This is a wonderful read. It's hard to put down once the reader begins the story. One shop, three women and their lives are connected through one woman, Aunt Maddie. In this story, we learn through three women how one magnificent woman helps each woman, Madeline, Janet, and Claire take a look into their lives through books that she has left them to read after her death.
I love bookstores, and this one is more than a bookstore; it's a place where friends come together for love, help, and healing. It's about friendships that can last through trials and tribulations. It's about one woman's legacy and how she looked at life. It's a story that one should not miss.
This is a story of finding one's calling in life, of love, forgiveness and true friendships that last through trials and tribulations, not just in the good times but in the worst of days. This was a wonderful book that teaches us that reading is beneficial, soothing and can always be a learning experience.
I loved the shop; I wish it were real if it were I would visit everyday!
Sophia (Bookwyrming Thoughts) (530 KP) rated The Conduit (The Gryphon Series) in Books
Jan 23, 2020
I am making progress in the 2014 TBR Pile Challenge and cleaning out my Kindle. Of course, the latter will take quite a long time, but... I'll get there. ;) *rubs hands together as though ready to make an evil potion*
<img border="0" src="http://3.bp.blogspot.com/-SQb9SIzFTks/U0LIMksTnDI/AAAAAAAAC9Q/SY6SL5DMywI/s1600/I+Put+a+Spell+on+You.gif"; height="144" width="320">
Celeste Garrett just wants to be a normal teenager getting ready to go to college. But shortly after she and her siblings move to a small town in Tennessee with their Grandmother, strange things start happening to them. They later found out about a deal one of their ancestors made with a mythical creature called "the Gryphon" and that Celeste is the Chosen One to stop a war from happening.
The Conduit is a really fun book lots of LOL moments, and a bookwyrming confession: It's really hard to make feel things crying, laughing, etc when it comes to writing. Speaking's another story, and that is exactly how I got the name Giggles back in 6th grade (vocal variations, come on! Some people make things sound funny, okay?!). At least for me it is.
But let's just say my very first worry after reading the prologue was the last few sentences:
<blockquote>Gainesboro, Tennessee. Thats where it all happened. Thats where I learned the truth. Thats where everything changed. Thats where my destiny found me. And now, its where I would die.</blockquote>
NOOOOO. Want to know why I was worried? Take a look *points to a particular book* Yeah. THAT book. When you hear the word die, you get worried. Very worried. Of course, in that other case, it was a bomb.
The characters go really great together Celeste (I've been wondering how to pronounce her name CORRECTLY, and even though I have a guess, I'm not 100% sure) and her siblings Gabe and Kendall are like the 3 Stooges. I even had to be really careful not to wake up my mom because of those random scenes that just pop in and made me laugh.
<blockquote>I was cold, tired , confused , scared, overwhelmed, and I kind of had to pee.</blockquote>
And that, my friends, is the perfect time to toss in those TMI moments. All so serious and then tossing in something completely random and sort of out of whack. Maybe I'm just a weird person. :p
Even Grams was a fun character in her own way, though she actually reminded me of a certain Super Bowl commercial from Taco Bell with those old people dancing (and partying) my speech teacher showed to us in class while talking about persuasion. She's like a teenager stuck in the wrong age or something. (Eye candy! *oggles* at Zeke Crosse)
---------------
Original Rating: 4.5 out of 5
This Review and more posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/review-the-conduit-by-stacey-rourke.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
<img border="0" src="http://3.bp.blogspot.com/-SQb9SIzFTks/U0LIMksTnDI/AAAAAAAAC9Q/SY6SL5DMywI/s1600/I+Put+a+Spell+on+You.gif"; height="144" width="320">
Celeste Garrett just wants to be a normal teenager getting ready to go to college. But shortly after she and her siblings move to a small town in Tennessee with their Grandmother, strange things start happening to them. They later found out about a deal one of their ancestors made with a mythical creature called "the Gryphon" and that Celeste is the Chosen One to stop a war from happening.
The Conduit is a really fun book lots of LOL moments, and a bookwyrming confession: It's really hard to make feel things crying, laughing, etc when it comes to writing. Speaking's another story, and that is exactly how I got the name Giggles back in 6th grade (vocal variations, come on! Some people make things sound funny, okay?!). At least for me it is.
But let's just say my very first worry after reading the prologue was the last few sentences:
<blockquote>Gainesboro, Tennessee. Thats where it all happened. Thats where I learned the truth. Thats where everything changed. Thats where my destiny found me. And now, its where I would die.</blockquote>
NOOOOO. Want to know why I was worried? Take a look *points to a particular book* Yeah. THAT book. When you hear the word die, you get worried. Very worried. Of course, in that other case, it was a bomb.
The characters go really great together Celeste (I've been wondering how to pronounce her name CORRECTLY, and even though I have a guess, I'm not 100% sure) and her siblings Gabe and Kendall are like the 3 Stooges. I even had to be really careful not to wake up my mom because of those random scenes that just pop in and made me laugh.
<blockquote>I was cold, tired , confused , scared, overwhelmed, and I kind of had to pee.</blockquote>
And that, my friends, is the perfect time to toss in those TMI moments. All so serious and then tossing in something completely random and sort of out of whack. Maybe I'm just a weird person. :p
Even Grams was a fun character in her own way, though she actually reminded me of a certain Super Bowl commercial from Taco Bell with those old people dancing (and partying) my speech teacher showed to us in class while talking about persuasion. She's like a teenager stuck in the wrong age or something. (Eye candy! *oggles* at Zeke Crosse)
---------------
Original Rating: 4.5 out of 5
This Review and more posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/review-the-conduit-by-stacey-rourke.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
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Afterlife (Afterlife Saga, #1)
10.0
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Afterlife… just some gothic nightclub where gossip is fuelled by the presence of a rich and...
Gareth von Kallenbach (980 KP) rated The Little Things (2021) in Movies
Jan 26, 2021
Academy Award Winners Denzel Washington, Jared Leto, and Remi Malik star in the new thriller “The Little Things” and combine to make very gripping and memorable performances.
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
The script was reportedly written over thirty years ago by John Lee Hancock who has gone on to write, direct, and produce multiple films of note in the decades since he first created the screenplay.
The film is set in 1990 and involves a cop named Joe Deacon (Denzel Washington), who travels from his small California town to Los Angeles to get information on a suspect.
Joe has a history in L.A as he used to be a homicide detective for the department which combined with his meltdown while obsessing over a murder case has caused him more than a bit of notoriety.
Jim Baxter (Remi Malik) is the hotshot new Detective who has been leading the investigation into a string of unsolved murders. Joe accompanies Jim to a new crime scene and notes some similarities with his unsolved case. Joe takes some personal days and begins to do some legwork on the case and reports his findings to Jim which causes Joe to remember aspects of what drove him to his marital, health, and career issues as he is unable and unwilling to let the case drop.
When a prime suspect no longer fits into the picture; suspicions fall on a crime enthusiast named Albert (Jared Leto) who seems to check all the boxes but is also taking delight in winding up Joe which causes Jim to question if he is a viable suspect or just an oddball who gets off on crimes and winding up the cops but does not actually commit any offenses.
As the delicate dance unfolds between the characters the fact that this is an era before Cell Phones, DNA tests, GPS, and elaborate computer networks helps underscore the plight of the officers. If the film was set in a modern setting much of the suspense and uncertainty of the story and characters would be moot thanks to technology.
As the game of cat and mouse unfolds between the characters Jim learns how a person can become obsessed with a case and Joe attempts to mentor him from the success and failures of his life which includes some gray areas.
Aside from the strong performances and engaging story what makes “The Little Things” work is that it is a film that does not take the Hollywood fallbacks of extended gunfights, car chases, and over the top action scenes. What it does show is real and flawed characters that are doing what they think are right and does not attempt to wrap things up nice and tidy.
The film uses the element of doubt to not only drive the story but the actions of the characters which underscores that an element of uncertainty exists in some investigations and in with the resources available to police at the time; things are not always certain.
The film will appear in cinemas and HBO Max and is a compelling and well-crafted thriller that is not to be missed.
4.5 stars out of 5
BankofMarquis (1832 KP) rated Asteroid City (2023) in Movies
Jun 30, 2023
Too "Wes Anderson" For It's Own Good
If you watched the Oscar Nominated Wes Anderson film THE GRAND BUDAPEST HOTEL back in 2014 and thought to yourself - “I want more of this type of thing - only turned up to 11”, then does the BankofMarquis have a film for you.
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Joe Julians (221 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 17, 2018
Given that the premise to this movie focuses on the unsolved rape and murder of a teenage girl, you would be forgiven for thinking that Three Billboards Outside Ebbing, Missouri would be a bleak and depressing watch. And at times it is. This is by no means a happy movie and there is a lot of misery and upset that plagues the central characters. But, interwoven in all that is a dark comedic vibe that makes the script story and characters come to life in ways that I wasn’t expecting going in.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.
The film starts us off seven months after Mildred’s daughter’s death and we immediately get a sense of how frustrated she is that she’s had no answers or closure as to what happened. Her blame for this lies solely with the police department and as the man in charge, it’s Willoughby that initially is the target of her ire; his is the name that is plastered across billboard number 3. What follows is a story that is utterly engrossing for almost all of its run time. The cast here are across the board superb. Everyone here puts in a stellar performance but despite Sam Rockwell giving her a run for her money, this is Frances McDormand’s movie through and through. She’s utterly captivating in every second of screen time she gets which is all the more remarkable given that Mildred is not an easy role to play. She’s almost joyless given what has happened to her and her fractured family, yet her cynical and blunt nature allows for some wonderfully, sometimes uncomfortable, comedic moments that really help make the character one that feels oddly warm despite her cold hardened exterior.
I mentioned Rockwell too and this is the best I’ve seen him. Officer Dixon isn’t a nice guy by any stretch of the imagination. He’s a racist mother’s boy that has little care for his job or the people that he’s meant to be protecting. And yet despite his flaws, Rockwell makes him almost sympathetic. Dixon also ends up having what I think to be the best arc of the whole movie- something I would not have picked when he first appeared on the screen and showed what kind of man he is. Just naming these two seems like a detriment to everyone else as there isn’t anyone that puts a foot wrong. Harrelson for example is wonderful as Chief Willoughby and delivers a nuanced and understated performance that really made me feel for the character and the horrible things he’s going through. Even those with far smaller parts are memorable, such as Peter Dinklage as the alcoholic “town midget” with an unreciprocated crush.
Performances aside, Three Billboards would be nothing without a decent script and Martin McDonagh delivers that in spades. This is a sharp script that doesn’t waste a moment of dialogue. And there’s some fantastic lines here with laughs coming at the most unexpected moments and at the most unexpected of times. There’s an early zinger in a scene with Mildred and a priest at her home that took me by surprise with its crassness that seemed to perfectly suit the scene. McDonagh is also on directing duties and he is equally as impressive with that as he is with penning the screenplay. This is a beautifully shot film with the rural location and the small-town setting used perfectly. He never oversells a moment despite the fact there are a few moments where it would be possible to do so. One scene in particular featuring Mildred in perhaps her angriest moment of the movie could easily have been overblown, yet it’s somewhat subdued despite being the closest to an action sequence that we get.
If there’s issues to be found in Three Billboards, it would be, at least for me, its ending. Until just before the credits rolled, this was an easy perfect score film for me, yet it’s ambiguity with its conclusion left me feeling a little cold. It’s not that I need every story I experience to have a neat and clear-cut end, but this was one that I felt needed something more final to close it out. It almost feels like it ended too soon, like there were a few more minutes worth of story still to be told that for whatever reason ended up being removed from the final product. Of course, that’s not the case, but it’s hard not to feel like things are left incomplete in a way that is more frustrating than they are intriguing.
Verdict
Despite an ending that felt too abrupt, Three Billboards Outside Ebbing Missouri is a joy to watch. Brilliantly written, acted and directed, this is one of those movies that had me completely immersed in its world right from the start and had me gripped until the final frame. Highly recommended.