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Contesting the Wool
10.0
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It's curtains for somebody at the reading of the will... Poly Monroe never expected to inherit...
Wilde Moon (Wildeward Academy #5)
10.0
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Time to take London by storm. My name is Lady Victoria Grey. In Gilded Age London with its...
Historical Paranormal Reverse Harem MM Romance
Mongrel
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Mongrel, a creature more wolf than man, leads a lonely life on the fringes of pack society—until...
Paranormal Historical MM
All We Leave Behind: Transits of Three
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Following the exodus from rising floodwaters, the surviving descendants of those who came to create...
Science Fiction
The Magi Menagerie (The Magi Menagerie #1)
Book
Some stars aren't meant to be followed... For seventeen years, Ezra Newport and his parents were...
Young Adult New Adult Fantasy Historical
Mark @ Carstairs Considers (2568 KP) rated Poirot: Hallowe'en Party in Books
Feb 2, 2023
Drowned in the Apple Bobbing Tub
Poirot is called to a small British village after a tragedy at a Hallowe’en party takes place. Someone used the tub that the guests had bobbed for apples in to drown Joyce, a thirteen year old girl who was helping with the event. Earlier in the evening, she had bragged that she had witnessed a murder, however the residents of the village didn’t take her seriously since she was always embellishing if not outright lying about things. If that wasn’t the motive, what happened to her?
Yes, I picked this particular book to read this year because of the upcoming movie “inspired” by it. I suspect the movie will be vastly different, but we will see. The book originally came out in 1969, and you can tell with some of the theories that Poirot hears about what happened. It was interesting to see how society was thinking about some of these issues back then. My biggest issue was the victim’s age, it’s just not something I’m used to. However, I was drawn into the story, interested in finding out exactly what happened. The characters could have been a little sharper, but they did help make me care about the story. I was on the right track, but didn’t have everything pieced together when we reached the climax, which was pretty thrilling. It’s easy to see why this is a lesser-known book from Agatha Christie, but it is definitely enjoyable.
Yes, I picked this particular book to read this year because of the upcoming movie “inspired” by it. I suspect the movie will be vastly different, but we will see. The book originally came out in 1969, and you can tell with some of the theories that Poirot hears about what happened. It was interesting to see how society was thinking about some of these issues back then. My biggest issue was the victim’s age, it’s just not something I’m used to. However, I was drawn into the story, interested in finding out exactly what happened. The characters could have been a little sharper, but they did help make me care about the story. I was on the right track, but didn’t have everything pieced together when we reached the climax, which was pretty thrilling. It’s easy to see why this is a lesser-known book from Agatha Christie, but it is definitely enjoyable.
ClareR (6225 KP) rated The Beautiful Ones: A Novel in Books
Jul 22, 2022
How could I not enjoy The Beautiful Ones? It’s basically Jane Austen with added magic!
Nina has been sent to Losail for her debut into fashionable society - and more importantly, to find a husband. But the chances of her becoming one of the Beautiful Ones is remote. She has the reputation of being the Witch of Oldhouse, and struggles to control her telekinesis. Beautiful ones do not show off any gifts they might have in public.
However when Nina meets the mysterious entertainer Hector Auvray, she falls for him: his life experience and his ability to control his telekinesis. What’s more, he starts to help Nina control her own talents.
Nina is sheltered and naive. Everything she has learnt about romance has come from the pages of a book, and life just isn’t like that, especially for socialites who must marry for advantage and connections.
I could feel Nina’s frustration at her limitations (and agreed with her), and wanted so much to warn her. SO MANY TIMES!
Nina’s cousins wife is awful. Shes a sad, vindictive woman that I loved to hate.
The descriptions of clothing and etiquette were both captivating and frankly, mind blowing. I would most certainly have been a peasant- there’s no way I could have lived like that! The attention to ‘historical’ detail made me believe this could have genuinely happened. Just excellent world building!
I loved this book ❤️
Nina has been sent to Losail for her debut into fashionable society - and more importantly, to find a husband. But the chances of her becoming one of the Beautiful Ones is remote. She has the reputation of being the Witch of Oldhouse, and struggles to control her telekinesis. Beautiful ones do not show off any gifts they might have in public.
However when Nina meets the mysterious entertainer Hector Auvray, she falls for him: his life experience and his ability to control his telekinesis. What’s more, he starts to help Nina control her own talents.
Nina is sheltered and naive. Everything she has learnt about romance has come from the pages of a book, and life just isn’t like that, especially for socialites who must marry for advantage and connections.
I could feel Nina’s frustration at her limitations (and agreed with her), and wanted so much to warn her. SO MANY TIMES!
Nina’s cousins wife is awful. Shes a sad, vindictive woman that I loved to hate.
The descriptions of clothing and etiquette were both captivating and frankly, mind blowing. I would most certainly have been a peasant- there’s no way I could have lived like that! The attention to ‘historical’ detail made me believe this could have genuinely happened. Just excellent world building!
I loved this book ❤️
Lyndsey Gollogly (2893 KP) rated Heartless ( Scarlet Suffragette 3) in Books
Jun 17, 2023
78 of 235
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Gareth von Kallenbach (980 KP) rated The Da Vinci Code (2006) in Movies
Aug 14, 2019
No film since “The Last Temptation of Christ” has invoked as much controversy as The Da Vinci Code based on the book of the same name by Dan Brown. Prior to the film even being screened for the press, cries ran out to ban the film and its message that some find blasphemous. Fortunately calmer heads have prevailed and the film by Director Ron Howard has arrived in a wash of media frenzy not seen since Mel Gibson’s The Passion of the Christ.
If you are seeing a pattern forming, you would be correct as it seems that few topics can raise ire and wrath more than the topic of religion, especially if the film proposes a viewpoint that differs from the traditional beliefs that are given by the church, bible, and history.
In the film, a monk appears to murder an elderly man who with his last ounces of strength, manages to leave a cryptic riddle on his body. The bizarre nature of the crime prompts French police inspector Fache (Jean Reno) to travel to the Louvre to investigate the crime. A clue at the crime scene causes the police to summer Robert Langdon (Tom Hanks) from a lecture hall where he is signing his latest book on symbols. Since the deceased was supposed to meet Langdon earlier in the day Langdon has fallen under suspicion for the crime.
As he attempts to decipher the message at the crime scene, Langdon encounters a police cryptologists named Sophie (Audrey Tautou), who informs Robert that he is in danger and soon the duo are fleeing from the police after deciphering some hidden clues at the crime scene.
Before either Robert or Audrey knows what is happening, they are being accused of multiple murders and on the run. As the clues begin to mount, the mystery takes an even stranger turn by the discovery of an artifact that when unlocked, should contain a map.
Seeking refuge and help, the duo arrive at the estate of Sir Leigh Teabing (Sir Ian Mc Kellen), who proceeds to tell Robert and Sophie that the clues they have uncovered are part of a cover-up that segments of the church will stop at nothing to keep secret. The nature of this secret is such that should it become public knowledge, then they very foundations of history, faith, and the church could be shaken to their core.
As the mystery becomes clearer, the group are attacked by a Monk named Silas (Paul Bettany), who has been doing the violent work of someone know as The Teacher in an effort to discover the location of artifacts and those attempting to uncover the mystery.
What follows is a frantic race that travels from Paris to London in an effort to get to the bottom of the mystery and unravel the true nature of the mystery and the secret that people are willing to kill for in order to protect.
While some may find the mystery, the players, and their motivations confusing, the film does grab hold and moves along at a solid pace. Ron Howard once again shows his skill by directing a film that is different from his other works, yet rich in its visuals and complexity. The scenic locales of the film enhance the mystery (For those who have not read the book), as they attempt to decipher the clues along with the characters.
The work from the cast was solid as Hanks gives a very good if restrained performance in his portrayal. Mc Kellen is a very nice blend of elegance and old world charm that lifts up every scene in which he is in.
While there are those who will lambaste the film for the message it provides, I chose to look at it as a film that does what movies should, entertain and make you think. The film is not saying its assertions are hard and cold facts, what it is doing is providing a vehicle for debate.
In college I was told that through debate comes knowledge and growth for a society. This was common in ancient Greek and Roman society where issues of the day would be debated in open forums. It seems that we as a society have become too insistent to take things at face value and have forgotten that the very nature of the human experience is to question, grow, and seek our own answers. As such the film is a great example of how Hollywood at times gets it right and provides solid entertainment that will stimulate as well as entertain.
If you are seeing a pattern forming, you would be correct as it seems that few topics can raise ire and wrath more than the topic of religion, especially if the film proposes a viewpoint that differs from the traditional beliefs that are given by the church, bible, and history.
In the film, a monk appears to murder an elderly man who with his last ounces of strength, manages to leave a cryptic riddle on his body. The bizarre nature of the crime prompts French police inspector Fache (Jean Reno) to travel to the Louvre to investigate the crime. A clue at the crime scene causes the police to summer Robert Langdon (Tom Hanks) from a lecture hall where he is signing his latest book on symbols. Since the deceased was supposed to meet Langdon earlier in the day Langdon has fallen under suspicion for the crime.
As he attempts to decipher the message at the crime scene, Langdon encounters a police cryptologists named Sophie (Audrey Tautou), who informs Robert that he is in danger and soon the duo are fleeing from the police after deciphering some hidden clues at the crime scene.
Before either Robert or Audrey knows what is happening, they are being accused of multiple murders and on the run. As the clues begin to mount, the mystery takes an even stranger turn by the discovery of an artifact that when unlocked, should contain a map.
Seeking refuge and help, the duo arrive at the estate of Sir Leigh Teabing (Sir Ian Mc Kellen), who proceeds to tell Robert and Sophie that the clues they have uncovered are part of a cover-up that segments of the church will stop at nothing to keep secret. The nature of this secret is such that should it become public knowledge, then they very foundations of history, faith, and the church could be shaken to their core.
As the mystery becomes clearer, the group are attacked by a Monk named Silas (Paul Bettany), who has been doing the violent work of someone know as The Teacher in an effort to discover the location of artifacts and those attempting to uncover the mystery.
What follows is a frantic race that travels from Paris to London in an effort to get to the bottom of the mystery and unravel the true nature of the mystery and the secret that people are willing to kill for in order to protect.
While some may find the mystery, the players, and their motivations confusing, the film does grab hold and moves along at a solid pace. Ron Howard once again shows his skill by directing a film that is different from his other works, yet rich in its visuals and complexity. The scenic locales of the film enhance the mystery (For those who have not read the book), as they attempt to decipher the clues along with the characters.
The work from the cast was solid as Hanks gives a very good if restrained performance in his portrayal. Mc Kellen is a very nice blend of elegance and old world charm that lifts up every scene in which he is in.
While there are those who will lambaste the film for the message it provides, I chose to look at it as a film that does what movies should, entertain and make you think. The film is not saying its assertions are hard and cold facts, what it is doing is providing a vehicle for debate.
In college I was told that through debate comes knowledge and growth for a society. This was common in ancient Greek and Roman society where issues of the day would be debated in open forums. It seems that we as a society have become too insistent to take things at face value and have forgotten that the very nature of the human experience is to question, grow, and seek our own answers. As such the film is a great example of how Hollywood at times gets it right and provides solid entertainment that will stimulate as well as entertain.
Phil Leader (619 KP) rated Universe: Awakening (Terra Nova #1) in Books
Nov 27, 2019
In the far future an advanced society of post-humans launch an audacious exploration project - DEUS - to probe the edges of the universe. The mission is a success but one of the two pilots involved fails to return and the other - his brother Ja'el - retreats into a self-induced coma to avoid facing up to what happened. Despite this the mission is regarded as a success and propels Science Minister Odessa to the pinnacle of political power.
Fast forward 100 years. The probes sent out by DEUS have gone dark one by one, sending potentially troubling data before they do so. Ja'el is showing signs of improvement to his counsellor Auberon. With the real danger that the perceived success of DEUS - the basis of her power - may unravel Odessa brings Auberon under her control to manage Ja'el's recovery.
The rest of the book follows Auberon's (and his assigned Guardians, Mich'ael and Gab'riel) as they realise that there may be a personal motive in Odessa's desire to see Ja'el rehabilited, and that they may be 'surplus to requirements' once he is.
Overttun aims high with this book; there are a lot of concepts around not only technology but future society and political attitudes. There is also a subplot around the more advanced ruling class and the far more numerous worker humans which is used to good effect to highlight social injustices of all kinds. On whole the premise is delivered well, although there are a few lengthy exposition passages, particularly early in the book, which do spoil the flow and are probably not actually required.
What is striking is the character development. All the main characters learn some lessons along the way, Auberon in particular discovering that far from being a meek and unassuming mid-rank civil servant is capable of far more, both mentally and physically, than he ever thought possible. His metaphorical awakening mirrors nicely Ja'el's rather more literal awakening.
As the first part of an intended series of books, this volume necessarily does a lot of work setting up the characters and situations and leaves a lot of threads hanging to be picked up later but there is closure around the main plots and character arcs within this part of the story.
Although this is going to be labelled as a science fiction novel because of the post-human, technological and space exploration aspects at its heart it is a political thriller. Given this and that it is chock full of interesting ideas it bears careful reading without any preconceived expectations. But above all this is an interesting read following a set of well-designed characters in a fully developed world.
With its length and depth this is not a light read but the writing style is straighforward and clear whilst still being fully descriptive and immersive which makes it a pleasure to pick it up and see what Auberon and associates will do next.
The characters and the world they inhabit are something the author is clearly proud of - and he is right to be. This first instalment bodes well for the rest of the series.
Fast forward 100 years. The probes sent out by DEUS have gone dark one by one, sending potentially troubling data before they do so. Ja'el is showing signs of improvement to his counsellor Auberon. With the real danger that the perceived success of DEUS - the basis of her power - may unravel Odessa brings Auberon under her control to manage Ja'el's recovery.
The rest of the book follows Auberon's (and his assigned Guardians, Mich'ael and Gab'riel) as they realise that there may be a personal motive in Odessa's desire to see Ja'el rehabilited, and that they may be 'surplus to requirements' once he is.
Overttun aims high with this book; there are a lot of concepts around not only technology but future society and political attitudes. There is also a subplot around the more advanced ruling class and the far more numerous worker humans which is used to good effect to highlight social injustices of all kinds. On whole the premise is delivered well, although there are a few lengthy exposition passages, particularly early in the book, which do spoil the flow and are probably not actually required.
What is striking is the character development. All the main characters learn some lessons along the way, Auberon in particular discovering that far from being a meek and unassuming mid-rank civil servant is capable of far more, both mentally and physically, than he ever thought possible. His metaphorical awakening mirrors nicely Ja'el's rather more literal awakening.
As the first part of an intended series of books, this volume necessarily does a lot of work setting up the characters and situations and leaves a lot of threads hanging to be picked up later but there is closure around the main plots and character arcs within this part of the story.
Although this is going to be labelled as a science fiction novel because of the post-human, technological and space exploration aspects at its heart it is a political thriller. Given this and that it is chock full of interesting ideas it bears careful reading without any preconceived expectations. But above all this is an interesting read following a set of well-designed characters in a fully developed world.
With its length and depth this is not a light read but the writing style is straighforward and clear whilst still being fully descriptive and immersive which makes it a pleasure to pick it up and see what Auberon and associates will do next.
The characters and the world they inhabit are something the author is clearly proud of - and he is right to be. This first instalment bodes well for the rest of the series.