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Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Bong Mines Entertainment (15 KP) rated Eargasms for Short-Sighted Post-Truth Era People by Helsinki Headnod Convention in Music
Jun 7, 2019
Helsinki Headnod Convention is a Jazz/Spoken Word band. Not too long ago, they released their debut EP, entitled, “Eargasms for Short-Sighted Post-Truth Era People”.
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/
Daniel Boyd (1066 KP) rated The Night Of - Season 1 in TV
Jul 19, 2017
Fantastic performances by the entire cast (4 more)
Phenomenal Script
Beautiful cinematography
Clever use of lighting
Brillaint direction
A Masterpice of Storytelling.
The Night Of stars Riz Ahmed as Naz, a young guy from Manhattan from an Asian family, who makes a series of bad decisions on what was supposed to be a simple night out; leading to his subsequent arrest and trial for the murder of a young girl. While there is no denying that Naz made some bad decisions and it is hard to deny he looks guilty, we are on this guy’s side at the start of the series. Then Jon Turturro comes into the show as Naz’s lawer John Stone. This is Turturro’s best role in years, possibly in his entire career and it serves as a stark reminder how wasted this guy is in the Transformers series and Adam Sandler Movies. Both leads give convincing performances as their respective characters, thrust into a situation that ends up being way out of their depth, they are both fish out of water, on either side of the justice system and we see the adapt or die method used by each of them.
Preacher, Westworld and Stranger Things are widely considered to be the best new TV shows of 2016, but I reckon that The Night Of is probably the most important new show broadcast this year. In the wake of a plethora of horrific, recent terror attacks across the world and following the vote to elect Donald Trump as the president of the most powerful country in the world, (a man who once expressed the desire to ban all Muslims from entering the USA,) this show seems unfortunately more relevant than ever. The show doesn’t shove any explicit propaganda down your throat, but there is no denying the racist undertones present and the social issues that the show presents to us. The writing is also fantastic throughout and this is by far the most painfully realistic show I have seen in the last few years. The show isn’t without its quirks though, but the consistently realistic nature of the writing and the performances are what make this show so immersive. The series also takes the viewer on a journey of discovery, constantly dropping unexpected character twists and new hints towards what really happened on the night referred to in the show’s title. This show throws so many interesting conversation starters into the viewership’s collective mind and constantly keeps you guessing as a spectator to these gruesome events.
This is a show that everyone should try, in a post brexit world where racial tensions are at an extreme high, this show is painfully relevant to people on either side of the argument. The crime itself becomes a background element as we see the biased treatment of a young Muslim man by the system and the assumptions made for and against him. There are so many backdoor deals being made between lawyers and other law officials and really the worst light is thrown on the criminal justice system itself and how broken the whole thing is. By halfway through the series’ 8 episodes, the issue of whether or not Naz actually committed the crime is irrelevant, the most important thing at this point being trying to keep everybody involved with this high profile case happy.
Although the moral points that this show chooses to pursue are unflinching and extremely well handled, the more technical aspects of the show are also expertly executed. I have already spoke about Riz Ahmed and John Turturro’s stand out performances, but the show’s supporting cast doesn’t contain any weak spots either and features a well rounded variety of races, ages and social classes. Naz’s family are all brilliant as are the other lawyers that make up the case. I have also already spoke about the high quality script present in the show, but I feel that the show’s writing team can’t be praised enough for the consistently high quality script they have produced. The cinematography of the show is also impressive throughout, with each shot perfectly complimenting the tone that the show sets and framing the actor’s performances masterfully. The use of light is also well implemented and adds to each shot composition and the overall aesthetic of the show. As highlighted above the actor’s performances are fantastic, but they are guided very well by the show’s directors. The score is also a nice addition to the tone of the show, as are all of the sound effects and audio used throughout.
Overall, this is the definition of great television and is the example that all other TV shows should aim for. Even if you don’t agree with the moral compasses of the show’s characters, it is objectively impossible to deny the show’s high caliber of technical filmaking. This is without a doubt one of the best shows aired in 2016 and could even be considered as one of the best seasons of a TV show of the last decade.
Preacher, Westworld and Stranger Things are widely considered to be the best new TV shows of 2016, but I reckon that The Night Of is probably the most important new show broadcast this year. In the wake of a plethora of horrific, recent terror attacks across the world and following the vote to elect Donald Trump as the president of the most powerful country in the world, (a man who once expressed the desire to ban all Muslims from entering the USA,) this show seems unfortunately more relevant than ever. The show doesn’t shove any explicit propaganda down your throat, but there is no denying the racist undertones present and the social issues that the show presents to us. The writing is also fantastic throughout and this is by far the most painfully realistic show I have seen in the last few years. The show isn’t without its quirks though, but the consistently realistic nature of the writing and the performances are what make this show so immersive. The series also takes the viewer on a journey of discovery, constantly dropping unexpected character twists and new hints towards what really happened on the night referred to in the show’s title. This show throws so many interesting conversation starters into the viewership’s collective mind and constantly keeps you guessing as a spectator to these gruesome events.
This is a show that everyone should try, in a post brexit world where racial tensions are at an extreme high, this show is painfully relevant to people on either side of the argument. The crime itself becomes a background element as we see the biased treatment of a young Muslim man by the system and the assumptions made for and against him. There are so many backdoor deals being made between lawyers and other law officials and really the worst light is thrown on the criminal justice system itself and how broken the whole thing is. By halfway through the series’ 8 episodes, the issue of whether or not Naz actually committed the crime is irrelevant, the most important thing at this point being trying to keep everybody involved with this high profile case happy.
Although the moral points that this show chooses to pursue are unflinching and extremely well handled, the more technical aspects of the show are also expertly executed. I have already spoke about Riz Ahmed and John Turturro’s stand out performances, but the show’s supporting cast doesn’t contain any weak spots either and features a well rounded variety of races, ages and social classes. Naz’s family are all brilliant as are the other lawyers that make up the case. I have also already spoke about the high quality script present in the show, but I feel that the show’s writing team can’t be praised enough for the consistently high quality script they have produced. The cinematography of the show is also impressive throughout, with each shot perfectly complimenting the tone that the show sets and framing the actor’s performances masterfully. The use of light is also well implemented and adds to each shot composition and the overall aesthetic of the show. As highlighted above the actor’s performances are fantastic, but they are guided very well by the show’s directors. The score is also a nice addition to the tone of the show, as are all of the sound effects and audio used throughout.
Overall, this is the definition of great television and is the example that all other TV shows should aim for. Even if you don’t agree with the moral compasses of the show’s characters, it is objectively impossible to deny the show’s high caliber of technical filmaking. This is without a doubt one of the best shows aired in 2016 and could even be considered as one of the best seasons of a TV show of the last decade.
Nicole Hadley (380 KP) rated The Banana-Leaf Ball: How Play Can Change the World in Books
Jun 18, 2018
The Banana-Leaf Ball by Katie Smith Milway is book is based on a real refuge camp in East Africa and a boy whose life got better when the sport of soccer was introduced to the children. The coaches from the organization Right to Play taught kids how to get along by playing together.
The main character, Deo Rukundo, an East African boy is forced to flee his home because of a war in his country. He ends up separated from his family and keeps running deep into the forest for safety. After many weeks where he lives on dew drops, wild fruits and leaves he finds his way to a refugee camp in Northwest Tanzania. Frightened, homesick and alone, he prays for the well-being of the rest of his family.
With little resources in the refugee camp bullies emerge and vandalize those living there. They steal and intimidate everyone and they especially target Deo. Remy the gang leader is menacing and poses threats to all those he encounters.
One day a coach arrives and gathers up the children to play a game of soccer. He hesitates about joining in the game but his excitement overcomes him and he touts his excellent soccer skills in front of the coach. Very impressed, the coach makes Deo captain of the "shirts" team. As the game progresses brand new feelings of comradery and acceptance emerge from the players as they work together as a team to score that winning goal. The kids start to laugh, forget their worries and relax. They area transformed into" kids" once again.
In the following days the kids gather at Deo's house and he teaches them his soccer moves and how to make a ball out of dried banana leaves. Most importantly they open up to each other about their feelings and share their experiences both before refugee camp and the life they are living now.
This book is based upon a true story. It is heartwarming and inspiring. It points out that truly frightening, seemingly hopeless situations can indeed be turned around into something positive and bearable for those caught in such tragic circumstances.
The book is a perfect catalyst to get kids talking about others less fortunate and the social justice issues that surround refugees all over the world. It allows them to discuss the handling of bullies and the value of sports, teamwork, sharing with each other and acceptance.
I received this ARC book from Kids Can press via NetGalley in exchange for an honest review.
The main character, Deo Rukundo, an East African boy is forced to flee his home because of a war in his country. He ends up separated from his family and keeps running deep into the forest for safety. After many weeks where he lives on dew drops, wild fruits and leaves he finds his way to a refugee camp in Northwest Tanzania. Frightened, homesick and alone, he prays for the well-being of the rest of his family.
With little resources in the refugee camp bullies emerge and vandalize those living there. They steal and intimidate everyone and they especially target Deo. Remy the gang leader is menacing and poses threats to all those he encounters.
One day a coach arrives and gathers up the children to play a game of soccer. He hesitates about joining in the game but his excitement overcomes him and he touts his excellent soccer skills in front of the coach. Very impressed, the coach makes Deo captain of the "shirts" team. As the game progresses brand new feelings of comradery and acceptance emerge from the players as they work together as a team to score that winning goal. The kids start to laugh, forget their worries and relax. They area transformed into" kids" once again.
In the following days the kids gather at Deo's house and he teaches them his soccer moves and how to make a ball out of dried banana leaves. Most importantly they open up to each other about their feelings and share their experiences both before refugee camp and the life they are living now.
This book is based upon a true story. It is heartwarming and inspiring. It points out that truly frightening, seemingly hopeless situations can indeed be turned around into something positive and bearable for those caught in such tragic circumstances.
The book is a perfect catalyst to get kids talking about others less fortunate and the social justice issues that surround refugees all over the world. It allows them to discuss the handling of bullies and the value of sports, teamwork, sharing with each other and acceptance.
I received this ARC book from Kids Can press via NetGalley in exchange for an honest review.
Gareth von Kallenbach (965 KP) rated J. Edgar (2011) in Movies
Aug 7, 2019
When I first heard about this movie, it intrigued me. When I heard that it starred Leonardo Dicaprio and was directed by Clint Eastwood, I was hooked. And I must say, that with a few small exceptions, the film definitely lived up to expectations for me.
J. Edgar is the story of Hoover’s rise to “power”, as told by J. Edgar Hoover. The movie takes place during three different time periods: when Hoover was just a budding employee of the Department of Justice and his involvement in the creation of the Bureau of Investigation; flash forward to Kennedy’s time in the office of the President of the United States of America, and finally during Nixon’s short-lived administration.
Throughout the film we see the influence that Hoover had in the government at the time. Of course, at the beginning of his career, he had very little. But through lies, deceit and manipulation he quickly became very influential. He began building his “personal files” very early on, which he used to blackmail and coerce government officials into many things, but most of all to keep his position as head of the FBI.
Throughout the film we see J. Edgar Hoover’s struggle with his controlling mother, his sexuality and his political opponents. His mother, Annie Hoover, played by Dame Judi Dench, saw Hoover as the savior of their family name. It had been disgraced in her eyes by his mentally ill father. She was his guiding voice in all areas of his life, including appearance, stature and his sexuality.
We see Hoover make advances towards Helen Gandy, played by Naomi Watts, who is a typist who becomes his personal assistant his entire life. Hoover’s demeanor around her is awkward at best, and she makes it very clear that she is focusing on her career. Shortly after the creation of the Bureau of Investigations he meets Clyde Tolson, played by Armie Hammer of The Social Network fame. It quickly becomes obvious that there is chemistry between these two.
The film takes us all the way to Hoover’s death and the many things he has accomplished, or perhaps did not accomplish, in between. Remember that I said that this a story of J. Edgar Hoover as told by the man himself. This plays into the film in a very great way. Overall, this is definitely a must-see film as it is a great drama sprinkled with spots of humor. I can see a trio of Oscar nominations with this film for Clint Eastwood in directing, and for Leonardo Dicaprio and Armie Hammer in acting.
J. Edgar is the story of Hoover’s rise to “power”, as told by J. Edgar Hoover. The movie takes place during three different time periods: when Hoover was just a budding employee of the Department of Justice and his involvement in the creation of the Bureau of Investigation; flash forward to Kennedy’s time in the office of the President of the United States of America, and finally during Nixon’s short-lived administration.
Throughout the film we see the influence that Hoover had in the government at the time. Of course, at the beginning of his career, he had very little. But through lies, deceit and manipulation he quickly became very influential. He began building his “personal files” very early on, which he used to blackmail and coerce government officials into many things, but most of all to keep his position as head of the FBI.
Throughout the film we see J. Edgar Hoover’s struggle with his controlling mother, his sexuality and his political opponents. His mother, Annie Hoover, played by Dame Judi Dench, saw Hoover as the savior of their family name. It had been disgraced in her eyes by his mentally ill father. She was his guiding voice in all areas of his life, including appearance, stature and his sexuality.
We see Hoover make advances towards Helen Gandy, played by Naomi Watts, who is a typist who becomes his personal assistant his entire life. Hoover’s demeanor around her is awkward at best, and she makes it very clear that she is focusing on her career. Shortly after the creation of the Bureau of Investigations he meets Clyde Tolson, played by Armie Hammer of The Social Network fame. It quickly becomes obvious that there is chemistry between these two.
The film takes us all the way to Hoover’s death and the many things he has accomplished, or perhaps did not accomplish, in between. Remember that I said that this a story of J. Edgar Hoover as told by the man himself. This plays into the film in a very great way. Overall, this is definitely a must-see film as it is a great drama sprinkled with spots of humor. I can see a trio of Oscar nominations with this film for Clint Eastwood in directing, and for Leonardo Dicaprio and Armie Hammer in acting.
Hazel (1853 KP) rated The Water Babies in Books
Oct 9, 2017
Worryingly Controversial
This eBook was provided by the publisher via NetGalley in exchange for an honest review
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic The Water Babies written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “A Fairytale for a land-baby” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
The Water Babies is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of Necrobioneopalæonthydrochthonanthropopithekology. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, The Water Babies has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic The Water Babies written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “A Fairytale for a land-baby” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
The Water Babies is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of Necrobioneopalæonthydrochthonanthropopithekology. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, The Water Babies has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
Hazel (1853 KP) rated The Water Babies in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic <i>The Water Babies</i> written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “<i>A Fairytale for a land-baby</i>” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
<i>The Water Babies</i> is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of <i>Necrobioneopalæonthydrochthonanthropopithekology</i>. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, <i>The Water Babies</i> has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic <i>The Water Babies</i> written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “<i>A Fairytale for a land-baby</i>” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
<i>The Water Babies</i> is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of <i>Necrobioneopalæonthydrochthonanthropopithekology</i>. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, <i>The Water Babies</i> has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
Emma @ The Movies (1786 KP) rated Queen & Slim (2019) in Movies
Feb 2, 2020
Queen and Slim share a nice, if odd, first date. Driving her home after dinner their night takes a turn as they're pulled over by a police officer. It's clear that he's less than happy, and when he asks Slim to step out of the car with no real reason Queen, as a lawyer, tries to stand for what's right. What happens next leaves them both changed and they need to escape what's coming, but neither are prepared for what it'll lead them to.
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
The Last Suppers: A Novel
Book
-A gorgeous novel that finds beauty in the most unlikely of places.- --Susan Wiggs, #1 New York...
fiction