Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (207)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Gareth von Kallenbach (980 KP) rated Planet 51 (2009) in Movies

Aug 8, 2019  
Planet 51 (2009)
Planet 51 (2009)
2009 | Action, Animation, Comedy
8
6.8 (11 Ratings)
Movie Rating Watch
On a planet far from our own, green creatures are experiencing their own version of the 1950’s. Among them is Lem (Justin Long) who has just gotten his first job as an assistant at the local planetarium. When a space ship appears harboring an alien, human astronaut Captain Charles T. Baker (Dwayne Johnson), the fearful locals are not so friendly. It is up to Lem to save the astronaut and help his people learn not to fear the world beyond what they know.

The film is written for both children and adults, like a toned down version of “Shrek” with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.

Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.

“Planet 51” is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.

A delightful, animated romp, “Planet 51” will make you hope for a groovy 1960’s sequel.
  
40x40

Adam Green recommended Leave Home by John Davis in Music (curated)

 
Leave Home by John Davis
Leave Home by John Davis
(0 Ratings)
Album Favorite

"He's known in the indie rock subculture as the other half of a band called The Folk Implosion that he was in with Lou Barlow from Sebadoh. They did most of the songs on the Kids soundtrack and their song 'Natural One' was a single in the 90s. John was also a member of the Palace Brothers which was Will Oldham's band from before he became Bonnie "Prince" Billy. So he has a little bit of history collaborating with other great people, but he also made a series of lo-fi home recorded records in the 90s. It is a strange, outsidery folk record. It's psychedelic and a little reminiscent of things like Syd Barrett and Skip Spence's Oar, but it also has this really interesting British folk, Incredible String Band type of 12 string guitar playing. The lyrics are very free associating, somewhat improvised, very intimate and very quiet. His records are so intimate that he broke down a wall between himself and the tape recorded that had never been broken down before. It makes you feel like you're in this tiny little space with him and his singing you this craziest record. I discovered this album at Kim's Underground, a record store in New York. I just bought one of his cassettes off a rack because it looked interesting to me. I'm really lucky I grabbed that tape because Leave Home was the most listen to record of my early teenage years. The style was so inspiring to me growing-up, that all I wanted to do was make John Davis-like songs. A lot of the early Moldy Peaches songs like 'Lucky No.9', 'Lazy Confessions' – all these things on the first album – are me trying to copy John Davis' stuff."

Source
  
40x40

Anand Wilder recommended Nuff' Said! by Nina Simone in Music (curated)

 
Nuff' Said! by Nina Simone
Nuff' Said! by Nina Simone
(0 Ratings)
Album Favorite

"She takes that song 'Ain't Got No, I Got Life' and makes it so much more than a silly musical song [from Hair], she gives it emotional depth. That's the great thing about Nina Simone - she did so many Bee Gees songs - and the Bee Gees are this agreed-upon joke. I think the Bee Gees are amazing geniuses - they are just so prolific and the fact that they were able to make all these changes and keep going. They did this Beatles-esque psychedelic thing which I think is awesome and went onto becoming the kings of disco, and wrote that Kenny Rogers and Dolly Parton song, 'Islands In The Stream'. Nina Simone hears a Bee Gees song or someone suggests it to her and she goes, ""That's such a sweet song - those guys have no soul at all, but I'm gonna make this song sound awesome."" What I love about that album is that it's mostly all recorded live - there's real space to it because of that. That's something we tried to do for the musical - record it live, we wanted to record it in the same room, but because there were so many elements we had to put in it was impossible. The album was recorded four days after Martin Luther King's death. I don't know how big Nina Simone really was in her lifetime, but it feels like we are lacking in politicised chanteuses right now. I think now [there's] this real era of Christian rock - people just want to be uplifted. It's kind of that dynamic thing that the critic criticises Cat Stevens for; you can probably criticise Coldplay or Mumford & Sons for the same kind of thing. Like, ""Oh you're just toying with me, you're starting all small and then making it huge, of course I have a religious feeling right now!""

Source