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Parade by Prince and The Revolution
Parade by Prince and The Revolution
1986 | Soundtrack, Psychedelic
5.5 (4 Ratings)
Album Favorite

"Temple, Texas is very religious. A lot of churches and fast food restaurants. Football is really big in the city. And around 15, I was starting to realize that this type of environment didn’t feel good to me. By then I was into new wave music. There were cultural dividing lines: Metalheads had a thing, country western people had a thing, and the popular kids might have been more into pop-rock. But if you were into Art of Noise, New Order, the Cure, and Depeche Mode, it was a little weird. I had a lot of friends on the soccer team who thought I was queer. But there was a group of people in my high school who knew about these bands. We all dressed a little bit funny and we would catch hell for it. There were fights for sure. If you went to the mall or a party, there was always a chance that someone was going to want to fuck with you. I got in a fight in a classroom when a guy made fun of my Frankie Goes to Hollywood shirt. I took that very personally and knocked him on his ass. And I got sent to the principal for that, and I had to bend over his desk, and he swatted me. A lot of cowboys would call me and my friends “queer bitches.” So we adopted it and started calling each other that. It took some sting out of it. One time, this guy called my friend a “queer bitch,” and my friend licked his hand and wiped it on a cowboy’s truck and said, “Yeah, that’s right—and I got those AIDS.” The cowboy flipped out and drove off. Parade by Prince came out right when I was 15, and I was obsessed with him. I got that album the day it was released. The single “Kiss” had come out before, and the very first time I heard it I was like, “How could there be a better single than this?” It’s just undeniable. That song became what a single was to me—something stripped down, so you could focus on a few key elements that were just perfect. Prince was just the coolest, most creative thing happening. And he could fucking dance. I always thought the coolest job would be to make records, but for a long time I didn’t really think about how I would go about that. I just thought, “Something will happen.” And then I got wise and learned how to play an instrument. When I was 16, a girl I had a crush on left for college, and I borrowed a friend’s acoustic guitar and taught myself to play it as I was recovering/suffering from my first real breakup. I was pretty devastated. I would come home from school every day and just be in my room playing guitar and thinking about her, writing letters, listening to records."

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The worst I thought would happen to The Last Changeling is an exact replica of The Iron Fey, only a much darker version.

Thankfully, that isn't the case.

In actuality, The Last Changeling is a talking book. Chelsea Pitcher's latest work certainly didn't sprout a mouth and start speaking to me. Although it would be really cool to have a talking book. "Morning, Last Changeling! Please summarize what I read three weeks ago. Thank you!"

(Should that actually happen, I would probably use it a lot. For the books whose sequels I read years later. *cough* Matched *cough*)

See, one of our main characters, Elora, is a Dark Faery Princess on a quest for the Bright/Seelie Queen. Our other main character is a dude by the name of Taylor who is a soccer player and has great morality, but the guy honestly puts himself down far too much. They meet... at a swing set, and because "Lora" doesn't seem to have a place to go, Taylor offers to let her stay at his house.

Thus begins the talking. And more talking. About faery history, which essentially leads to well... Elora's history (always a great idea for us to know the characters of course, especially the main ones). By the end of the book, you'll know Elora pretty well, and meanwhile... it's pretty much expected Taylor and Elora will fall heads over heels in love from their first meeting. The characters just don't admit it (not that any pair of fictional characters ever do).

Plus, Taylor and I are distant buddies. Quite distant, because it seems as though Pitcher focuses a little too much on Elora and the reader knowing Elora yet neglecting Taylor.

So basically my biggest question is this: Is Elora's quest just talking, trying to acclimate to the mortal world, while trying to figure out the answer to the Bright Queen's riddle which was off the charts wrong? I was sort of expecting adventure. Fireballs! Or... shadowballs in this case...

But I most certainly did not expect talking. Lots and lots of talking.

I guess I'm the reader who prefers the blood and gore. Occasionally, the fluffy, bunny book (NOT like eating bunny tails, as Ella likes to say. Though I suppose that's accurate as well.) is enjoyable.

On the bright side, I do think Elora and Taylor go well together. By the end of the story, Taylor seems much more confident and seems to stand up for himself rather than letting others push him around. And Elora, despite the fact her lack of knowledge of the mortal world is hilarious, makes a great impact to those who would rather be a doormat and not stand up for themselves. I personally think Chelsea Pitcher's latest novel sends a strong message across to readers, even though there's far too much talking than "questing."
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Advanced copy provided by Flux for review (and the blog tour)
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/11/blog-tour-the-last-changeling-by-chelsea-pitcher-arc-review-and-giveaway.html">Bookwyrming Thoughts</a>
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