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Whatchareadin (174 KP) rated Behind Closed Doors in Books
May 10, 2018
Grace has finally met the man of her dreams(or so she thinks). Jack is attractive, intelligent, kind, and most importantly, adores her sister Millie who has Downs-Syndrome. They are first introduced when Jack starts to dance with Millie at a park they frequent on the weekends Grace spends with her. They had both noticed each other before, unaware that this was the case. They date for a few short months, as both of their jobs keep them very busy and after an even shorter engagement, they are married in a very small ceremony.
After the vows have been said, Jack shows Grace his true colors and strips her of all of her freedoms; her cell phone, her job, the ability to do anything without him, and explains the plans he has for her and especially for Millie when she moves in with them at the end of her school term. Terrified for her life and more so or Millie's, Grace tries as hard as she can to get away from Jack, but it is impossible since he has everyone convinced she has mental problems. Will she be able to get from under his control before Millie moves in or something more serious happens?
I hadn't planned on reading this book until after the first of the year, but after I received a letter and a postcard from Grace, I knew I had to read it right away. The book is told from the Past and the Present and at the end they come together to reveal a harrowing tale of emotional torture I have never read about before. Grace is a character you automatically have empathy for. I'm not sure how she got herself into this situation, but its a hell of a ride to get out. Jack is always two steps ahead of her and no matter what she tries she can't get ahead of him.
I really enjoyed this book. It kept my heart racing and I kept hoping that Grace would eventually find a way out. Jack was even a couple of steps ahead of me when I thought a friend was trying to help her get out. This book is highly recommended. One of the best I have read this year.
See more of my reviews at http://whatchatreadin.blogspot.com

Phillip McSween (751 KP) rated Eighth Grade (2018) in Movies
May 13, 2019
Acting: 10
After watching this movie, it left no doubt in my mind that Elsie Fisher has an amazing career ahead of her in acting if she so chooses. It wouldn’t have surprised me in the slightest if she had been up for an Academy Award. She makes this movie feel very real and personal. You can feel her awkwardness and how it impacts the situations she’s in. She captures the essence of teenage angst: Having the need to fit in and impress at the same time. It makes you cringe and laugh all at once.
Beginning: 10
Characters: 10
While there are a number of other characters in the movie that make it great, Eighth Grade is nothing without our star Kayla. Rooting for her character is really what drives the movie overall. She reminds you of what it was like to find yourself and how it good it feels to not have to pretend to be something you’re not for the sake of the approval of others. She’s a bit strange, but in an endearing, funny kind of way.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Never gets old or suffers from “filler” scenes like a good number of dramas tend to do. It gets right to the chase showing you exactly what it wants to you to see before moving on to the next moment. The beauty of this movie is I was always intrigued from scene to the next and I think it’s due in large part to the fact that I was always invested in Kayla’s well-being.
Plot: 10
Resolution: 10
Overall: 100
Eighth Grade snuck up on me in 2018 and I’m so glad it did. I loved it in more ways than one and I think it’s a generational movie that should be on a number of all-time lists for years to come. Beautiful, inspiring movie.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.