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Film Noir
Homer Pettey and R. Barton Palmer
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This book explores the development of film noir as a cultural and artistic phenomenon. This book...
Erratic cinematic by Gerry Cinnamon
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Gareth von Kallenbach (971 KP) rated Team America: World Police (2004) in Movies
Aug 14, 2019
With world tensions at an all time high with the very real threat of terrorism, the creators of South Park, Trey Parker and Matt Stone, have rushed to the rescue with a biting political and social satire named “Team America: World Police”.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
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Goddess in the Stacks (553 KP) rated Station Eleven in Books
Sep 6, 2017
Okay?
This was marketed as a dystopia, but it’s really more post-Apocalypse fiction. There’s a fine line between the two – and sometimes things can straddle it – but I wouldn’t call this a dystopia. So I’m a little disappointed there. Otherwise, it was good. I’m left not really sure how I should feel about it, though. I prefer books that make me feel a certain way – romances make me happy, non-fiction usually makes me feel smarter, like I’ve learned something, graphic novels make me nostalgic. I’m even okay with books like The Fault in Our Stars, or The Crown’s Game, that left me a weeping mess. Station Eleven just left me with an “…o-kay?” Like, what am I supposed to do with this? Unlike most dystopias, I don’t feel like it was a social commentary because it’s post-apocalyptic. (In this case, a virus swept through and killed about 99% of Earth’s population.) But at the same time, because it details events both before and after the apocalypse, I feel like it was trying to be?
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
Sarah (7798 KP) rated Guards! Guards! Discworld Novel 8 in Books
Mar 19, 2018
A great introduction to the City Watch
You've got to hand it to Terry Pratchett, he knows how to write a good fantasy novel.
Guards! Guards! is yet another great Discworld novel, and the first to introduce Captain Vimes and the City Watch. Vimes himself is a loveable anti-hero who develops greatly over the course of the novel and the same too can be said for the other members of the Watch. Carrot the 'dwarf' provides a real introduction to the Watch and also a lot of the humour from his exploits, and I loved seeing a lot more of the Librarian.
The plot itself on the face of it is a fantasy fairy tale filled story of dragons, maidens and heroes. But with every Pratchett novel, beneath it lies dark wit and humour, and a slightly sad social commentary on human greed and corruption. There are a lot of references in this to other media, like The Hobbit, which really poke fun at the myths and lore used in the fantasy genre.
A great read with some very engaging characters. A little rambling at times, but fortunately the rest of the book makes up for it! Discworld books are the only books that can really make me laugh out loud.
Guards! Guards! is yet another great Discworld novel, and the first to introduce Captain Vimes and the City Watch. Vimes himself is a loveable anti-hero who develops greatly over the course of the novel and the same too can be said for the other members of the Watch. Carrot the 'dwarf' provides a real introduction to the Watch and also a lot of the humour from his exploits, and I loved seeing a lot more of the Librarian.
The plot itself on the face of it is a fantasy fairy tale filled story of dragons, maidens and heroes. But with every Pratchett novel, beneath it lies dark wit and humour, and a slightly sad social commentary on human greed and corruption. There are a lot of references in this to other media, like The Hobbit, which really poke fun at the myths and lore used in the fantasy genre.
A great read with some very engaging characters. A little rambling at times, but fortunately the rest of the book makes up for it! Discworld books are the only books that can really make me laugh out loud.
Suswatibasu (1701 KP) rated Brit(ish): On Race, Identity and Belonging in Books
Mar 11, 2018
An important and necessary conversation
There is a wealth of insight crammed into this book about race and identity in Britain, describing how important it is to have a cohesive self by accepting that you may have other identities alongside being a UK citizen.
What hinders this process is the apparent racism that plagues British society, from being 'colour-blind' and thus ignoring the issue, to the awkward and troubled relationship with Britain's history and its origins. The author, Afua Hirsch, also discovers her own Ghanaian roots throughout her journey of self-awareness, making this book both a memoir and social commentary. Hirsch checks her privilege immediately, which makes a refreshing change.
While I can completely relate to her opinions on the racist structures in place and the microagressions that have become normalised, the historical and anthropological elements were the most fascinating parts for me. Learning about the racist views upheld by leading western thinkers such as Immanuel Kant and David Huhne, as well as how the 1919 race riots ensued over the perception of 'white cleansing' was deeply concerning.
Hirsch's call for change on Britain's selective amnesia is not new but it has a contemporary angle following the country's move to leave the EU. Incredibly engaging.
What hinders this process is the apparent racism that plagues British society, from being 'colour-blind' and thus ignoring the issue, to the awkward and troubled relationship with Britain's history and its origins. The author, Afua Hirsch, also discovers her own Ghanaian roots throughout her journey of self-awareness, making this book both a memoir and social commentary. Hirsch checks her privilege immediately, which makes a refreshing change.
While I can completely relate to her opinions on the racist structures in place and the microagressions that have become normalised, the historical and anthropological elements were the most fascinating parts for me. Learning about the racist views upheld by leading western thinkers such as Immanuel Kant and David Huhne, as well as how the 1919 race riots ensued over the perception of 'white cleansing' was deeply concerning.
Hirsch's call for change on Britain's selective amnesia is not new but it has a contemporary angle following the country's move to leave the EU. Incredibly engaging.
Lou Grande (148 KP) rated Rape Van in Books
Jun 9, 2018
It's what you think
Contains spoilers, click to show
THE VAN (RAPE VAN? I'm unsure what the title of this book officially is) is about a group of idiots who get into a car crash, get picked up by a group of serial killers, who get picked up by another group of serial killers. Even the book points out how ridiculous this premise is, so I'm inclined to give it a pass. Miller has a solid, no-frills kind of style that appeals to me, and he's never short on the gore. Of the extreme horror authors that are swarming Amazon, he's probably my favorite because he's the least pretentious (Matt Shaw, looking at you) and unflinching.
THE VAN is a quick read--a bit of junk food for your brain. You probably won't remember it a few days after you read it. One thing I wish authors would stop doing is letting the bad guy win and acting like the audience should be shocked. Some authors can pull that off as social commentary or whatever, but if you're churning these out month after month on Amazon, you probably can't. There's nothing wrong with writing something just for entertainment. Not everything needs to have a message.
THE VAN is a quick read--a bit of junk food for your brain. You probably won't remember it a few days after you read it. One thing I wish authors would stop doing is letting the bad guy win and acting like the audience should be shocked. Some authors can pull that off as social commentary or whatever, but if you're churning these out month after month on Amazon, you probably can't. There's nothing wrong with writing something just for entertainment. Not everything needs to have a message.
Jordan Binkerd (567 KP) rated MASH (1970) in Movies
Jul 31, 2019
Broke new comedy ground (3 more)
Biting social commentary
Excellent cast
Moderately funny
Less a plot than a loosely-connected set of escapades (2 more)
Not the show you remember
Some of the stuff the protagonists get up to is legitimately awful, and this shouldn't have been okay even in the 70s
Groundbreaking at the time, but unremarkable today
If you're looking into this on account of the TV show, don't bother. It's very different. An anti-Vietnam movie about Korea, MASH is a dark comedy that's moderately funny and broke new ground at the time, but there's not much to recommend it today. Worth seeing? Sure. But it's not necessarily deserving of its cult status.
Plus, the protagonists are legitimately despicable people. You're supposed to cheer for them against the by-the-book fuddy-duddies like Burns and "Hot Lips" Houlihan, but honestly? The scene where they pull up the sides of the shower tent and expose HLH mid-shower is a bit uncomfortable, made more so by her breakdown/rant next scene as she berates the unit Commander for letting them get away with crap like that - and she's not wrong. The protagonists deserve to be court martialed for this, but no consequences are ever leveled. Even for the 70s, that's messed up....
Plus, the protagonists are legitimately despicable people. You're supposed to cheer for them against the by-the-book fuddy-duddies like Burns and "Hot Lips" Houlihan, but honestly? The scene where they pull up the sides of the shower tent and expose HLH mid-shower is a bit uncomfortable, made more so by her breakdown/rant next scene as she berates the unit Commander for letting them get away with crap like that - and she's not wrong. The protagonists deserve to be court martialed for this, but no consequences are ever leveled. Even for the 70s, that's messed up....
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