"First song is a John Hiatt song. I love this guy. I get in many arguments with my wife who loves Bruce Springsteen about how much better John Hiatt is as a songwriter. But this song is called “Dust Down A Country Road” and it’s actually in the beginning of the movie, Road Hard, and it just captures the flavor and the feel of a lonely guy on the road."

"It could be any Curtis Mayfield record, really. When I hear his voice, it just lifts me up. His music puts me in the space to create. It’s quite rare, that mix of fragility and toughness. It’s there from day one with a song like It’s Alright by the Impressions, and it’s there on his late music too, this incredible ability to sweeten the message with beautiful melodies. He’s a complete inspiration as a songwriter, musician and arranger. Curtis lives!"

"I'd never heard of Connie Converse before I saw Anna & Elizabeth – this amazing American duo – singing one of her songs, Father Neptune. I'm always drawn to sea shanties, but I remember thinking, wow, where does this come from? Her songs felt very different to me, but also familiar – I like to think it's me. ‘One By One' is about a woman walking in the dark, and it's heartbreaking, but so beautiful. ‘Trouble Man In The Sky' is about her falling in love with Orion, and it all going wrong. Even in her humorous and philosophical moments there's an underlying sadness, which for a folk singer is very attractive [laughs]. And then she left home one day, left her family a letter, saying, I'm going, just let me be. So ambiguous. Then she wasn't heard of again. But even before that, he's a fascinating songwriter. Her songs reminded me of Molly Drake's. They're so unusual, but so human. And I'm not a songwriter, I'm a singer, so I'm always about finding songs to sing. Ones full of intelligence, humour and melancholy that feel a bit apart, they always speak to me.
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"A superb documentary about the once little-known American singer-songwriter Sixto Rodriguez, and his huge popularity in South Africa, which starts with a rumour about him killing himself by setting fire to himself on stage. His real story then reveals itself to be very different. This film delves into mythology, how it develops, and the way we elevate musicians as beacons in culture. It’s also a film about an incredibly underrated guy, and how difficult it was to find lost stars before the internet took off. It couldn’t happen now."

"Roberta Flack speaks to me in that same way that Melanie speaks to me. She's such a beautiful songwriter and composer and pianist and I don't think she gets enough credit either. She's such a beautiful songwriter and she's, to me, up there with Joni Mitchell. She covers 'Hey, That's No Way To Say Goodbye' by Leonard Cohen so beautifully. And that piano part, I think it's a minor key, it's a small part that's been sampled by Lil' Kim and I think Notorious BIG. It's so subtle and I don't think you would notice it unless you loved that record. It's so good. It's also so curated perfectly from start to end. I am no spring chicken and making the new album, it was my first record where the Spotify playlist was what mattered the most, and it's really difficult because that beauty in curating the song-list and what comes where, really thinking about it, and the titles of the tracks, that mood, is gone. It's all gone. No one cares about albums anymore. The labels want you to put the songs that they've chosen to be singles first and before you would never put the single first. Ever. First Take is very visual. I can see it in my head."