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Murder at Chateau sur Mer
9.0
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For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th...
Death (The Four Horsemen #4) by T.A. Chase
9.0
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Death, the Pale Rider and the most feared member of the Four Horsemen, has been searching through...
MM Paranormal Romance
David McK (3791 KP) rated The Postman (1997) in Movies
Jun 21, 2022
Kevin Costner released 'Waterworld' in 1995.
It sunk at the box office.
This was a few years later, based on the highly-respected David Brin novel of the same name.
I'm sure he wasn't expecting this one to flop either. Set in the far-off future of 2013, following a un-named catastrophe of some sort (no, not Trump)
The problem, I feel, is simply the length at nearly 3 hours long - there's some good ideas in here, and some good scenes, and a refreshing society-is-now-getting-better-again thread, after the unnamed events that led to the dystopian future shown at the start of the movie, but I do feel that the first act (in particular), playing up the threat of the fascist army led by General Bethlehem, could have been excised somewhat.
I understand why it's there - it needs to give Costner's character something to push against - but I think the book (and from what I remember) handled that aspect better than the movie does.
So, yeah, Costner plays a drifter who - after his escape from that army - discovers an old Postman uniform, initially putting it on only to become warm and then 'delivering the mail' simply as a scam to get food and shelter. However, over the course of that movie, that scam takes on a life of its own and more and more becomes the truth, finally ending with a code in the late 2040s after his death and where - going by dress, etc, - things seem to be back to 'normal'.
It sunk at the box office.
This was a few years later, based on the highly-respected David Brin novel of the same name.
I'm sure he wasn't expecting this one to flop either. Set in the far-off future of 2013, following a un-named catastrophe of some sort (no, not Trump)
The problem, I feel, is simply the length at nearly 3 hours long - there's some good ideas in here, and some good scenes, and a refreshing society-is-now-getting-better-again thread, after the unnamed events that led to the dystopian future shown at the start of the movie, but I do feel that the first act (in particular), playing up the threat of the fascist army led by General Bethlehem, could have been excised somewhat.
I understand why it's there - it needs to give Costner's character something to push against - but I think the book (and from what I remember) handled that aspect better than the movie does.
So, yeah, Costner plays a drifter who - after his escape from that army - discovers an old Postman uniform, initially putting it on only to become warm and then 'delivering the mail' simply as a scam to get food and shelter. However, over the course of that movie, that scam takes on a life of its own and more and more becomes the truth, finally ending with a code in the late 2040s after his death and where - going by dress, etc, - things seem to be back to 'normal'.
Lyndsey Gollogly (2893 KP) rated One Enchanted Evening ( The Buckingham Hotel book 1) in Books
Jan 16, 2022
10 of 230
Book
One Enchanted Evening ( The Buckingham Hotel book 1)
By Anton DuBeke
London, 1936.
Inside the spectacular Grand Ballroom of the exclusive Buckingham Hotel the rich and powerful, politicians, film stars, even royalty, rub shoulders with Raymond de Guise and his troupe of talented dancers from all around the world, who must enchant them, captivate them, and sweep away their cares. Accustomed to waltzing with the highest of society, Raymond knows a secret from his past could threaten all he holds dear.
Nancy Nettleton, new chambermaid at the Buckingham, finds hotel life a struggle after leaving her small hometown. She dreams of joining the dancers on the ballroom floor as she watches, unseen, from behind plush curtains and hidden doorways. She soon discovers everyone at the Buckingham - guests and staff alike - has something to hide . . .
The storm clouds of war are gathering, and beneath the glitz and glamour of the ballroom lurks an irresistible world of scandal and secrets.
Let's dance . . .
Well I was not expecting that! I loved this book the only reason I put it down was to sleep! I never in a million years would have picked this book up as I’m not a huge fan of the author but it came to me through a surprise subscription and I’m so glad I decided to read it! Set in an era I adore with all the glitz and glamour as well as little dark little secrets of the characters that make them human. I really recommend this to anyone who likes 1930s drama settings.
Book
One Enchanted Evening ( The Buckingham Hotel book 1)
By Anton DuBeke
London, 1936.
Inside the spectacular Grand Ballroom of the exclusive Buckingham Hotel the rich and powerful, politicians, film stars, even royalty, rub shoulders with Raymond de Guise and his troupe of talented dancers from all around the world, who must enchant them, captivate them, and sweep away their cares. Accustomed to waltzing with the highest of society, Raymond knows a secret from his past could threaten all he holds dear.
Nancy Nettleton, new chambermaid at the Buckingham, finds hotel life a struggle after leaving her small hometown. She dreams of joining the dancers on the ballroom floor as she watches, unseen, from behind plush curtains and hidden doorways. She soon discovers everyone at the Buckingham - guests and staff alike - has something to hide . . .
The storm clouds of war are gathering, and beneath the glitz and glamour of the ballroom lurks an irresistible world of scandal and secrets.
Let's dance . . .
Well I was not expecting that! I loved this book the only reason I put it down was to sleep! I never in a million years would have picked this book up as I’m not a huge fan of the author but it came to me through a surprise subscription and I’m so glad I decided to read it! Set in an era I adore with all the glitz and glamour as well as little dark little secrets of the characters that make them human. I really recommend this to anyone who likes 1930s drama settings.
Lyndsey Gollogly (2893 KP) rated Manumission in Books
Oct 1, 2022
178 of 230
Kindle
Manumission
By R.A. Hatton
⭐️⭐️⭐️⭐️
A REBELLION IGNITED BY A FORBIDDEN LOVE.
Within an old kingdom, our elven race of warriors keep humans as slaves, and we thrive.
Until the rebellion started, disturbing the peace and hurting the innocent, now I hunt them, and I will find their hidden base.
When my man servant is killed during an ambush, rage for the loss of a slave brings confusion and chaos into my otherwise commanding and structured life.
He was so much more, meant more to me than my society allows.
I have no time to grieve as a new alliance of enemies has emerged from within my city, and they have plans for me.
Forced me to take part in a traditional breeding programme, but I am nobody’s breeder and I will defy their rules.
Yet, when I meet him, the branded human scheduled for death, he awakens a desire from within that I never knew existed.
He makes me question the rules and I begin to discover the truths long buried in blood.
My name is General Truda and now I must choose between obeying the laws of my species or to free the forbidden human, who repairs my heart.
I was surprised at how much I enjoyed this book. Or had a strong story and very good character and world building. It was an easy straightforward read that kept you really interested in the outcome. I’m hoping this writer does more in the future.
Kindle
Manumission
By R.A. Hatton
⭐️⭐️⭐️⭐️
A REBELLION IGNITED BY A FORBIDDEN LOVE.
Within an old kingdom, our elven race of warriors keep humans as slaves, and we thrive.
Until the rebellion started, disturbing the peace and hurting the innocent, now I hunt them, and I will find their hidden base.
When my man servant is killed during an ambush, rage for the loss of a slave brings confusion and chaos into my otherwise commanding and structured life.
He was so much more, meant more to me than my society allows.
I have no time to grieve as a new alliance of enemies has emerged from within my city, and they have plans for me.
Forced me to take part in a traditional breeding programme, but I am nobody’s breeder and I will defy their rules.
Yet, when I meet him, the branded human scheduled for death, he awakens a desire from within that I never knew existed.
He makes me question the rules and I begin to discover the truths long buried in blood.
My name is General Truda and now I must choose between obeying the laws of my species or to free the forbidden human, who repairs my heart.
I was surprised at how much I enjoyed this book. Or had a strong story and very good character and world building. It was an easy straightforward read that kept you really interested in the outcome. I’m hoping this writer does more in the future.
Lyndsey Gollogly (2893 KP) rated Secrets, Lies & Revenge (Book 1) in Books
Jul 11, 2023
92 of 235
Book
Secrets,Lies &Revenge (Book 1)
By Ben Andrews
⭐️⭐️⭐️⭐️
Four women. Three murders. Infinite secrets.
After Emily Lamont and her grandmother, Cynthia, move into the affluent neighborhood of Beechwood Close — their plan is set in motion.
Ava Shaw has built up a stellar reputation, the envy of society at Beechwood. Yet her troubled past soon catches up with her when things begin to spiral out of control, threatening to finally expose the truth she spent years hiding.
Rose Walker is struggling to find peace in her home, but when she is approached by a stranger who spins stories of a group that can change her life, things finally start to look up. Until she learns of their sinister motives…
Florence Foster is transforming her life in a desperate attempt to recapture the affections of her wandering husband. But, as divorce approaches, her worst fears come to fruition.
As plans unfold and secrets are revealed, the fate of the four women hangs in the balance. But one thing is for certain, hell hath no fury like a women scorned.
I thoroughly enjoyed this. It was full of drama from the start. The characters were interesting and you felt everything with them. A book full of secrets, lies and revenge it certainly was. I was lucky enough to be gifted this along with an Arc copy of book 2 in the series and I can’t wait to see how these lives continue to unfold.
Book
Secrets,Lies &Revenge (Book 1)
By Ben Andrews
⭐️⭐️⭐️⭐️
Four women. Three murders. Infinite secrets.
After Emily Lamont and her grandmother, Cynthia, move into the affluent neighborhood of Beechwood Close — their plan is set in motion.
Ava Shaw has built up a stellar reputation, the envy of society at Beechwood. Yet her troubled past soon catches up with her when things begin to spiral out of control, threatening to finally expose the truth she spent years hiding.
Rose Walker is struggling to find peace in her home, but when she is approached by a stranger who spins stories of a group that can change her life, things finally start to look up. Until she learns of their sinister motives…
Florence Foster is transforming her life in a desperate attempt to recapture the affections of her wandering husband. But, as divorce approaches, her worst fears come to fruition.
As plans unfold and secrets are revealed, the fate of the four women hangs in the balance. But one thing is for certain, hell hath no fury like a women scorned.
I thoroughly enjoyed this. It was full of drama from the start. The characters were interesting and you felt everything with them. A book full of secrets, lies and revenge it certainly was. I was lucky enough to be gifted this along with an Arc copy of book 2 in the series and I can’t wait to see how these lives continue to unfold.
Lyndsey Gollogly (2893 KP) rated The Viscount Who Loved Me (Bridgertons, #2) in Books
Dec 8, 2023
189 of 235
Book
The Viscount who loved me ( Bridgertons 2)
By Julia Quinn
⭐️⭐️⭐️
1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in all truth, why should he? When it comes to playing the consummate rake, nobody does it better...
-Lady Whistledown's Society Papers, April 1814
But this time the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry-he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield-the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate's the woman haunting his increasingly erotic dreams...
Contrary to popular belief, Kate is quite sure that reformed rakes to not make the best husbands-and Anthony Bridgerton is the most wicked rogue of them all. Kate's determined to protect her sister-but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...
I love Julia Quinn and this series has become so popular. I’ve managed to avoid the tv series as I always prefer to read the book first. And this was really good I enjoyed Anthony’s story, not as much as the first book but it was exactly what I expected.
Book
The Viscount who loved me ( Bridgertons 2)
By Julia Quinn
⭐️⭐️⭐️
1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in all truth, why should he? When it comes to playing the consummate rake, nobody does it better...
-Lady Whistledown's Society Papers, April 1814
But this time the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry-he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield-the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate's the woman haunting his increasingly erotic dreams...
Contrary to popular belief, Kate is quite sure that reformed rakes to not make the best husbands-and Anthony Bridgerton is the most wicked rogue of them all. Kate's determined to protect her sister-but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...
I love Julia Quinn and this series has become so popular. I’ve managed to avoid the tv series as I always prefer to read the book first. And this was really good I enjoyed Anthony’s story, not as much as the first book but it was exactly what I expected.
Eilidh G Clark (177 KP) rated The Panopticon in Books
May 13, 2017
This is my all time favouurite book.
Jenny Fagan stated in an interview in 2013 that prior to writing the novel The Panopticon (2012) she had one question, ‘is it possible to achieve autonomy?’ Fagan explores this question throughout her novel with the character of Anais Hendrix. I would also suggest that the author is metaphorically exploring whether Scotland can achieve autonomy as an independent nation. Autonomy, in relation to the individual, is self-governance- or being able to decide for oneself
At the beginning of the novel, the fifteen-year old Anais is governed by the state. In contemporary British society, a child under the age of sixteen, regardless of her social situation is, by law, governed by an adult/s. Anais has lived her life in the care system with the exception of a short period in which she lived with an adopted mother. It is for this reason that she is able to see society from outside of the family unit. By creating the motherless child, Fagan presents Anais as the ‘other’ from both a societal perspective- ‘communities dinnae like no-ones,’ and from the viewpoint of the protagonist, ‘What they really want is me dead,’ (TP, p.23). Without a family, and through a lack of legitimate information regarding her birth mother, Anais believes that she was created in a lab:
I’M AN experiment. I always have been, It’s a given, a liberty, a fact. They watch me. Not just in school or social-work reviews, courts or police cells – they watch everywhere. […] They’re there when I stare too long or too clearly, without flinching. […] They watch me, I know it, and I can’t find anywhere any more – where they can’t see, (TP, Prologue).
Note that in the above quotation, the protagonist describes her assumed identity as a ‘liberty’. Liberty, in this case, means freedom from the oppressive nature of the family. Although Anais desires the nurturing aspect of the family, ‘I just want my mum,’ (Tp, p.269), her lack of family exposes her to the nature of contemporary society as a constant monitoring of civilians. In the above quotation, the repetition of ‘they’ suggests that she feels outside of the norm. The most important aspect of the above quote however, is that it is told from the protagonist’s thoughts. While Fagan gives Anais a certain amount of autonomy through both the first-person narrator, and the vernacular, the reliability of the narrator is increased by presenting the characters inner thoughts. While this limited autonomy is important, full autonomy is restricted by age. Bever suggests that ‘the capacity for individuals to become autonomous seems radically dependent on the contingent historical circumstances and societies into which they are born. Anais’ awareness of herself as the ‘other’ allows her an insight into the oppressive role of society, which is normally hindered in childhood due to the role of the family and it’s teaching of norms and values.
The sense of otherness can also be looked at in regard to Scotland and its role within the UK. The UK is a family of four countries under one state. Regardless of Scotland’s devolution, it has still to comply with a large amount of UK policies. Scotland has different values and goals to that of the UK making it ‘other’. With a different cultural identity to its neighbours, many Scottish citizens are seeking independence to protect its dwindling identity, whilst for others, independence is political.
Anais’ awareness of social control causes her a feeling of shrinking. This, according to her social workers is an identity problem:
Fifty odd moves, three different names, born in a nuthouse to a nobody that was never seen again. Identity problem? I dinnae have an identity problem – I dinnae have an identity, (TP, p.99).
Anais’ reaction in the above statement describes her lack of knowledge of her ancestry. I would argue that her identity is forced upon her from the fifty-one times that she has moved home, the care system, the solitary time in which she was adopted, the relationships she has had - both female and male, her friends but more importantly, from the unreliable account of her birth from the monk in the metal institution. The lack of family does not alter the fact that she is alive, and that all the fragments of her past make up an identity. For Anais, ‘Families are overrated […] ‘I umnay fooled. Not by families,’(TP, p.63-64). Like Anais, Scotland’s identity is ambiguous. Independence will allow Scotland political autonomy, however, within a global economy, Scotland still has limited autonomy. As culturally ‘other’ however, Scotland has already achieved autonomy with or without a state through its language, its people and its traditions.
Fagan demonstrates the difficulty of total autonomy though Anais and the birthday game, a game in which she creates her own identity. When she turns sixteen years of age, Anais is free from societal care and flees from her imprisonment, ‘I am Frances Jones from Paris. I am not a face on a missing-person poster, I am not a number or a statistic in a file. I have no-one watching me, […] I−begin today,’ (TP, p.323-324). ‘I’ suggests singularity and is still opposite to ‘them’ or ‘we’. Autonomy is therefore, ambiguous; Anais is still living within the same system under a false identity, she is therefore, segregated from everyone that she knows. Moreover, by changing Anais’ name to a name that ‘means freedom.’ (TP, p.323), Fagan is pointing out the difference between freedom and autonomy. Freedom is an emotive word, and there are two concepts of freedom – freedom from, which in Anais’ situation means freedom from the system of observation. Freedom to, however, is more problematic as Anais can never be free from the neoliberal system of rules and law – as Scotland would see in the case of independence. I would therefore conclude that Anais/Scotland has always has limited autonomy through cultural identity and history. I believe autonomy can only reside within the system through cultural and individual imagination and not out with it.
What does this mean for Scotland? If Scotland is part of the global community, can it become an autonomous nation? Is there a solution or should Anais/Scotland accept that cultural autonomy is imagined or self-contained. Can a collective identity and imagination change the political system? Finally, can culture survive without independence?
Bibliography
Crupp, Tyler, ‘Autonomy and Contemporary Political Theory’, in Encyclopaedia of Political Theory, ed. Mark Bevor (London: Sage Publications, 2010)
Fagan, Jenni, The Panopticon (London: Windmill Books, 2013), p.6.
Windmill Books. (2013). Granta Best Young British Novelist Jenni Fagan, . accessed 22 November 2015. Published on Apr 16, 2013
At the beginning of the novel, the fifteen-year old Anais is governed by the state. In contemporary British society, a child under the age of sixteen, regardless of her social situation is, by law, governed by an adult/s. Anais has lived her life in the care system with the exception of a short period in which she lived with an adopted mother. It is for this reason that she is able to see society from outside of the family unit. By creating the motherless child, Fagan presents Anais as the ‘other’ from both a societal perspective- ‘communities dinnae like no-ones,’ and from the viewpoint of the protagonist, ‘What they really want is me dead,’ (TP, p.23). Without a family, and through a lack of legitimate information regarding her birth mother, Anais believes that she was created in a lab:
I’M AN experiment. I always have been, It’s a given, a liberty, a fact. They watch me. Not just in school or social-work reviews, courts or police cells – they watch everywhere. […] They’re there when I stare too long or too clearly, without flinching. […] They watch me, I know it, and I can’t find anywhere any more – where they can’t see, (TP, Prologue).
Note that in the above quotation, the protagonist describes her assumed identity as a ‘liberty’. Liberty, in this case, means freedom from the oppressive nature of the family. Although Anais desires the nurturing aspect of the family, ‘I just want my mum,’ (Tp, p.269), her lack of family exposes her to the nature of contemporary society as a constant monitoring of civilians. In the above quotation, the repetition of ‘they’ suggests that she feels outside of the norm. The most important aspect of the above quote however, is that it is told from the protagonist’s thoughts. While Fagan gives Anais a certain amount of autonomy through both the first-person narrator, and the vernacular, the reliability of the narrator is increased by presenting the characters inner thoughts. While this limited autonomy is important, full autonomy is restricted by age. Bever suggests that ‘the capacity for individuals to become autonomous seems radically dependent on the contingent historical circumstances and societies into which they are born. Anais’ awareness of herself as the ‘other’ allows her an insight into the oppressive role of society, which is normally hindered in childhood due to the role of the family and it’s teaching of norms and values.
The sense of otherness can also be looked at in regard to Scotland and its role within the UK. The UK is a family of four countries under one state. Regardless of Scotland’s devolution, it has still to comply with a large amount of UK policies. Scotland has different values and goals to that of the UK making it ‘other’. With a different cultural identity to its neighbours, many Scottish citizens are seeking independence to protect its dwindling identity, whilst for others, independence is political.
Anais’ awareness of social control causes her a feeling of shrinking. This, according to her social workers is an identity problem:
Fifty odd moves, three different names, born in a nuthouse to a nobody that was never seen again. Identity problem? I dinnae have an identity problem – I dinnae have an identity, (TP, p.99).
Anais’ reaction in the above statement describes her lack of knowledge of her ancestry. I would argue that her identity is forced upon her from the fifty-one times that she has moved home, the care system, the solitary time in which she was adopted, the relationships she has had - both female and male, her friends but more importantly, from the unreliable account of her birth from the monk in the metal institution. The lack of family does not alter the fact that she is alive, and that all the fragments of her past make up an identity. For Anais, ‘Families are overrated […] ‘I umnay fooled. Not by families,’(TP, p.63-64). Like Anais, Scotland’s identity is ambiguous. Independence will allow Scotland political autonomy, however, within a global economy, Scotland still has limited autonomy. As culturally ‘other’ however, Scotland has already achieved autonomy with or without a state through its language, its people and its traditions.
Fagan demonstrates the difficulty of total autonomy though Anais and the birthday game, a game in which she creates her own identity. When she turns sixteen years of age, Anais is free from societal care and flees from her imprisonment, ‘I am Frances Jones from Paris. I am not a face on a missing-person poster, I am not a number or a statistic in a file. I have no-one watching me, […] I−begin today,’ (TP, p.323-324). ‘I’ suggests singularity and is still opposite to ‘them’ or ‘we’. Autonomy is therefore, ambiguous; Anais is still living within the same system under a false identity, she is therefore, segregated from everyone that she knows. Moreover, by changing Anais’ name to a name that ‘means freedom.’ (TP, p.323), Fagan is pointing out the difference between freedom and autonomy. Freedom is an emotive word, and there are two concepts of freedom – freedom from, which in Anais’ situation means freedom from the system of observation. Freedom to, however, is more problematic as Anais can never be free from the neoliberal system of rules and law – as Scotland would see in the case of independence. I would therefore conclude that Anais/Scotland has always has limited autonomy through cultural identity and history. I believe autonomy can only reside within the system through cultural and individual imagination and not out with it.
What does this mean for Scotland? If Scotland is part of the global community, can it become an autonomous nation? Is there a solution or should Anais/Scotland accept that cultural autonomy is imagined or self-contained. Can a collective identity and imagination change the political system? Finally, can culture survive without independence?
Bibliography
Crupp, Tyler, ‘Autonomy and Contemporary Political Theory’, in Encyclopaedia of Political Theory, ed. Mark Bevor (London: Sage Publications, 2010)
Fagan, Jenni, The Panopticon (London: Windmill Books, 2013), p.6.
Windmill Books. (2013). Granta Best Young British Novelist Jenni Fagan, . accessed 22 November 2015. Published on Apr 16, 2013
Breathtaking Historical Fiction; Must Read!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."